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2013 release. An expanded reissue of Sun Ra's Continuation, originally released in 1970. A special two CD reissue of the hyper-rare El Saturn Records album, recorded in 1963, early in the Arkestra's New York period, paired with a full disc of extra material. Loaded with John Gilmore, one of the greatest and rarest slabs of Sun Ra vinyl, on CD for the first time. Recorded on March 10, 1963 at the Choreographer's Workshop in New York City. Remastered from the original tapes by Michael D. Anderson;…
Corbett Vs. Dempsey present The Lost Eddie Chatterbox Session, a reissue of Eugene Chadbourne's album, first released as a cassette on No Prestige Records in 1988. Dateline: Christmas Day, 1977, San Francisco. On an ailing quarter-track tape deck, in a marathon session, Eugene Chadbourne recorded a series of slide guitar solos playing compositions by the likes of Thelonious Monk, Charlie Parker, John Coltrane, and Ornette Coleman, along with a few standards and originals. Although the record…
*120 copies limited edition.* A spell to slow down time, a drawing back of the veil between worlds, the way that a song also contains multitudes. Slow Motion Summer is a record fixated, both metaphorically and literally, on time. It draws on the way we experience time, weaving strands of recorded sound stretched and spun at a host of different speeds to both alter and extend our perception of the moment that's swirling around us. It's also a record obsessed with the secret world, with the infini…
Discussing this impending studio date, the indefatigable saxophonist Mats Gustafsson and intrepid vibraphonist Jason Adasiewicz decided to compose new pieces for one another. The resulting tracks -- which also include a hallucinogenic arrangement of "Timeless", dedicated to its composer, the recently deceased guitarist John Abercrombie -- show a markedly different side of both musicians. Quiet, at times tender, this meeting of like-minded musicians evoked a new kind of tension, not one birthed o…
Corbett Vs. Dempsey presents the second release in an ongoing series that will reconstruct the legacy known and the legacy damned of the most overlooked and under-documented American free rock unit, Dredd Foole and the Din.
Corbett Vs. Dempsey presents the third release in an ongoing series that will reconstruct the legacy known and the legacy damned of the most overlooked and under-documented American free rock unit, Dredd Foole and the Din.
2012 release. In 1981, Joe McPhee culled together one of his greatest bands to record Topology (1981), his classic outing for Hat Hut Records. Featuring an expanded version of Po Music, his ensemble with saxophonist André Jaume, guitarist Raymond Boni, and bassist François Mechali, the group included pianist Irene Schweizer, percussionist Pierre Favre, baritone saxophonist Daniel Bourquin, cellist Michael Overhage, and trombonist Radu Malfatti. One of the tracks left on the cutting room floor wa…
2012 release. A reissue of Joe McPhee's Glasses, originally released on Hat Hut Records in 1979. Glasses was recorded in October, 1977, during a highly significant period in McPhee's work, as he was pioneering the transatlantic, collaborative spirit that has helped to define the last three decades of his career. Documented in Tavannes, Switzerland, the set contains sensational tenor work, including the title piece, which finds McPhee ringing out a rhythm on a half-full wine glass, from which he …
One of the architects of No Wave with his band DNA, a pioneer of noise guitar, sublimely inventive producer, and slinkily seductive songwriter, Arto Lindsay has worn countless musical hats. Invited to make a solo record for the Black Cross Solo Sessions, Lindsay boiled it down to essential ingredients, waxing a collection of bristling new songs and works for solo guitar; on six of a baker's dozen tracks, his angelic voice offsets the bracing dissonance of his acidic electric. Recorded at studios…
In November 1977 and May 1978, months before drummer Phillip Wilson recorded his great LP Duet with trumpeter Lester Bowie for the Improvising Artists label, Wilson hit the studio for Esoteric, a recording of solos and duets with cornetist Olu Dara. Wilson (1941-1992) was one of the keypercussionists in creative music, the Art Ensemble of Chicago's early trapsman, one third of the fusion band Full Moon, and an all around fount of invention and sensitivity. In addition to his work in the jazz and…
In 2018, Mats Gustafsson provided raw saxophonic material for the elusive Wendy Gondeln, who sometimes applied a scalpel, sometimes a pneumatic drill, to rework, remix, reimagine all the Swede's squeaks, pops, blats, and tones. In some places, Gondeln adds violent violin to thicken the roux, making Ornette's fiddling seem like Yehudi Menuhin. Uncommon bedfellows: disjunct techno and improvised music. But the Shitholes make it work brilliantly, even inviting minimal techno pioneer and co-founder …
