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LP version: Previously released by Phoenix Records on CD, now available on digitally remastered 180 gram virgin vinyl, this is People's sole album, the legendary Ceremony -- Buddha Meet Rock, originally released in 1971 in Japan. Nobody's sure if the musicians on this recording ever performed as a group or whether Ceremony was simply a studio super-project. Certainly, guitarist Kimio Mizutani had already enjoyed a certain amount of critical exposure following stints with Love Live Life + …
Debut private press release in a run of only 300 copies for this otherworldly guitar-psych trio featuring Pat Murano (NNCK/Decimus/Key Of Shame), Carla Baker (Baba Yaga/Flower Orgy) and Santa Wolanczyk (Flower Orgy): Raajmahal are less focussed on the kind of low-level tectonics of NNCK et al and more on the levitation potential inherent in heavenly female vocals and endlessly glissing psychedelic guitar. The production style is total candy-floss soft focus and the guitars bloom into dista…
a great album pulled out of the stream of time (1983-1985). They have never been on record or on air (nevertheless, some have been released on international cassette-compilations in the '80s). Back then they called it "primal industrial-punk".
Limited to 400 hand-numbered copies! Helm is the ambiguous solo moniker of London-based sound architect Luke Younger. Although, perhaps best known as one half of the pioneering avant-drone outfit Birds of Delay, it is in the more esoteric work of Helm that Luke's art takes on its most radical shape. Using processed piano, Casio MT-40, cymbal and guitar strings Cryptography steers the Helm sound through a melange of fringe territories: glacial drone meditations, reconfigured gamelan cluste…
Faking Gold and Murder is the third Earth-shattering full-length by Vincent De Roguin (Shora), Stephen O'Malley (Sunn0))), KTL) and Daniel O'Sullivan (Guapo). This time, the core trio is joined by percussionists Nicolas Field and Alex Babel, as well as renowned guitarist Alexander Tucker and the inimitable David Tibet. AEthenor's heaviest outing yes is driven by a weighty low-end and the full fury of Babel and Field's free-wheeling drums. The band's electronics, guitar, Rhodes, and organ ride wa…
restocked! Artist Steve Roden combines found old pictures, recordings and text to create his new CD "… and I listen to the wind" that feels like something altogether different, though, more like a silent movie, a collection crafted from crumbs of the past. Tucked within the simple, minimally designed book's front and back covers is the music, which Roden organized into a two-volume mix of similarly excavated documents culled from flea market 78 rpm discs.With no biographical information on …
Robert Hampson released the exceptional Répercussions earlier this year, now he has followed that up with two more albums, released simultaneously but presented separately. Even though he has become suddenly prolific, both albums are of the utmost quality, and have a distinctly different approach to sound between them. And yes, fans of Loop and Main, there are guitars! On Signaux Hampson sets up a rich tapestry of needle like high frequencies and subtle bass spreads, expertly woven into …
Finally Restocked: Byce Beverlin II is a prolific, multidisciplinary artist based in Minneapolis. His primary discipline is music - specifically, freely improvised vocals and percussion. Seizing Fate by the Throat is a distillation, the spirit of 15 years of spittle and brass vapors collected in this studio recording from March 14, 2010. Quietly tinkering with an array of metal, plastic and wooden objects, Beverlin draws the listener in only to reveal that he is unlocking the cage of a l…
East New York Ensemble de Music came out of the diverse community of Bed-Stuy, Brooklyn, where African, West Indian & black American cultures converged. First and foremost a deep Spiritual Jazz record, At The Helm also incorporates elements of the West Indies, and both the Near and Far East. Originally issued in a very small pressing by Folkway Records in 1974, at a time when the label was doing some great underground recordings! The sound is loose and free – spiritually building in a man…
Commercially available for the first time, this 1970 library album by Alessandro Alessandroni is the only existing full-length recording of his extraordinary vocal group, I Cantori Moderni, an eight-to-sixteen person choir featuring Edda Dell'Orso, Giulia De Mutiis (Alessandroni's first wife), Gianna Spagnuolo, Augusto Giardino, and Franco Cosacchi, and highlighting, through twelve original themes by Alessandroni, the complex vocal harmonies of the legendary group that lent their voices to the a…
There’s probably not much to say about punk’s continued existence. Like jazz or sitcoms or party politics, it just carries on eating and breathing and shitting and propogating. It’s only interesting when someone comes along trying to advance the form. Like “Arrested Development” or Dennis Kucinich, they’re usually forgotten.
