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2000 release ** Limited numbered edition of 450 hand-numbered copies in a special package. The first CD of LC aka Lucisferrato. which releases on Hau Ruck made well-known to the world this one of the most unique and original St. Petersburg outfit that uses various analogue devices, voice and prepared accordion to create the frightening picture of human soul suffering in the modern world collapse.
2007 release ** "Pangolinorchestrà is a hybrid between a village band, ICP-tet, Liberation Music Orchestra, Albert Ayler Band, Jimi Hendrix Experience, N.E.E.M., Screamin Jay Hawkins, Jannacci and assorted Bennink-stuff. “Ex-perimento #5” - recorded at the “Centro Stabile di Cultura” in San Vito di Leguzzano and produced by the same Center in cooperation with Idee Nere and Stella Nera - gives a good image of a band whose forte should be the action directed from above the stage."
2007 release ** "In Very Slow Disco Suite (2006), De Bièvre slows down a disco song from 120 bpm to 20 bpm. Against this languid harmonic background, three musicians play material that is dictated at random by a microcontroller. In this way, De Bièvre tried to guarantee the spontaneity of the performance."
2005 release ** "After releasing over 18 releases since 1999, Chaos As Shelter needs no further introductions. His latest work, dawn syndrome, was recorded in 2001 and is dedicated to the end of Kali Yuga, the age of iron, which is the final and most negative of four evolutionary Yugic cycles, the end of the world, and the dawn of a new golden age - Sataya Yuga (the age of purity). Dawn Syndrome is an eight-track composition of ritual dark ambient crafted in the skillful way Chaos as Shelter is …
2000 release ** Limited edition of 500 hand numbered copies. Packaged in mini-LP sleeve. "In all six tracks of this CD, Murayama uses a cymbal, a snare drum and small objects (as well as his voice on track 6). Four of the pieces (2-5), recorded in Tokyo, were composed by Murayama based on collaborations with Soundworm (Shoji). Several clusters of two or three mikes were deployed in different areas of the studio, with one of the mikes of one cluster placed outdoors. (In addition, there were two c…
2000 release (visible storage wear) ** "These ten singular compositions by Gregorio share one thing in common: a rare ability to express astonishing collages of sound, interspersed with outstanding individual improvisation, resulting in surprisingly accessible sounds that baffle as they fully absorb the listener. In an incisive essay the composer cites varieties of constructivism and concrete art as influences and wisely eschews the self-expression of so much of free improvisation in favor of ".…
* First ever reissue * Bassist, composer, arranger, and film scorer Jorge López Ruiz was the living embodiment of Argentine jazz history. This recording, which was done in 1967 with a big band led by López Ruiz, represents a monumental work in Argentine jazz. The work is a concept album that takes a critical stance on the chaotic political situation and the military regime in Argentina at the time. It was banned upon release and directly led to constraints being placed on López Ruiz’s subsequent…
Third LP by the legendary Ali Farka Toure and one of 5 LPs being reissued for the first time ever. It comes with a replica of the original cover. Label design has been recreated based on the original release. Vinyl pressing company derived from runouts.
*100 copies limited edition* Flip-Flap is pleased to announce that the series of works chosen by Conrad Schnitzler for publication with us is now continued with the help of the Dutch-based distributor Fonodroom. This selection of works was originally made by Conrad Schnitzler himself in 2008 for a 100 CD boxset edition planned to be released by the now defunct Waystyx label. As heirs to Waystyx, Flip-Flap offers Conrad's fans an opportunity to further immerse themselves in his universe of electr…
*100 copies limited edition* Flip-Flap is pleased to announce that the series of works chosen by Conrad Schnitzler for publication with us is now continued with the help of the Dutch-based distributor Fonodroom. This selection of works was originally made by Conrad Schnitzler himself in 2008 for a 100 CD boxset edition planned to be released by the now defunct Waystyx label. As heirs to Waystyx, Flip-Flap offers Conrad's fans an opportunity to further immerse themselves in his universe of electr…
** Ltd. 300 copies, remastered edition, audiophile pressing. Perfect replica of the original packaging, newly remastered for optimal sound. ** "Equinox", Gianni Marchetti's 1977 twin album of "Solstitium", released in a handful of promo copies by RCA in their renowned "Original Cast" series, takes us on a journey through the author's groovier and wilder temperament, feeling as fresh and surprising today as the day it was made, offering immediate understanding of the reasons why it has remained o…
Farming, often associated with toil and drudgery, can also be a surprisingly sensual and playful activity. The rhythm of the seasons, the tactile experience of working the land, and the shared sense of accomplishment can all contribute to a heightened sense of intimacy and pleasure. Consider the act of planting seeds. The gentle touch of fingers on delicate seedlings, the anticipation of growth, and the nurturing care required can create a deeply satisfying and sensual experience.
Harvesting, to…
Tip! Guilherme Granado makes his first solo appearance on the Keroxen label under the guise of his Goat Unity project, the result of a plethora of collaborations with musician friends and foes. A São Paulo native, Guilherme has been quietly building a reputation for being the go-to guy for loop based beats and groovy basslines. He has played and recorded with Mauricio Takara in Hurtmold (4 albums) and he’s also part of São Paulo Underground (also with Takara and Rob Mazurek). He also performs, p…
* Edition of 400 * Alessandro Adriani marks his comeback on his own Mannequin Records with an impressive body of work on this 2xLP 'Program & Rhythm', inspired by the Italian library music and soundtrack composers. Italian composers from the 60s to the 80s seemed limitless in their experiments and endlessly colorful, despite being a hidden part in the history of music. Library music takes weird and fantastic detours, between garish drum machines, seedy guitars, synthesizers gone haywire, and fra…
Here's the cd reissue of a 2009 cassette from the emissary of British dronemusik, Andrew Chalk. That cassette, like this cd version, had been released by the Japanese imprint Siren Records, although it seems that Chalk himself did all of the printing as with all of his Faraway Press productions. So, it certainly looks as lovely as it sounds. The album opens with a 22 minute abstraction of piano tones, smeared, stretched, and warbled by a process that seems more attuned to tape decay techniques t…
2008 release ** "This is the first album by Mitsuru Nasuno (Altered States, Fushitsusha, Ground Zero, Korekyojinn, etc.), the top bassist in Tokyo's most cutting-edge scene, also known as the groove master. As the title suggests, the recording took place between 1998 and 1999. Two of the tracks (the third and fourth) were already included in the 10-disc box set "Improvised Music from Japan." This work is the complete version, so to speak. This complete version, which has finally seen the light o…
2017 release ** "Building beats and sounds with electronics is a huge part on the record. The drums and the electronics prime the whole album without being reduced to a straight beat. Patrick Schimanski moves from abstract sounds to micro rhythms to straight beats (saturated by any background you can think of) and back again. The drum sound has a percussive tone to it as well: There are bells and congas and more like it. Patrick Schimanski is working a lot with different theaters around Germany …
2007 release ** "I've rarely heard anything this slow avoid being repetitive this successfully and, in fact, it wouldn't be too difficult for other bands to take a leaf out of Solemn's book and try a similar approach. One of the ways in which this does well is down to the structuring of the album. The two opening songs are both colossal slabs of slow doom that include lots of subtle keyboards and soundscapes, as well as an outstanding vocal performance, more on which later. They pack in just abo…