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With Me Hollywood, Oliver Leith continues to refine his idiosyncratic vocabulary, stretching the boundary between contemporary composition, performance art, and pop absurdism. The record unfolds as a study of spectacle and sincerity, as if filtering the bright unreality of stardom through a distinctly British sense of irony. Leith’s background in post-minimalist and experimental idioms converges here with a fascination for emotional transparency and artificiality, inviting the listener into a so…
On Friday, September 5, Liv Andrea Hauge Trio releases its third album, Døgnville, on Norwegian label Hubro. The record explores the feeling of being “døgnvill” – a Norwegian term describing the sensation of being out of sync with time and reality, like during jet lag or insomnia. The music inhabits this liminal space between structure and freedom, consciousness and dream. Half of the compositions were written while pianist and composer Liv Andrea Hauge was bedridden with a high fever – in a sem…
On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel widescreen.
"Christopher Dammann Sextet is a debut record, but it’s by no means a first effort. Bassist, composer, and improviser Christopher Dammann has been making records for about fifteen years, first as a member of 3.5.7 Ensemble and more recently as the leader of Restroy. Throughout that time, he’s also gigged persistently in Chicago, notably as a regular substitute for Brian Sandstrom in the long-lived free improv collective Extraordinary Popular Delusions, and from Charlottesville, VA (between 2010-…
Tim Berne - alto saxophoneTom Rainey - drumsGregg Belisle-Chi - guitar
All music composed by Tim Berne Party Music BMI except Julius Hemphill by Julius Hemphill.Subito Music Publishing (ASCAP).Mixed and mastered by David Torn.Vinyl artwork + design Steve Byram.CD artwork + design TJ Huff (huffart.com).Digital artwork is a collaboration between Steve Byram and TJ Huff.
Tracks 1-10 recorded April 20th 2024 by Greg DiCrosta at The Studio at Firehouse 12.
Tracks 11-18 are a live concert recorded Mar…
Erstwhile is proud to announce the first release on the new ErstClass imprint, an epic collection of Michael Pisaro's work for piano from 1994-2016, 11 pieces totalling 223 minutes. The pieces are performed by the brilliant Dutch pianist Reinier van Houdt (Current 93, Walter Marchetti, Robert Ashley, etc.) with close oversight by Pisaro as well as his own musical input at times. The gorgeous 8-panel digipak was designed by Yuko Zama (also the lead producer), and the 8 page booklet features liner…
Nearly sold out at source - Kevin Drumm - electronics, tapes, microphone, computer assistance and Greg Kelley - trumpet
recorded 2023-2025 at Full and Empty in Chicagomastered by Taku Unamidesign by Yuko Zamaproduced by Jon Abbey
Swiss composer Jürg Frey's six hour long electronic tape piece L'àme Est Sans Retenue I was recorded and assembled in 1997/98 and is now being released for the first time. It is the longest piece Frey has ever composed in his over 40 year career.In this piece, Frey utilized the sounds of field recordings he made in Berlin in 1997 as the source materials, alternately inserted between long stretches of silence. Frey was particularly focusing around that time on how the dynamic relation between sou…
Erstwhile presents Pictures Of The Warm South, Vanessa Rossetto's the seventh Erstwhile release, her second ErstSolo. Mastered by Giuseppe Ielasi, designed by Matthew Revert. Double CD, six-panel digipak. Primarily focused on composing works that draw on a diverse pallet of chamber instrumentation, field recordings, electronics and a wide array of different objects, with a practice that explores each through a combination of extended and traditional techniques, Vanessa Rossetto has been working …
2023 Stock. The second live recording of the duo by Keiji Haino and Masataka Fujikake released just five years after the previous work "Tomorrow, the alphabet will disappear." While retaining the steel-like strength of the previous album, this is a rock album that pursues his core expression only with guitar, vocals and drums . Keiji Haino – guitar, vocals Masataka Fujikake – drums. If HARD is raised to the power of several tens, will the grains of light pour down? Recorded at Stormy Monday Yoko…
*2026 stock* The third album of the quartet "Akira Sakata x Triple Edge," in which Masayasu Tsuboguchi, Takeharu Hayakawa, and Masataka Fujikake gather to create a rare improvised world with dynamism as if diverse organisms were wriggling under Akira Sakata, a giant tree several thousand years old.
*2026 stock* This is the first album by the trio "Honno Majikanaharu" consisting of Lapis (guitar & vocals), Hiroshi Higo (bass & vocals), and Masataka Fujikake (drums) in their activities over 10 years since their formation. This is a live album with Keiji Haino in their more than 10 years of activity since the formation of "No-Maji-Kanaharu".
Andrew Chalk and Daisuke Suzuki have known each other for many years now, as Suzuki runs the Siren label out of Japan and had released Sumac, Chalk's masterful collaboration with Jonathan Coleclough. Suzuki is also responsible for one of the very few published interviews with the somewhat reclusive Chalk. Their friendship certainly runs deep, and out of this friendship came the impetus to collaborate once again (both Suzuki and Chalk had contributed to the now defunct Ora project well ove…
The Kármán Line is the threshold - the precise altitude at which the Earth's atmosphere ends and open space begins. Outer Worlds Jazz Ensemble understood the metaphor immediately. This is music made at that exact boundary: grounded in groove and breath, but pulling steadily toward something without ceiling.
The story begins in Tokyo. Neil Innes - bassist, producer, the animating force behind ATA Records and its consistently remarkable Leeds-centred roster - and woodwind voice Chip Wickham were n…
Taking a short sabbatical from their journey into the spiritual stratosphere and beyond, Work Money Death landed on terra firma just long enough to record a follow up to the critically acclaimed “The Space In Which The Uncontrollable Unknown Resides Can Be The Place From Which Creation Arises”. The new album “Thought, Action, Reaction, Interaction” explores many of the meditative motifs that mould this unique group in their quest for the perfect sound and space. Those who are familiar with Work …
Every ATA project is marked by collaboration - some over a few weeks and some over decades. When drummer Sam Hobbs and bassist Neil Innes decided to make The Return of the Flying Hats they were building on twenty years of playing together; Innes’s years of nightclub residencies and love of Afro-American dance music, and Hobbs’s intensive exploration of the links between American soul and R&B, Jamaican rocksteady and roots, and the music of the wider Caribbean from Cuba to Trinidad and Brazil. Or…
Edition of 120 copies. The missing chapter, at last. Two of the most elusive records in the Alga Marghen catalog - one-sided LPs pressed in editions of 80 and 29 copies, available only inside long since vanished boxsets - are finally united on a single LP. Oeuvres sonores completes the series of records issued in relation to alga marghen's presentation of the work of Charlotte Moorman at the Centre Pompidou between 2008 and 2013, and appears in a final edition of 120 copies only. Moorman remains…
*Rare original arist' book - Music scores and instruction for performance* Sonata for Prepared Piano (1982) is a short work which, again, uses photoderivations as parts of the notation—this time nature with incomplete figure photographs, mostly obscured by the natural objects around them. (Dick Higgins, "The Strategy of Each of My Books" from Horizons, 1984)
"Four movements make up this thirteen minute work. Each uses a very different method of interpreting its materials, a set of four phot…
* Rare original artist' book - Music scores and instructions for performance * Variations on a Natural Theme (1982), as in Dick Higgins words, is a large orchestral work, in some ways a companion to the Ten Ways, since this time it uses gamuts (in this case selected by the individual musicians) and photo derivations made from a female model; she was insistent that she not be recognizable, since she was a teacher and was afraid that it would be damaging to her professionally if it were known that…