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Cymbalism
A legendary album by one of the masters of modern jazz drumming! Recorded by Rudy Van Gelder in 1963, Cymbalism is among the albums Roy Haynes provided for Prestige's New Jazz series. This session features the drummer leading an acoustic quartet with Frank Strozier (alto sax, flute) Ronnie Mathews (piano) and Larry Ridley (bass). An unpredictable Hard Bop-Post Bop transitional album with different colors and moods. From the primary influence of Charlie Parker through a kind of expanded sound ins…
Making It Easier To Be Away
Tip! *2024 stock. 100 copies limited edition. Housed in heavy vinyl sleeve with hand-crafted wood backing* Black vinyl LP housed in unique wood sleeve, with plastic vinyl casing and beautifully designed liner notes featuring passages from Japanese literature and photos of local Kasai nature. Designed by Kyoto-based graphic designer, artist, and musician Takamitsu Ohta. Each wood sleeve was hand-crafted with care in-store at Tobira Records.
Morphine Mambo Jazz Club
Lucky Restock - Limited Quantities. Please note: these are original copies that may show minor sleeve wear due to long-term storage. The vinyl is in excellent condition. What happens when you crack open the vaults of Britain's oldest music library and let the smoke drift in? Morphine Mambo Jazz Club answers that question with eighteen cuts of mid-century tension: music conceived in dimly-lit studios for purposes no one fully remembers, now resurrected as a document of a peculiarly British form o…
Since Time Is Gravity
"The next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer & multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums &-counting flagship ensemble. Joining the core NIS of Abrams (guimbri & bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) & Jason Stein (bass clarinet) are Hamid Drake (percussion), Josh Berman & Ben Lama…
A Series of Actions in a Sphere of Forever
Kara-Lis Coverdale returns to Smalltown Supersound with her fourth full-length album, A Series of Actions in a Sphere of Forever, a collection of nine pieces, dedicated to solo piano. Known for her musical innovations at the intersection of experimental electronics and minimalist traditions, Coverdale’s previous albums Aftertouches, Grafts and, most recently, From Where You Came (Smalltown Supersound) garnered special acclaim for their deep exploration of timbre. On A Series of Actions in a Sphe…
Solar Wind
Solar Wind, the singular album from OM led by guitarist Seiji Hano, is widely regarded as a milestone in Japanese ethnic jazz. Recently reissued, this masterwork summons a refined blend of acoustic purity, melancholic resonance, and wabi-sabi beauty, drawing subtle influence from ECM contemporaries like Oregon and Codona while breathing unmistakable Japanese spirit. With each track, from the mesmerizing “Windmill” to the final notes, Solar Wind achieves a seamless, moving elegance - a flawless e…
Creative Improvisation Ensemble
Creative Improvisation Ensemble captures the meeting of two avant-garde giants, Marion Brown and Wadada Leo Smith, on May 12, 1970 in Paris, France. The session finds Brown and Smith on their primary instruments, alto saxophone and trumpet respectively, with both musicians performing various percussion instruments as well. The release marks the latest edition of Org Music’s Freedom Records reissues series, mastered for vinyl by Dave Gardner and pressed at Pallas Group on transparent red audiophi…
Faust IV
Faust left Wümme's anarchic freedom for The Manor's professional constraints. Virgin wanted a hit. Faust IV was the answer: their most paradoxical album, accessible yet destabilizing, part studio work, part salvage. The sessions stretched, the budget vanished, the result endures—uneven, restless, compelling. Fifty years later: still mid-sentence, still profound, gloriously incomplete.
Ball of Eyes
Placebo's debut LP "Ball of Eyes" is a remarkably focused Soul Jazz record, without the experimentation or Free Jazz moments which were still in vogue during the first half of the '70s. Excellent covers of Marvin Gaye's "Inner City Blues" and Sam & Dave's "You Got Me Hummin'" as well as his own compositions make "Ball of Eyes" a perfect example of the genius of Marc Moulin and his incredible band.
Seven for Lee / Green and Orange Night Park
On Seven for Lee / Green and Orange Night Park, Kevin Figes & You Are Here treat the 7-inch as a miniature universe, squaring up to Lee Konitz and Keith Tippett with wiry lyricism, nervy swing and a slightly spectral warmth that makes homage feel like the start of another story rather than the end of one.
