Bryan Eubanks, Jordan Topiel Paul
Pushovers
LabelSacred RealismGenreExperimental
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The works are "over painted photographs", directly inspired by Gerhard Richter's series of the same title (Übermalte Fotografien). Bradley says: "To paint over a photograph is to admit that truth is always blurred—each gesture both revealing and concealing, as if clarity itself were only another layer awaiting revision. And if someone walked this path first, that’s no trespass for me. As Tim Bradley, I see it less as repeating a gesture and more as entering a long conversation. The terrain is familiar, yes—but every hand trembles differently, every blur holds a new fucking doubt, and every surface asks its own questions. In that sense, the act is not imitation but continuation: another voice adding its shimmer to a shared uncertainty."







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