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Wall of Sounds: Drones, Patterns, Noises
Wall of Sound is a music of sonic sensations. It is a physical and sensual approach to the phenomenon of thick sound worlds. Sound waves become physical objects, four-dimensional sonic sculptures to be experienced, bodily and mentally. Ulrich Krieger's Wall Of Sound is a series of CDs about music that invites the listener to indulge themselves in sound. It doesn't guide an audience through a narrative, like a song, but offers the listener slow changing and developing soundscapes, acoustic sculpt…
Music on a long thin wire
A fifty-foot wire runs through the poles of a large magnet and is driven by an oscillator, with microphones at either end. Set going at four different frequencies, it produces not the low drone you would expect but a shifting set of chords.
Nothing Is Real ...
CD with 20-page booklet. Recorded March 2001, Hessischer Rundfunk, Frankfurt. "Time and again I find myself having to pare away any musical gestures in a work in order to uncover the true idea in a piece." Alvin Lucier said this about his own practice of stripping composition back to its acoustic logic - removing the performer's ego, the expressive gesture, the narrative arc, until only the phenomenon remains. What is left, in each of the five works gathered here, is resonance: sympathetic vibra…
Crossings
Three works investigating interference between instruments and oscillators. When closely tuned tones sound together, their oscillations create audible beats that spin through space. Lucier reveals acoustic phenomena through minimal means
The Black Record
Necessary reissue of a truly seminal, minimalist totem and founding document of the avant-garde underground!
Soundsphere
Akio Suzuki has always been an artist in search of unexpected sound, and curiosity has been his guiding principle. Whether that be curiosity for objects, spaces or places, his work has been guided by a porousness and pliability which has allowed him to explore an enormous sonic terrain. This freedom has also allowed him to develop a language in sound that remains utterly his own. Nowhere is this more evident than in his approach to instrument creation. During the 1970s Akio Suzuki devised a seri…
Stone
"With concentration, or elevated tension as he has called it, Akio Suzuki enters completely into the substance of sound, its emergence and its passing. What he does with sound may propose a rarefied world to many people, and yet it possesses a persuasive quality of rightness. One of the most difficult aspects of music and soundwork to explain is the concept of ‘right action’. How is that music can be evaluated almost immediately, just as quickly as a fire alarm or a baby’s cry? When Akio perform…
Annular Silhouettes
With Annular Silhouettes, Brad E. Rose traces an undulating pathway through ideas of place, memory, and intergenerational exchange. The edition is a mediation on how perspective is shaped, and reshaped, in time. More so it explores how change is simultaneously incremental and accumulative. This is reflected in the compositional strategies he deploys. Elements arrive and pass with an almost subconscious logic. Their pace is measured, but entirely fluid, creating a sense of breathing or perhaps ev…
Your Music Encountered in a Dream
Remember hearing music while dreaming, fully confident that you’ll be able to reconstruct it once awake? Music that, as it turns out, you were the sole witness. In retrospect, why ruin the experience by something so vulgar as hearing it a second time, much less having to share it? We don’t mean to alarm you, but David Grubbs and Liam Keenan have returned from the dark side of the pillow bearing Your Music Encountered in a Dream.
