We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Pianist Pat Thomas, saxophonist Seymour Wright (both of [ahmed]) and drummer Paul Abbott - the latter two working as XT - deliver a remarkable set of new music, each, re-imagining improvisation and synthetic ideas with acoustic and electronic tools. This monumental new suite Strata, Act (Joy Contemporary)* released by We Jazz Records on 30th January 2026 is spread across three release formats, the complete album includes more than 2 hours and 15 minutes of music recorded live in London and Zuric…
*200 copies limited edition* Focussing more on the atmospheric-ambient-drone side of the moon, Spielerei presents seven moving soundscapes, all composed, performed, recorded and finally mixed in the cozy environment of the artist living room studio, where sacred rituals of black coffee, love & peace and musical creativity are cherished.
*200 copies limited edition* "Listening from the 80’s to Ambient explorations in the form of IDM, Minimal Techno and other more experimental Glitch, Clicks & Cuts styles and its creative, playful use of rhythmical structures and sounds, inspired me to take a step out of my musical comfort zone into more beat driven area’s and so, I bought myself a MPC Key 37 and overwhelmingly started hitting the pads, pressing the keys, twisting the knobs, in attempt to let my musical history repeat itself with…
Winding through cavernous and dark meanders, amid gurgling water, rustling sounds, low and deep pulsations, incisive and impactful sound masses, floating waves, crystalline drips, sudden rays of light, electronic spirals, and unexpected openings onto almost soothing soundscapes and quiet environmental stasis, Rod Modell paints musical textures that are apparently abstract and contemplative, but in reality charged with pathos and drama, taking advantage of a spectacular, enveloping and surprising…
*50 copies limited edition*
Completely handmade packaging.
The edition consists of:- sleeve cover (13.5x13.5 cm.) in black cardboard (thickness 200 grams), on the front of which is attached a figure printed in color on canvas.- 6-fold cover (13.5x13.5 cm. approx. closed, 40.5x13.5 cm. approx. developed), printed in color (200 grams paper)- cdr with printed surface, in black envelope. In the cd envelope is attached a cardboard envelope (12x6.5 cm. approx., cardboard 200 grams thick) which contai…
Tip, very special package! *36 copies limited edition*
Reissue of a tape made by M.B. in 2013. Probably this is the most experimental side of Bianchi. It was recorded as a live improvisation in the stairs of a building in the Industrial Zone 1 in opera. Here M.B. is alone with his voice, tubular effects, mechanical percussions. The package is completely handmade with wire mesh, with an industrial sculpture made of corrugated pipe, tongs, screws and metal pieces, assembled to the wire mesh with e…
*36 copies limited edition*
Handmade packaging.The CD-R is contained in a 14x20 cm embossed black cardboard envelope. A sticker is attached to the envelope.The envelope has a hole closed with a piece of white satin ribbon holding three steel washers (rings/clusters).Inside the envelope are:- a black envelope containing the black vinyl-like polycarbonate CD-R. The CD-R is printed- a full-color bi-fold cover- a bookmark- a sticker
*42 copies limited edition* Professionally printed CDr inserted in a professionally printed cover.The cover is made of high quality embossed cardboard (250 grams thick) and is approximately 13x15 cm in size. (closed) and 39x15 cm. (developed).Inside there is also a little bookmark. Based on Revelation chapter 21, verse 8.
*36 copies limited edition*
Reissue of a tape made by M.B. in 2021. Over 50 minutes of hypnotic ambient sounds, as bright as light refracting in waterfalls and mosaic stones!
Professionally printed CDr inserted in a professionally printed cover.The cover is made of high quality embossed cardboard (250 grams thick) and is approximately 13x15 cm in size.The edition is accompanied by a postcard featuring a reworked collage by M.B.
*30 copies limited edition*
Celebratory release for the tenth anniversary of the first track, released digitally only.This edition is entirely handmade.The CD-R is contained in a plastic sleeve with a frozen look, sealed with metal staples.A polyester print is attached to the front of the plastic sleeve.Inside the plastic sleeve is a paper sleeve containing the CD-R and a small insert with liner notes.The envelope and insert are printed on special high-quality lined paper.
