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* Handmade in an edition of 250 copies only; 180gr vinyl in custom-made screen-printed outer (sealed), containing Xerox-printed booklet with the words from the films of Matthias Mulle and a newly commissioned essay by S. Grisseman* The original soundtracks by Dirk Schaefer for the films of Matthias Muller: The Memo Book (1989), Home Stories (1990), Sleepy Haven (1993), Pensão Globo (1999), Vacancy (1999). Newly re-transferred from the original tapes by Schaefer himself, and remastered, these are…
2023 Reissue. Exact LP repro edition. Grey-area reissue of these legendary albums, with top audio quality privately released by Tim Maia on his own Seroma imprint (the name Seroma is the sum of the first syllables of Tim Maia (Sebastião Rodrigues Maia) names. SE from Sebastião, RO from Rodrigues and MA from Maia). It’s difficult to overstate the importance of Brazil’s Tim Maia. A wildly restless creative mind Tim Maia was also a huge personality. The larger than life man made a huge contribution…
Primordial sounds created by Maurizio Bianchi/M. B. using a rudimental five strings guitar, afterwards polarized effects added by Siegmar Fricke utilizing a shapeless analogtronic apparatus. CD-R in half handmade 3 panels digipack
*2024 stock* "Recorded back in 2019, in Newcastle upon Tyne, “Skinwalker” is a collaboration between noisy British punk band Bruxa Maria and Norwegian trio MoE. Between these two acts, fireworks might be expected to fly constantly but “Skinwalker” turns out more restrained and controlled than you’d expect. Four tracks, of which three exceed ten minutes, are on offer here, all of them brimming with caged fury and aggression which, if unleashed, could turn this recording into a tapestry of burning…
*2024 stock* "A lone voice rises over the booming rumble of the octobass, a large acoustic instrument resembling a double-bass, yet twice the height. The octobass’ unusually large stature lends itself to these haunting sounds, looming over this cacophonous reverberation like a specter of monstrosity. Another voice lightly ascends, and the two vocalizations coalesce as this musical foundation crumbles along, carried by the tapping of harmonium keys, swimming and dissonant.
This patient singing b…
"The fourteenth series of the Merzbow archive series, which began in 2018 and focuses on unreleased and unearthed material, is a collection of unreleased recordings from 2014 that were performed with a sequencer in the background: Double Beat Sequencer Vol. 1, Double Beat Sequencer Vol.2", "Double Beat Sequencer Vol.3", "Double Beat Sequencer Vol.4", "Double Beat Sequencer Vol.5" and "Double Beat Sequencer Vol.6". Double Beat Sequencer" is a boxed set of all six of these works. The sequencer use…
2016 release **
"This release by Edition Wandelweiser Records collects recent compositions by Katharina Weber, Jack Callahan, Alex Goretzki, and Alfred Zimmerlin, performed by Christian Buck on guitar and Christian Wolfarth on percussion. It opens with Callahan’s ‘New Piece’, beginning with quiet feedback and low rumble before moving on to evenly spaced chords, cymbals, and soft beats. There’s an ambiguity or uncertainty to these sounds, or to my hearing of them, in terms of their harmony and ti…
2011 release **
"Shepard, in 2005, set himself the task of hiking 250 miles across Switzerland, composing a new piece each day (performing it as well, in some public setting). Six of these works are collected here, performed by various Wandelweiser-involved folk. The music has an aura of folk song to it, however attenuated, heard clearly in Christian Wolff's melodica rendition of "Crêt de la Neuve, le 20 juillet 2005" with it's gentle ups and downs, similarly the second brief track with Katie Po…
2015 release **
"Margriet Hoenderdos, a student of influential Dutch composer Ton de Leeuw, was still honing her own distinctive voice at the time of her premature death in 2010. The precariousness of simply existing is effectively evoked in a 21 minute woodwind quintet in which she responded to a poem by Hans Faverey, written as he endured his own terminal illness. Sombre and harmonically anxious, this music resembles a physical construction that appears sturdy, yet has an unnerving tendency to…
2013 release **
"The Chord Catalogue is sort of a sister to Music for 88. It is also an examination of pianistic possibilities done with a focus so tight that obscuring any intrinsic aesthetic qualities in the execution seems to be the intention. (Also like Music for 88, Johnson recorded the piece for Phill Niblock’s Experimental Intermedia imprint). Beginning with “The 78 Two-Note Chords” (the section titling further eliminates risk of artistic suggestion), the set of pieces exhausts its way th…
