We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Swiss percussionist Christian Wolfarth has a long resumé in jazz and improvised music, but I daresay this is probably the first bright red single he has been on. The first of four planned volumes, it pairs a lovely drone (presumably bowed cymbal/rubbed skin) with a very oddly lopsided full kit attack. That piece combines a constantly shifting base pattern with cymbal glare in a wunderfully upsetting manner.’ - Byron Coley, The Wire 309, November 2009’That "volume 1" leads us to suppose that volu…
Talvihorros is the work of Scotland based composer and producer Ben Chatwin, working in the field of ambient electronics. Through his distinctive approach to analogue electronics, he crafts dense collages of sound that hint at the conflicting beauty and chaos of the cosmos. ‘Discordia’ and ‘Mechanica’ are the first new recordings to be released by Talvihorros since 2014’s ‘Eaten Alive’ an album that explored the darker recesses of life. Continuing along in that vein these two visceral pieces are…
Fratto9 present a special volume of the “seven inch series”, a series of coloured 7 inches in limited and numbered edition of 200, this time covering Veryan Weston and Scanner. "Veryan Weston "Make" Make is a collaborative project which, at the moment involves my partner - Jill Weston and singer Iris Ederer. Language can generate structure as well as meaning. The project uses 52 quotations by women writers and can be used in various ways. These ways will be determined by the situation in wh…
The ubiquity of Coxhill’s sax lines are here answered, cherished, enhanced by the excellent guitar touch of Enzo Rocco. It’s a sort of subtle anarchic dance, intriguing and true.
Wet Hair heads Shawn Reed and Ryan Garbes have been jamming sideways strains of long-lensed electricity music for years now, but their trajectories as visual artists arc back even farther. So after a small infinity of J-cards and zines and LP sleeves designs, it’s a real pleasure to finally be able to present a preferential suite of some of their finest (and, till now, unseen) compositions in a glossy, full-color, pro-printed 22-panel art volume, bookended by a brand new black vinyl 33 RPM singl…
C S Yeh was born in Taipei, Taiwan, repped Cincinnati for many many years and is now based in Brooklyn, New York. Musically, Yeh is monolithically active both as a solo artist and improviser as well as with Burning Star Core. He has made seemingly hundreds of recordings, and we've yet to find one rotten egg in the basket. Yeh has collaborated with an insanely varied list of people. If we were to actually drop these names, you'd be impressed / confused. But you have NOT heard the result of him wr…
The Way of the Samurai is found in death. Meditation on inevitable death should be performed daily. Every day when one's body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears and swords, being carried away by surging waves, being thrown into the midst of a great fire, being struck by lightning, being shaken to death by a great earthquake, falling from thousand-foot cliffs, dying of disease or committing seppuku at the death of one's master. And every d…
Both compositions on that record related to (more or less) to the “tape music”. The piece of Argentinian experimental master Anla Courtis is solely based on manipulated sounds of geyzers, recorded in South America. Ukrainian Edward Sol works with weird cassette loops, lo-fi oscillations and some primitive tones from his vintage USSR-made analogue synth Polyvox. Generally speaking, the sound of this record belongs to the monolith dark drone music.
