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Sacrosun
Ece Canlı's sophomore solo album Sacrosun is a non-linear series of maximalist meditations on interstellar anxieties. The composer, vocalist and researcher draws on her diverse artistic and academic backgrounds to craft an immersive sonic landscape that expands beyond the terrestrial limitations of her acclaimed 2020 debut Vox Flora, Vox Fauna. Where her first album dug into tellurian imaginaries inspired by the sonic variety of earthly creatures, Sacrosun expands this audio-vision out into a co…
Anahata (1984-86)
Subtitled: Primordial Vibration / Sound ceremonial with a contemplative character. Composed in 1983-1986. Sound ceremonial with a contemplative character for two voices of Japanese Buddhist monks (traditional Shômyô techniques - traditional temple chanting - in a larger, modern and creative form), three Japanese Gagaku instrumentalists (traditional court music in a modern and creative form), one percussionist (with a percussion instrument orchestra) and electro-acoustic (fixed interactive sounds…
Shanti (1972-73)
Packaged in a 6 panel digipak. Includes a 16 page booklet in French & English. A massive, four side-long drone-epic masterpiece “Shânti” (1972-73) for electronic and concrete sounds, in a spectacular double CD digipack issue. A hundred-and-thirty-five minute piece of "meditation music" for a four-track magnetic tape by Jean-Claude Eloy, produced in the Electronic Studio of the Radio of Cologne “The term “meditation music” triggered many conflicting comments including positive ones (“... let us s…
Erkos / Galaxies (Chants Pour L'Autre Moitie Du Ciel Part I
Songs for the other half of the sky. With 'Erkos' (1990-91) and 'Galaxies' (1986-1996). Performed by Junko Ueda (satsuma biwa and voice) and Jean-Claude Eloy (sound projection). Erkos is a word from the Indo-European language and means song, praise. It is close to the Sanskrit word Arkas (hymn, chant, radiance) and to the Tokharien term Yarke (reverence, homage). The texts consist of extracts from the Devî-Upanishad and Devî-Mâhâtmya writings, in Sanskrit. In those texts, an homage is paid to t…
Etats-Limites ou les cris de Petra
“Borderlines or Petra’s shouts. Songs for the other half of the sky N°VII” (2013) After some reissue or first edition of old composition, here’s a brand new composition from Jean-Claude Eloy. Made mostly with voice, bells and synthetic sounds this piece works like an electroacoustic lightning. “A kind of salutary madness”.
L'anneau des sept lumieres
The Ring of the Seven Lights (Metametal, long version) (1994-95 / revision and new master: 2013). Seven continuous variations from a single Bonshô sample(Buddhist temple traditional bell from Japan), a tribute to Inayat and Vilayat Khan.
Jean-Claude Eloy: 'I created and partially realized it in 1994-95 during this conversion of Anâhata into an electro-acoustic version alone. I first made a short version out of it which integrated into Electro-Anâhata and became the fourth station within the firs…
Galaxies full-electro
Galaxies' (Warsaw version), electro-acoustic alone. Fully electro-acoustic version of Anâhata / Galaxies realized on the composer's personal computer from the original electro-acoustic recordings of this work.Electronic music studios where the original Anâhata / Galaxies were produced (1984-86): Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Toky…
A l'approche du Feu Méditant
Of all the works by Jean-Claude Eloy, the 1983 "Approaching the Meditative Flame...", for 27 instrumentalists of the "Gagaku" orchestra from Japan, and two choruses of "Shômyô" Buddhist monks (a work known partially in the West by a double LP album "Harmonia Mundi") and more particularly, "Anâhata", for five traditional soloists from Japan (three instrumentalists and two monk singers), percussions, and a major electro-acoustic part (presented in different festivals in Europe) – are the two works…
Salvado
*300 copies limited release* Recorded during two days in the spring of 2022, Salvado sees Lettera 22 go all in musique concrete. One single long tape loop worming its way around a room through three reel recorders, only sparingly tampered with in the process. The result is far from uneventful or passive though, as all the ghosts in the old machinery seem to come alive. An album perfect for nighttime immersion. Loud playback recommended.
