Skip to content

Ryoko Akama

Ryoko Akama is a Japanese-Korean composer, sound artist and performer based in Huddersfield, UK, where she studied for a PhD at the university. Her work moves between installation, performance and composition, with quiet, minimal music concerned with silence, time and space. She is known for kinetic installations made from domestic appliances and scrap, driven by heat, magnetism and gravity, and for text and alternative scores played by musicians in many countries.

2 Compositions
I have collaborated with Bruno Duplant on various projects over the last three years since I participated in Presque Rien (Rhizome-s) in 2013. Only a few people have met actual Bruno, and I have only worked with him via virtual exchanges. It was when…
sisbiosis
*In process of stocking* Erstwhile presents sisbiosis, collaboration album by Clara de Asís and Ryoko Akama, mastered by Taku Unami. Photography by Clara de Asis (black and white) and Ryoko Akama (color). Six-panel digipak. Clara de Asís - electronic…
Songs For a Shed
A series of six works for piano and instruments by Ryoko Akama, performed by Apartment House. Commissioned by Philip Thomas and Another Timbre, and dedicated to Philip Thomas. Played by Apartment House: Siwan Rhys (piano), Anton Lukoszevieze (cello),…
Places and Pages
The place could be an empty room; a quiet street corner; a fountain or waterfall; a huge echoey space. The sounds: reverberant cracks, lush organ drone, quiet whoosh of distant traffic, tapping and banging, whistles and squeaks, accordion chords, …
immobilite
Although living in separate European countries, Akama (electronics) and Duplant (organ, electronics) have forged a strong musical bond on a handful of collaborative releases, often with titles related to nothingness, which, in turn, mirrors the minim…
Next to Nothing
Four text scores composed by Ryoko Akama (VCS3 synthesizer), Bruno Duplant (percussion, tone generator) and Dominic Lash (double bass, clarinet & laptop). The pieces are all text scores, carefully and exquisitely realised by three of the most interes…