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Slowscan vol. 34, a beautiful orange vinyl release, presents the listener with a cross section of William Levy’s controversial audio works. They range from high priestess of porn Annie Sprinkle reading Levy’s poem ‘Blood’ to various works for radio, such as an excerpt of ‘Europe In Flames’, a successful 1987 radio play in collaboration with Willem de Ridder. Radio has occupied a special place in Levy’s work since his African American nanny turned him onto ‘race music’ in Levy’s hometown Baltimor…
Edition of 200 copies. Jean-Jacques Lebel lives and works mainly in Paris. The artist and political activist was chief editor as early as 1955 for the Florence-based art, politics, and poetry magazine Front Unique. In 1960, he staged the first Happening in Europe with "L'Enterrement de la Chose" and published one of the first French essays on the genre of Happenings. He personally continues to create Happenings, performances, and actions on all continents and simultaneously remains active in the…
**Regular edition of 350 copies, gatefold sleeve** John Driscoll is a composer who is a founding member of Composers Inside Electronics (CIE) and collaborated on David Tudor’s Rainforest V starting in 1973. He has toured extensively in the U.S. and Europe with CIE, David Tudor, Phil Edelstein, Douglas Dunn & Dancers, Maida Withers & the Dance Construction Co. and as a solo performer. His work has focused on robotic instruments, music for dance and compositions and sound installations for unique …
Edition of 250 copies, historical recordings from 1975 and 1980. Giuseppe Chiari was one of the leading names associated first with Fluxus (being the only Italian member of the interdisciplinary art group since 1962) and later with Conceptual and Performance Art as well as Sound art. Coming from a background of different disciplines, he established new theoretical and practical standpoints in relation to music and art: his approach was always irreverent, walking the tightrope between to do or no…
Curacao + Red Marbled LP. The Swedish quartet Goran Kajfeš Tropiques share their new music We Jazz Records on May 3rd. Tell Us, an album consisting of three long pieces composed by the group, is "slow music" to the bone, a deep body of work utilising the language of jazz as its core mode of communication but echoing way beyond. The quartet is expanded with strings, adding wings to the music and helping it lift off the ground in a personal, highly engaging manner. The Tropiques quartet consists o…
Swiss artist Lukas Traxel releases his powerful debut album One-Eyed Daruma on We Jazz Records, March 10. The trio features Traxel on double bass, Otis Sandsjö on sax and Moritz Baumgärtner on drums. Compact, deep, and organic to the bone, Traxel & co's sound echoes the innovations of rhythmically driven avantgarde jazz while keeping things moving at all times. There's both drive and freedom to this sound.
One-Eyed Daruma features eight new compositions by Traxel, who crafted the outline for the…
Erratum Musical, Studio Forum and C.A.R.E. are very pleased to announce the release of this groundbreaking historical LP from 1976 recorded in Los Angeles. First ever recordings of sounds by Serge Modular System + Z’EV + Will Jackson!
