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*42 copies limited edition*
Reissue of a tape made by M.B. in 2010. Two longs pieces of magnetic minimalism made of loops of viola and hertzian waves. A work dedicated to Italian composer Giancinto Scelsi, father of microtonal music. Usual non-standard handmade packaging made with special ribbed paper, a cutout of a vinyl record, a metallic treble clef, and some inserts. CD-r is in vinyl-like black polycarbonate.
The black-dye vinyl CD-R is contained in a handmade sleeve (approximately 13 x 13 c…
*2025 much needed repress!!!* Music For Bus Stations is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.
"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and …
This is the final offering before entering the new wave of the failed future from MMOB. Totem Three journeys from quiet Bardo womb choosing meditations and instrumental mantras to the delusional glee of Kali Yugafied Indian rock. Totem Three is the most diverse and heartfelt of the Totem trilogy. A steady pulsating musical mirror prison expressing the atrophy of our "modern world" through No-Age hallucinations of passionate and unfolding melodies. A blissful mirage filled caravan with no destin…
“Över mitt ögas dag” by composer Lisa Stenberg and poet David Zimmerman is a collaborative text and sound work in which both past and future are constantly gravitating towards the present – a “now” as raging as it is inept.
The glacial electronics of Lisa Stenberg slowly grinds through both David Zimmerman’s lyrical segments and the adapted fragments of Vilhelm Ekelund’s ancient grave epigrams, all the while lamenting;
Nej / inga klockor märker ut / döda längre För allt är onödigt, en avsägelse
…
Mexican born, New York-based vibraphonist, marimbist, improviser and composer Patricia Brennan has confirmed the release of her debut full length album Maquishti, January 15, 2021 on the Valley of Search label. The twelve original instrumentals that make up the album were composed and performed solo by Brennan on vibraphone and marimba. Employing unusual performance techniques and occasional electronics, many of the compositions were borne from improvisations created live in the studio at the ti…
Apartment House presents seven works from John Cage's early period, before he began his systematic exploration of chance procedures. This repertoire captures a transitional moment when Cage had moved beyond traditional methods but before he devised new formal systems—a period when, as pianist Kerry Yong notes, he was "forced to be guided by their instincts and intuition" producing "extraordinary music."
The program balances what Yong calls "simply gorgeous / gorgeously simple pieces like 'Dream'…
What happens when electroacoustic thought migrates into the physical realm of acoustic instruments? Visiting Cloud documents a three-year collaboration between Finnish composer Marja Ahti and Italian ensemble Blutwurst, where two of Ahti's electroacoustic works - Fluctuating Streams (from The Current Inside, 2019) and Chora (from Vegetal Negatives, 2018) - undergo radical transformation into acoustic versions that stretch, deepen, and reimagine their original forms. Initiated by Blutwurst in 202…
Morton Feldman's Intermission 6 (1953) is a sparse piano piece that typically lasts between 3 and 12 minutes in standard performances. Finnish experimental musician Antti Tolvi has created a radical 72-minute realization that extends the work's meditation on silence and resonance to an unprecedented duration. Tolvi discovered the piece through Philip Thomas's five-CD Feldman Piano box set on Another Timbre, becoming fascinated by Intermission 6 as "the piece which has the most silence in it, and…
Radical collaboration between two of European improvisation's most innovative voices, recorded in Berlin in April 2008. Annette Krebs (guitar, mixing board, tapes) and Rhodri Davies (electric harp & electronics) created hours of raw material during sessions in Krebs's apartment, which she then spent months editing and mastering into this intriguing three-part suite. Krebs - one of contemporary improvisation's most distinctive and selective voices - has built her reputation through carefully chos…
James Opstad is probably better known as the double bassist with Apartment House than as a composer. But this should change with this release—the first CD of his music as a composer. Five beautiful pieces tracking the evolution of Opstad's work as it moves from textural electro-acoustic music to pieces exploring the layering of instruments playing at slightly different tempi.
