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Formed in London in 1969, High Tide featured the intense guitar playing of Tony Hill (formerly with The Misunderstood), the violin and keyboard skills of Simon House, bassist Peter Pavli and drummer Roger Hadden. The band was managed by Clearwater, also home to Hawkwind, Skin Alley and Cochise and were signed to Liberty Records soon after their formation. Their debut album, the stunning ‘Sea Shanties’ was recorded at Olympic studios and some of the heaviest gothic psychedelic rock record ever re…
Music of Dary John Mizelle is a recording of three densely layered compositions by the eponymous Oklahoma-born composer. Originally trained in trombone performance, Mizelle was a graduate student in composition at the University of California, Davis, under Larry Austin. The two, alongside Stanley Lunetta, had founded the free improvisation group New Music Ensemble in 1963 on campus with the intention of exploring the outer limits of performance and composition. Mizelle became the youngest member…
Huge Tip! 200 copies. Japalm is a place in a vague geography, a place of memory and an abyss, fantasies and melancholies that take the names of imaginary cities. Loops, aleatory rhythms, the nostalgia of oniric places traced on an perpetual changing map, an image consumed by sunlight: LF RDamb, Dcramb, Nosun, Chllamb, Mneist, Niobu. Japalm is the second record from Hampar Soum, as well as the duo second work with Matteo Castro's label, Second Sleep. Hampar Soum are Stefano Scattolin and Guido Mo…
Want bespoke jingles for your commercial productions? Require pre-tailored musical solutions for your dramatic creations? Need them quickly and cheaply? Here's the answer.
This is the second release of max goldt's early tape music on gagarin records, and yet another brilliant collection of his percussive metallic miniatures. Max has been busy with his music since the late 1970s but is nowadays much more known in germany for his writing. as on the previous album "there are grapefruit hearts to be squeezed in the dark", most of the tracks are created with a simple set-up of prepared acoustic guitar, (pitched) voice, zither, some effect pedals and a multi-track recor…
Hauntologically pop, fragile and with a twisted psychedelic Beach Boys side, this album shows an undeniable songwriting craft. Esa Shield's androgynous voice together with the use of guitars, keys and analogue electronics tends to weave "wrong" notes and submarine harmonies into songs that range from psych-folk ("Shelley Duvall") to dark ambient ("Jenkins Other") and super catchy space-age pop ("Monde Capricorn"). Now and then a nostalgic and contradictory bout of fever unexpectedly appear…
Werke für Schlagzeug und elektroakustische Geräte (Works for Percussion and Electro-Acoustic Devices / Utwory na perkusję i urządzenia elektroakustyczne) is the second album of the Polish percussion duo Miłosz Pękala and Magda Kordylasińska.
Long-time touchstone of international experimental music presents his monolithic (and first) solo vinyl Sur quelques mondes étranges on Felix Kubin’s Gagarin Records. Jérôme Noetinger is known to most for the audio-visual trio Cellule d’Intervention Metamkine, alongside his countless recorded & live collaborations, compositions for radio & stage, and breathtaking multi-channel diffusions in the acousmatic tradition.
Discovering the ReVox B77 tape machine as his tool for live electro-acoustic mus…
A native of Istanbul, Turgut Erçetin (1983) studied composition and completed his doctorate studies at Stanford University. In 2016, Erçetin was awarded with DAAD Artists-In-Berlin program for a year-long residency in Berlin, and since then he has been based in Berlin. Erçetin's works engage with issues of sound, not as colors but as sonic entities that interface with time and space. Most of his works, therefore, are involved with acoustics and psychoacoustics as well as computer aided compositi…
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in Musique Concrete by listening to a German radio program when he was ten years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music for the Sk…
* Five hours of electroacoustical compositions, recorded during the first thirty years of the Berlin festival “Inventionen”. Box set with two audio CDs and a multichannel (surroundsound) DVD * Mindblowing two re-releases of Edition RZ LPs that are now available in this double CD box with additional tracks, as well as a mainly acousmatic DVD that features electronic tracks by a variety of electroacoustic composers. The present DVD contains mainly acousmatic music. This is when a pure "tape piece"…
Beautiful new Jacob Ullman Organ composition of subtle gradations in sound performed very softly forcing the ear to notice the smallest variations. "Thus, Ullmann creates a quiet music in order to give himself and his listeners the opportunity to hear more, and better. This comes about because our ability to hear is augmented when listening to quiet music. We hear better because we make an effort to hear better. That is why Ullmann likes to locate his sound sources at the periphery, so as not to…
RESTOCKED, reduced price “I think of Akio Suzuki as a kind of magician, perhaps the most charming, engaging artist I’ve seen, Japanese musician and inventor, instrument builder and shaman Akio Suzuki is probably unknown to most of you. But we think his work is utterly captivating and crucial; it deserves a much bigger audience. Akio has been performing, teaching and building instruments for nearly 40 years. His music is simple and pure, and beautifully unworried by the rules of modern music. He …
Jakob Ullmann's music realizes an infinite variety of gradations in all areas of musical formation. That the music of the "catalogue" is nearly always played very softly leads to the ear noticing the smallest differentiations; the listener is put into a state of constant, acute attentiveness. The musical stream is constantly subjected to small irritations, sometimes its flow quickens, sometimes there are brief splashes like those caused by pebbles thrown into water. Performers: Ensemble Oriol Be…
A documentary of pieces performed at the Inventionen Festival in Berlin, 1998. Features: Unsuk Chin, Patrick Kosk, Werner Cee, Francois Donato, Robin Minard, Wolfgang Mitterer, Francis Dhomont, Erik Mikael Karlsson, Trevor Wishart. "Not as much as a bringer-up to speed (or yet another history lesson at that) as a fine cache of current keepers of the crop. New ('93-98), complete pieces from Trevor Wishart (northern-UK composer/programmer known and loved these days for his mid-70's works such as M…
Gabriele Emde-Hauffe was born in 1953 in Darmstadt, Germany. She received a humanistic education at a local grammar school in Darmstadt and started studying the harp after her A-levels, first in Darmstadt and finishing in Cologne. Conducted by Péter Eötvös, she worked out modern chamber music and modern improvisation by J. G. Fritsch and Vinko Globokar. Passing her exams in 1980 and 1981, she continued her studies of musical science at Cologne University, based on her thesis, "The Harp bet…
Big Tip! LP version. Includes 20-page booklet. France, early sixties: the Mouvement de l'École moderne is in full bloom. Relying on the experiments and writings of its founder, the educationist Célestin Freinet, this consortium of teachers is about to give empirical evidence proving that another approach to music in school can be fruitful. With its pragmatic, anti-authoritarian tack, the method that Freinet was already developing in the 1920s held children in respect, giving them confidence and …
The brainchild of visual artist Jordan Belson and electronics polymath Henry Jacobs, the Vortex Experiments ran from 1957 to 1960, first at San Francisco’s Morrison Planetarium and later at the SF Museum of Art. The very name of these events announced their aim: a swirling totality of sensory experience. Around Belson’s richly-colored visuals – making use of the planetarium’s entire dome and featuring luminous, sharply geometric imagery projected through an array of devices – Jacobs ringed a sy…