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Electronic Meditation
**Orange Coloured Vinyl 180gr HQ, Gatefold, 45rpm audiophile. Edition of 500** In autumn/winter of 1969 Edgar Froese, founder of Tangerine Dream, met Klaus Schulze and Conrad Schnitzler. This trio formed the line-up of Tangerine Dream to record the debut album Electronic Meditation. The band was supported by two other musicians: Jimmy Jackson (organ) and Thomas Keyserling (flute), but both were mysteriously left out of the credits of the original album. Edgar Froese: "In 1969, I met Klaus in Ber…
Rushin'
"An album that puts jazz at the center. Emanuele Cisi records his first release for Mono Jazz (Right Tempo) returning to those elements from which everything begins and in which everything is fulfilled. With melody and swing, a deep sense of blues—not just as a style but as a fundamental state of music—and spirituality, the improvisation here becomes a space where the pieces reveal themselves as springboards for self-expression. Rushin’ is not merely a collection of references and tributes, alth…
"Mu" First Part
** Deluxe 180gr. Black vinyl edition. Comes in a deluxe matte laminate gatefold sleeve. Original 1969 BYG album. Mastered to vinyl from BYG tapes by Nick Robbins. Exclusive liner notes by author John Masouri ** Don Cherry and Ed Blackwell, graduates of the revolutionary Ornette Coleman quartet, are in perfect accord on this seminal free jazz set, recorded in Paris during the late sixties. The emphasis, as on all Don Cherry releases, is on the life-giving, often magical qualities of pure sound, c…
Eternal Now
Something of a sequel to Eternal Rhythm, his classic meeting of free jazz and world music from five years prior, Eternal Now found Don Cherry entering the studio for the tiny Sonet label, once again with members of the European avant-garde scene (this time from Sweden). This time around, though, the focus swings decidedly to the world-folk end of things: The only standard Western instrument is the piano, featured on only two of the five pieces (one of which is a non-traditional, African-styled r…
Art Deco
Temporary Offer. Verve by Request Manufactured at Third Man Pressing in Detroit MI 180g Audiophile Quality Vinyl. As one of the last albums Don Cherry recorded before he passed away in 1995, “Art Deco” could be considered something of a return home – or at least a glance back over the shoulder. By 1988, the non-conformist trumpeter had been travelling the planet for about three decades, absorbing folk music of all styles, which led to collaborations with a wide variety of musicians. From South A…
Hear And Now
Hear and Now's cover depicts a smiling Cherry posing like Buddha, and holding a trumpet with a bent mouthpiece -- an indication of some meditative sounds, but it's really a mishmash of styles with a leaning toward African rhythms. An underlying social message runs through the album of Cherry compositions (except one) produced by Narada Michael Walden. Cherry plays very little trumpet on "Universal Mother"; the African-based excursion is carried by Neil Jason's bass, Sammy Figueroa's congas, and …
Song Of Soil
2024 Repress. Masahiko Togashi was a pivotal figure in the development of the Japanese free jazz scene in late 60s. Percussionist and composer, he lost the use of the legs in an accident which nevertheless didn’t not prevent him from continuing an astonishing career that includes long and established collaborations with figures of the likes of Steve Lacy, Charlie Haden, Mal Waldron and Paul Bley. This session, recorded in Paris at the Ramèse Studio Du Village in 1979, sees an explosive collabor…
The Disintegration Loops
Since the turn of this century, perhaps no other modern composition has had a more resonant healing effect than The Disintegration Loops. Composer William Basinski’s deteriorating analog tape loops evolved from melodic symphonies to melancholic silence over a span of time that uncannily turned passing minutes into pensive lifetimes. In her foreword for the new box set reissue of The Disintegration Loops, the pioneering multimedia storyteller, Laurie Anderson, describes the impact of this transfo…
Lizard
Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (…
Tea Time
"If you think that the constellation of Nicholas Bussmann, Sven-Åke Johansson and Yan Jun is a sort of dream lineup, you are not far off the mark. The joint improvisations that you hear on tea time capture a sound that once came to Bussmann in a dream and that he made a reality with the help of his fellow musicians. The trio recorded the five pieces across two days at Johansson’s SÅJ studio with engineer Andrew Levine, working with Bussmann’s curious piano robot while Johansson was on percussion…
I Really Want To Bomb You: 1972 - 1984
The first ever collection of Jill Kroesen's wildly inventive and often dystopian compositions from '72 through '84. Includes her art rock masterpiece Stop Vicious Cycles, her coveted '80 single, an equal amount of unissued treasures, and copious liner notes. Jill Kroesen is probably best known for her 'no wave' compositions throughout the 1970s and early '80s. It's a fascinating and theatrical sound that sort of defies categorization. This compilation should help this music of real historical si…
In the Court of the Crimson King
50th anniversary edition. 200 gram super-heavyweight vinyl reissue, newly cut at Loud Mastering from tapes approved by Robert Fripp. The group's definitive album, and one of the most daring debut albums ever recorded by anybody. At the time, it blew all of the progressive/psychedelic competition (the Moody Blues, the Nice, etc.) out of the running, although it was almost too good for the band's own good -- it took King Crimson nearly four years to come up with a record as strong or concise. Ian …
1 - 7
*150 copies limited edition* Headlights Recordings presents Manuel Mota's new work 1-7. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to him indistinct, and that's w…
The Cheerful Insanity of...
