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2017 Release. The composer, bandleader and reedist Willem Breuker, who died in July 2010 at the age of 65, is often omitted from contemporary assessments of Dutch jazz, where the primacy of pianist Misha Mengelberg (1935–2017) and drummer Han Bennink feels indisputable. Those two musicians left a huge impact on the Amsterdam music scene through the work they created in the Instant Composers Pool Orchestra—work that carries on through Bennink and pianist Guus Janssen, who took over the piano chai…
2016 release. When David Greenberger first embarked on what has become a life-long journey, drummer Chris Corsano was not yet five years old! In 1979, after graduating from art school in Boston, Greenberger took the job of activities director at the Duplex Nursing Home, an all-male elder care facility in Jamaica Plain, Massachusetts, and began collecting the stories, poems and music reviews of its aged patients for what became his Duplex Planet project, an undertaking that would eventually…
After a fucking eternity the second press of the "Oracle" LP by sunn 0))) is finally available! 180 gram black vinyl. New lacquer cut by Bob Weston (Shellac). This new version has a bit more clarity and depth than previous pressings. We have two colors available: Clear and Blue. The blue vinyl copies come with a 18x24" Oracle poster. You can purchase the Oracle lp and Oracle shirt for a discounted package price. LP+shirt packages come with the Blue vinyl version. The first 150 orders wi…
"New album from Tokyo psych duo Suishou No Fune in an edition of only 250 copies: recorded live in a Bonsai Shop in Tokyo this is Kageo and Pirako at their most celestial, with great sweeps of transparent dream tone that dissolve inspired versions of early material in clouds of fuzz and candyfloss. Suishou No Fune are obvious heirs to the whole Rallizes/Fushitsusha/Shizuka sound but with a focus more on blurry drone and vertical ascensions so if you’re a particular fan of the whole space-ballad …
Realistic Monk is the new performance project from Carl Stone in collaboration with artist and composer Miki Yui. Carl Stone is one of the pioneers of live computer music and has been composing electro-acoustic music almost exclusively since 1972. The Village Voice has famously hailed him as 'the king of sampling'. Miki Yui is an artist and composer who develops pieces of music, drawings and sound installations that start from a perception of the faintest sounds and noises and subtly reference e…
Streifenjunko has taken a shift towards electronic sounds. Their previous albums "No Longer Burning" (SOFA 2009) and "Sval Torv" (SOFA 2012) was remarkable in the magnificent sound achieved only with a saxophone and trumpet. With the seemingly endless possibilities of electronic instruments their strategy of finding simple tasks has been put to the test, and in the making of this album Streifenjunko was put back to the starting position to re-discover their focus and recognisable simplicity. The…
Soundwalk Collective is a multi-disciplinary audio-visual collective founded by Stephan Crasneanscki, including members Simone Merli and Kamran Sadeghi. The Collective's approach to composition combines anthropology, ethnography, non- linear narrative, psycho-geography, the observation of nature, and explorations in recording and synthesis. The source material of their works is always linked to specific locations, natural or artificial, and requires long periods of investigative travel and field…
Seriously classy rewired-techno from lowlands synth Miss, Christelle Gualdi aka Stellar Om Source. Harking back to vintage Drexciya, Population One, Mad Mike, all four tracks are constructed with a fluid, fast flowing efficiency, no moment is wasted and always urging into the the next with instinctive sense of narrative and attuned groove. A-side 'New Look' is highly sophisticated body futurist music and 'Club 5-7' displays a remarkably deft grasp of hi-tech machine funk. Flipside's 'Heatwave' c…
On September 11th, 2015 the audience of the stunning "Rotor" concert series witnessed the first live appearance of John Gürtler and Phillip Sollmann underneath a highway bridge in Offenbach, Germany. Hosted by International Music Institute Darmstadt alongside Institut für Klangforschung Offenbach and HfMDK Frankfurt, the newly formed duo performed an aural conversation on stage within the incredible architectural environment. A year later, an extract of these live recordings became part of …
restocked!! Michigan trio Wolf Eyes are known for bursts of harsh noise, but they've also made lots of interesting music on the way to those climaxes-- during the pregnant pauses, eerie bits of calm, and gradual build-ups that explode into raucous release. Stare Case, the "blues roots" duo of Wolf Eyes' John Olson and Nate Young, deal primarily in that restrained territory, where minimalism and quietude bulge with possibility. On Lose Today, the implied eruptions never come, but always seem to b…
**100 copies** No guitars and fuck two-second gaps. A collection of six 7-inches (Gutter Splint, Fortune b/w The Eyes of Men, Epistasis, Vacuum, Vanishing Point, and the split with Agathocles). Performed by Mumma / Ronnau / Wiese. The only band to make a Milton and a Mentors reference on the same album. Silk screened cover.