The next book on Korm Plastics contains no photographs of the artists, no list of released records, no pictures of record sleeves, and no footnotes. It is not a hardcover, not on glossy paper and is not expensive. It’s… ‘America’s Greatest Noise’ tells the story of Ron Lessard, owner of RRRecords, a record store in Lowell, Massachusetts and, from 1986 to 2009, a record label, releasing the albums of Blackhouse, F/i, PGR, the first Merzbow LP outside Japan and many more, regional compilations, th…
Atta’s Apartment Slated for Demolition finds Dominick Fernow’s Vatican Shadow project at a crossroads. Originally released in 2012, the album still has the blank-eyed, cold, hypnotic minimalism of his earliest albums that made Vatican Shadow one of the most unlikely breakout artists of the noise underground in the early 2010s. It’s got the cryptic yet provocative title, in this case alluding to Mohamed Atta, the ringleader behind the 9/11 hijackings. It’s got the paranoid forever-war album art a…
Four beautiful, exceptional ambient nocturnes bloom again on a very welcome 30th anniversary reissue, newly packaged together by Grönland for the benefit of your health... David Sylvian and Holger Czukay’s Plight + Premonition [1988] & Flux + Mutability [1989] bouquets remain some of the most enigmatic ambient recordings of the ‘80s since their conception at Czukay’s converted cinema studio in Köln, 1986. But, while Sylvian was ostensibly coming to record vocals for the last track on Czukay’s Ro…
Grönland is proud to announce the reissue of Wandermüde on CD and, for the first time, vinyl. Both versions include one previously unreleased bonus track. The 2LP is pressed on crystal clear vinyl. This 2023 edition was mastered by Stephan Mathieu from the original recordings.
2015 release **
"The pieces by Anastassis Philippakopoulos that guitarist Chaz Underriner "reinterprets" here were written for instruments other than his own: flute (Song 6, which Wandelweiser Editions published earlier under the composer's name on Songs And Piano Pieces), string section (Song 8, which Underriner performs with three other guitarists: Armin Abdihodzic, Greg Dixon, and Robert Trusko), and bass clarinet (Song 9). Three songs that follow one another discreetly, moving slightly unde…
Few lovers stay together for life-and beyond. Just as rare are the artists who manage to keep alive the burning flame of their creative desire. Areski Belkacem is one of those who nurtures in his heart a fire that never dies out, a passion that burns just as intensely for music as it does for his beloved. As long as the message eventually reaches its intended recipient, he cares little for how long the journey takes.
His new album, Long Courrier, is proof of this: twelve unreleased songs that …
After the groundbreaking Comme à la Radio, energized by the free jazz tumult of the Art Ensemble of Chicago, Brigitte Fontaine and Areski Belkacem produced six albums together or separately between 1972 and 1977. While French pop of the time was marked by lush orchestrations, Fontaine and Belkacem’s songs were often recorded live, typically accompanied only by guitar and percussion, or performed a cappella. This minimalist approach focused attention on the subversive poetry of the lyrics and the…
2015 release **
"The tromba marina is a huge single-stringed instrument, played with a bow. For "in memory of james tenney", in four parts, Möller and Maldfeld each wrestle with one such beast, using instruments from the 17th and early 18th centuries. And f it's grain you want, step right up--this thing, especially Part I, sounds like the bow is severely serrated, close to being able to saw wood. A huge rumble that encloses myriad tones high to low. Think of an Eliane Radigue cello piece with yo…
2007 release **
"Between 2004 and 2006, Pisaro began a series of field recordings. Each time, it consisted of a single sound recording made in Los Angeles, in a single location, strategically placed so that nothing stood out, places without a center, blurred spaces at which Pisaro pointed a microphone without moving. From this series of recordings was born Transparent City, two monumental and epic double CDs in their duration: they exceed 4 hours and 40 minutes in fact. Each disc is composed of …
2010 release **
""sixty-five minutes long. two periods of thirty minutes each, with a five minute silence between them. each performer find one sound, preferably with pitch. the sound is played for one duration, between one and fifteen minutes, in each thirty minute period, making sure, in the first period, not to cross over into silence. the duration of the sound may change from one period to the next. one of the durations may be zero seconds. (i.e., a player might decide not to play in one of …