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Fourth album from the free-spirited power trio that should need no long introduction by now, apart from the significant fact that Frank Rosaly has taken over the drum stool from Paal Nilssen-Love. No mean feat, seeing how the hand-in-glove rhythm section of Nilssen-Love and Håker Flaten has graced a large number of recordings over the years and built a solid reputation as one of modern jazz and improv's most reliable units. That said, the Chicago-based drummer is doing a remarkable job in bo…
Over the years the Menstruation Sisters have through a selective, but incredibly varied output of albums steadily built a reputation among music fans as a unique band. It was never a secret who the members of Menstruation Sisters were, yet the band's aura was shrouded in mystery and confusion, possibly because they would completely reinvent themselves with every new recorded statement. As a fan of the Menstruation Sisters you had to abandon everything you knew with each new piece of the puzzle.…
**100 copies, transparent blue vinyl** "These tracks are based on time stretched sounds created using my first, early attempt at programming a granular synthesizer in Pure Data. For this synthesizer, I inadvertently implemented a typical “beginners-error" in the algorithm, by basing the "scroll function" (which reads pre-recorded audio files at varying speeds) on a “control" object, rather than a “dsp”-object. This causes a discrepancy between the control data (which transmits control messages i…
2015 Release. Jonas Olesen is a Danish experimental composer and the coordinator of the Scandinavian education plan on sound art at Nordic Sound Art. He is back again with the home label BIN and his new album, which it might be defined as “analog-anthological”. Test features some source material, taken from a number of historical test records, and some psycho-acoustical demonstration recordings, including additional parts generated with a LEADER LFG-1300S Function Generator, and processed by an …
2014 Edition. 150 copies. The Forest Organ is a digital sound sculpture created in a interdisciplinary collaboration between artist Birgitte Kristensen and composer Søren Knudsen Lyngsø to a specific site for the exhibition Sculpture by the Sea 2013. The work is at the same time a computer controlled instrument integrated into the landscape and a dynamic sculpture consisting of sound. The Forest Organ will be situated in a clearing in the forest where it engages in a dialogue with the site’s ele…
Outre-nuit as Outre-noir by Pierre Soulages, the greatest nuances on subtle variations. The programme can be listened to in one go between Clara's two compositions, it's Xnoybis, an extraordinary performance by the great Giacinto Scelsi - a piece that makes you feel like you're listening for the first time - Giacinto Scelsi's Xnoybis (1964) is a journey amongst the reliefs contained within one single pitch. Written in three parts, the piece is an instinctive approach to the sound spectrum (the t…
**Deluxe gatefold sleeve with varnish effect including an 8 pages photo booklet.** "Pak Yan Lau, one of the most original pianists of the new European creative scene, has the ability to build complex formal architectures starting from minimal materials – insistent rhythms, barely hinted melodies, electronic effects as evocative as they are mysterious. Darin Gray uses his long experience as the backbone of many improvisational groups with a painstaking work on timbre and a deep and multiform soun…
It was Ludwig Wittgenstein, another Austrian, who already in his debut work identified the borders: in his opinion, he wrote in the preface to his Tractatus logico-philosophicus, he had “essentially resolved” those problems accessible to rational thought, and precisely that would demonstrate “how little is achieved that these problems are resolved.” Even greater emphasis is lent to this insight in the famous sentence with which Wittgenstein closes his Tractatus not even a hundred pages later: „W…
Big Tip! Varder is a new LP-series dedicated to unearthing early Norwegian electronic music. When this new form of music began to spread in the 1950s, it required large studios with expensive equipment, and the outcome was often considered not commercial enough for record labels to venture into. But despite the meagre means, Norwegian composers threw themselves into new sonic adventures such as electroacoustics, musique concrète and computer music, travelling to studios in Norway, Sweden, Poland…
"Music by: Nils Frahm, Clint Mansell, DJ Tiësto, Max Richter, Roberto Cacciapaglia, Joe Hisaishi, Vladimir Martynov, Ólafur Arnalds and Floraleda Sacchi. Already renowned for her interpretations of John Cage and Philip Glass, on #Darklight Italian harpist Floraleda Sacchi working solo with acoustic and electric harps, electronic devices and ambient recordings, her compelling interpretations expose the enigmatic quality of the compositions. "People often ask me why I play the harp," says Floraled…
1992 release ** "Eric La Casa and Sylvie Larouche's first album of lush, cinematic ambience and unsettling atmosphere from 1992. La Casa's sense of drama and timing might sound familiar to those who know his (entirely excellent) later work with field recordings."
