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When one thinks of the musical centers of New Zealand, the city of Tauranga doesn’t have as celebrated a history as Dunedin, Auckland or Christchurch. Which is apt, in a way, as the artist known to us only as Rotate The Completor makes music that sounds unconnected to any scene in NZ or elsewhere. A chance encounter with an enthusiastic passerby while busking on the streets led to the receipt of a home-recorded cassette, which caught the ears of the outsider music community, although any attem…
If the city of Beirut doesn’t leap to mind as a hotbed of avant-garde musical activity, listen up: since 2005, the Al Maslakh label (translation: The Slaughterhouse) has been documenting far-thinking sounds from the small but vital Lebanese scene. The “A” Trio’s first release, Music To Our Ears, was one of the most startling debuts of 2011; now, Roaratorio is proud to present their second album (and first vinyl release): Live In Nickelsdorf, recorded at the Konfrontationen Festival in 2012. Whil…
Roaratorio's survey of the unheard Sun Ra continues with Sun Embassy. Consisting of recordings from Sun Studios (aka Ra's house in Philadelphia) from 1968-1969, the album features nine tracks: six compositions which have never been heard before in any form, plus fresh coats of paint on such 1950s classics as "Sunology" and "Ancient Aiethiopia", and an early rendition of "Why Go To The Moon". Essential listening for Sun Ra devotees. Includes download coupon.
** shipping within a few days** In an everlasting process that continuously repositions and reevaluates infinity as a consciously unachievable but ultimately rewarding goal since the early '90s, David Maranha's music has been riding that arc with ferocity and aplomb. A unique vision that has been translating the eternal in a sprawling language through countless performances, approaches and records like Marches of the New World and the Roaratorio released classic Antarctica. Always the unse…
Paul Metzger continues to pile up the plaudits from critics and peers alike for his virtuosic string-slinging, gaining notice through his CD on Chairkickers and his split LP with Ben Chasny and Chris Corsano on Roaratorio. Metzger’s modified banjo is tricked out with additional sympathetic raga strings, although the compositions on Gedanken Splitter are informed by much more than Eastern drone music alone. Recorded in the same period as 2007’s Deliverance on Locust Music, this is a more jagged …
“Les Barricades Mistérieuses,” the harpsichord gem by French Baroque composer François Couperin, has been a long-running source of exploration for Fluxus musician Philip Corner, who for years has used it as a jumping-off point for piano improvisations. Through Two More-Than-Mysterious Barricades comprises two very different takes on the same piece. The first dates from 1992, in collaboration with dancer Paulette Sears (who provides the ‘singings and screamings’ of the album’s subtitle); it moves…
Far Out Recordings present an official reissue of Ana Mazzotti's Ninguem Vai Me Segurar. originally released in 1974. An artist as imaginative and unique as Ana Mazzotti doesn't come around often. Dubbed a "super-musician" by fellow Brazilian virtuoso Hermeto Pascoal, Mazzotti's short but rich musical career culminated in just two studio albums: Ninguem Vai Me Segurar (1974), and Ana Mazzotti (1977). Outside circles of Brazilian funk aficionados, these two gems of spellbinding samba-jazz, lyserg…
Black Phoenix Blues is the third Roaratorio collection of the best of Rodd Keith’s vast output. Dating from 1966 to 1974, the sixteen previously unreissued songs showcase the scope of his work: the should’ve-been-a-hit “You And I”; the elegant exotica of “I Love Lovely Chinese Gal”; the history lesson of “The Explosion Of Holden 22 Mine”; the harrowing psychokiller musings of the title track; “I’m Proud To Be A Hippie From Mississippi,” the stoner’s answer to Merle Haggard’s “Okie From Mu…
"Mafarka" is the first title in a series of vinyl reissues dedicated to Mauthausen Orchestra that Officina Fonografica Italiana is going to release in the next months. An historic project conducted by Pierpaolo Zoppo, Mauthausen Orchestra is - along with Maurizio Bianchi - the name that best marked out the Italian way to Power-Electronics in the early 80s, producing a considerable amount of publications between 1982 and 1986 whose extreme nature had rarely appeared before in music. Distor…
Born in 1964, Yukihiro Isso is a Japanese Noh flutist (hayashikata fuekata) from a family that has been playing this instrument since the 16th century. He received his initial instruction in flute playing from his father, Yukimasa Isso, and performed on the Noh stage for the first time at the age of nine. Beginning in his middle school years, he began listening to a variety of different kinds of music and studying new instruments including the recorder and piano. An acclaimed performer of classi…