The Cheerful Insanity of Giles, Giles and Fripp reveals King Crimson's gentle 1968 genesis - a landmark British psychedelia album featuring the Giles brothers and young Robert Fripp. This breezy, Beatles-esque collection showcases burning Frippian guitar work and the original "I Talk To The Wind." The 2025 Panegyric reissue removes spoken interludes for improved flow. Essential prehistory.
Before Aksak Maboul - Documents & Experiments 1969-1977
Belgium’s avant-rock legends explore their prehistory in a special archival project. Retrieved from long-forgotten reel-to-reel tapes and cassettes, this collection of previously-unreleased tracks unveils some of the meanders which eventually led to the inception of Aksak Maboul in 1977. These 17 tracks and 80 minutes of music will take us for a stroll through moments of free rock, improv, quasi-kraut, modular & ambient electronics, and various experiments. Out on November 21 on digital, limited…
The Solar-Myth Approach
The second instalment of a landmark session by one of the most unique figures in black music is a shower of sounds that have come straight from another world.  Sun Ra and the various groups he led were as prolific as they were innovative. By conservative estimates they produced around 200 recordings over a fifty-year period, and the early 70s was as fertile a time as any. In a typical burst of creative energy Ra and an ensemble he dubbed The Solar Myth Arkestra produced enough material to be spr…
Blasé
Florida-born saxophonist, composer, poet, actor and playwright Archie Shepp was one of the most articulate exponents of politicized black culture in the late ‘60s, a time of enormous upheaval and radical thought. Relocating to Paris he made a number of highly influential albums, such as Blasé, that broached the essential themes of freedom and racial equality, and tapped into the bedrock of African-American music. Gospel and blues were a major part of the work, which also had a strong avant-garde…
Banana Moon
** Original 1971 BYG album. Digitally mastered from BYG tapes by Nick Robbins. 16-page booklet with photos & exclusive liner notes by author and journalist Kevin Le Gendre  ** Debut solo album by the legendary purveyor of music that daringly blurred the boundary between psychedelic rock and raucous, riotous Dadaism. Australian vocalist-guitarist Daevid Allen was a part of the highly experimental Canterbury scene, alongside the likes of drummers Robert Wyatt and Pip Pyle, before he relocated to P…
L'incendie
* Comes in a deluxe matte laminate gatefold sleeve. Original 1973 BYG album facsimile-edition * Vocalist-multi-instrumentalist Areski and singer Brigitte Fontaine are a legendary French musical couple that rose to prominence in the ‘60s, making a series of albums that showcased a boldly unorthodox approach to the art of song. Taken as a whole the 13 pieces on L’Incendie stand as high-impact scenes or episodes in a theatre or TV production as much as they represent another take on the concept alb…
Message to Our Folks
** Deluxe 180gr. Marbled vinyl edition. Comes in a deluxe matte laminate gatefold sleeve. Original 1969 BYG album facsimile-edition. Mastered to vinyl from BYG tapes by Nick Robbins. Exclusive liner notes by author John Masouri **'A Jackson in Your House' is the first of the Art Ensemble of Chicago’s renowned trio of albums for BYG's Actuel series. This album is The Art Ensemble’s most celebrated release and finds the American avant-garde jazz collective at their most sensational, mocking and st…