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Dutch composer/clarinetist Germaine Sijstermans is one of the emerging artists of the new generation of the contemporary classical music scene, regularly and closely working with artists associated with Edition Wandelweiser. This is her debut album as a composer, a double CD containing seven of her recent pieces, all composed between 2017-2019 and performed by the ensemble of six musicians who had worked closely together from the very start of the project: Antoine Beuger (concert flute), Germain…
The French pianist and composer Melaine Dalibert possesses an exquisite touch and engagement with his repertoire. On this new album he tackles the stripped-down music of Greek composer Anastassis Philippakopoulos, a key member of the post-Cagean Wandelweiser Collective, tracing out the delicate, sparsely mapped notes from a dozen contemplative, spacious miniatures. The pieces are built around austere melodic fragments, all of which hang pregnant in the air, unfolding carefully before the next p…
This album contains three new works by Italian composer Giuliano d'Angiolini, ')))(((', '7 flauti', and '100100', following his previous three albums: 'Simmetrie di ritorno' (Edition RZ, 2010), ‘Cantilena’ (Another Timbre, 2016) and ‘Antifona’ (Another Timbre, 2020). ')))(((' was composed in 2023 for four flutes and sheng or accordion, or six clarinets, and the version here is for four flutes and six clarinets. It is recommended to listen at high volume. '7 flauti' was written in 2010 for seven …
Olivia Block makes her label debut, paired with Greg Kelley in his first appearance on Erstwhile since "Forlorn Green", although the overall cast of the session seems more firmly located in her neck of the woods, which is to say very thick and richly layered, possessing a massiveness and spatial volume. She plays a bit of piano here and there (once unfurling a couple of strikingly Tilbury-esque arpeggios, elsewhere within the piano's string-bed) but it's her electronics that predominate, …
Unusual sound work from the Japanese duo of Takahiro Kawaguchi and Utah Kawasaki (Astro Twin), using self-made instruments and electronics to create unexpected sonic emissions that follow curious paths that are separated by periods of quiet or textural sound.
Takahiro Kawaguchi was born in Osaka, Japan, in 1980. He works in Osaka and Tokyo in various electroacoustic genres, using field recordings or creating sound installations, or presenting sound live. The common concept of all his works is: "…
2025 stock ** "Lidingö, a summit between innenklavier specialist Andrea Neumann and percussionist Burkhard Beins, is altogether knottier and gnarlier. Part of the important Berlin scene, the two play together in Phosphor as well as with Sven-Åke Johansson. Beins is a masterful player, often eschewing struck percussion in favor of rubbing, stroking, and scraping, only occasionally landing a gargantuan thudding bass drum for example. Neumann uses only the strings, resonating board, and metal frame…
ErstLive is a new series of releases from Erstwhile Records, documenting notable live sets associated with the label. The discs are designed to simulate a concert experience, each in the same template design using two colors chosen by the musicians involved, with a photo of the concert on the back cover. Each will be in an edition of 800 CDs and not reprinted. The initial releases will be chosen from the AMPLIFY 2004 festival which took place in Cologne and Berlin in May 2004. ErstLive …
In September 2011, Erstwhile producer Jon Abbey was invited to curate two weeks of shows at John Zorn's legendary Manhattan venue The Stone, which he used as an opportunity to invite many of his favorite musicians from Japan, Europe and the US to perform. A second three night festival at Issue Project Room was later appended onto the end, making the AMPLIFY 2011: stones festival a 35 set, 17 night extravaganza in all. Four of those thirty-five sets will now be available in the ErstLive se…
A collaborative CD between Devin DiSanto and Taku Unami, a recording of a live performances that took place inside AMPLIFY 2015: exploratory at Fridman Gallery in Nyc. "Devin DiSanto lives in Brooklyn and develops performances, actions, and audio recordings that revolve primarily around the material attributes of a sound, particularly the plurality of its signification. His projects start from the premise that space is listened for as much as seen and heard before it comes into view. It doesn't …
An extended work from Antoine Beuger and Michael Pisaro, defined by six stanzas written by Beuger, Anna Swir, Mei-Mei Berssenbrugger and Edmond Jabes, a subtle cycle on love and permanency realized in tone and voice."