*300 copies limited edition* I turned on the radio and it was tuned to five hundred twenty eight Hz. Love hurts, said the DJ. He was a bit of a dick but I lingered with it. Experts have confirmed that the love frequency can increase cell viability by twenty per cent, he said. Experts have confirmed that it can decrease the toxic effects of ethanol by a percentage that may be unfathomable. To this I raised a glass of ethanol. Five two eight is the key to all mythologies, said the DJ. It’s the rea…
Tapes & Nikolaienko get comfortable behind an organ. These two manage to sneak along some shit of their own though – a bag of sharp rocks to cut perfect tape loops & round ones to play the keys with. The four vignettes on this 7” paint a picture both blissful & threatening. Take “Countryside Emergency” with its loosely galloping rhythm-loop & alarming arpeggiated keys. All this might end with someone getting thrown into a fire. If it wasn't for “Jaaksoni Tamm” to smooth the situation with an inv…
Music for animation cyber-noir film "Battlefield" (based on same-titled book by Stephen King). Animated films soundtrack is one of the most substantial aspects of Volodymyr Bystryakov's career. He masterfully balances between being a composer and a sound designer. A cartoon thriller for Stephen King's original story was created at the Kyivnaukfilm studio in 1986. The work itself reached the Soviet reader in 1981 for the first time and was King's first publication in the Ussr, as well as "Battleg…
Skulking hardware cranks from Hamburg’s Fallbeil duo, cooking up 90 minutes of K-holing, atonal digital noise recursion on tape along with two slices of grot on vinyl, especially for Nina’s V I S label down by the docks in Hamburg. After first appearing on Helena Hauff’s Return To Disorder label with Ultima Ratio in 2016, and turns for Boidae, Hafenschlamm and Mannequin in the meantime, the Fallbeil duo have made no concession to higher fidelities and remain resolutely grubby and visceral on all…
** Edition of 200 ** Andrea Tippel was born in 1945 in Hirsau in the Black Forest and grew up as the middle of three sisters in Bremen. Her parents were the architects Maria Alexandra Mahlberg and Klaus Tippel. In 1971, Tippel moved to Berlin and began creating drawings, objects, composites, texts and books, as well as a few oil paintings. Tippel was appointed as a professor at the Hochschule für Bildende Künste Hamburg in 1997 and co-founded the Dieter Roth Academy (DRA) in 2000. She passed a…
Half of Indonesia's Senyawa (the band's sole instrumentalist, Wukir Suryadi) with a solo release for Morphine. Engineered by Rabih Beaini. Art direction by The Tank Boys.The unique tone and twang of Wukir Suryadi’s homemade bambuwukir - a
hollow tube of bamboo with strings and pick ups played like a
guitar/sitar - recorded at Weltkulturen Museum, Frankfurt, by Philip
Albus in October 2015, is twisted and serrated into a pair of gripping
tracks, following an unsteady, zig-zagging and buzzing …
Previously Japan-only 7” featuring two tracks originally released on Archie Shepp's 1972 classic soul-jazz LP, Attica Blues. A powerful mix of psychedelic soul and jazz that retains Shepp’s political sentiment of his earlier works. Attica Blues is a huge funk-soul composition, referring to a mass shooting of inmates at Attica Prison. Henry Hull's vocal sits on top of bass, layered percussion, wah-wah guitars, plus large horn and string sections to create a massive sound. The big band, almost sou…
Le Petit Duc [The Little Scops Owl] is a sound work by Danish artist Knud Viktor, made between 1978 and 1983. Viktor was classically trained as a painter at The Royal Danish Academy of Fine Arts in the 1950’s. Le Petit Duc is primarily composed of recordings Viktor made of an owls nest in the spring and summer of 1978. Narrated by Viktor himself and put together from recordings throughout a whole nesting season, Le Petit Duc tells the story of an owl family. The piece speaks to children and adul…
**Edition of 200** Texts by Joshua Abrams, Paal Nilssen-Love, Jim Sauter, Mike Watt, Guy Peters, Mette Rasmussen, Dave Rempis, Bruce Ackley, Sandrine Verstraete, Laurens Smet, Ken Vandermark, Koen Vandenhoudt. The idea for this publication started with a request made by photographer, reviewer and overall music enthusiast Hans van der Linden to document the Oorstof series behind the scenes for a whole year. In addition to his unique photographic impressions, we asked graphic designer Marijke Looz…
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33rpm. Two new tracks from the Newcastle-based improvisor Joe Murray and his Posset, known from releases on Mantile, Chocolate Monk, No Basement Is Deep Enough and more. 'Fanzine Ink Dries Like Black Blood' was recorded on 9th Jan 2016 at Bookshop in Sunderland City Library. Mainly mainly made up of vocal-jaxx loops, dry breath and child chatter. It's the final four minutes of a longer …
New on Penultimate Press. Limited to 150 copies. Who will listen to aches that Everyone has’ is a telaesthetic document of disquiet, distance, and disintegrating memory. Careful mantels, rumours of summer, a nocturne, the black inside; Septembers wither, sentiments wane, the chamber-band plays. Parlours are MB – violin, piano, spokes, hotel bell, lighthouse bell LR – cello ML – pianette LF – cutlery SM – silhouette
*2022 stock* Called "A pioneer...a true British jazz original." by The Times, "An inventive and underrated jazz figure" by Jazziz and "Britain's most original jazz talent." by The Financial Times, Graham Collier was one of the best known British jazz composers, and over a 40 year career, his list of compositions and commissions grew to encompass ensembles around the world. He was well known as an author and educator, having written seven books on jazz. He was born in Tynemouth, England in 1937. …