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Fever Dream
MAP is Mary Halvorson (guitar), Tatsuya Nakatani (percussion) and Reuben Radding (bass). Fever Dream is a vinyl-only release of high-temperature improvisations that elicit abstract thought. Following their first album, Six Improvisations For Guitar, Bass And Drums, a somber black & white affair with former bassist Clayton Thomas released on CD in 2004, Fever Dream blasts forth from the sweaty sheets of a sleepless night in vivid color. Meticulously recorded by new bassist Radding and mast…
Pyramiden Von Gießen
This latest from German weirdos Datashock must be what it feels like to double drop the blue pill. From the first couple of notes of ‘Intro/Lasagne Phalanx’ it’s pretty clear that the extended collective of prog folkies are vying to drag our unconsciousness through the rabbit hole before exacting all manner of mental tortures. It’s probably worth it though; with the gritty, bass heavy backdrop of classic Amon Duul II (I’m talking Yeti here, none of those later-period bootlegs) and the rag…
The Structure of Chance
Years On Earth’s electronic, experimental and industrial approach to their music reminds one of a mix of early Cabaret Voltaire, Eyeless in Gaza and Throbbing Gristle. It can be considered as an alchemistic creation, forming something very unique and amazing in mood and atmosphere produced and experienced by the listener. As Mutant Sounds website stated: “… wonderful, dark, claustrophobic, scary atmosphere... an absolutely unknown Gem!“Years On Earth (Bob Roke & Mebz) have been act…
Faust is last
Could it be that there's something a bit final about this album? Apart from the fact that it has the word "Last" in the title, the sleeve features a similar image to that of the very first Faust album, suggesting that the group have finally come full circle. Confusingly however, there are two Fausts knocking about at the moment, one featuring Zappi Diermaier and Jean-Herve Peron, the other (this one) 'fronted' by Hans-Joachim Irmler. It has been suggested in certain reports that Faust …
Unitxt
This latest Alva Noto production is quite excited and rhythmical, especially in the first part (tracks 1 to 10), shaking the audience through multiple communication codes, modulated in sound frequencies that are always well synchronized, touchy and reactive. This seems to be the ultimate recording; an elaborate and synthetic frontier, a computation of the "musical text" fashioned by multiple interfaces and software integrations. When listening to "unitxt", even the unaccustomed listener is immed…
Tyrant
"NOW AVAILABLE ON LIMITED VINYL EDITION. Circle really have it all don't they? Not content with their innate ability to rock the damn place down, they managed to cough and splutter their way through two jam packed discs of melancholy, gloomy moonlit ambience on last weeks 'Miljard' and now they're back with a unique contribution to Southern's killer Lattitudes series of releases. I'm sure you're all aware now how limited these are, Sir Richard Bishop's disc must have lasted all of five minutes, …
Hold Everything Dear
Hold Everything Dear is the third installment in the new Cindytalk sound which started with 2007’s The Crackle Of My Soul, and then last years Up Here in The Clouds. Its the first in the trilogy to feature musicians other than Gordon Sharp namely the late Matt Kinnison, to whom the album is dedicated. Inspired by the John Berger book of the same name, this latest release is whole new set of parameters which push the sound on the previous two works to an extreme point of abstraction, and in…
Any Colour We Liked
is the highly anticipated and Anna’s first release in co-operation with the Mannequin label from Rome, Italy. CHROMAGAIN were Luca Pastore (bass, guitar, synthesiser, lyrics, backing vocals), Silvio Ferrero (synthesisers) and Davide Bassino (vocals, lyrics) from Torino, Italy, and was formed in 1982. CHROMAGAIN had two other singers (at first Riccardo Acuto, then Danilo ‘Dana’ Barbero) before Davide Bassino joined as the main vocalist and core member. They started as a post-punk outfit in 1982, …
Octagonal polyphony
These recordings, sadly, mark some of the final trio recordings with David Gamper who passed away in 2011. This LP is being released simultaneously with DLB's Great Howl At Town Haul CD and Pauline Oliveros' comprehensive 12 CD collection of electronic work. Pressed in an edition of 500. 'Deep Listening Band January 2011 residency and concert at Town Hall Seattle produced enough material for both a CD and an LP on Important Records, and a double LP on Taiga Records. The subsequent summer consist…
Isomopolis. ICC
Lovely and obscure album of Bertoia/Rutman-lineage metal sound-sculptures from which G. T. Smits coaxes a bizarre array of squawks & resonant thumps...."for a while i thought i was completely lost in the maze that is the recorded archive of George "TOET" Smits, a few years back i got boxes full of cassettes that i have been sitting thru for a few years, a bunch unlabeled, and a lot of recordings from his ZBOLK NIGHT RADIO. George Toet Smits started out playing mouth organ and guitar in Ferre…
