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Third all-solo outing from Nat Birchall. This time Nat pays homage to the patron saint of the tenor saxophone, John Coltrane. With a balanced programme of original songs and John Coltrane compositions the album focusses on the more Afrocentric aspects of the music.
In 2018, boundary-breaking visual and sonic artist Cosey Fanni Tutti received a commission to write the soundtrack to a film about Delia Derbyshire, the pioneering electronic composer who influenced the likes of Aphex Twin and the Chemical Brothers. While researching Delia’s life, Cosey became immersed in Derbyshire’s story and uncovered some fascinating parallels with her own life. At the same time Cosey began reading about Margery Kempe, the 15th century mystic visionary who wrote the first En…
*2025 stock* This is the soundtrack album for 'The Stone Killer' by director Michael Winner starring Charles Bronson, which came in the middle of a 3-part crime thriller series (1972, 1973, 1974). It follows Charles Bronson as a detective getting to the bottom of the killings in the Sicilian Mafia, with a score by the British film composer Roy Budd ('Get Carter', 'Fear is the Key'). The soundtrack was initially released in Italy and Japan on LP and 7” single, respectively, but only limited copie…
Limited and numbered edition of 100 copies. Hand printed recycled sleeves. Different ink color than on the first pressing. No OBI, no stamp on the label as the first one. Wild, slapping, bashing, tribal freak-outs - an acoustic tidal wave exploding into shards of dynamite from the legendary Finnish unit Paanin Kuoro.
Imaginative re-workings and improvisations by Andrew Tuttle of the late great Michael Chapman's unfinished instrumental album. Sonic explorations that bridge the Southern and Northern Hemisphere via the Caribbean, remote Northumberland and sub-tropical Australia. Navigating calm seas and turbulent waters of ambient corals, new-age pirates, waves of lapping banjos and drifting eroding guitars. When Michael Chapman passed away in September of 2021, at the age of 80, he did so – as he spent much of…
*200 copies limited release* Some folks use the phrase ‘no place like home’ when referring to Roma Est’s beloved venue Fanfulla, four walls that have single handedly delivered some of the most unique and vital music from the peninsula’s underground community. Trans Upper Egypt are maybe one of the most vivid representations of that legacy with their dazzling blend of motorik syncopation, punchy extensive basslines, spaced out twirling organs and scorched phased out vocals.
On their 4th album ‘No…
Composer and saxophonist Brian Brown produced some of the most refined Australian jazz recordings during the 1970s. A versatile musician whose distinct impressionist music melded modern jazz with the outer limits of free experimentation. Considered to be his greatest work was the 1975 concept album Carlton Streets, an ambitious recording that romanticised the sights, sounds and the nostalgia of this once-bohemian Melbourne neighbourhood. Differing from his eco-jazz composition Wildflowers heard …
Hardback cover. 250 pages, richly illustrated. Aphex Twin: A Disco Pogo Tribute compiles interviews, essays and features from various music journalists, all exploring Richard D. James' decades-long career. Like Daft Punk, the people behind Disco Pogo have had a long-standing relationship with Richard D. James for over 30 years via their 90s magazine Jockey Slut. The book is edited by Disco Pogo editor Jim Butler and features interviews, essays and features from the best music journalists working…
bastille musique presents its twenty-eighth release »DLW: Extended Beats« featuring world premiere recordings by Dell-Lillinger-Westergaard, Klangforum Wien, Sonar Quartett, Tamara Stefanovich (piano), Martin Adámek (clarinets) and Johannes Brecht (electronics). Together with the guests, Dell-Lillinger-Westergaard extend their beats in terms of co-composition and form as well as instrumentation. In addition to the recordings produced at the Paul-Robeson-Studio, the set also contains a 48-page bi…
