Back in stock

"The next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer & multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums &-counting flagship ensemble. Joining the core NIS of Abrams (guimbri & bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) & Jason Stein (bass clarinet) are Hamid Drake (percussion), Josh Berman & Ben Lama…

*2025 Repress!! 150 copies limited edition* Rich in musical associations yet utterly singular in its voice, joyous with an inner tranquility, the music of Natural Information Society is unlike any other being made today. Their sixth album in eleven years for eremite records, descension (Out of Our Constrictions) is the first to be recorded live, featuring a set from London’s Cafe OTO with veteran English free-improv great Evan Parker, & the first to feature just one extended composition. The 75-…

180g double LP, newly remastered, lacquer cut by Rashad Becker, with liner notes by Julian Cowley. Four side-long improvisations recorded in a single day - 19 August 1974, Nippon Columbia Studio, Tokyo. Licensed from Nippon Columbia. Some records are made. This one was tuned into. On a single August day in 1974, eight musicians walked into a Tokyo studio and, instead of performing, set a process running - and ninety minutes of slow oceanic drift came out the other end, sounding less composed tha…

10" coloured vinyl edition. Ten tracks drawn from the 1954-56 Pacific Jazz sessions. Chet Baker Sings is a record that arrived too early for its own audience. In 1954 a twenty-four-year-old trumpet player set down his horn, leaned close to the microphone, and sang as if confiding something he wasn't sure he wanted overheard. What the era received as a flaw - a voice too soft, too high, too undefended for a man - is exactly what now sounds like the future turning up ahead of schedule. There is al…

On this new LP Harry Bertoia shows why he may have been the first industrial musician. Bertoia often referred to his sound sculptures as a "collaboration with industry" and on this new LP Bertoia is intentionally creating heavy, rhythmic music he described as "mechanized," "mechanical" and "factory like." This first edition is packaged in a full color sleeve with metallic inks. Mastered by Tom Eaton at Sounds & Substance.  Recorded in 1971, percussion and repetition emulate the pounding rhythms …

This is a boxed set of six consecutive CD releases from November 2017, re-edited in chronological order from the "G.R.O.S.S." CD-Rs that recorded live performances in the 2000s, the mature period of Aube's activities. Aube is a noise project by Akifumi Nakajima, born in Kyoto in 1959.Since the 1980s, he has been using synthesizers and other devices to create small-scale sounds as a hobby. In 1990, he was in charge of the music for the installation "Water 1990" by the artists Soichi Arichi and Ta…

Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation’s ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. The event gained international acclaim for its adventurous architectural design, visual art and electronic music. Some of Japan’s most renowned composers were involved, but also present were the now-legendary rockers, the Flower Travellin' Ban…

In 1991, Yuji Takahashi and Mamoru Fujieda collaborated in staging a sound installation at the Sezon Museum of Art in Tokyo, making extensive use of the new artistic possibilities provided by the advent of personal computers. In this installation, a culmination of their investigations into the aesthetic use of new technology, these two renowned leaders of Japanese experimental music used sensors and transducers on objects and in the space itself, via MIDI conversion, to trigger pianos, synthesiz…

*100 copies limited edition* Tibor Szemző is presenting two compositions on his new album Snap #2 – The Other Shore and the first release of his CUBA. As the title implies, Snap #2 can be considered a sequel to his cult album Snapshot from the Island (released in 1987, 2000 and 2020). In that first album the island was a metaphor for isolation and now Snap #2 offers Szemző’s reflections of his visits to real islands, Cuba in 1988-1990 and Japan in 1992-1994. As usual, Tibor Szemző processed the …

Edition of 400, on black vinyl. This is pure gold for the electro-Miles Davis’s lovers.  The great saxophonist Gugliemo Pagnozzi directs his band in compositions built on improvisation flows that unfold starting from a minimally organized accompanying rhythmic cell in continuous transformation and in the making, which in turn is developed and modified during the executive-improvisation flow chasing instant dialling. Pressed at Optimal Media.

"When you notice the cheerful mystery playing with the synths, the edges of this small world start to look slightly distorted. In any era, someone is always creating mysterious music on their own." - 7FO

In December 1977, at the tail end of a decade he had helped to electrify, Bill Connors brought a nylon-string guitar into Oslo's Talent Studio. Three years earlier, he had walked away from Chick Corea's Return to Forever at the height of its commercial ascent, trading a 200-watt Marshall stack for the spruce-and-cedar intimacy of the classical guitar - a decision that stunned his fusion-era following and quietly redirected the course of his work. Of Mist And Melting, his second leader date for E…

Masterful trio interplay reliant on deeply honed three-way communication and a refined sense of understatement make Fred Hersch’s third recording for ECM an essential entry into the piano trio canon. Hersch tackles a handful of 20th century compositions – spanning from standards to less frequented jazz tunes – as well as three originals, with Drew Gress on bass and Joey Baron on drums – two longstanding companions of Fred’s who have played with him on and off since the late 80s and early 90s res…

Guitarist John Abercrombie – who has recorded as a leader for ECM since 1974 – returns with a second album by his quartet featuring Marc Copland on piano, along with longtime rhythm partners Drew Gress and Joey Baron. Extolling 39 Steps, the group’s 2013 album, the Financial Times said: “The emphasis is on subtle intrigue, flowing lyricism and the interplay between the leader’s warm, cleanly articulated guitar and Copland’s piano… with bassist Gress and drummer Baron equally supple and sinewy co…

On Un Rêve Sans Conséquence Spéciale, Heldon compress their sound into a harsher, more pressurised zone, where sharpened synth-guitar structures pulse, splinter and recombine, holding tight form even as they threaten to rupture.

Second edition of 500 on transparent green vinyl. The third stanza of Friedrich Hölderlin’s poem ‘Dem sonnengott’ evokes a narrator who is tortured by Spleen until slumber makes his childlike gloom disappear with music. Although today’s readers might judge these nineteenth century musings of the Imagination as mere stylistic platitudes, they also still speak beyond the grave as universal truths. A mere two hundred years later, similar anxieties and hopes are still channeled through various art f…

Sutcliffe Jugend Vol. I and Vol. 2 'Campaign 1979-2000'. Two Box Sets and 20 LPs celebrating Sutcliffe Jugend’s 44th Anniversary of their first music experiments in 1979, VOD-Records is proud to announce the release of an ultimate deluxe retrospective set including 2x10 LPs wooden box with booklet, certificate and t-shirt with special sleeves + booklets + t-shirt.  Founded in 1982 by Kevin Tomkins, who would depart less than a year later to join Whitehouse, the English transgressive art unit, Su…

Adrian Smith of Luton spent three years playing in punk-inflected bands with his brother Derek (Those Nervous Surgeons, Half Nervous) before retreating alone to a bedroom and a synthesizer in 1979. What emerged was something no one in his immediate environment was making: long, atmospheric, analogue pieces built from hand-played sequences, emotionless production, and a palpable air of melancholia. His first two tapes, From the Silent Days and Absolutely Safe, were given only to friends, having n…

A collection of intimate songs traced from the spectral darkness by Asahito Nanjo, the notorious leader of some of Japan’s key underground psychedelic units (High Rise, Mainliner, Musica Transonic, Toho Sara, etc) Recorded between 1980 and 1988 and previously only available in a cassette micro-edition released by his La Musica Records label in the mid-1990’s. Remastered and available for the first time on vinyl and digital. “A compilation of secret projects recorded over a period of twenty years…

'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the a…