"The work begins in very un-Wandelweiser fashion, with a strong note played on, I think, a harpsichord (prepared spinet?), quite forthrightly. After several identical notes, a recording of an interior space enters and a surprising sequence of chords occurs, four of them, very…
That said, "Weather Sky" is another thing altogether. Bruno Meillier invited Toshi to play a duo concert in St Etienne with AMM's no-concessions table guitar master Keith Rowe, and took them into the studio the day after to record for Erstwhile. Sensitivity to pitch is less important here (Rowe, remember, hasn't tuned his guitar since the early 1960s): the album's three tracks are real slow-burners. Rowe can be agile and aggressive when he wants to, but his preferred working method is to lay dow…
Ami Yoshida and Christof Kurzmann are both well-respected artists within the international community, each performing in a wide range of contexts from abstract to pure pop. Both are best known for their long-running duos, Yoshida for Cosmos (with Sachiko M) and Kurzmann for schnee (with Burkhard Stangl). This project finds them in far less comfortable territory, and a s o is the outcome of two years of hard work.Ami Yoshida strives to create a pure sound, abstracting her voice until it becomes a…
Right After is a remarkably subtle album of duo electronics by two relatively young Italians with roots in avant-garde improvisation. While Giuseppe Ielasi began his career as a guitarist and Domenico Sciajno was an improvising bassist of note, both gradually moved into the area of pure electronics and sound manipulation. A fine balance of pristine, crystalline sounds and earthy scrabbling noises is shown from the first track, ²at a greater distance² which offsets pinging, high pitched tones tha…
Christian Wolff, prepared piano, whistles, stones. Michael Pisaro, electric guitar, harmonica, stones. Recorded in 2014. Chistian Wolff (1934), American composer of avant-garde music. Michael Pisaro (1961), guitarist andcomposer, member of Wandelweiser. The album was mastered by Joe Panzner and designed by Yuko Zama
Ever since Otomo got into his minimal misuse of stereo equipment phase, a collaboration with Swiss toaster torturers Voice Crack was on the cards. Although Otomo's refraction of high end sinewaves around cranial interiors may not seem like an ideal partner for Norbert Mšslang and Andy Guhl's usual industrial clang, attempts have obviously been made to find a common ground. There's an intense focus upon the fine detail of the unfolding electronic fields, with the Swiss duo providing a constantly …
Since the early nineties, Vienna-based Radu Malfatti has been investigating the edges of ultraminimalism in both his composed and improvised work. On Imaoto, he is joined by empathetic explorer Klaus Filip to create an instant classic. Malfatti and Filip have performed a handful of duo concerts over the years, with the first in 2003. In 2006, they played a remarkable set in Maria Chavez's Houndstooth store in NYC, a very memorable show for the couple of dozen listeners in attendance as well as f…
Free improvisation has rarely seen significant new movements as influential as the small group of Tokyo musicians once labeled as "onkyo", who have now been a primary driving force in contemporary improvisation for a full decade. Over that decade, these musicians have been responsible for some of the strongest and most radical work on Erstwhile, and Soba To Bara sits firmly in that lineage.Ami Yoshida strives to create a pure sound, abstracting her voice until it becomes almost completely unreco…
'Throughout their careers, both Annette krebs and taku unami have explored the areas between composition and improvisation, innovation and repetition, music and ambient sound. On motubachii, their distinctive styles come together to form a whole that is monolithic yet widely varied, simple yet impossible to fully grasp. Annette krebs studied music and concert guitar in Frankfurt-Main, and has lived in Berlin since 1993. She has worked intensively in the crossover area between improvisation and c…
"After several years of not doing anything since Erstwhile first asked me to do a solo album, I suddenly had the idea to record it last week and it was released within a week or so. I know some of you are thinking "Anyone can do this...", but in the DIY spirit of doing what anyone can do with what anyone can get, and without any special skills or funds, I tackled improvisation head on, using mostly newspapers and cardboard boxes, which turned out to be this triple CD set." - Taku Unami
"For the…
** Six-panel digipak, photos by Yan Jun/Zhu Wenbo, design by Yuko Zama ** Erstwhile Records presents Twice by Yan Jun and Zhu Wenbo. Yan Jun: recorded in Beijing, Feb 2021. Zhu Wenbo: recorded in Qingdao and Beijing, Sept 2020 - Feb 2021. Photos/image scans by Yan Jun/Zhu Wenbo. Design by Yuko Zama. Produced by Jon Abbey.