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John Coltrane played the long game. Longevity in life wasn’t his lot; his fortieth year being his final bow. That circumscribed career, particularly in its final decade, evinced a trajectory of creative ascendancy that was as indelible to improvised music as it was omnipresent in impact. Charlie Parker arguably wears the posthumous mantle of most influential saxophonist, but Coltrane suggests a close contender in terms of ineluctable clout on those who play the instrument.
Practice and the pursu…
The incomparable life and extraordinary, trailblazing career of jazz titan and influential composer Charlie Parker will be honored throughout 2020 with a worldwide celebration commemorating the 100th anniversary of his birth (August 29, 1920). Lovingly dubbed Bird 100 after the nickname of the preeminent alto saxophonist who was one of the fathers of bebop and progenitors of modern jazz, the centennial will include a host of major initiatives including exciting new music releases, a tribute tour…
With the essential sidemen to express his unique voice and approach to free jazz, saxophonist Albert Ayler, double bassist Gary Peacock, and drummer Sunny Murray, recorded these sessions in 1964 for the ESP label as "Prophecy", this excellent reissue & remaster also adding the live "Albert Smiles with Sunny" (inRespect) from the same concert; essential.
"Christian Weber said in an interview for “Jazz’N’More": No matter how I move along the timeline, my attention is focused on what is to come. At the same time, I always keep in mind what happened before, without analyzing. This way, I avoid the improvisation becoming arbitrary. Both arbitrary openness and narrow restriction, neither suits me." And therein lies the whole secret of this record and ultimately the definition of great art: it is the ability of a musician to have control over space an…
"This, it seems to me, is the great strength of Sophie Lüssi’s music here on Atlantic Puffin. It is clearly skilled and doesn't deal in casual approximations. It is built on solid technique, a brilliant appropriation of classical violin methods in the interests of improvisation. But her music, which draws on folk as well as canonical forms, is one that emanates from and addresses the whole person. It's generous music, kindly and open, and in its gentle humour it engages a part of the spirit that…
"Today’s wine tasting is once again hosted by sommelier Claudio Sanna. He presents more local Sardinian varieties with a round of flights, much like the 2022 release Compositori Sardi Contemporanei. Instead of grape cultivars and vintner, Sanna presents multiple composers and performers for you to sample, not with your tongue but your ears. Just like a wine tasting experience, these tracks are a sample of the rich and fertile Sardinian landscape of creative musicians." – Mark Corroto
"Near Blue – A Taste of Melancholy is a soundtrack for being unstuck in time, if just for an hour. It is a glide through a rich past and present, with glimpses of a future worth reaching." - Bill Shoemaker
Franz Koglmann - flugelhornGert Schubert - violinKurt Franz Schmid - clarinetSandro Miori - tenor & soprano saxophones & alto fluteRudolf Ruschel - tromboneRaoul Herget - tubaRobert Michael Weiss - piano
"To me, these guys sound as if they have a story to tell and enough confidence to believe that they can tell and retell the old stories in new and exciting ways. Hendriksen and Gisler have formed together on this kind of thing, but if it remains true in jazz that rhythm and the percussionist are at the heart of every new step forward, then Paul Amereller’s role in the trio is crucial. No one will mistake him for anything but a contemporary, but he plays in full knowledge of the history of the mu…
"It is a message, and you will hear it sounding firmly through the various pieces that make up The Human Factor, that tells us much about how we might live together: sharing, giving way, simple giving, lifting up, helping ... above all, listening ..." - Brian Morton
"Each composition arises from a clear idea that the listener can grasp. That is their beauty, I’d argue – there’s no need for, or possibility of, any process of beautification. They are conceptual art in the broadest sense, but vividly concrete in their sonorous properties. So they are a paradigm of musical art – for music is an art that is abstract in form, concrete in utterance." - Andy Hamilton
"Basically, we witness an intimate dialogue between two improvisers. If there had not been a special circumstance leading to this result. Christine Abdelnour and Hans Koch could not hear each other. In fact, "FFlair" is based on two separately recorded solo improvisations, which were superimposed at the end. Mind you, without any subsequent editing." - Rudolf Amstutz
Temporary Super Offer! "This CD, the third album of my piano works played by Satoko Inoue, presents all the pieces written for piano between 2015 and 2020, along with an introductory miniature piece." – Jo Kondo
Temporary Super Offer! "Only ghosts don’t make footfalls (another Beckett title!) that we can hear, don’t need to open and close doors to effect passage. These men together are enacting over a longer duration a strong sense of life- as-lived. They are conspiring, not in the political or legal sense, but simply breathing-together. It isn’t forbiddingly abstract music. It simply enacts our various ways of living together. Take a deep breath and enjoy." - Brian Morton
Temporary Super Offer! 'The music on this CD is an impressive document of such a search for meaning and artistic legitimacy. It doesn’t want to add something even louder to the supposedly spectacular. On the contrary: Here, it is about the subtle intimacy and emotionality of human relationships, about breathing as one. It is about being interested in each other beyond ever new superlatives. This is where the unobtrusive authenticity of this music comes from, what makes it special and thoughtful.…
Temporary Super Offer! Compositori sardi contemporanei produced by the Swiss label Hat Hut Records Basel and directed by Werner X. Uehlingeris a snapshot of the Sardinian contemporary music world with an initial focus on eight composers Luciano Chessa, Andrea Granitzio, Paolo Pastorino, Riccardo Collu, Giuseppe D'Amico, Giovanna Dongu, Claudio Sanna, and Luca Sirigu. The project is conceived as a work in progress, therefore with constant updating of the repertoire and attention to what is happen…
Temporary Super Offer! 'The CD’s title is borrowed from computer language: STRG + X is the key combination for “cut to the clipboard” to be temporarily stored and pasted somewhere else at a later time. Perhaps the most important quality of this carefully thought-out yet anything but cerebral music: it is aware of its means and can twist and turn and rearrange them as it pleases, in which case improvised contexts create their own forms and play with original material in a fresh, new way. This is …
Temporary Super Offer! John Cage was an evangelist for a new mode of listening in which we would listen to everything with the same attention that we bring to music. For John Cage proposes instead that we listen to this music as if it were everything. While these two instruments are playing there is nothing else, just a violin and a piano. Even the process of remembering, normally so important in helping us make sense of what we hear, is altered: the ‘tenuous’ rhythms of For John Cage articulat…
Temporary Super Offer! Founded in 2005, Studio Dan is a flexible ensemble, operating on the borders between diverse subgenres of contemporary music: improvisation, new music, jazz, art-rock, and others. The ensemble tours internationally. Appearances include concerts at Wien Modern and Ostava Music Days, and venuse such as Kampnagel Hamburg, Kimmel Center Philadelphia, and the legendary Roulette in Brooklyn/NYC. Past guest soloist and collaborations with Studio Dan include also Vinko Globokar, E…
What these performances then, and those in Impression Graz 1962, reveal is a great artist in a period of continued exploration and uncertainties, committed to integrating the exactness of order and the abandon of ecstasy, and reconfirming his improvisational quest as a spiritual discipline. But there were profound changes still to come. - Art Longe
The four tracks on this release have been selected from the 1962 concert tape which Hat Hut Records has licensed from ORF Stelemark, Graz, Austria. I…
Taking his quartet on a European tour in the fall of 1962, Coltrane's band with McCoy Tyner on piano, Jimmy Garrison on double bass, and Elvin Jones on drums performed in Graz, Austria at Stefaniensaal, the concert beautifully recorded by ORF Steiermark and here released as the first of two volumes, showing both Coltrane's lyrical origins and expanding free inclinations.