*2024 stock* bastille musique presents its twenty-first release »Stefanovich, Dell, Lillinger, Westergaard: SDLW« featuring world premiere recordings by Tamara Stefanovich (piano), Christopher Dell (vibraphone), Christian Lillinger (drums, percussion) and Jonas Westergaard (double bass). Produced at the Teldex Studio Berlin, the album documents the collaboration between Dell-Lillinger-Westergaard and Tamara Stefanovich for the first time. In addition to the recordings, the set also contains a 48…
Huge Tip! Original released in 1971 by the Black Artist Group group's own label “Universal Justice Records” this album has for years been an impossible to find/listen to album, and this is its first reissue ever. Ofamfa by The Children Of The Sun, a band led by poet/musicien Ajule/aka Bruce Rutlin is a heady mix of poetry/jazz/political songs/ and a document of a comunity avent. The BAG group being about all the arts theater and dance. The original liner notes by Ajule are great Insight in to th…
*Limited edition of 500 copies.* In 1972, the left-wing intellectual film critic Uwe Nettelbeck suggested to Anthony Moore that he should write some (relatively speaking) straight songs. He took up the challenge, inviting his old school friend Peter Blegvad over to Hamburg to form the band Slapp Happy. They were joined for a session in Wümme by the young singer Dagmar Krause and Faust as their rhythm section; the recording became the album Sort Of. After getting the band back together for reunio…
"Loscil — who may be more familiar to some as Scott Morgan, the drummer for indie-popsters Destroyer — is the exception that proves the rule. And his debut album Triple Point, an ambient-techno concept album about thermodynamics (no, really), is no less exceptional. Burbling and pulsing along to smoothly running cybergrooves, tracks with names like Hydrogen, Ampere, Pressure and Conductivity present a chilly antiseptic front broken only by the odd, seemingly random injection of assorted clicks, …
*2025 stock* Hyperdub launch new sub-label, Flatlines, for the vinyl and digital release of On Vanishing Land, an audio-essay by Justin Barton and the late Mark Fisher. OVL evokes a walk along the Suffolk coastline in 2006, from Felixstowe container port ("a nerve ganglion of capitalism") to the Anglo-Saxon burial ground at Sutton Hoo. A walk under immense skies, through zones of deep time and within sunlit, liminal terrains, into the eerie.
Everywhere there are charged atmospheres, shadowy incu…
If there's one musician in the last decade that you may hear in wildly diverse musical contexts it is Belgian electric bassist and sound sculptor Farida Amadou. Not only can you enjoy the unerringly skillful command she has over her instrument but also the transformative power to reinterpret and expand her material in spontaneous and unconventional ways. Amadou is self-taught and radically aware of her idiosyncratic relationship with the bass guitar. She neither emulates the virtuosos of the ele…
2022 Repress 1990's Recurring, the fourth and final studio album by Spacemen 3, is often considered the introduction of two brilliant solo projects (Spectrum and Spiritualized) rather than the work of a functioning band. While Spacemen 3's departing statement surely reveals a deep divide within the S3 camp -- each side of the LP was written by Sonic Boom and Jason Pierce separately and, unlike previous releases, the two do not play on each other's songs -- Recurring maintains a cohesive, dream…
In the swirl of kaleidoscopic recordings that is Spacemen 3's discography, Taking Drugs To Make Music To Take Drugs To occupies a pivotal position – one at the nexus between their garage beginnings and expansionist future. Spacemen 3 capture the inspired spark of mid-'80s psychedelia, offering a distinct variation on high pop through layered feedback, a formidable rhythm section and shining vocals. Taking Drugs features the legendary Northampton demos, which secured the band's first record deal …
Among our favourite reissue labels working today, the venerable Dialogo returns in 2025 with an incredible deep dive into the glorious shadows of Italian library music with the first ever vinyl reissue of Gianni Marchetti’s 1977-78 LPs “Equinox” and “Solstitium”, among the rarest and most mysterious artefacts of the field. An immersive, joyous listen, marked by a rare sense of artistry - so imaginative that it almost becomes a film unto itself - these absolute stunners, fully remastered and issu…