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Jealousy Party rapes the suggestions of the free music, avant-rock, the disturbed and unsociable electronics, squirts of songs, saxs, laptop and cds in flames and histrionic vocal manipulations. The mutant project expresses with delirium and destructured transparency the synthesis among creative abstractism, expressive urgency, tragic avant-gardism, theatricality and punk attitude.
The Album
The two Old Time Relijun member Arrington De Dionyso and Aaron Hartman join Jacopo Andreini (Bz Bz ueu, L'Enfance Rouge...) and Fabio Magistrali (A Short Apnea) for a instrumental avant-jazz improvised project.
Rot
Udo SCHINDLER, soprano saxophone, bassclarinet. Margarita HOLZBAUER, cello. Harald LILLMEYER, electric guitar. Udo SCHINDLER, soprano saxophone, bassclarinet. Margarita HOLZBAUER, cello. Harald LILLMEYER, electric guitar. Udo Schindler studied flute on conservatory and architecture on university. starting as guitarist + saxplayer with rock and rockjazz. after moving to munich, performing free jazz, experimental and improvised music, Neue Musik, compositions for stage- and radio-play, lyric-publi…
Premio Malattia
Dario Sanfilippo, computer, FeNeBaNo-LiDiSProS Project (Feedback Network Based Non-Linear Digital Signal Processing System). Recorded, mixed and mastered in 2008. Dario sanfilippo was born in Agrigento, Italy in 1983. He started working on electro-acoustic music in about 1997. Since then, his research concentrated on experimental and non-conventional music, both composed and improvised. His current main projects are based on computer for the creation of non-linear DSP systems through feedback-ne…
23 Exposures
Awesome trio, Ernesto Rodrigues, violin, viola; José Oliveira, percussion, acoustic guitar; Marco Franco, soprano saxophone. Recorded on 6 November 2001 at Exit Studio, Lisbon.
Ura
Recorded and mixed in July 2002 at Estudi 84, Barcelona. Thanks to Anki Toner and Jakob Draminsky.
![Rumeur [For Solo Accordion]](https://cdn.soundohm.com/data/products/2025-11/R-563445-1131937112-jpeg.jpeg.500.jpg)
Rumeur [For Solo Accordion]
Alfredo Costa Monteiro, accordion. Recorded by Ferran Fages, March 2003 in Barcelona. Rumeur was conceived in continuity; but not in the narrative sense; each piece was developed independently, but always with a common preoccupation: The timbric continuity of each of them and the way it comes about, intuitively directed by a kind of sonorous alliteration. rumeur is about the manifestation of sound in its fluidity, its prolongment, or, better said, its sequence, in the same way that a rumour, by…
L'écorce Chante La Forêt
Recorded in Paris, May 27th 2001.
Dining Room Music
Recorded in the dining room of the Maison Bustros, Beirut, Lebanon on 21 August, 2004.
A Cavall Entre Dos Cavalls
Ferran Fages, electric guitar. Self-tought musician, started playing guitar in the rock scene, but in 1998 stoped for re-thinking the instrument and the music made with it. In 2002 starts from zero, a process where music allows harmony to circulate without being dependent of itself, where time is the reason for exposed materials, always as compositions, never closed, where space is enough for permanent changes, everytime it is played. 'a cavall entre dos cavalls' is a exemple of that. The record…
Wrong Shape To Be A Storyteller
Recorded live in Jersey City, NJ on 8/8/2004.Mixed and mastered at Amme Studios in NYC 9/1/2004
Brevi Momenti di Presenza
Pure core music, laically spiritual, in constant tension between order & chaos, law & anarchy, silence and loudness, modernism and tradition. Tense border music.
Tesa Musica Marginale
Pure core music, laically spiritual, in constant tension between order & chaos, law & anarchy, silence and loudness, modernism and tradition. Tense border music. Away from mainstream artistic path, the band keeps on his quest for an honest experimental musical language. Anatrofobia’s music is a mix of improvisation, writing, acoustic and electronics, experimentation of non-idiomatic structures, unique timbral combinations: Anatrofobia plays with constantly variable themes, saturation and rarefac…
Quien Sabe?
Heavly influenced by the seventies, Brown Y Aur is able as no one to pick those elements and build them in a fresh and modern kraut-psychedlic shape.
Millenovecentosettantatre
Heavly influenced by the seventies, Brown Y Aur is able as no one to pick those elements and build them in a fresh and modern kraut-psychedlic shape.
Krungthep Archives
"After the post-industral / power-electronics 'diversions' of his recent collaboration with Pierpaolo Zoppo / Mauthausen Orchestra in From Unhealthy Places, and Forgotten Realm, the 'second chapter' of the Hall of Mirrors projects with Andrea Marutti / Amon in dark ambient 'territories', Nimh (Giuseppe Verticchio) returns as a 'solo' artist in his newest Krungthep Archives, rediscovering the sounds of his oriental ethnic instruments, collected in he Far-East, mainly in Thailand. The recordings o…
The Unkept Secrets
"This is another perfect Nimh album, a world of magnetic, somnanbulic, fuzzing, moving electronic textures and drones covered by glacially melancholic guitar parts. These recent years there have been many descent projects published under the dark ambient - prog electronic label, but The Unkept Secrets is exceptional, reaching a degree of composition and complexity rarely obtained in this specific genre. Meridians opens the album with an intimate, colourful, extatic droning minimalist guitar comp…
The Missing Tapes
"In this project, Giuseppe Verticchio explores the universe of ritualistic, primal, shamanic acoustic drones and traditional music from the east. The result communicates us the ecstasy. This album summons the divine nature, it's a real musical ceremony, a chant of the origins. The acoustic, ritual elements are perfectly mixed with a solid industrial, noisy ambient base. Consequently this is a rather unique, very personal musical experience that can be collected by ethnomusicologists and fans of …
Impressioni Organizzate di Ansie Liquide CD
"Impressioni Organizzate di Ansie Liquide" is an immersive, languid realm, filled with elegant, poetic beauty, that bristle with unknown elements and the lingering potential of danger. Andrea Marutti and Carlo Giordani have created an album that simultaneously drowns the ear and fortifies it with breaths of fresh air. A remarkably sensitive reminder of the creative potentialities that rest at the heart of electroacoustic, concrete, and field recording based musics, doubling as a vision of their …