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Uno Todo Tres
A beautiful drone like a line shaping in time, from silence to silence. Clara de Asís is an electroacoustic music composer and experimental guitarist, born in 1988 in Spain and based in France. Her musical practice is held away from any formal academicism, aiming to transcend conventional instrumental approaches. She works mainly on prepared electric guitar, focuses on exploring the specificities of her instrument, and develops them both in live situations and throughout electroacoustic composit…
Different Speeds
New label for noise / experimental music, Edition Zeroso was established by musicians of live show series 'Zeroso' at space 'Soup' in Tokyo. The first issue is Reizen’s ambient minimal work Different Speeds. To date, Reizen - who is known for some release on PSF, Fylkingen and Omega Point - has created five works in the Different Speeds series. Four of them were created between 2011 and 2012, and now after a gap of seven years, Different Speeds No.4 is finally seeing the light of day. The first …
Amo Non Amo (I Love You I Love You Not)
*2022 stock* This is an official release of the Goblin soundtrack to Amernia Balducci's film Amo Non Amo. The film, staring Jaqueline Bisset and Terrence Stamp, was released in the U.S.A. under the title Together with a soundtrack by Burt Bacharach. For the Italian prog group Goblin, the commission to rescore the Italian version presented a challenge that would produce some of their most unusual work. There was no spine-chilling horror in this human love story, so Goblin penned the title track, …
Squadra Antigangsters (The Original Motion Picture Soundtrack)
*2022 stock* The Squadra Antigangsters soundtrack is one of the most unusual and atypical entries in the Goblin canon. Even the most dedicated fans of the group could be excused for not recognizing this album as a Goblin outing: the brash theatrics and heaviness that dominated the likes of Suspiria and Roller are totally absent, replaced by a slick, often jazzy sound that is overtly disco-influenced. The most disco-oriented of the cuts are "The Whip" and "The Sound of Money," both being vocal nu…
Caroline
2014 release. More solo percussion from Weighter Recordings, this time from Tim Feeney, whose work I had been unfamiliar with up to this point. The long, drawn-out drum rolls from which the album's two tracks are formed invite immediate comparison with the work of Weighter director-in-chief Nick Hennies, with whom Feeney performs in the trio Meridian. However, much as artists of the Sixties and Seventies explored the shared format of monochrome painting with very different concepts in mind…
Mimidokodesuka
Originally released on CD in Japan in 2006. CD version. Released on LP & CD by Drag City on May 20, 2008. Features Jim O'Rourke on electric guitar, Darin Gray on doublebass and Chris Corsano on drums. Recorded live at the Pit Inn in Tokyo during a 2005 residency that included sets with alto sax legend Akira Sakata (recordings of which have been released separately and elsewhere).
With, Without
Phil Minton is a jazz/free-improvising vocalist and trumpeter. He is a highly dramatic baritone who tends to specialize in literary texts: he has sung lyrics by William Blake with Mike Westbrook's group, Daniil Kharms and Joseph Brodsky with Simon Nabatov, and extracts from James Joyce's Finnegans Wake with his own ensemble. Minton is perhaps best known, however, for his completely free-form work, which involves "extended techniques" that can be as unsettling as they can be mesmerising. His voca…
Opus Caementicium
"The Mafioso expression 'cement shoes' describes a method of execution or body disposal – wrapping the victim or body in concrete and pushing into deep water. This expression has become a tongue-in-cheek death threat by criminals, despite no real evidence of using this method of execution. Now this American expression also graces the name of a new pan-European trio, featuring Italian, Brussels-based Fender Rhodes and electronics player Giovanni di Domenico, Portuguese, Rotterdam-based electric b…
Deva Ovel
* Edition of 200 * This self-titled LP is the first batch of tracks delivered by the polymorphous sounding entity identifying themself as Deva Ovel. Emerging from the Adriatic coast, the sound of Deva Ovel manifests in a captivating layering of vocal fragments, where text and voice are filtered, altered and stretched through digital and analog processing and melted with intense, yet slowly evolving textures of tape loops and ambient tropes. As a result, these seven mesmerizing tracks compose an …