Originally recorded and released in 1977, the Instant Composers Pool's Tetterettet is the first classic of the band's larger incarnations. Assembled out of elements recorded live in Uithoorn, Utrecht, and the band's home base of Amsterdam, with Misha Mengelberg using a cut-and-paste collage method akin to Teo Macero's work with Miles Davis, the record features an all-star lineup that added three leading lights of free music: bassist Alan Silva and saxophonists John Tchicai and Peter Brötzmann. I…
Corbett Vs. Dempsey present a reissue of Steve Lacy's Stamps, originally released in 1979 as a double-LP on Hat Hut. Stamps was Steve Lacy's first for the legendary Swiss label, and it remains one of the strongest statements of what he termed the "scratchy seventies". With the classic lineup of Lacy's soprano saxophone, Steve Potts on soprano and alto sax, Irene Aebi on cello (and singing on one track), Kent Carter on bass, and Oliver Johnson on drums, the recording catches the band live, perfor…
Hailing from the Germantown section of Philadelphia, well known as the site of the Sun Ra Arkestra communal homestead, Sounds of Liberation were at the forefront of '70s Black liberation music. After a series of gigs in elementary schools, prisons, and community centers, the band travelled along with their manager George Gilmore (father of Linc Gilmore of Breakwater fame) to NYC in 1973 for a recording session at Columbia University. This five-song session has never been heard until now. Had it …
It's easy to be cynical these days, maybe difficult to imagine that music can change the world, but not for Joe McPhee and Hamid Drake. With Keep Going, they will make the planet a better place for humanity, a place to be humane, to preserve humankind. At 78 years old, Poughkeepsie multi-instrumentalist McPhee is a national treasure, and he's making more music than ever before, pushing himself to tour incessantly, issuing astonishing new records at a fierce rate. But this release, with legendary…
An übertrio drawn from distinct parts of the creative music spectrum, The Underflow was recorded during a sizzling two-night stand in May 2019. In a series of duets and trios, guitarist David Grubbs, saxophonist Mats Gustafsson, and trumpeter Rob Mazurek met headlong for the first time, converging not only their acoustic and electric instruments, but at times submerging themselves in a tangle of electronics, then emerging into shamanic bell-shaking chant or chest-rattling howl. Ranging from extr…
2016 release. A reissue of Eugene Chadbourne's There'll Be No Tears Tonight, originally released by Parachute in 1980. One of the absolute essentials of Eugene Chadbourne's oeuvre, what he described as "free improvised country and western bebop", featuring his frantic, skewed interpretations of classic songs such as Merle Haggard's "Swingin' Doors", Roger Miller's "The Last Word In Lonesome Is Me", and Willie Nelson's "Mr. Record Man", There'll Be No Tears Tonight was recorded in Spring of 1980.…
A reissue of Wichlinghauser Blues the debut album by legendary German guitar improviser and instrument inventor Hans Reichel (1949-2011), originally released on FMP in 1973. Wichlinghauser Blues is a resonant and hilarious document of the nascent genius recording his peculiar and wondrous music alone in a studio. Acoustic and unfiltered electric guitars turned back into the supremely malleable instruments they were before they'd been firmly encoded as tools for rock or pop or jazz. Reichel uses …
A reissue of the long out-of-print first solo record by American violinist Billy Bang (1947-2011), recorded at Gaku Gallery in New York on August 12, 1979. Originally released on Hat Hut Records in 1980. Distinction Without A Difference features Bang's own compositions, extrapolated at length in an intimate live concert, as well as traditional and improvised material. Remastered from original tapes and augmented by newly discovered recordings from the same concert. Part of the large cache of his…
A reissue of the second album in the catalog of German guitarist and instrument inventor Hans Reichel (1949-2011), Bonobo, originally released by FMP in 1976. A program of microtonal string investigations that is still beguiling and fresh four decades later. Like Reichel's debut, Wichlinghauser Blues (1973), Bonobo is a super-rare slice of musical otherness. Includes the hilarious cover by Reichel himself. First ever release on CD. Remastered from original tapes; Packaged with gatefold and tip-o…