This would all be relevant if Neptune were a punk band, which we’re not at all sure is the case. They create a sense of undermining the status quo, which is pretty pun…
Lovely artist edition focused on a Renato Rinaldi sound installation, consisting of 34 audio postcards that saturate the area with unstable frequencies and phase shifted pulses. Some circuits are sensitive to the proximity of the human body, and are powered by small batteries, so the sound constantly change. Some of these frequently collapse but they reboot after a few seconds with a sound that suddenly blossoms on a carpet of pulsating high frequencies. This is the recording of a walk in t…
Restocked, now out of print: Pakistani-born musician Ilyas Ahmed traffics a sound that borders on the folk/drone/raga/rock axis, one that Scottish critic David Keenan has called “gone”. Currently residing in Portland, OR, Ahmed has released recordings on Time-Lag, Digitalis, and Root Strata. He is known to perform live with Honey Owens (Valet) and Jed Bindeman (Eternal Tapestry, Heavy Winged) and his recent recordings have featured Liz Harris (Grouper). He first appeared in the Fall of 2005 with…
Their 1978 debut EP, No Tears, was recorded with vocalist Winston Tong and sound engineer Tommy Tadlock. Replete with tense synth swells, devastating live drums and a psychotic ode to the "creatures of the night," the title track is a crucial entry in the synth-punk canon that stacks up next to the best work by UNITS and THE SCREAMERS. Reininger's electric violin congeals with electronic atmospherics to unnerving ends on the instrumental "Litebulb Overkill." Few records do justice to the mania a…
Recorded at Studio GOK Sound, Tokyo April 7 2010 by Hamamoto Yohei.Produced by Masami Akita and Lasse Marhaug. Cut by Rashad Becker at Dubplates & Mastering, Berlin. Cover design by Lasse Marhaug. Masami Akita and Lasse Marhaug have been working together since the mid 90ies. The first release on Marhaug's (now deleted) label Jazzassin Records in 1995 was the First Rock split single. In 2001 Merzbow and Jazzkammer (Marhaug's project with John Hegre) released a live album. Later, Akita and…
Inspired by the "GIALLO" film of the same title, Vice Wears Black Hose is the obsessed & fanatical project of Sam McKinlay (The Rita) and Richard Ramirez (Werewolf Jerusalem/Black Leather Jesus). VWBH's dives into the HNW (harsh noise walls) pool and completely drowns the listener in its dense, dark and pure sound. The two long tracks fall in a hardcore noise fashion between all out wall noise and tense roaring harsh noise storm that slowly shift through different deep grains of noise text…
First instalment in this new o series providing a long overdue and much needed vinyl-only glimpse into Jim O'rourke's electronic/synth music archive* 'Old News No.5' introduces a "nearly regular series of vinyl albums documenting analog synth and tape works (both studio and live) from the depths of Jim O'Rourke's archive, spanning a near quarter of a century in the field." Side A 'Pedal & Pedal' features 15 minutes recorded at Super Deluxe, Tokyo, 2010. It unfurls a series of tender pasto…
Sicilian saxophonist, flutist, composer and arranger Nino Rapicavoli is one of the unsung heroes in the world of Italian soundtracks of the 1970s. A musician with a solid background in jazz as well as a long-time member of Italy's state-owned RAI TV orchestra, Rapicavoli has only a handful of library albums to his name, but each is of the highest quality. This Divagazioni ('Ramblings') is probably the best of the lot, an album that mixes jazz, easy listening and a pinch of prog with that …
LP version. A remarkable collection of hillbilly minimalism, by one of the forgotten heroes. These are blocks of generic material subtly changed by reiteration and lack of development. Like Beefheart, Henry Flynt is one of the rare examples of musicians who fearlessly experimented with the blues and folk forms in the face of all contemporary and experimental music orthodoxies. An important recording and a great listen.
This one was their second album in 1975, featuring Richard Pinhas from Heldon and the most electronic effort of Lard Free. We can't hear bass guitar here anymore. The instruments on this item are mostly synths, in addition yet piano, drums, vibes, guitar - and clarinet as the first time guest on the recordings of LF. And the trips are longer (two LP-side-long trips here) than on earlier stuff. We can understand approaching to more meditative and athmospheric electronics with urbanis…