TO was founded in 1976 in San Francisco by Will E. Jackson (1945-2019) & Stefan “Z’EV” Weisser(1951-2017), occasionally performing under the code name “Center for Inter-Species communication”. The real missing link between works by California’s modular synthesizers…
The eleventh issue of We Jazz Magazine, "Oni Puladi" for Carla Bley. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Carla Bley by Stewart Smith, Gondwana Records by Debra Richards, [Ahmed] by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crépon / David Neil Lee, François Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makha…
** Edition of 250 ** In his essay ‘The Meaning of My Avant-Garde Hillbilly and Blues Music’, Henry Flynt talks about how his music should be analysed as an intellectual tribute to the music of the autochtone, setting aside plain folk references, but adopting academic insights to mold the music one makes as a folk creature. Much of Flynt’s discourse applies to the music of Glen Steenkiste’s Hellvete. Over the past twenty years he has been thoroughly investigating both the ethnic musical language …
Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers. Each of them made his first ECM appearance long ago: drummer Andrew Cyrille on Marion Brown’s Afternoon of a Georgia Faun (1970), trumpeter Wadada Leo Smith on his own classic Divine Love (1978), and guitarist Bill Frisell on Eberhard Weber’s Fluid Rustle (1979); these are, of course, players of enduring …
Bordeaux Concert is a special document from Keith Jarrett’s last European tour. Each of Jarrett’s 2016 solo piano concerts had its own strikingly distinct character, and in Bordeaux the lyrical impulse is to the fore. In the course of this improvised suite, many quiet discoveries are made, and there is a touching freshness to the music as a whole, a feeling of intimate communication. Reviewing the July 2016 performance, the French press spoke of hints of the Köln Concert and Bremen-Lausanne in t…
*2023 stock* "This album marks the beginning of an ongoing and fruitful relationship between Tunisian oud master/composer Anouar Brahem and the ECM label. From the exhilarating solo “Raf Raf,” we know we are in the presence of someone whose sense of touch, rhythm, melody, and atmosphere speaks straight to the heart from the mind of a visionary. This first track puts us into a time and place where only melody speaks, and the sands of time flow like blood in an infinitely chambered heart. The titl…
On the top of the list of Kraut uderground artifacts, a definite oddity plenty of abstract execution of psychedelic soundscapes, dark Classical textures and Jazz/Fusion, as cohesion is completely absent, however there is a certain charm coming out of this. There are more in the vein of Egg and Amos Key, creating atmospheric soundscapes complemented with powerful jams, featuring organ and clavinet in evidence and swirling around jazzy workouts, light improvisations and mellow Kraut Rock experimen…
Virus, from the Bielefeld area in Westphalia, were the best and most famous local progressive group there in the early seventies. In 1970, they won the well-known competition in the Recklinghausen Vestlandhalle – still under their old name of Man’s World. The first prize: Recordings for their first own LP, under the direction of sound magician Conny Plank. That LP, “Revelation”, was released in 1971 and is partly reminiscent of the early Pink Floyd, e. g. in the final part of “Endless game”. The…
2019 restock. Sündenfall II from the Kevelaer area at the Lower Rhine played a mixture of folk and jazz. While their predecessors, Sündenfall, exclusively dedicated themselves to jazz, the group included folk after a change in line-up and band name (following the example of Amon Duul II). In 1972, Hubert Schmitz invited the band into his Trepitia film and sound studio in Alpen-Druept for free recordings, as he wanted to test the newly installed equipment after a recent move into the new location…
Siloah were a German progressive psych / folk band in the vein of Kalacakra, Langsyne and others "curiosities". Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually mov…
Uusi Aika is a fresh new ensemble from Finland. Their self-titled debut album will be released by We Jazz Records. The band's music could be described as introspective and meditative, but that's only a part of the story. The instrumentation is acoustic and their sound organic to the bone, but the music's slowly unfolding character brings to mind some deep abstract electronic music or experimental dub explorations at times. That is, there's power just under the surface, just beautifully out of fo…
Instrumental jazz-rock, recorded perfectly in the Stuttgart sound studio Zuckerfabrik in April 1978. Its style resembles that of its predecessor, 'Dr. Aftershave And The Mixed Pickles', but with distinctive jazz-rock/Embryo alike touch. 'Space Guerilla' (originally out on Schneeball) was the fourth and last LP by Missus Beastly. All of the eight tracks were written by the band members themselves. The 24-page booklet in LP size contains a detailed band history in German and in English language, a…
Missus Beastly regroups and blasts into some very dynamic fusion territory with this exceptional album. The usual apparitions of the house-hold names of the mid-seventies jazz apologists can be traced here, but the eventual output will always sound only as original as Missus Beastly. One of the biggest strengths these guys possesed was their vibrant rhytm section, from the opening track i can make a parallel to Passport's or Embryo's more dynamic tracks, wherein Curt Cress/ Christian Burc…
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…