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Bateau Feu
2025 stock ** Born in 1956, Dunkerque France, Frédéric Le Junter began in 1984 to construct instruments (strings, winds, percussions), with found objects, and then mechanical machines. He did also played with Pierre Berthet, Dominique Répécaud (Les Massifs de Fleurs), Silent Block, Marc Pichelin, Jean-Léon Pallandre. He also write songs. In Bateau Feu through the use of microphones we are completly inside the world of his sound machines. Powerfull, beautifull and unique !Highly recommended.
Europa
A moody and tunnelling epic fuelled by exotic drums, Middle Eastern horns and cosmic synths that build to a thrilling climax, by by Asaf Samuel and Katzele, two of the founders of Tel-Aviv's 84% Creativity collective. This 2XLP album, Europa, is dedicated to and inspired by events in 2015 & 2016, which saw the spectre of global crisis come knocking at Europe's doorstep.During this time, more than a million migrants and refugees fled their homes in the Middle East, Northern Africa, sub-Sahara…
Music In Eight Octaves
A multi-octave delirium at the summit of sonic density. Recorded in 2005 in Melbourne, Chris Abrahams and Anthony Pateras multi-tracked 4 takes in each octave of the piano, superimposing them over each other to create a kaleidoscopic maelstrom pianistic energy in its purest form. Best known as the pianist from The Necks, this is a distinctly different outing for Abrahams, exploring a more maximalist energy and aesthetic than usual. As with all Immediata releases, Anthony Pateras interviews h…
The Long Exhale
Anthony Burr, clarinets, ARP 2600. Anthony Pateras, piano, prepared piano. Seven meditations for clarinets, pianos and electronics. The Long Exhale catalogues psychoacoustic experiments and Feldman-influenced acoustic excursions undertaken between 2014 and 2015 by Australian composer - performers Anthony Burr and Anthony Pateras. Anthony Burr has enjoyed a distinguished career as an exponent of contemporary classical music, probably known to many people from his meticulously executed perfo…
September and December
killer retrospective LP with earliest recordings by American electronic music wizard Chris Hanzsek. Originally recorded in 1985. Chris: "The pieces were created as structured improvisations using a monophonic synth (primarily) along with a Yamaha DX7 (borrowed from a friend) and possibly a guitar. Recording was made on an older Otari MX-5050 1/2” 8 track. Mixing was done on a Tascam M-50 console and a Revox A77 1/4” machine. I recall the project happened in two bursts: I did half of it in S…
Elektronische Mythen (Lp=
Jürgen Karg began his music career in the 1960s as a bassist for German jazz legend Wolfgang Dauner. It was not until the 1970s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five-year period. His efforts culminated in the 1977 Elektronische Mythen LP, a mighty opus of experimental music that reveals new aspects every time it is played. This is its first reissue. The tech…
The Forest, The People And The Spirits
Originally released as a limited tape in 2015. This vinyl reissue of O Morto's (aka Mestre André) immersive electronic tryptic piece dedicated to the Ba'Aka people and its spirits is remastered here on green vinyl . Albeit, his music is now closer to a soundscape composition approach, O Morto actually started as a free improv/noise project in 2012. However, after releasing his debut Memento Mori (2012), O Morto slowly began to drift away from the harshest soundscapes to seek a new directi…
More Circles
Restocked. In the late 1970s and through the 1980s there was a lot happening on the German "post Krautrock underground" that few people knew about, lots of independent artists doing their own thing, either via small labels or doing it themselves. Circles were one of these bands. Based on the Frankfurt suburbs, they consisted of the multi-instrumental duo of Dierk Leitert (synthesizer, sequencer, drums, bass, guitar, voice, saxophone, flute) and Mike Bohrmann (guitars, bass, synthesizer) plus a f…
Nothing Is Real
Each of the piano pieces assembled here is a gemstone in its own right; even so, it is their arrangement side by side that makes this album a unique experience. ...The outstanding pianist Marino Formenti begins his journey with Beat Furrer's Voicelessness – The Snow has no Voice (1986), a piece reminiscent of Debussy's Des pas sur la neige and depicting the same profound hopelessness. John Cage's Music Walk (1958), "for one or more pianists who also play radios and produce auxiliary sounds by si…
Contrapt
John Wall and Mark Durgan return after a lengthy absence with Contrapt. On Contrapt, they've created a fractured sound world woven together from improvisations that took place in the Utterpsalm Studio in London between 2012-15. The seven tracks on Contrapt are an attempt at imposing order, structure, and "expression" without meaning or intention, onto a huge amount of heavily edited sonic material.