Pain Avoidance Machine
In late 2014, feeling stifled by the negativity of the Australian political discourse, the narcissistic excess of social media, and facing a long summer of migraine-inducing heat, I turned to the prepared piano as a refuge. I was coming out of an intense two-year period of composing for every conceivable instrumental combination, and not sure where to go next. I felt the need to get back to basics, and create something essential, elemental. These pieces are meditations, each with its own …
In the Depth of Illusion: A Soundtrack for Nervous Magic Lantern
"Ken Jacobs, an essential figure of avant-garde cinema, and I had over-a-decade-long collaboration. We first performed fo his Nervous Magic Lantern project at the Argos Festival in Brussels in 2007. Before flying to Europe, Ken invited me to the top-floor loft on Chambers Street in TriBeCa, where Ken and his wife, Flo, have lived and worked since 1965, to experience a private screening. He turned on the apparatus and the image flashed onto the screen: geometric patterns — something of a Rorschac…
The Generous Law
“The Generous Law,” a new album by organist Jack Langdon and guitarist Anthony Vine, presents a glimpse of the inner voices and acoustical splendor of the Fisk Organ at Wellesley College, enlivened by the intuition of two improvisers. At the keyboards, Langdon crafts geometries of patiently braided lines and incisions, configuring the hues and shades of organ stops with an ear to the materiality of sound. Vine seizes on this, tuning his guitar to the organ and bringing his strings into alignment…
Cinema Ouvido: Experimental music by filmmakers from Latin America
This compilation introduces the sound pieces created by the Latin American experimental filmmakers and is curated by the film artist Tetsuya Maruyama. Tetsuya Maruyama born in 1983 in Yokohama, Japan and currently based in Rio de Janeiro, Brazil. Graduated from the University at Buffalo's School of Architecture in 2007 and from the Visual Language Department of the Federal University of Rio de Janeiro's School of Fine Arts in 2024. His work spans film, text, performance, sound, ideas, and instal…
Dog Wearing Dracula Fangs
Syed Kamran Ali (Hunter Gracchus, Harappian Night Recordings) introduces ‘Dog Wearing Dracula Fangs’; the first album from his newly minted Fish el Fish project. As if to kick the existing ideas of his Harappian Night Recordings work into all new orbits of singularity, ‘Dog Wearing Dracula Fangs’ wrenches a dense throng of voices, electronics and busted instrumentation thrashing and wailing through filters of avant-psychedelic glimmer, mock exotica and atrophied, fusion-esque sheen. A dry, myste…
Orchid Music
There is no shortage of songs about flowers, but few actually let the flowers themselves do the singing. Now, thanks to advances in genome sequencing and data mapping, we can, as it were, hand them the mic and hear their side of the story. With a little help from experimental composer and orchid whisperer, Juraj Kojš, brings their inner world to life, revealing its musical potential. You have heard the sonified data of black holes, gravitational waves, weather, and the stock market. Now make way…
Baudouin Oosterlynck & Bénédicte Davin
On their self‑titled LP, Baudouin Oosterlynck & Bénédicte Davin slip two late‑’70s vocal compositions into the present tense, turning Glasgow’s Tectonics stage into a resonant laboratory where Oosterlynck’s ultra‑precise scores and Davin’s live voice re‑sculpt silence, timbre and breath.
Vection
The first Eliane Tapes release on CD. Elif Yalvaç her work Vection is inspired by Eliane Radigue her composition L'île Re-sonante, sky object and phenomena, and personal observations of Yalvaç in her environment.
Fulufulu Paupepa Paupapa
GBK are an Austrian free jazz trio that isn't afraid of being groovy. The band was founded in 2007 after a first meeting the year before, being thrown together in an improvised music session. They performed many years under the name of KGB before changing their name recently due to Russian war against Ukraine. All three musicians are happy to swap roles in their trio, therefore abstract experimental sounds have the same place in their repertoire as groove and melody. Drummer Didi Kern works both…
End Of Time KM-53 Project Vol.2
Untethered Mind Warps Sound Time-Space. The bear, code-named KM-53, passed away in June 2023. Unlike other Asiatic black bears, which Koreans refer to by ‘bandal gasum gom’ or ‘half-moon chest bears,’ KM-53 embarked on a journey of nearly 80 km from its original habitat in its second year of life, tirelessly moving through the backbone of South Korea's major mountain range. He could not confine himself to the assigned territory. Wild or not, we are all children of nature. Whether successful or n…
Every Day → All The Way
This is the first to be released of a series of albums ESP started recording in 2023 combining artists who hadn't worked together before. In this case, we team saxophonist Larry Ochs with the Flow Trio rhythm section of drummer Charles Downs and bassist Joe Morris. They meshed magnificently on their first encounter! Larry Ochs, co-founder in 1977 of ROVA Saxophone Quartet, was born in New York City but has long been based on the West Coast, specifically the Bay Area. He has also been a member of…