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A never earlier released duo recording that was played back in 1987 at Kassiopeia, Wuppertal brings these two great musicians and composers together for this unique and unforgettable session. There are times when one fantasises about the possible collaborations that might have been: Hendrix with Miles Davis, Jeffrey Lee Pierce with R.L Burnside, Capt. Beefheart with Sun Ra ― imagination is a wonderful thing. But when a vault somewhere pops open and a collaboration of two of improvised music's ti…
Peter Evans - piccolo trumpetJohn Butcher - tenor and soprano saxophonesFrédéric Blondy - pianoClayton Thomas - double bassPaul Lovens - selected and unselected drums and cymbals
An average of one album every other year is pretty good going for a free jazz collective, and that's what The Nu Band has achieved. Its fifth, Live In Paris, comes ten years after their first communion in 2000. It's also a departure, not in that it is a concert recording as there are already three of those in the discography, but in that, for the first time, the quartet showcases its considerable talents at instant composition. Reedman Mark Whitecage's résumé numbers two fine, though overlooked…
"NoBusiness presents archive studio recordings by DUX Orchestra, which featured Mats Gustafsson and Will Connell, Jr. among its revered members. Duck Walks Dog (With Mixed Results) was recorded on 16th October, 1994 in NYC by Steve Guttenberg and features music by guitarist JC Morrison, arranged in collaboration with Dave Sewelson.Dave Sewelson - baritone saxophoneMats Gustafsson - baritone saxophoneWill Connell, Jr. - alto clarinetDave Hofstra - bassSusie Ibarra - drumsWalter 'Sweets' Perkins -…
new album by the trio comprised of Martin Küchen – tenor and soprano saxophones, Jon Rune Strøm - double bass, Tollef Østvang - drums, released in a edition of 300. Not Quite All Included or Some Included might be appropriate names for the trio of Swedish saxophonist Martin Küchen, and Norwegian bassist Jon Rune Strøm and drummer Tollef Østvang. Reason being that the repertoire on Melted Snow partially replicates that on Satan in Plain Clothes (Clean Feed, 2015) by All Included, which comprises …
On Live in Europe 1968 & 1972, Marion Brown leads a borderless quartet through two rare European concerts, pairing his singing alto with Gunter Hampel's vibes, Barre Phillips' bass and Steve McCall's drums in a sound that hovers between lyrical free jazz and chamber‑like intimacy.
Derek Bailey - guitarSabu Toyozumi - drums
Recorded live on November 2nd, 1987 at IMAI-Tei, Fukuoka City, Japan by Hidenobu EharaConcert produced by Masahiro TomiokaMastered by Arūnas Zujus at MAMAstudiosDesign by Oskaras AnosovasPhoto by Yumi Mochizuki at Taruho Jazz, Yamato CityCover art by Sabu Toyozumi
*2023 stock* This concert was recorded during the Vilnius Jazz Festival, 15th October, 2017 at Russian Drama Theater, Vilnius, Lithuania. Line-up consists of Evan Parker - soprano and tenor saxophones, Barry Guy - bass, Paul Lytton - drums and percussion. Sound Engineer: Valdas Karpuška, mixed by Evan Parker. Mastered by Arūnas Zujus at MAMAstudios. Original cover painting by Paul Lytton, design by Oskaras Anosovas.