Volume Uno
Beneath a saturated nebulous city landscape lies a mirror reflecting sharp, complex particles of light that disappear under the faintest drop of rain, literally silver dissolving into rust, mercury poisoning the train tracks of modern paranoia. Through the cracks, the chilled warmth of Stromboli’s Volume Uno rises, expanding on the notion of a solitary figure gasping for life in an industrial setting. After turning heads with his 2015 debut, Stromboli is back with his second offering of beautifu…
Birthday Blues
Release Date on May 5th. Bert Jansch's freewheeling fifth album, Birthday Blues, occupies a unique place in his solo discography. Released in 1969, the same year Basket of Light propelled Pentangle into the UK pop charts, Birthday Blues almost sounds like a Pentangle LP missing John Renbourn and Jacqui McShee. Backed-up by bandmates Danny Thompson and Terry Cox, Jansch neither holds back his characteristic moodiness nor takes himself too seriously. What's more, Jansch is in love. Heather Rosem…
Joy One Mile
Eagerly anticipated full-length on RVNG Intl. from Christelle Gualdi's Stellar Om Source, marking a significant departure from the no-age synthcraft she's long been known for and has showcased on numerous self-released CDRs and sides for the likes of Olde English Spelling Bee and Big Love. Joy One Mile began life when Gualdi acquired a mint Roland TB-303 and began experimenting with it; over the course of a year's gigging, she perfected seven compositions which she then laid down live, without o…
City of vorticity
Track 1: City of Vorticity (with soloists): Al Margolis, violin; Alan Zimmerman, percussion, prepared hammer dulcimer; Peter Zummo, trombone, didgeridoo; Tom Hamilton, electronic sound environment.Track 2: City of Vorticity (electronic sound environment): for listening alone or as an accompaniment.The Wire has described Hamilton’s music as “colourful and seductive,” and Gramophone has noted that “the results bubble with energy, a veritable counterpoint of indeterminacy.” These brief descriptions…
A 1000 Keys
CD version. "How many can get a personal sound out of a fucking piano?!" - Lee Konitz. Thomas Brinkmann takes his seductive reductionism to the next level with A 1000 Keys, a harsh meditation on the expressive qualities of digital sound production. In translating the timbre of a grand piano into binary codes, thus rebuilding its corpus with "0 and 1s", Brinkmann subverts the sensual qualities of this proto-romantic instrument in a sardonic way. Replacing the musician with a mathematically p…
Impur
"In 1996, at the end of a two year residency, Fred organised an event at L'Ecole Nationale de Musique de Villeurbanne in France. He roped in as many of the students as he could, grouped according to their departments (early music, rock, African drumming, classical &c), and set them up in all the rooms in the building. The public wandered around creating their own mix, or sat in the courtyard listening to the sound drifting out through the open windows.
For their part, each group of musici…
Nowhere Sideshow Thin Air
This is Frith's sixth CD of music for dance, featuring three commissions by three different choreographers each sharing, as Fred says ' a certain obsession with melodic deconstruction.' Two of them feature - and were especially written for - the remarkable violinist Carla Kihlstedt.
Fred and Carla perform one of them (Fred playing a huge array of instruments here as on all pieces), are joined by Fred Guiliano, (samples) and Gail Brand (trombone) on another, while the third features Fred, …
Prints - Snapshots, Postcards, Messages And Miniatures 1987-2001
The short story: Prints is Fred Frith's first album of songs in 20 years. The long story: it is actually a collection of compilation tracks and unreleased studio sessions recorded between 1987 and 2001. No matter if you already own a few of these, a pop album by this man is a rarity -- and that is truly a shame. Of course, as a respected improviser, serious composer, and educator, anything lighter from this pillar of modern music will meet with severe criticism from people who take themse…
Collected Works Of
BOX edition: Psychedelic drone sounds, experimental electro-acoustics, minimal music and deep listening from the years 2000 - 2007 by Ilya Monosov, who is a member of the Frogpeak artist collective and one-half of the psychedelic noise group The Shining Path and the improv duo Monosov/Swirnoff. Ilya Monosov has collaborated with Bob Cobbing, Charles Curtis, Duane Pitre, Marc Schulz (in Ben Patterson's installation at the 40th Anniversary of Fluxus), Larry Polansky, Andrew Deutsch (with Pau…
Sonic Drawings
We perceive many things with our eyes. Many visual impressions are engraved in our memories. But, all the things that are going on around us, can also be detected by the ear; can be listened to with various feelings. What effects do silence and noise have? The sonic drawings unfold themselves, build up with memories of future and past, which lead us back to the sound of the moment. It is enriching to discover the musicality of a moment and to find oneself listening to that music. The release „So…