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Early To Late
Early to Late presents an inspired commission for Magnus Granberg and Jürg Frey, inviting each to compose for Ensemble Grizzana using the same brief: build a new work from Renaissance fragments. Granberg’s “How Vain Are All Our Frail Delights?” draws on William Byrd’s choral music, transforming melodic kernels into shimmering, spectral textures. Ensemble voices - celesta, glass harp, dulcimer, violin, winds - float through cycles of open-form improvisation and carefully weighted silence. The res…
Dethick
In Dethick, three singular voices - Angharad Davies (violin), Rie Nakajima (sound objects), and Alice Purton (cello) - trace the edges of collective improvisation and material inquiry. The project began from a shared fascination with resonance: how certain preparations and actions could invigorate stringed instruments and inanimate objects alike, blurring the distinction between music, sound art, and noise. Each musician brings a distinct lexicon - Davies known for extracting spectral sonorities…
The Boundaries of Intimacy
British composer Frank Denyer presents seven beautiful chamber works dating from 1974 to 2018, opening a door to his unique soundworld. Released by Another Timbre in November 2019, The Boundaries of Intimacy features sublime, unexpected pieces of delicate intimacy performed by a variety of artists including Luna String Quartet, Juliet Fraser, Elisabeth Smalt, Jos Zwaanenberg and Nobutaka Yoshizawa.
"Most of the music on this CD is soft, some of it very soft indeed. To achieve the optimal listeni…
Hlaholika
With Hlaholika, Adrian Democ offers a collection of chamber pieces unified by a focus on stillness and the unhurried unfolding of sound. Rather than chasing after overt drama, Democ’s writing reveals itself through the subtle layering of sonorities and stark, melodic lines, letting each instrument’s character shine. Apartment House brings sensitivity and patience to these recordings, allowing the music’s quiet radiance to emerge organically, rather than by force.
The album opens with “Ma fin est…
Parallel Words
With Parallel Words, Eventless Plot compose as a true collective, crafting an album that drifts at the intersection of chamber music, electroacoustic experimentation, and subtle jazz inflections. The trio - Vasilis Liolios, Aris Giatas, and Yiannis Tsirikoglou - devise sound worlds marked by contradiction and hybridity. Across the album’s three substantial tracks, instrumental timbres and electronics run alongside each other, oscillating between a sense of tranquil detachment and mounting intens…
Adjacent Sound
Adjacent Sound positions Gabriel Paiuk as a composer attuned to the phenomena of perception, proximity, and the thresholds where listening itself becomes the subject. Rather than presenting a collection of isolated pieces, the album unfolds as a unified exploration into how sound delineates and dissolves boundaries - between performers, between recorded and live presence, between the material and the ephemeral. Every aspect of the release is shaped by a careful questioning of what it means to li…
The Pankow-Park Sessions
The Pankow-Park Sessions Vol.1 is a striking documentation of collaboration between Ernstalbrecht Stiebler and Tilman Kanitz, offering a series of works that blur distinctions between composition and improvisation in an acoustic setting. These recorded sessions capture the artists’ shared sensitivity to resonance, duration, and the momentary emergence of musical events. Rather than foregrounding virtuosic display or dense structuring, the album cultivates a sense of spaciousness where tones, sil…
Longing Landscape
Jürg Frey, the Swiss composer, clarinetist, and central figure in the Wandelweiser collective, presents three recent chamber works—all written for and performed by the Prague Quiet Music Collective, with one piece featuring the Norwegian new music group asamisimasa. These compositions mark a significant evolution in Frey's aesthetic. As Ian Mikyska of the Prague collective explains, "Jürg is neither writing the music he used to write nor writing the music that anyone expects of him"—moving beyon…
Outermost Melodies
Ian Antonio discovered Jürg Frey via algorithm. About 15 years ago, SoundCloud kept leading him to the same piece, maybe Circular Music No. 2. "I wouldn't notice the piece starting but then realize I was in fact listening to it closely," he recalls. "The stillness and closeness and warmth were somewhat new to me." At the time, Antonio played "a lot of very loud and often very fast music" with groups like Wet Ink, Talujon, Zs, and Yarn/Wire. Frey's music was "very much the opposite."
This double …
Distant Musics
American composer Paul Paccione makes a welcome return to recording with this portrait album featuring five chamber works originally composed between 1980 and 1990, all performed by the acclaimed Apartment House ensemble. Born in New York in 1952, Paccione studied with legendary minimalist pioneer Harley Gaber and later at the University of Iowa, developing a distinctive voice deeply influenced by Morton Feldman, John Cage, and Anton Webern.
