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The Inexhaustible Document
Recorded live in London's beautiful Union Chapel in 1987. The organic control of sound on this is spectacular - pretty much a must for serious listeners worldwide.. Free imrovisation in the hands of Amm valorises the unknown, combining unpredictabiity with contexual coherence and the implicit drama of emotion and meaning in play. By opening out the moment it reveals the inherent wilderness of living processes that we lose sight of in an environment of over-determination, where the planned and th…
Resoundings +
"This recording from 1985 of the trio consisting of AMM percussionist Eddie Prevost, bassist Tony Moore, and soprano sax player Peter McPhail is an outstanding recording of avant-garde jazz which documents a trio of improvisers maximizing their focus on interplay and invention.This album will appeal to fans of avant-garde jazz and European improvisation, as well as listeners of bebop. The energy and interplay are most striking aspects of this recording, and, while it is very distinctively footed…
Continuum +
Matchless Recordings presents a live concert by Eddie Prévost quartet. This album is composed of two parts. Part 1 was recorded at the Bracknell Jazz Festival on the 3rd of July, 1983. Part 2 was recorded at Porcupine Studios London. The album includes five tracks performed by Larry Stabbins - Tenor and Soprano Saxophones, Veryan Weston - Piano, Marcio Mattos - Double Bass, and Eddie Prévost - Drums.
"The music you hear on this DL has a distinct urgency and excitement. It moves forward in a comp…
Generative Themes (1982-83)
The title of this disc, Generative Themes, could be taken as a capsule description of the nature of AMM's music: creating a sound and following it to see where it takes one, generating new sounds along the way, choosing which of these to follow and, as if ambling through a wooded glade or an abandoned building, aurally mapping the territory with precision and poetry. This recording was made relatively shortly after the addition of pianist John Tilbury to the group, resulting in the core band tha…
Norwich
Norwich, recorded in February, 2005, at the School of Music, University of East Anglia, presents the current two-member AMM of Prévost and Tilbury ” the third two-man version of the group (Prévost played as AMM with saxophonist Lou Gare and then Rowe in the 1970s). Rowe's departure is a tremendous shift, of course, both for his extraordinary sonic resourcefulness and his sometimes abrasive electronics (including his use of random or found verbal and musical messages). However, it is much more im…
Plays Samuel Beckett
With Christina Jones and Sebastian Lexer. Features the following pieces: Cascando (a radio piece for music and voice). Voices by John Tilbury. Music composed and performed by John Tilbury with electronic modulations by Sebastian Lexer. Rough for Radio 1 (for music and voices). Voices: Christina Jones and John Tilbury. Music composed and performed by Sebastian Lexer, Eddie Prévost and John Tilbury. Studio recordings from 2004-5.
Discrete Moments
Matchless Recordings presents a live concert by Eddie Prévost and John Tilbury recorded at Gateway Studios, Kingston-upon-Thames, England on the 6th of January, 2004. The album includes eight tracks performed by John Tilbury - piano, prepared piano and organ and Eddie Prévost - stringled barrel, tam-tam, percussion.
"Some of their music is delicate and pointillistic with wide spaces between sounds, but there are also rich, thick webs and, as indicated, Cage/Kleeube Goldberg thunkity-thunk machin…
Imponderable evidence
Matchless Recordings presents a live concert by Eddie Prévost and Evan Parker recorded at Gateway Studios, Kingston-upon-Thames, London, on November 10th, 2003. The album includes five tracks performed by Evan Parker - tenor saxophone and Eddie Prévost - drums.
The Blackbird’s Whistle
Matchless Recordings presents a live concert by Eddie Prévost trio recorded at Gateway Studios, Kingston-upon-Thames, London on October 17th 2003. The album includes five tracks performed by Tom Chant - tenor saxophone, bass clarinet, John Edwards - double bass, and Eddie Prévost - drums.
Fine
Music for dance, by AMM. Recording of the concert given together with the dancer Fine Kwiatkowski at Musique Action festival produced by CCAM, Vendoeuvre-les-Nancy, France on 24th May 2001. The album's title connotation is at least dual. This is a recording of a live performance done in conjunction with dancer Fine Kwiatkowski (who, incidentally, is not audible), and it's certainly "fine" in the qualitative sense. One hopes the aura of "finality" implicit in the title doesn't apply. This is one …
Tunes Without Measure or End
AMM and their CDs have an almost comfortable familiarity. The trio's personnel has remained fundamentally the same since the early '80s when pianist John Tilbury joined the remaining founders, drummer Eddie Prévost and guitarist Keith Rowe. Every two or three years they release a CD, usually a single uninterrupted improvisation, about an hour in length, taped in performance. The only way in which these two CDs tamper with that practice is that they were both released in 2001. 'Tunes Without Meas…
Two Chapters and an Epilogue
Matchless Recordings presents a live concert by Evan Parker and John Tilbury recorded at Gateway Studios, Kingston-upon-Thames, England on Monday 3rd August 1998. The album includes three tracks performed by Evan Parker - tenor & soprano saxophones and John Tilbury - piano.
