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1989 release **
Marubatoo (13:05) John Wyre Fauna (13:17) William CahnCymbal (11:55) Bob BeckerRain Tree (11:10) Toru TakemitsuRemembrance (9:36) Robin Engelman
"This is a fine collection of pieces performed by one of the premier percussion ensembles in the world. The Canadian quintet Nexus approaches the notion of the percussion ensemble with an ear for innovation and a discipline for virtuosity. Nowhere is this clearer in this disc than on the album's centerpiece, "Cymbal," by group leader Bob…
1999 release ** "In 1950 Henry Brant began to write spatial music of a particular kind in which the planned positioning of the performers throughout the hall, as well as on stage, is an essential factor in the composing scheme. This procedure, which limits and defines the contrasted music assigned to each performing group, takes as its point of departure the ideas of Charles Ives. Brant's principal works since 1950 are all spatial; his catalogue now comprises nearly 100 such works, each for a di…
2011 release ** "Lunz was the second collaboration of the German electronic music legend Hans-Joachim Roedelius (Cluster, Harmonia) and Grammy-nominated American composer/producer Tim Story. Lunz was the culmination of the composers’ 25-year mutual admiration and friendship, and the beginning of a prolific partnership that spawned six acclaimed albums, audio art installations and live concerts across Europe and the US. When Lunz originally hit the record shop shelves of London, listeners knew of…
2005 release ** "Braspyreet is a Helsinki-based improv/free jazz band. “Aquatic visions of spacetime bending, this quartet chants its way through the fanciful forested heavens of the north. Bathed in blankets of shimmering white snow, Braspyreet’s manic compositions will melt the surrounding ice into a swimming hole. So many things find their way into the collective psyche, but Braspyreet will destroy them all and send you off in a jewel-encrusted golden gondola to the pastures beyond.”"
1992 release ** "Icaros was a project of the last line-up of Saxioma. A longplayer was planned but this was never realised. This recording of Icaros is based on a tape from a show in Waregem, April 1987. The variations (tracks 7 & 8) are probably recordings of rehearsals for the textile fair Made in Belgium, October 1987 (as maybe also track 9). The 'Sketchbook' are small pieces from Frits De Cauter meant as basis for compositions. The last track 'N.V. Verdriet' is the last part of an Aroma di A…
2001 release ** "This is a reissue of the Finnish lp-only first release by this great rock/avant/fusion guitarist and his band, and includes two bonus tracks. The record features a unique blend of heavy guitarwork combined with dual, wailing Coleman and Ayler-influenced saxes and a rhythm section of bass/electric bass and two drummers. The music is quite original, but has certain musical ties to the harmolodic school ala The Decoding Society and Prime Time."
1992 release ** "I’ve long been interested in the extension of instrumental resources by electronic means, so when the Equale Quintet invited me to write a piece for them I decided to write in a part for a sixth player controlling a range of devices which would extend the sound of the five brass instruments. The title Equalisation is a slightly ironic reference to the technique, often used in rock music recording, of filtering a sound in certain ways to heighten its effect. Officially, the filte…
2008 release ** Limited and numbered edition of 250 copies, part of the KMB Jazz CDr Series. "The 2007 solo debut of New York free improvising trumpeter Matt Lavelle, here performing on the hybrid instruments, the Bass-Trumpinet and Bass-Clarumpet, introduced and punctuated with spoken word insight and declarations, and using overdubs on selected tracks, making for an intimate and accomplished album of modern free jazz."
2007 release ** "Ben Zeen's music is a combination of an analog modular synthesizer, controlled by Theremin antennas and a ribbon controller, laptops as a source of deconstructed, destroyed, processed loops and samples of various origins and used simultaneously as an effects center for other, external sound sources, prepared instruments and field recordings. The laptops are equipped with numerous controllers - knobs, touch, light."
2016 release ** ""X" as the unknown, "X" as a reference to time. "X" as a definite position between possibility and contingency. The album X by the Swiss band Strøm works with remix as a method, explores the potential of the origin. Or the result's? The work on the concept album started with an improvised piece by Gaudenz Badrutt (analog synthesizer) and Christian Müller (contra bass clarinet and live effects). In a process of intense live sampling by Badrutt and Müller the starting material was…
2008 release ** "Splendid debut of Testing Vault, project of dANi/Alvo, already active as a collaborator in other releases of the Italian industrial undergrowth, and produced by our own Final Muzik. The Laughing Torso makes no secret of its influences, above all the primordial industrial of the 80s in its less aggressive and more meditative expressions, those closest to certain ritual music accompanied by the use of the voice in the form of recitations / spoken word, but also the more shady Coil…
2010 release ** "The Album “Ianurek 5.0 x 100″ represents a metaphysical world made for interact with the listener. Shapes and colors fill the mind, bringing the listener in a condition where the contours are outlined by the various points of union between the tracks. The record born from a subject/form focused in the foreground, characterized by a plasma contortion. This movement becomes the pulsating heart of the tracks, and the concept need to be found between the interaction of the sounds, e…
2008 release ** "The way we perceive sound geography can depend on many factors, being them a recollection of visited places, a fantasy journey or the sheer appreciation of a work made by other visitors; in that sense, I:Wound’s double CD is one of the best collages of local recordings and electronic splicing that I can name right now. The whole set revolves around loops and cut’n’paste memories of Indian sources, from radio and public gathering noise to praying chants and children playing, all …
2008 release ** Limited edition of 100 copies. "Expanded in 1993 with members Peter Duimelinks and in 1995 Roel Meelkop, this trio explores the world of micro electro-acoustic music, playing on waste found on the streets and with a fine addition of field recordings."
2012 release ** My Right of Frost draws sound signs from electronic circuits rewired and made unstable up to the feedback’s critical point. The sequences proposed are totally improvised from the point of view of the musical value of the sounds, and tonally unrepeatable. Across and beyond the concept of circuit bending, My Right of Frost operates constantly on the verge of oscillators and filter’s collapse, extemporizing electronic paths that diverge to form a macro-sign, i.e. the artwork.
2006 release ** "'Stage' is Steinbrüchel’s second full-length solo release on Line. The album contains 10 scenes that move between warm organic and melodic digitalised sounds and cold crystalline-like sparks. The sounds and compositions are even more detailed and have a more melodic approach then previous recordings by Steinbrüchel. Single isolated and stretched tones are structured together with smaller loops and particles of clicks and noises into dense atmospheres. Parts of the sounds used in…