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Punti d'incontro
In ‘Punti d'Incontro’ the sound is fragmented and broken up, just like splinters or bits of broken glass, into infinite pieces. Through the stages of duets and trios, Eugenio Sanna, Lucio Bonaldo and Michele Scariot give life to buzzings, high-pitched sounds, like pinheads looking at and observing each other with caution, forming strange, gelatinous agglomerates; bewildered melodies that are swallowed up through a visionary plot and enter, swallowed up, into the gaps of an infinite space, in a r…
Alzati Spia
The soundtrack for “Alzati spia” Espion, lève-toi, composed by Ennio Morricone, is a masterful example of how music can enhance the atmosphere of a spy thriller. Released in 1982, the film, directed by Yves Boisset and starring Lino Ventura and Michel Piccoli, is a dark and psychologically intense story that delves into the shadowy world of intelligence operations during the Cold War. The movie stands out for its balance between narrative tension and introspection, with a protagonist caught in a…
In Out
1999 release ** "Electronics & sax are mixed to traditional music from India, Africa & Andalusia."
Kalutaliksuak
2007 release ** "Kalutaliksuak was one of the first weird, ethno-psychedelic and proto-space rock bands in Russia. They took their name from the Ice goddess of the Eskimos and operated during the first half of the 90’s, but never released any official recordings..."
Moonflower
2007 release ** "Moonflower, by the legendary Finnish pianist Heikki Sarmanto and his quartet, is the first "new" album on Luke Mosling's Porter label; the other two projects that make up his opening salvo are reissues of private-press recordings done by Mait Edey's Seeds imprint in the early '70s. Sarmanto is best known to American audiences for his work with Sonny Rollins and Art Farmer. He's recorded 25 albums as a leader, including New Hope Jazz Mass for jazz ensemble, orchestra, soprano, an…
UNZ!
2005 release ** "Antisisters ( Pavel A. "Nowayout" Gromov (vocals), Sergey "Foxygene" Gromov (machines, live drums), Alexander "Sandwitch" Sosnovsky (guitar), Igor "HAnGo" Gomonov (machines, live keyboards) is one of the eldest darkwave bands from Moscow, Russia. In spite of the long biography Antisisters is still an underground band that is deliberately avoided by the musical press. The members hide their faces on band photos and you can see their real faces only on concerts that are very rare.…
Presents Over The Edge Vol. 5: Crosley Bendix - The Radio Reviews
1993 release ** "The most straightforward -- and partially, as a result, the more curious -- of the various Over the Edge releases over the years, Over the Edge, Vol. 5: Crosley Bendix Radio Reviews is in many ways a solo effort by Don Joyce in the character of Bendix himself. A regular feature of the Over the Edge shows is an offering by Bendix -- described as director of stylistic premonitions for the Universal Media Netweb, the putative overarching organization Negativland is merely a part of…
The Ill-Tempered Piano
2008 release ** ""Nicola Cipani's "Ill-Tempered Piano" is a suprising and playful album of solo improvisations played on broken and untuned pianos. Cipani's accomplished melodic and rhythmic approach and his responsiveness to each instrument's raw potential set this project apart. The recordings were made over the span of two years in different New York City warehouses, on several keyboard instruments (among the pianos you hear also a clavichord), some of which are so damaged as to be hardly rec…
Wasteland
2005 release ** "After their debut MCD "New Death Order" Cyclotimia presents ten new tracks composed as a soundtrack for a decaying metropolis. Wasteland is packed of melancholy and epic moments with slow and intense compositions. Samples taken from television's channels and synths has been used to compose these tracks which merge industrial, classical and ambient music. If you love dense, dark and intimistic atmospheres try this one."
TimeBank
2009 release ** ""TimeBank" is a collection of exclusive compositions recorded by Cyclotimia in 2003-2007 and for some reasons left out of the main albums. The material presented here is hard to fit in the Procrustean bed of common musical styles, but we can try to list the ingredients from which this post-industrial "dish" was cooked: both cyber jazz and idm, neoclassics and trademark technological ambient, old-school electronics and atmospheric new age, experimental and many more can be found …
Styx
2025 stock ** "The 7th full-length album from the Russian masters of "stockmarket industrial". "Styx" is the most mainstream-oriented work in the Cyclotimia discography. The music here is free of experimental and academic explorations traditional for the band; here the emphasis is made on the rhythmical component. Inexorable like an economic recession and steadfast like a financial indicator chart, eleven compositions depict the sickly technogenic reality of the planet wrapped by networks of glo…
Sci-Fi Music (Soundtrack To A Nonexistent Movie)
2010 release ** "As the title suggests, the new work by Russian masters of electronic soundscapes represents a score to an imaginary sci-fi movie. The musicians call themselves admirers of old-school Sci-Fi / Cyberpunk genres, and for a long time they have felt a desire to make some music inspired by soundtracks of sci-fi blockbusters from 70-80-s... Spaceship battles, alien colonies, teleportation and mysterious droid ceremonies are only part of the images created by this music. The album conta…
Early Piano Music
2002 release ** "This CD mainly consists of very early pieces by Arthur Vincent Lourié, heavily under the spell of Scriabin & Romanticism."
Navicomete
Following fourteen years of silence, Albergo Intergalattico Spaziale - one of the great projects of radical musical experimentation to have emerged from the 1970s - returns with the sprawling sonic odyssey “Navicomete”. Encountering the legendary husband and wife duo of Giacomo Di Martino and Edda “Terra” di Benedetto working with seminal figures like Walter Maioli, Arturo Stalteri, and Vincenzo Zitello, alongside others, weaving a “suite of sound poetry" into a driving, spaced-out mind-melter, …
100.000 Dollari Per Ringo
The soundtrack of “100,000 Dollars for Ringo”, composed by the talented Bruno Nicolai, stands as a cornerstone of the Italian Western music scene. This 1965 film, directed by Alberto De Martino, tells the story of Lee Barton (played by Richard Harrison), a gunslinger returning to his hometown in search of vengeance and redemption. While it adheres to the classic narrative tropes of the Western genre, the film distinguishes itself through its emotional intensity and some creative directorial touc…
Future Percussion
Tip! A lost bit of 70s Italian modal jazz, with spiritual overtones and global percussion from drummer extraordinaire Tullio De Piscopo – an incredible set of heavily rhythmic grooves recorded in Milan in 1978 – originally a tiny edition effort on Carosello Records, and the most impressive rediscovery yet from New Platform!  For the occasion, the Tullio De Piscopo Quintet meets Argentine percussionist Luis  Agudo, who played for years alongside Brazilian guitarist Baden Powell and later with the…
Sotto E 'Ncoppa
Tip! Despite the title of the album, it is the Tullio De Piscopo's third work, recorded in 1976. Comprising nine tracks in total across its two sides, “Vol. 2” falls somewhere between fusion and prog, straddling darker, brooding temperaments with joyous, funky lines. Predictably, as is nearly the case with music of this sort, the playing and artistry is top-notch, the band locked together with remarkable precision, but the journey that “Vol. 2” takes is far from expected. Interspersed throughout…
Sounds For An Awesome Suspension
2008 release **  "Iron Molar, roots in the glorious HC of the 90s and present immersed in a noise that the CD artwork denounces as blatantly bastardnoisian. Luckily appearances can be deceiving and, I don't know if intentionally or not, their path takes roads far enough from the noisy rallies and rarefied panoramas of the Bastard Noise project, to face a middle way that is certainly not innovative but at least detached from too easy comparisons. In the tracks of Sounds For An Awesome Suspension …