2001 release ** "A terrific drone album here, on this first solo-release, Werner Durand presents six works all dealing with the buzzing phenomena. This phenomena is found in many musical cultures around the world as an integral part of the sound, eg. with chinese and korean flutes, ethiopian and basque string instruments and also the Indian tanpura. The results are stunning: dense drones with pulsing, buzzing, dizzying movements swarm with an intoxicating cadence. Recorded in multi-track, the so…
2010 release ** "The main instrument on this CD is the organ, which sounds in fast mechanical sequences a bit unusual for our ears and more typical for the Berlin school of electronic music. Simple compositional structure meets vivid expression, liturgical atmosphere and a sublime metaphysical line running through the whole concept of the project. Some parallels can be drawn with the CD of the Sphere Rex project, released in 2009 by the same community of labels. And it is no coincidence, as bot…
1999 release ** "Zonk't comes from Paris and is led by Laurent Perrier who used to be in Nox, Cape Fear and ran the Odd Size label and store. He is now recording under this pseudonym, and also uses the alias Heal."
2003 release ** "The Physics Room and National Radio’s ‘revolutions per minute’ show have joined with curator Sally McIntyre to bring six of New Zealand’s emerging and acclaimed audio artists into the physical space of the gallery and headspace of radio broadcast. New audio works have been developed for the project by six artists: Philharmonic / Richard Francis / John McCallum / Radioqualia / Rachel Shearer / Wendyhouse. Each sound work is installed in the gallery space (with individual listenin…
2011 release ** "Shadow Of Events is the third album by Oslo, Norway sound artist, producer and musician Alexander Rishaug, following his Asphodel CD Possible Landscape (2004) and 2001's Panorama on the Smalltown Supersound label. The album was recorded over a five year period and mixed in Berlin last year. Not unlike his previous albums but apparently more refined Shadow Of Events combines a warm and organic haunting quality blended with both abstract and concrete tones and subtle digital noise…
2004 release ** "It is easier to say what it doesn’t mean: Intuitive means not controlled by reason, not planned, not calculating, not superficial, not egomaniacal. It may mean: Creative, organic, alive, spiritual. All this at least is the music of the duo and it even possesses this astonishing quality when it has been thus announced. It magically appears to draw directly on the inward, as well as on a system of sounds that seems to exist beyond our involvement. The trumpet player Markus Stockh…
1995 release ** "Taking Off was first released as an LP in 1982 and re-issued as a CD by Bleu Regard in France in 1995. Wallenstein increases the size of his jazz accompaniment/collaboration, featuring Bill Chelf on piano, Charles Tyler on saxophones, Jeremy Steig on flute, and Jeff Meyer on percussion. The opening poem "Careful Bump," begins with a jolting kick and cymbal crash leading into a bop-jazz drum beat. "The Short Life of the Five Minute Dancer," which describes action in the face of f…
Recorded in 1977 and now reissued in ECM’s audiophile Luminessence vinyl series, the debut album of the Azimuth trio was truly ahead of its time. Formed by adding Canadian-born trumpeter Kenny Wheeler to the British duo of pianist John Taylor and vocalist Norma Winstone, the group’s futuristic musical palette embraced hypnotic, minimalistic pulse patterns, otherworldly synthesizer sounds, songs, collective improvisation and solo flights. In recent seasons, the number of listeners under Azimuth’s…