Beats
The work of LA based music-maker John Krausbauer has so much to do with minimalism as with trance music as with soundart experimentation and "performance based" sound forms. And where, as he himself states, the "Trance-Psychedelia is the aim and goal". Firmly rooted in the 60s/70s Minimalist movement of LaMonte Young and The Theater of Eternal Music, as well as the trajectory out of that...(with the likes of Conrad, Flynt, Wada, Palestine, Chatham; Oliveros, Radigue etc etc), "beats" also touch …
Organ Eye
Born out of both creative empathy and chance, Organ Eye were formed in the wake of a live concert of David Maranha (Osso Exotico) and Minit (Jasmine Guffond & Torben Tilly), which took place at the ZDB Gallery in Lisbon, Portugal at the end of February 2005. With the addition of Patricia Machás (also a member of Osso Exotico), the quartet that now forms Organ Eye was completed and in March and December of 2006, they recorded their eponymous debut album.The two raga-like tracks that comprise this…
N-Est
Great Italian trio feat. Marco Colonna this time not only on clarinet but also bass clarinet, alto saxophone and flute and marvelous rhythm section Dario Miranda on bass and Fabrizio Spera on drums on his debut
Morning Patches
There’s a question once posed by John Cage that seems to invite an expanding variety of answers, something about what’s more musical, a truck driving by a factory or a truck driving by a music school. Percussionist Zlatko Kaučič’s quintet adds another environment to the mix, a church, and has musicians standing in for other elements: bassist Silvia Bolognesi and three reed players: Michael Moore on alto saxophone and clarinet; Michael Colonna on clarinet and bass clarinet; and Albert Cirera on …
Italia: Ultimo Atto?
In 1977, in the midst of a period of political turmoil and social unrest that went down in Italian history as “years of lead”, screenwriter and director Massimo Pirri made a film no one else had the courage to make: Italia: ultimo atto? (Could It Happen Here?). Here, Pirri explores the controversial (and, in the 70s, very current) topic of left-wing armed struggle. He does so through a storyline that is almost prophetic: in the film, a mysterious ultra-leftwing armed group plans and executes the…
Concert 1975
Yasumi No Kuni, long-running Japanese folk group, originally formed in 1969 by the members of Jacks & Teruyuki Takahashi, recorded live just after Fy Fan second album.
New Songs Of The Humpback Whale
Packaged in a deluxe, heavy duty 6 panel digipak and insert containing an essay from David Rothenberg and Michael Deal designed whale song visualizations. What record album was so important that ten million copies of it needed to be pressed at once? You guessed it. Songs of the Humpback Whale. In 1979 National Geographic Magazine inserted a flexible "sound page" inside the back cover of all of its editions in twenty-five languages, and that is supposedly how many they printed. No human pop star …
Luc Houtkamp in Chicago
** 2021 Stock ** This disc represents the first American release for Dutch saxophonist Luc Houtkamp. Here, he appears with Chicago stalwarts Kent Kessler (double bass) and Michael Zerang (drums) in a 1997 studio date. Liner notes by Ken Vandermark, and artwork by Northwoods' Mike Johnston. "Houtkamp often showcases an aural dictionary of multiphonics complete with echoing tongue slaps, colored hissing and speedy key pops, adding the coagulated vibrato of every bar-walking saxophonist's nightmare…
Elektronische Musik 1987-2018
From early beginnings to the present: The composer Bruno Strobl began his studies in composition comparatively late. First came his degree as a classroom teacher, the profession in which he worked until retirement, guiding countless pupils towards music, including contemporary art mu-sic. His own interest in electroacoustic music was triggered during his studies in the 1980s, and one of his early pieces for tape, Hiatus, can be heard on this CD. The Latin “hiatus” means gap, and the basis of thi…
Electroacoustic Music, Vol. 2
Bruno Strobl has a soft spot for sounds – for decades, he has been tinkering with them, changing them, playing with them. In the past by means of analog sound processing machines, for a long time by computer software and electronic instruments. Mostly, however, it is an analog sound that he takes as a starting point. Three sound generators are the core of his interest for the pieces collected on this CD. Three working tools moreover: a circular saw of the craftsman, four old water mills of the L…