A chokingly powerful session of elemental feedback noise from one of iDEAL’s foundational players. Arriving some 13 years after his first missive for Joachim Nordwall’s infamous label, it’s a stoically economical exercise in discipline and control, unflinchingly documenting Henrik Rylander’s improvised recordings of a no-input mixing desk undergoing a severe stress test in realtime. Big recommendation if you're into anything from Mika Vainio to Sonic Youth's feedback sessions...
The lates…
Edition of 250. You know that old phrase, 'Teach a penguin to cuss, and you'll never have to buy another comedy record' I'm sure you do. But what about its codicil? 'Teach a guitarist to play synth, and you'll never have to buy a new age record?' If you know that one, you might well be put off by the fact this album features one of New Zealand's most wickedly post-tongue guitar players fiddling about with oscillators and analog synths (in concert with a guy who does this stuff all the time). But…
Individually numbered edition of 99 copies. Few copies available. Two blinding wormholers from Daniel Rozenhall on a super limited pressing bound to be sought-after by intrepid sound explorers. A close associate of Stockholm’s EMS studios and the Fylkingen venue at the heart of the city’s experimental music scene, Daniel Rozenhall has played a low-key but vital role in Sweden since his trio of albums for Firework Editions and Kning Disk, and the ‘Rozenhall’ compilation, between 2001-2009. Ten ye…
Includes download code. "Part of a collaboration with Jack Rose's estate and Three Lobed Records to restore all of his LPs to print, VHF presents new vinyl editions of the celebrated guitarist's first three solo albums, newly cut by John Golden Mastering from the original source material. Originally issued on LP by Eclipse Records between 2002-04, these releases chart an eclectic, more experimental approach left behind as his technique and compositions became more refined and deliberate on…
To manipulate a recording of the improvised process is to directly dilute spontaneous conception, and thank god for that. Centering and Displacement was composed in the winter-summer of 2008 in Chicago. A body of improvised source material was collected, segmented and organized by a simple chance operation. These segments were then orchestrated into a sound program and arranged by order of the strict composed form. At times, the score also regulated post-recorded effects to manipulate the origin…
Six Organs of Admittance is back after 3 years with a new record, new techniques in sound generation, and a new attitude. Companion Rises has a driving force only hinted at with previous releases. Manipulating the rhythmic DNA from songs such as the bass-dominated “Taken by Ascent” (on his last record, Burning the Threshold), Ben Chasny has grown a new sound creature in his lab that is as welcoming as it is terrifying and as fun to listen to as it provocative and intriguing.Methodologically, Com…
"Another brilliant posthumous album by Letha Rodman Melchior. Letha's music, as her visual art, was a great collaged pile of extreme strangeness, with seemingly irreconcilable objects butting heads in ways that end up making great sense. I met Letha a long time ago, when she was in Cell, but I had not much idea of her work beyond that until she had moved to North Carolina and I started hearing her health was bad. Siltbreeze put out an amazing album called Handbook for Mortals (2013), and it was …
The artist formerly known as Ergo Phizmiz, releases his first work under his birth name, DW Robertson with Disco Carousel Vol. 1, a demented ode to the power of mechanical music. Robertson on the record: ''Everybody knows that mechanical music is the highest form of entertainment, that's why the fairground, that age old uber-entertainment, rang with the chaotic splendor of Barrel Organs, Orchestrions, Bellenoens and Serinettes. In the 20th century, as the delicate mechanisms of automata fe…
out of print LP, "These are the days" is a collection of short pieces all around of memory concept... a sort of back-up of experiences on Claudio's preferred media (tapes and vinyls). Tapes and vinyls are here used in a double way: in their common way, the Universal recognized one. As sound reproducers, as technological element of our day-life with their own personal story linked to all the people who owned them... they are full of memory, they are part of our World. But if you change the rules …