*2023 stock* "Kami Fusen" is the second volume in the ongoing collaboration between NoBusiness and Chap Chap Records, after the excellent "The Conscience"by Rutherford and Toyozumi. This time, all the musicians come from the Far East: Itaru Oki was one of the first Japanese musicians to explore the free jazz idiom in the early Seventies; Nobuyoshi Ino comes from the same country and musical scene, even if he has often played in more traditional contexts; similarly, Korean trumpeter Choi Sun Bae …
*2023 stock* "Ask most open-eared listeners about Japanese music since the 1960s, and they’ll likely talk about the psych and noise scene, the offshoots of Onkyo music movement or maybe the richly documented electronic music documented by Omega Point on their Obscure Tape Music of Japan series. The free jazz scene in Japan and neighboring countries has been a bit harder to pin down. PSF nailed the voluminous output by Masayuki Takayanagi and Kaoru Abe and labels like Trio, Japanese Denon and Pad…
Peter Brötzmann - tenor saxophone, tarogatoToshinori Kondo - trumpet, electronicsSabu Toyozumi - drums
Recorded live on October 2nd, 2016 at Roppongi Super Deluxe, Tokyo, Japan by Kunimitsu TsuburaiAll music by Peter Brötzmann, Toshinori Kondo and Sabu ToyozumiMastered by Arūnas Zujus at MAMAstudiosDesign by Oskaras AnosovasPhotos by Moto UeharaCover art by Sabu Toyozumi
**CD edition** 1974 recordings at WKCR in NYC from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation. "The dominant influences at this time were John Coltrane and Albert Ayler (both of whom had passed away relatively recently); and Ornette Coleman (who had not yet gone Harmolodic). Although some musicians had sought to push the Fire Music of late C…
Featuring Alexander von Schlippenbach and Aki Takase both on piano, recorded at Cafe Amores in Yamaguchi. Japan in August of 1995. Although Ms. Takase and Mr. Schlippenbach have been married for many years (she moved to Berlin in 1987), it seems as if their music collaborations began in the early 1990’s. There are some half dozen or so discs of duos (1993, ’94 & 2014), a trio/quartet (from 2005), the Berlin Contemporary Jazz Orchestra (BCJO) (1993 & 1996), collaborations with Sven Ake Johannson …
Live broadcast recording on December 19, 1978, at Columbia University Radio WKCR-FM, NYC. Originally issued on LP, edited and in slightly different order, as Livin’ Right on Kuhn’s Big City Records (LPK 225).
Free-jazz woodwind specialist Peter Kuhn’s road to San Diego has been long and harrowing. Born in the San Fernando Valley and raised in L.A., Kuhn’s career flourished in the Bay Area and eventually led him to New York at the invitation of Anthony Braxton in the mid-’70s, where he played wit…
Brilliant work from these two very inventive bassists – the legendary Barre Phillips, working on acoustic bass – and Motoharu Yoshizawa, playing an unusual homemade electric vertical 5-string bass! The combination of instruments is beautiful – and with one electric, and one acoustic, you can really separate the voice of each player – even though both Phillips and Yoshizawa resonate strongly together, and really have a complimentary sense of improvisation – a beautiful combination of both their t…
*In process of stocking* No Business Records presents Journal Four by Keith Tippett and Howard Riley.
Recorded on the 9th March 2016 at ‘The Steinway Spirio Two-Piano Festival’ at the PizzaExpress Jazz Club, Soho, London Audio recording supervision by Cath Longbottom Liner notes by Richard Williams Photos by Cath Longbottom Design by Oskaras Anosovas Howard Riley - piano Keith Tippett - piano
This latest instalment from NoBusiness Records collaboration with the Japanese Chap Chap label under the name of Yuji Takahashi with Sabu Toyozumi constitutes a real find. A wonderfully mystic vernal episode of free improv music recorded in Tokyo, 1998. Piano and percussion album of the highest beauty, interactive on a telepathic level and execution. Yuji Takahashi is a Japanese avant-garde composer and pianist. In Japan he was by then already well established as leading practitioner of experime…
Lovely archival recording by this incredible trio comprised of Midori Takada - marimba, percussion Kang Tae Hwan - alto saxophone Masahiko Satoh - piano. Recorded live on the 27th May, 1995 at Design Plaza Hofu, Yamaguchi, Japan
Awesome archival CD covering the entire production by The Free Jazz Group Wiesbaden, a quartet with the odd instrumentation of reeds (Dieter Scherf), trumpet (Michael Sell), guitar (Gerhard König, who also played flute) and percussion (Wolfgang Schlick). They released two appropriately schizoid LPs on Scherf’s LST label in 1969 and 1971 (Frictions and Frictions Now, here collected) before disbanding. This is a stunning copy of their first very rare private press side, 1969 Frictions, a spectacul…
restocked, Mindblowing reissue!! "The impact of Carter's music stems from his ability to straddle freely the old and the new - combining a genuine melodic/rhythmic impulse with explorations of a more purely rhythmic/harmonic nature. His tone on his instruments, especially the clarinet, is round and wooden like a song, yet there's a certain revelry in sound - textural and timbral - for its own sake. He likes to work with contrast, moving in and out of tempo, altering the flow through dynam…