"These musicians have chosen to eschew the given media of jazz, from whence Evan Parker received much of his initial inspiration, and the classical world from which John Tilbury received his early and formative training, in o…
Touch
Matchless Recordings presents a live concert by the Eddie Prévost Trio recorded at Gateway Studio, Kingston, England on 9th March 1997. The album includes seven tracks performed by Eddie Prévost - Drums, Tom Chant - Soprano saxophone, and John Edwards - Double bass.
"This trio, quite intuitively (because I never spelt out what I hoped would happen) works in a subtle, attentive way: examining what the music is and where it is going all within the process of playing; feeling the sound to be comple…
Most Materiall
"Double album, double solos of two distinctive musicians, becoming duets in a relatively rare space between solo playing and ensemble. Reed and percussion start at different places, the working through breath, the other pulse of materials being struck, one typically characterised by line, the other by attack, producing in the first pitch configurations, in the second beat patterns (Eddie Prévost doesn't use the specifically pitched mallet instruments). Each player comes with a distinctive sonic …
Samurai
*Limited edition - from original master. Luxurious gatefold thick cardboard tip-on sleeve* Cinedelic Records is excited to announce the definitive official reissue of "Samurai," the iconic and great lost gems of British progressive jazz-rock, originally released in 1971.
"Samurai" is a masterclass in early 70s rock genre-blending, intricately weaving elements of avant-garde progressive rock, psychedelic influences, and jazz-rock innovation into a cohesive and captivating listening experience. Th…
Japalm
Huge Tip! 200 copies. Japalm is a place in a vague geography, a place of memory and an abyss, fantasies and melancholies that take the names of imaginary cities. Loops, aleatory rhythms, the nostalgia of oniric places traced on an perpetual changing map, an image consumed by sunlight: LF RDamb, Dcramb, Nosun, Chllamb, Mneist, Niobu. Japalm is the second record from Hampar Soum, as well as the duo second work with Matteo Castro's label, Second Sleep. Hampar Soum are Stefano Scattolin and Guido Mo…
Text-Sound Compositions 8: Stockholm 1971
During the years from 1968-70, Fylkingen Records released series of 7 LPs in collaboration with the Swedish Radio, all of which contained material that was presented during the yearly festivals for Text-Sound Composition that Fylkingen arranged during those three years. The yearly festivals continued from 1971-71. A series of records that documented these festivals was planned but, due to economic reasons at that time, they were never made. Fylkingen Records has now, over 40 years later, found t…
Text-Sound Compositions 10: Stockholm 1973
Volume 10 (from the serie of 11). During the years from 1968-70, Fylkingen Records released series of 7 LPs in collaboration with the Swedish Radio, all of which contained material that was presented during the yearly festivals for Text-Sound Composition that Fylkingen arranged during those three years. The yearly festivals continued from 1971-71. A series of records that documented these festivals was planned but, due to economic reasons at that time, they were never made. Fylkingen Records has…
Text-sound Compositions 11: Stockholm 1974
Volume 11 (from the serie of 11). During the years from 1968-70, Fylkingen Records released series of 7 LPs in collaboration with the Swedish Radio, all of which contained material that was presented during the yearly festivals for Text-Sound Composition that Fylkingen arranged during those three years. The yearly festivals continued from 1971-71. A series of records that documented these festivals was planned but, due to economic reasons at that time, they were never made. Fylkingen Records has…
Stockholm Elektronmusikfestival 1982
Original LP from 1982. "Since 1979, the Swedish Radio Company and the Stockholm Electronic Music Studio (EMS) have arranged an annual 3-day Stockholm Electonic Musik Festival. It's purpose is to present a sample of the electronic music being composed in different parts of the world. This record contains four works from the 1980 festival - two are Swedish and two are international; two are for tape and two combine tape with live performance." Lars-Gunnar Bodin: Epilogue; rhapsodie de la seconde r…