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An Imitation of Life
Disquiet. Loss. Choice. The courage to venture onto a road. Choosing another one. And disquiet again, having ascertained that neither leads to new lands: the images which make up 'An Imitation of Life' convey all this to the observer, that is, the very act of seeing. The gaze of a 9 year old, roughly eight hours of footage, the grain of a VHS-C: archeological finding of the first childhood brainwaves, the 78 video stills contained in these pages and organized according to a random logic by the v…
The Middle East
*2025 repress* The second and last chapter of Dr Miller's journey between cultures and its uses, which began with "The Far East", dissected and looked into the root of the sound of distant Asia, continues with this new chapter dedicated instead to the countries bathed by the Mediterranean and contiguous to Central European history. From Spain to Arabic sounds, a new compendium that takes us back to other places and times, Dr Miller is once again able to dissect andencapsulate sounds and spices f…
Near And Far East
*2025 repress* Made with the intention of exploring and experiencing the various musical and cultural perspectives of a territory as vast as that of Persia, "Near And Far East" is a significant historical document that transcends the restrictive concept of territory but rather inhabits a space of absolute time. The album's content is not just window into faraway places, but a leap into the times and cultures that have now been swallowed up by the incessant movement of globalization and capitalis…
Experiences Musicales (II)
2CD set & a 32-page illustrated booklet with texts by Jean Dubuffet and Ilhan Mimaroglu in English & French. Noisy, pure, crazy, exuberant, yet also focused and inventive. Dubuffet creates an impression of Nrenetically playful improvisation, yet each piece has a strong concept, and even a form."The Musical Experiments of Jean Dubuffet, recorded in 1961, form a set of 20 pieces. They were released the same year as a box containing six 10” Vinyl-Records in an edition of 60 copies. In 1991 nine of …
Glints
"The three musicians seem to exchange and overlap tones, creating the feeling of a single and continuous arc extending, curving in space, a kind of bridge or thoroughfare outward." – Stuart Broomer (liner notes) Magda Mayas piano John Butcher tenor and soprano saxophones Tony Buck drums
Transformer
Transformer is Lou Reed’s glam‑tinted breakthrough: a Bowie/Ronson‑produced 1972 suite that turns New York demi‑mondes, queer desire and everyday despair into string‑swaddled anthems and deadpan rockers, from “Vicious” to “Perfect Day” and “Walk on the Wild Side.”
Shaped & Chased
Tip! "Lehn and Robair are particularly well-matched. Lehn is a musician who came to electronics from the piano, while Robair’s resources include both electronics and percussion. Each matches readily with acoustics and circuitry and creates a remarkable bridge between the two with Butcher, whose saxophone playing can assume both percussion and oscillator-like characteristics." – Stuart Broomer (liner notes) John Butcher tenor and soprano saxophones Thomas Lehn analogue EMS Synthi AKS Gino Robair …
Lamenti Dall'infinito
"If this quartet most resembles a jazz band among these Berlin recordings, it might be in its speculative assembly. [...] It’s akin to a novel, Julio Cortazar’s Hopscotch, designed with multiple reading sequences, or Nanni Balestrini’s Tristano, in which the order of paragraphs is different in every single copy." – Stuart Broomer (liner notes) Liz Allbee trumpet John Butcher tenor and soprano saxophones Ignaz Schick turntables, sampler, electronics Marta Zapparoli tapes, reel to reel tape machin…
La Pierre Tachée
"… a kind of ideal duet, no imitation conversation but two simultaneous composers each repeatedly provoked and silenced, prodded and enchanted by the other…" – Stuart Broomer (liner notes) Sophie Agnel piano John Butcher tenor and soprano saxophones
One and Many Flutes
One and Many Flutes by Hannah Todt transforms steel tubes into a playful and subtly radical modular installation, offering airy, slow-motion explorations of sound through individually voiced mouth holes. The album foregrounds tactile resonance and fragmentation, inviting listeners into a sonic space akin to slow Japanese flute traditions, balancing minimalist freedom with community-driven performance practice.​
Baroque Non Baroque #27815 (LP)