Electronique Guerilla (Heldon I)
50th Anniversary Edition: hand numbered, limited edition blue vinyl, 500 copies available. Bureau B present a reissue of Heldon's debut album Electronique Guerilla, originally released on Disjuncta in 1974. In 1973, 22-year old Richard Pinhas was well on his way to becoming a full-time philosopher. He had almost finished his PhD and begun teaching at the University of Paris. But he also had a hobby: writing music and recording it himself. When he submitted a few tracks to British label E.G. (hom…
6 - Interface
LP version. Bureau B present a reissue of Heldon's 6 - Interface, originally released in 1977. A brilliant moment occurs right at the end of Heldon's sixth album, Interface. The album's final song, its side-long title track, builds up slowly into a roaring tornado of fiercely mutating drum patterns, effervescent synth work, and guitar licks that wail into the atmosphere like an abandoned astronaut. Then, after nearly 19 minutes of highly futuristic avant-garde space rock, this ultramodern music …
Taba
Taba, the new album from Japanese musician, songwriter and traveller Satomimagae, unfolds as a series of vignettes that document both the personal and the universal, seen and unseen. Observing and absorbing the fleeting scenes and sounds of life flowing outside of her home studio, Satomi sings beyond herself, in an orbit of souls and systems both in the present and in the strange flux of memory, leaving linear songwriting to rest for circuitous stories expanded and expansive in tone and texture.
Maroon
*2024 repress* Separated from both its reputation and its sleeve art, the music of Muslimgauze explores the relationship of visual sensations -- space, color, depth, illusion -- to the listening experience. The music on Maroon is dub-like inspired techno music, laidback with voices appearing randomly in the mix. The thick drums and rich found sounds that densely populate the soundscapes on Maroon give materiality to the warm presence of the synth washes. The music is so layered and textured that…
Mechanic Asphyxia
The limited edition reissue of Atrax Morgue's Mechanic Asphyxia offers a haunting exploration of sound, originally released as a double tape on Slaughter Productions. This striking one-sided LP is strictly limited to just 199 copies and features four chilling tracks: Plastic Bags, What I Have (Nothing), Mechanism Of D., and Playing With My Corpse (Non Lasciare Roba In Giro, Vengono Gli Scarafaggi). Each track showcases the raw, improvised essence of Marco Corbelli’s work, recorded between March …
Ereignishorizont
Ereignishorizont is Schneider TM's new and with a duration of over 80 minutes truly epic album: experimental guitar, technological innovations and excursions into musical territories beyond the usual.
Death-Orgasm Connector
199 copies only! The first-ever reissue of Atrax Morgue’s seminal album Death-Orgasm Connector, originally released in 2003 by Slaughter Productions, encapsulates the raw essence of Marco Corbelli's power electronics, melding harsh noise with industrial undertones and dark synth-electronics, solidifying Atrax Morgue's place in the experimental music landscape. From the very first track, I Kill Sex (Again), listeners are thrust into a visceral experience defined by Corbelli’s staticky rasps and e…
Jazz Mutations
Symphonic Jazz at its finest and a rare musical find from post-war Berlin. Unknown performances of the orchestra under the direction of Werner Müller, recorded September 1961 at the studio of Hochschule für Musik. Excellent crossover of Westcoast, Hard Bop, Modern Classical and Blues. Most of the tracks composed for the occasion, such as “Jazz Suite” (Robert Farnon), “Jazzific 59/16” (Julien Francois Zbinden) or “Jazz Mutations” (Helmut Brandt). They open up an exciting new chapter of Progressiv…
Ictus
A real masterpiece....dreamy improvised music with eastern influences and electronics!! "Before his magnificent experiments with electronic music on Elektrictus (previously reissued on Wah Wah), Andrea Centazzo was already an accomplished musician who had issued his recorded works on the PDU and RCA labels. His first release was Ictus, a free-form avantgarde jazz oddessey on which he already started to experiment with electronic generated sounds. Ictus was a band formed by Centazzo, Armando Bat…
Dimensions
Very nice late 80s early 90s recordings from the man behind Futuro Antico "In this record I have sought to integrate those element that together formed my musical identity, and which at times I have lived with some difficulty, as they derived from different, and conflicting cultures. That is the reason why some parts of the record have been written out note, and other parts were improvised. There is a continuous mix of languages, from electronic music and avant-garde to minimalism, jazz, Arabic …
Dissections
Here the work of the last 4 years by Capricorni Pneumatici. A double CD with 8 medium/long sound dissections recorded in Sweden, UK and Southern Italy. Dissection 1 is a frizzling track based on Tibetan bowl, maracas and music machine. Dissection 2 is a very long suite introducing low, calm waves of a forgotten sea that you should listen in a dark room. Dissection 3 is shorter with the addition of percussive echoed noises. Dissection 4 has a harsher sounds produced by synth, el guitar, tubular …