*42 copies limited edition*
Reissue of a tape made by M.B. in 2010. Two longs pieces of magnetic minimalism made of loops of viola and hertzian waves. A work dedicated to Italian composer Giancinto Scelsi, father of microtonal music. Usual non-standard handmade packaging made with special ribbed paper, a cutout of a vinyl record, a metallic treble clef, and some inserts. CD-r is in vinyl-like black polycarbonate.
The black-dye vinyl CD-R is contained in a handmade sleeve (approximately 13 x 13 c…
*2025 much needed repress!!!* Music For Bus Stations is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.
"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and …
This is the final offering before entering the new wave of the failed future from MMOB. Totem Three journeys from quiet Bardo womb choosing meditations and instrumental mantras to the delusional glee of Kali Yugafied Indian rock. Totem Three is the most diverse and heartfelt of the Totem trilogy. A steady pulsating musical mirror prison expressing the atrophy of our "modern world" through No-Age hallucinations of passionate and unfolding melodies. A blissful mirage filled caravan with no destin…
“Över mitt ögas dag” by composer Lisa Stenberg and poet David Zimmerman is a collaborative text and sound work in which both past and future are constantly gravitating towards the present – a “now” as raging as it is inept.
The glacial electronics of Lisa Stenberg slowly grinds through both David Zimmerman’s lyrical segments and the adapted fragments of Vilhelm Ekelund’s ancient grave epigrams, all the while lamenting;
Nej / inga klockor märker ut / döda längre För allt är onödigt, en avsägelse
…
Mexican born, New York-based vibraphonist, marimbist, improviser and composer Patricia Brennan has confirmed the release of her debut full length album Maquishti, January 15, 2021 on the Valley of Search label. The twelve original instrumentals that make up the album were composed and performed solo by Brennan on vibraphone and marimba. Employing unusual performance techniques and occasional electronics, many of the compositions were borne from improvisations created live in the studio at the ti…
Apartment House presents seven works from John Cage's early period, before he began his systematic exploration of chance procedures. This repertoire captures a transitional moment when Cage had moved beyond traditional methods but before he devised new formal systems—a period when, as pianist Kerry Yong notes, he was "forced to be guided by their instincts and intuition" producing "extraordinary music."
The program balances what Yong calls "simply gorgeous / gorgeously simple pieces like 'Dream'…
What happens when electroacoustic thought migrates into the physical realm of acoustic instruments? Visiting Cloud documents a three-year collaboration between Finnish composer Marja Ahti and Italian ensemble Blutwurst, where two of Ahti's electroacoustic works - Fluctuating Streams (from The Current Inside, 2019) and Chora (from Vegetal Negatives, 2018) - undergo radical transformation into acoustic versions that stretch, deepen, and reimagine their original forms. Initiated by Blutwurst in 202…
Morton Feldman's Intermission 6 (1953) is a sparse piano piece that typically lasts between 3 and 12 minutes in standard performances. Finnish experimental musician Antti Tolvi has created a radical 72-minute realization that extends the work's meditation on silence and resonance to an unprecedented duration. Tolvi discovered the piece through Philip Thomas's five-CD Feldman Piano box set on Another Timbre, becoming fascinated by Intermission 6 as "the piece which has the most silence in it, and…
Radical collaboration between two of European improvisation's most innovative voices, recorded in Berlin in April 2008. Annette Krebs (guitar, mixing board, tapes) and Rhodri Davies (electric harp & electronics) created hours of raw material during sessions in Krebs's apartment, which she then spent months editing and mastering into this intriguing three-part suite. Krebs - one of contemporary improvisation's most distinctive and selective voices - has built her reputation through carefully chos…
James Opstad is probably better known as the double bassist with Apartment House than as a composer. But this should change with this release—the first CD of his music as a composer. Five beautiful pieces tracking the evolution of Opstad's work as it moves from textural electro-acoustic music to pieces exploring the layering of instruments playing at slightly different tempi.
The album begins with "Nymphaea" (2020), performed by the GBSR Duo (Siwan Rhys, piano; George Barton, vibraphone), follow…