The album includes Exit Music for string trio, Gridwor…
Things that Happen Again
Things that Happen Again offers a panoramic entry point into the lucid, evolving world of Paul Newland. Recorded by Apartment House at Goldsmiths in 2023, the album presents compositions written across a fourteen-year span. The title alludes to Newland’s fascination with recurrence and reworking - tracks such as “Difference is Everywhere (altered again)” or “Things That Happen Again (again)” are not only marked by repetition but by acts of subtle reinvention, echoing Newland's habit of dismantli…
Hymnkus Thoreau Drawings Two
Hymnkus Thoreau Drawings Two features three rarely encountered works by John Cage, interpreted by Apartment House. The album brings together the sparse, spatial interplay of “Two”, the poised transformations of “Thoreau Drawings”, and the hypnotic, layered repetitions of “Hymnkus” in performances marked by clarity, restraint, and ensemble sensitivity.
Point/Wave
Point/Wave represents a rare confluence of precision and open inquiry, as Catherine Lamb’s composition for Cristián Alvear translates the enigmatic condition of sound into tactile experience. Commissioned by Alvear and realized on Another Timbre, Lamb’s score meditates on her signature just intonation, deploying the Secondary Rainbow Synthesizer to generate four environmental chords that breathe around the guitar’s modally tuned strings. The electronics hum and fade - reflecting timbral shifts f…
32 Years Of Rain
2018 release ** “Kiawaltz” is commissioned and compiled by Old Captain to commemorate the early musical rituals composed by Maurizio Pustianaz, a famous Italian experimental artist known since 1984, and his project Gerstein, whose first recordings featured on this compilation represent solo melancholic piano ballads, experimental harsh sounds, synth-guitar powerful extravaganza within post-industrial style. These rare materials were obtained from the original 1986/89 tape releases issued 30 year…
Musicdesign
2010 release. "Monofonicorchestra is not a disc recorded in mono / is not ambient music / is not funky / is not experimental music / is not funny / Monofonicorchestra is not avant-garde / is not pop / is not op / is not Dada / Monofonicorchestra is not fashion / is not hard-core / is not horror / is not Frigidaire." --Maurizio Marsico, at 10h20 on Wednesday, December 23rd, 1981. A country: Italy. Several countries: Italies. Late '70ss, early '80s. The ether of punk is in everyone's nose and disc…
Sounds of Silence
** Last copies available ** "Sounds of Silence" is an anthology of some of the most intriguing silent tracks in recording history and includes rare works, among others, by Andy Warhol, John Lennon, Maurice Lemaitre, Sly & the Family Stone, Robert Wyatt, John Denver, Whitehouse, Orbital, Crass, Ciccone Youth, Afrika Bambaataa and of course Yves Klein. In their own quiet way, these silences speak volumes: they are performative, political, critical, abstract, poetic, cynical, technical, absurd… The…
Solo 1975-1980
Sidestepping all normal expectations on this album, Ju Suk Reet Meate (founding member of Smegma) directly goes about casting musical spells, utilizing primitive "inner mind" techniques on hammered dulcimer, tape loops, thrift store records, a homemade synthesizer, electric guitar, saxophone, mouth sounds, and manipulated christian radio broadcasts. Recorded in Portland, Oregon, these previously unreleased recordings reflect a similar "inner-mind over limited technique matter" aesthetic as the a…
Concerto Per La Mano Sinistra In Un Solo Movimento
The “Concerto for the left hand in one movement”, for piano, is the last unpublished composition of Walter Marchetti to be performed in public before the death of the author on May 12, 2015. Composed in 1994, the “Concerto for the left hand” belongs to an ongoing series of works written between 1994 and 1997: “Con vista sui suoni”, “Eight or Nine Movements for String Quartet” and “La perdita del tempo” which develop from a preceding composition titled “Canonic Variations for Orchestra on Prolaps…
La mer, la bataille, la mort
2005 release ** La mer, la bataille, la mort is Soft Black Star's latest album. Five songs united by a love of literature and cinema. Electroacoustic sounds and field recordings blend into cinematic homages (Aguirre). An early 20th-century vinyl record spins, crackling. Zeno Gabaglio dispenses love with his cello in Moishe & Buddy. Radio waves sinuously flirt with the Farfisa in my living room, with a half-full ashtray on top. The homage to Sokurov in Russian ark, with his inevitable improvisati…