Sacher-Pelz

2007 release ** Limited edition of 199 hand numbered copies with unique paste-on covers plus 16-page A5 booklet. "Together with Museo Della Tortura (although the cover just says M.B. + M.D.T.) Maurizio Bianchi made seven tracks, 'psalmodian', which on the cover is explained as an 'experimental way how to interpret the psalms'. All pieces are about psalm 63, which is when King David was alone in the desert and God was still with him. This desolation is captured quite well in the music. Sometimes …

Italians Maurizio Bianchi and Emanuela De Angelis have a generation between them, but that does not prevent them from delivering their first collaboration entitled "Regolelettroniche".However, to get there, they had to agree on a few rules, alluded to in titles such as "Earthly Principle" and "Cosmic Norms", and through these "rulelectronics" credited to both of them.That being said, these rules are left unexplained; listeners can discover them on their own when they experience this drone-based …

2006 release ** "Aided by musician M.D.T. (aka the Museum of Torture), this time leaving Maurizio Bianchi concessions acoustic Antarctic Mosaic and MI Nheem Alysm (where an upright piano hammers for 10 minutes a tether claustrophobic) to resume the speech sound historical works as Symphony For A Genocide (grazed in the title) and Regel. If the departure (Departure) aligns with the hordes of former electronics student Merzbow, in pieces like Return or Arrival distortion is channeled into a world …

Primordial sounds created by Maurizio Bianchi/M. B. using a rudimental five strings guitar, afterwards polarized effects added by Siegmar Fricke utilizing a shapeless analogtronic apparatus. CD-R in half handmade 3 panels digipack

Collaboration works. Embossed gatefold sleeve. w / poster & obi. Originally planned to be released in 2006, but not actually released until April 2007.

The fact that Maurizio Bianchi is back is something that is known. I think the new age muzak he created right after his return should be seen as a false start, as since quite some time now, he returned to the world of noise and that is a territory that we can safely call his territory. Bianchi here teams up with one Maor Appelbaum, who is a member of various Israeli project such Poochlatz, Vultures, IWR and who has various solo projects Screening , Vectorscope and Plated Steel – not that I heard…

2007 release ** "Electrostatic Deflection" is a new industrial-music masterwork, created through collaboration with Maurizio Bianchi, and Israeli musician Maor Appelbaum. It's represents Bianchi's more extreme direction... a sample of whats comming in the future from the historic Italian composer. Amazing impact, immense slabs of industrial sound in motion. Sweeping vistas of intense static energy, storm-fronts moving across the stereo field, an acoustic tidal wave approaching landfall, breathta…

"For whatever reason I am not entirely sure of Maurizio Bianchi hooked up with Siegmar Fricke a lot since he returned to recording new music again. Fricke always seems to have something to do with the music of Bianchi, whether or not it is a collaboration, mastering, mixing or post production. Here on 'Makrokosmikro' its a collaboration with Bianchi getting credit for 'macrowaves, cosmotronics, microloops' and Fricke for 'mactronics, cosmodulations, microblending', which I am sure they have had …

This is probably one of  the most clinical releases of Maurizio Bianchi's current discography. Together with Siegmar Fricke from Germany four very complex soundscapes have been produced that on the one hand show similarities and relations in sound to Maurizio’s early releases and on the other hand enter new territorities of clinical sound-excursions. The four long tracks contain metallurgic ambiences, painful postoperative distortions, quiet endoscopic sections and pulsating, radiant elect…

A very rare electronic-experimental minidisk by Maurizio Bianchi.

Limited to 69 numbered copies, only available for subscribers of the picture 7" series by SmallVoices. Comes in a clear sleeve. Included is an one-sided 5x9 cm info-sheet, handsigned

A new double cd from Silentes, containing soundworks by 'Chaotische Fraktale' and 'Letze Technologie'. These works were sourced from collaborations between M.B./Maurizio Bianchi, and Frequency in Cycles for Second/Sandro Kaiser. A fascinating sonic mix of influences here... industrial, electro-experimentation, minimalism, noise, and deep-listening. Large, drone-based segments meld with the distant sounds of reverberating piano and soft whispered melodies. Dramatic and dark. Huge pools of sound, …

2005 release ** "Italian Avant-Noise legend M.B. and Land Use collaborate on dramatic, subterranean wall-of-noise constructions and swirling textural storms, dense and complex arrangements, shifting and shimmering tones barely under control, streaming toward some distant and indefineable precipice. Not noisy, but way too tense and corrosive to be called ambient. These vibrant monoliths of sound shift the listeners pysche into a restless sort of zen, a blissful chaos - truly mind and mood-alterin…

An extraordinary collaboration between the hystorical italian de-composer Maurizio Bianchi and the eclectic electronic-ambiental experimenter Nimh (Giuseppe Verticchio). An unmissable 4CD box that's a long and kaleidoscopic journey at the edges of sound, from the dark-industrial feelings of Together's Symphony, CD that gives the box the title, to experimental-lyric-introspective atmospheres of Secluded Truths, to sonic multicoloured collages of Niddah Emmhna, by the only M.B., and the electronic…

LAST COPIES - LP album, numbered and stamped vinyl limited edition of 250 copies. 'I've taken inspiration for this medicative work from the sordid persecution of the early Christians, but in other ways we receive objectivistic persecution every day from this standardized system, from our wretched condition and from the modern persecutors which are hidden behind their threatening countenances. The appropriate soundtrack of such perturbed sufferings is this justifiable work, 'Persecutionem', in wh…

A brand new album of minimal, cryptic & static sounds. The inexistence is the aplanatic condition of what is not existing, therefore doesn't subsist in the shot reality. Transferring this entomologic concept to radical music, we're consequently asking: inexistent sounds for existing people or existing sounds for inexistent people? Without schizoid presumption, "Inexistence" is replying to this existential question

Numbered edition of 600 numbered copies in a trifold 10" inch sleeve with original artwork. Re-issue of the Maurizio Bianchi's early Lp Mectpyo Bakterium . Included in this re-issue is a bonus disc with 55 minutes of ultra rare material officially published on CD for the first time here.Disc 1: First two tracks are from the 1982 LP 'Mectpyo Bakterium' released by DYS Records, USA. Third track is from '40 Days/ 40 Nights' compilation on Stratosphere Music, Japan. Fourth track is from 'Internation…

An unusual, very nice release for Maurizio Bianchi/M. B. playing a decadent piano using sostenuto and damper pedals effects. Ultra limited edition of 100 copies

First issued as a very limited private tapes in 1981, now for the first time ever on CD for these early tapes by one of the most important figures in noise/electronic history, Maurizio Bianchi. These two discs were originally issued on tape in 1981 and have been bootlegged and cut into oblivion since then; this is the first time they've been made available digitally and fully uncut. Technology 1 has two long 25 min+ songs, both in a similar vein and showing MB taking a more subtle melodic approa…

This is the limited friends edition of 50 copies in a red Box Set with golden imprints instead of the black Box Set with silver imprints, especially for the artist and a few other people in relation to VOD. Handsingned copy!