The Outside Room
RESTOCK: Natalie Weyes Blood (originally Weyes Bluhd) has existed in the grime-ghost fringe-music catacombs since at least 2006, though originally it was in more of a crouched/hieroglyphic FX pedals style, culminating in a European tour with Axolotl. After two seasons of hibernation and a relocation to Baltimore, she materialized her 'Blood In Bluhd Out' transformation and began writing/playing the darkly haunted narcotic drifter ballads that make up The Outside Room, her first official f…
E Pluribus Unum
a pure mantra: blending North African and Middle Eastern textures within a western context into our experience, regrettably the experience of a small few, but hopefully a wider community of listeners to come. Not only important historically, but musically: a wide range of music genres over the last couple of decades have worked with drone-note principles and it is an increasingly common device, but Sandy Bull was/is a superlative master of utilising the drone sounds;understated but effective in …
the Religious Experience
VERY LAST COPIES AROUND Stasis and stability are nowhere to be found here. Instead, an ever-changing dialogue between structure and chaos shifts from one performer to the next, never resting long before launching again into shuddering flight. Accoustic instruments and vocals form a familiar reference point, but studio treatments take the music into psychedelic and cinematic realms. In their words, “Improvisation is a way to experiment without thinking. When our improvisations ‘work’, the music j…
Trowel And Era
With a treasure trove of analogue, swirling effects, arch songcraft and a sweet yet assured vocal delivery, Trowel & Era brings to the table the epic debut long player by the one man band Apothecary Hymns (AKA Alex Stimmel). Stimmel has made a collection with one foot in kaleidoscopic coastal loner psych that floats on a musical bed of whimsical levity and another foot rooted firmly in the grand ethos of east village troubadours of the mid 60s." Alex Stimmel: acoustic & electric guitars 6 & 12 …
Charade Is Gold
on yellow vinyl! All string synths and spring reverb, this is an analog dream. Nothing less than some of the finest classically-orchestrated synthetic pop of the thirty odd years people have been attempting it.
Dark summer
250 copies, vinyl limited edition. 'Some days everything goes wrong. Some days sky is always grey. Some days lovers goes. Some days the disease focuses on friends, other ones pass away. Some days life is hard to live. When everything happens at the same time, the same summer, it could be called a Dark summer. Summer 2006 was a Dark summer.' Thierry Müller. Rough improvisations (guitar and/or bass - 1 or 2 takes) recorded by Thierry Müller in summer 2006
Labor Of Love
We're not complaining. Seems like a week can't go by without some new Not Not Fun opus dribbling out from the west coast label, aimed at bleeding our brains of logical thought processes and launching us into galaxies where laws are read backwards and progress is measured in long, untethering tracks of psychedelia muttered through interstellar Ham radios. This week it comes by way of slow-boiled loops and synth warbling that build towards wordless rantings best quantified as the dark prayers mean…
Navigare
Once a member of early nineties daydream shoegazers Slowdive, for whom his manned the drums for four years, Simon Scott has since worked on a variety of projects, including, in recent years, atmospheric pop/electronic outfit Televise, and, more recently, Seavault, a collaboration with ISAN’s Antony Ryan. He is also at the helm of experimental imprint Keshhhhhh Recordings, which he runs from his native Cambridge. For his first release under his own name, Scott couldn’t have found a label more ada…
Raiders
Robedoor have acquired a "drummer/modular synth dealer" since last we heard from them, and with this new LP - their first since last year's Endlessly Blazing - they let fly with their newly enhanced line-up, stirring up smudged-out psych nightmares that sound like they're being performed from somewhere deep within a cave system. In fact, if the blind flesh-eating monsters from The Descent had a house band, 'Indo Shadow' might be the outcome. The album's second half is especially good, with the f…
9 Solitaires
Dag Are Haugan is certainly for most people not the most common name. Being half of the legendary Norvegian outfit Alog made him one of the most original musicians of the last decade. At the start of our label we did carry his debut on Myke Droner stating it as “classic". A couple of years further we received this wonderfull demo. You can call it guitar-glitch if you want... The result comes close to a beatless Gas, a more guitar-driven Novisad, etc... Pressed on vinyl-only, with artwork from Ru…