A Symphony of Amaranths
**2025 Repress. Clear Vinyl. Limited to only 150 copies in textured art paper. Included inner sheet with liner notes and pictures. Newly mastered sound from the original tapes and will include one bonus track recorded in the same sessions.** First ever vinyl reissue of this 1972 masterpiece by another of the big names in UK Jazz. Neil Ardley was offered the leadership of the seminal New Jazz Orchestra in 1964. Under his direction the Orchestra moved though different styles and changes of personn…
3 Lesbian Sardines
Nurse With Wound presents 3 Lesbian Sardines, a live recording from their performance at the legendary Henie Onstad Kunstsenter in Oslo, 2019, as part of the "Great Monster Dada Show" - the largest exhibit of Dada art and artifacts this century. Available as a limited edition of 500 copies on neon green vinyl, the album captures the band's final appearance at this historic exhibition featuring over 250 artworks by 43 artists including Kurt Schwitters, Jean and Sophie Teuber Arp, Hannah Höch, Tri…
Self Determination Music
The John Carter and Bobby Bradford Quartet/Quintet were critical to the progressive jazz movement around Los Angeles in the late 60s alongside the likes of Horace Tapscott. Both hailed from the Watts area and trumpeter, Bradford played with a woodshedding Ornette Coleman for two years in the early 60s when the legendary free movement leader decided not to record for a while but wanted to hone his trademark sound on the saxophone. Multi-reed player, Carter also worked with Coleman who brought the…
Trios
For the 1983 edition of Company Week held at London's I.C.A. in May of that year, guitarist Derek Bailey once more invited a typically eclectic collection of guests. Cellist Ernst Reijseger is a mainstay of Dutch new jazz (ICP Orchestra, Clusone Trio...), American wind virtuoso J.D.Parran a veteran of the Black Artists' Group and Anthony Davis and Anthony Braxton ensembles, while saxophonists Evan Parker and Peter Brötzmann, as titans of European free improvisation, need no introduction. French …
Epiphanies VII-XIII
More buried treasure from Company Week 1982: seven previously unissued Epiphanies by lineups involving Derek Bailey, Ursula Oppens, Julie Tippetts, Keith Tippett, Philipp Wachsmann, Fred Frith, George Lewis, Anne LeBaron, Motoharu Yoshizawa and Akio Suzuki. Fred Frith is a stellar improviser — 1974’s Guitar Solos is still a seminal album of free improv — and he has three opportunities here to showcase his considerable talents. Eleventh is a tour de force of extended technique, with George Lewis…
Epiphany
Honest Jon's Records present a reissue of Company's Epiphany, originally released in 1982. Epiphany \ i-ˈpi-fə-nē \ (1) a manifestation of the essential nature of something (usually sudden) (2) an intuitive grasp of reality through something (usually simple and striking) (3) an illuminating discovery or disclosure. All three definitions apply perfectly to this span of music recorded at London's ICA in July 1982. It's a miracle of group interaction, wonderfully paced, moving steadily between mome…
Late Autumn Sunshine
Late Autumn Sunshine by Michael Garrick, released by My Only Desire Records, gathers two rare BBC Maida Vale sessions from 1973 and 1978. With Norma Winstone’s ethereal voice and Henry Lowther’s lyrical trumpet, Garrick’s compositions glow with his characteristic blend of English pastoralism and modal jazz introspection - a rediscovery of autumnal warmth and luminous craft.
Hybr:id III
Noton is pleased to announce the release of HYbr:ID III, the third chapter of Alva Noto’s HYbr:ID series initiated in 2021. HYbr:ID III, continuing the trajectory established by its predecessors, crafts a soundscape of meditative and resonant tones. Drawing inspiration from Noh, a traditional Japanese musical drama dating back to the 14th century, the album reflects the genre's distinctive rhythmic movements and its nuanced expression of emotions through subtle gestures. “The HYbr:ID albums are …
Dart Drug
Percussionist Jamie Muir was a member of King Crimson during the recording of Larks’ Tongues In Aspic, in 1973. Staying less than a year with Robert Fripp, the Scot had already cut his teeth with another master guitarist, Derek Bailey, as part of the Music Improvisation Company, along with Evan Parker, Hugh Davies and Christine Jeffrey, whose eponymous 1970 album was one of the first releases on ECM. Muir and Bailey recorded Dart Drug eleven years later, in 1981.There’s no shortage of great perc…
Time
Multi-reedist Tony Coe was born in 1934, four years after guitarist Derek Bailey. He cut his teeth as a career jazzman with Humphrey Lyttleton, before an extended stint with the Kenny Clarke/Francy Boland Big Band. On this rare 1979 duo outing, he sticks to clarinet. And though that instrument has an illustrious jazz pedigree, Coe’s playing here is something else. It’s worth noting that the clarinettist has also played under the baton of arch-modernist Pierre Boulez, the kind of composer Derek B…