The album begins with "Nymphaea" (2020), performed by the GBSR Duo (Siwan Rhys, piano; George Barton, vibraphone), follow…
It’s 1977, and punk rock has just hit Liverpool. The legendary Eric's club is home to the city's rebels, posers and misfits. It’s a place of attitude, adventure and new possibilities, and it changes lives. Some become pop stars; Penny Kiley becomes a music journalist. The story traces Penny's relationship with the music scene from the turbulent political 1980s into the changing culture of the 21st century. Throughout these years, she never stops being a misfit, and the question remains: how do y…
First published in 2003 and long out of print, Be Glad For The Song Has No Ending: An Incredible String Band Compendium is the definitive book about the ISB. Containing a wealth of interviews, essays, and ephemera from the band’s brief but tangled history, this new revised and expanded edition includes two new pieces by ISB member Rose Simpson on Witchseason Productions’ idiosyncratic offices and on recording with the ISB in the Sound Techniques studio, as well as interviews with Neil Tennant of…
A memoir by a member of the Incredible String Band that charts a journey from hippie utopia to post-Woodstock implosion.
Between 1967 and 1971 Rose Simpson lived with the Incredible String Band (Mike Heron, Robin Williamson and Licorice McKechnie), morphing from English student to West Coast hippie and, finally, bassist in leathers. The band's image adorned psychedelic posters and its music was the theme song for an alternative lifestyle.Rose and partner Mike Heron believed in, and lived, a naiv…
‘I am concerned with the power of sound! and what it can do to the body and the mind,’ wrote composer Pauline Oliveros. In the body, histories and politics come together with sound and listening, memory and feeling. Bodies of Sound offers a resonant exploration of feminist sonic cultures and radical listening in over fifty contributions. In this book of echoes, a variety of forms – from essays to text scores to art, fiction and memoir – speak across gender, ways of knowing, witnessing, sounding …
"The energy, the genius and the intransigence of the music of the hystoric 'cult' power electronics project Mauthausen Orchestra / Pierpaolo Zoppo, joined to the originalty, the eclecticism, the rigorous experimental research carried on since fifteen years by Giuseppe Verticchio, mostly with his Nimh solo project. Disturbing images of unhealthy places, nocturne landscapes covered with fog, psychotic nightmares, tormenting and delirious, described with sonorities of great impact and incredible dr…
"Subterranean Thoughts is an extremely intriguing experimental electronic album that finds the perfect equation between aesthetic of enlightenment and the production of cinematic sound textures. Subterranean Thoughts is a ravishing immersive experience, conjugating concrete elements with well established electronic treatments. Rewind is a dreamy-like, detached piece that dissolves tonal violinist stringed orchestration into a vast electronic abstract path (an obvious contrast between decadent in…
"In this project, Giuseppe Verticchio explores the universe of ritualistic, primal, shamanic acoustic drones and traditional music from the east. The result communicates us the ecstasy. This album summons the divine nature, it's a real musical ceremony, a chant of the origins. The acoustic, ritual elements are perfectly mixed with a solid industrial, noisy ambient base. Consequently this is a rather unique, very personal musical experience that can be collected by ethnomusicologists and fans of …
"After the post-industral / power-electronics 'diversions' of his recent collaboration with Pierpaolo Zoppo / Mauthausen Orchestra in From Unhealthy Places, and Forgotten Realm, the 'second chapter' of the Hall of Mirrors projects with Andrea Marutti / Amon in dark ambient 'territories', Nimh (Giuseppe Verticchio) returns as a 'solo' artist in his newest Krungthep Archives, rediscovering the sounds of his oriental ethnic instruments, collected in he Far-East, mainly in Thailand. The recordings o…
"Travel Diary is the latest CD release from the multifaceted eerie droning project called Nimh. This last offering features pieces reissued from a previous CD-R called Lanna Memories with others sound materials and unreleased tracks. The musical content provides a colorful ethno-phonographic experience including a large corpus of micro-sounds taken from rituals of 'everyday life' among Eastern Thai regions and secular communities. Echoes from the Hills opens with a serene-poetical moody prelude …
Ark Hive of A Live is a 4 CD set of recordings by Andrew Poppy, along with a 128 page book, including writing by Andrew Poppy; an introduction by Paul Morley; other writing by Leah Kardos, Nik Bärtsch and Rose English; and archival photographs.