Originally released in 1972 in very limited numbers. A trip of an album rich in percussive energy and African chant - made in Brazil! The sounds of continents colliding in a young, funky & soul fuelled 70s ....this is one is on full burn from start to finish! This the only album by Massáhi Tribe and it became notorious for it’s unique sound and the almost complete lack of information about its creators."This is a sound made in Brazil. All the members are Brazilians. But the goal is to show the y…
**shipping on Friday**"Following the success of the two live LPs bookending Mars's trajectory through the skies of NYC, Mark Cunningham was convinced to return to his legendary box of cassettes. Even he was surprised to discover the band's earliest shows (done under the name China) were there, amidst a tumble of other tapes. Thus, the idea was born for a trilogy of LPs tracing Mars's development from their first audition gig at CBGB through the shows following their 1980 Lust/Unlust EP. Chin…
Holywax’s treasure trove side imprint returns with this incredible mindbender from the archives, the mighty Masada by maestro Graziano Mandozzi. This musical masterpiece has been written for the soundtrack of the Hans Kresnik Ballet with the same name in 1977. Expect experimental sounds, weird synths jams, twisted electronic jazz and banging psych funk throughout the album, creating a seamlessly segued side of ghostly, decaying acoustic sounds captured within the stone-clad building's numerou…
1st time LP reissue of 1985 album is a damaged, hallucinatory journey that radiates from a Chicago blues core. Performing most, if not all, the instruments himself -- sax, guitar, harmonica, marimba, etc. -- Wolf speaks in tongues, hollers & serenades. Alternates between Sun Ra-style orchestration & primitive forms to more traditional blues takes. Includes download.
**Available in vinyl for the first time, edition of 200** An excellent set, shedding light on the otherwise undocumented early Portuguese Electronic Music community by Cândido Lima with his legendary ring-modulated & spring reverb-laden 'Oceanos', in own composer's words: the work was about the oceans to which Nasa has paid attention in recent times to Neptune! The proper graphics to illustrate this work would be distant images where there are hypotheses of the existence of oceans, because it…
Known to the world as the founder of the Church of Satan and author, among other cult esoteric texts, of the Satanic Bible (1969), Anton Szandor LaVey was also a skilled musician with a taste for weird, creepy and old-timey sounding tunes. Presented in this compilation are six of his best recordings and the first ever recording of a satanic mass conducted by the very high priest himself in 1968. A compendium of the words and music of one of the most singular and demonized (and rightfully so)…
A groundbreaking session of European jazz – one of the first true moments of genius from singer Karin Krog! Tracks are long and experimental without getting too far out – and Karin's icy voice flows out magically over compelling tunes that still remain some of the most striking jazz vocals ever recorded! The set has Karin singing with a group of young, hip Scandinavian players that include Jan Garbarek on saxes, Arild Andersen on bass, and Terje Bjorklund on piano – all of whom stretch out in lo…
Outstanding reissue. Double LP version. House in deluxe gatefold Stoughton tip-on jacket. Newly remastered audio. Includes rare archive photos and liner notes Q&A with Krog. The work of Karin Krog may be unfamiliar to much of the world, but in her native Norway and Scandinavia at large, she's practically a household name. This says much about the local enthusiasm for post-bop jazz but also about the tyranny of distribution: until 1994, Karin Krog's albums weren't available in the USA or UK, mean…
**180 gr. quality reissue, comes in a gatefold sleeve and includes a printed insert with a photograph of the original master tape box and additional notes and credits** Easily one of Volker Krieger's best albums, Spectrum was remarkably cut in just two days at MPS Studios in 1971 – with a group that includes Peter Baumeister on drums, Cees See on bongos and percussion, Peter Trunk on bass and cello, and John Taylor on Hohner electric piano. It kicks of with the amazing track "Zoom", a ser…
1975 was a turning point year for Kraftwerk and this live set from Koeln is a fine document of the band's live shows of the period. The album opens with an epic sidelong version of the previous year's big hit "Autobahn", their first lucky experiment with highly repetitive electronic structure, they would become known for later, and it also includes a fine rendition of "Ruckzuck", a classic tune from their 1970 first album. This is highly futuristic German Musik of the Seventies at its best.