*110 copies limited edition. Includes repulsive cover photo and hand-stamped labels* ‘Nothing compares to you’ was about Peter Fengler and Sinéad was right! There’s no losers here, just the bare and brutal leftovers of a very long night or a really early morning. Is the sound your uncle Peter makes sexy or sexist? Is knocking on wood kinky or slapping the salami sufficient? Is it a Karlheinz with a Karlsquell or a Cage with a Cara? Or just tins for fears? Complex comparisons more zonked than the…
Haramand plane: three translation links
Pogus is very honored to be able to reissue this recording of works by the late Jerry Hunt (1943-1993), originally released on What Next? Having long been fascinated by Hunt's work, it is great to be able to have these last works of his available on CD once again. To quote Blue Gene Tyranny: In the 1970s electronic music practitioners constituted a rare and marginal population on the frontiers of interactive media and performance. Audio, with its modest bandwidth requirements, led video by at l…
Secluded in Jersey City
Well talk about your long gestations for a project. Secluded in Jersey City, by Secluded Bronte was recorded live on WFMU in November of 2002. And we spoke about releasing this on Pogus pretty quickly after that. So to take twelve years to release a CD is a pretty long time. But it was most certainly worth the wait. This trio features Jonathan and Adam Bohman with the added experimental irreverence of Richard Thomas. The Bohman Brothers are known for their unique live performances mixing theatre…
Silentium
Silentium is an electroacoustic piece based on sounds of bells and church organs that where recorded during a residency at gallery Školská 28 in Prague, in December 2015. The title was inspired by the “Silentium” signs that were regularly displayed in the churches where these recordings were made. Entering the temple requires the visitor to be quiet, to keep the noise down. This thoughtful silence is an intense and active condition essential for profound listening. It creates a liminal state bet…
Red / Machinic Fantasies
** 2021 Stock ** XI Records presents Involution by Cecilia Lopez. Red is more than a musical composition. It roots lie in its physicality. Nestled on a large cargo-like cable web are an array of small speakers and contact microphones. As this web sways the speakers and microphones come in and out of proximity and form an evolving feedback network, which slowly reveal themselves as a myriad of permutations accompanied by sympathetic synthesizer tones. Zero-input mixing works seem to be very popul…
Toot!
Composer/producer/shaman Charlie Morrow is equal parts Fluxus, Occupy Lincoln Center, Lakota mystic, and tech wizard. Charlie Morrow is a conceptualist whose music and sound work explores many styles and forms, from events for media and public spaces to commercial soundtracks, new media productions, museum installations and programming for broadcast and festivals. Assembling expert project groups, Morrow employs a collaborative style that fuses arts, artists, and environment. Charlie Morro…
Kientzy plays Johnson
In Kientzy Loops, the accompanying loop is a mix of six alto saxophones played in continuous blowing, while the principal lines are played on alto saxophone, except for the third section, played on baritone. The piece, premiered at the auditorium of the ADAC in Paris, was awarded a French national prize in the Victoires de la musique as the best piece of contemporary music for the year 2000. We are indebted to our friend Marc Chemillier for La Tortue de mer. As a mathematician Chemillier became …
Partitas for long strings
Restocked. "Two aspects were of central interest to him: different tunings and density of sound. He made an installation in the large space of Het Apollohuis, stretching four strings lengthwise and attaching them to the wooden wall on the far end, which served as a resonator. He did not use automatons or electric amplification. He played the strings by brushing them, walking back and forth at an even pace. His aim was to make his playing as continuous and even as possible. For each partita he re…
YPGPN
"YPGPN (Young Person's Guide to Phill Niblock) is the long-awaited re-release of a 2 CD-set that was a joint production by the UK based Blast First label and The Wire magazine in 1995. It includes the following works: Held Tones (1982-94) Barbara Held, flute; Didjeridoos and Don'ts (1992) Ulrich Krieger, didjeridu; Ten Auras (1994) Ulrich Krieger, tenor saxophone; Ten Auras Live (1994) Ulrich Krieger, tenor saxophone; A Trombone Piece (1978-94) James Fulkerson, trombone; A Third Trombone (1979-9…