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The tremulous, electro-acoustic/ambient beauty ’Le Nid D’Ivoire’ marks the return of Andrew Chalk and Timo Van Luijk’s enchanted Elodie duo to the latter’s La Scie Dorée label. It's an engrossing smudge from oneiric wind, brass, keys and string tones to much gauzier, gently psychedelic scenes over the LP’s spellbinding narrative arc. With intravenous stealth and efficacy ‘Le Nid D’Ivoire’ gets right under the skin and soothes the senses with its glacially unfolding pace and sensuous smoke-curl …
*300 copies * 'Another fantastic Af Ursin release. Af Ursin is Timo van Luijk’s solo project. The first piece, Sylphide, is a side-long wonder. Long drawn out brass tones with some other accompaniment. I could listen to this music all day. The closest parallel I can think of is Davide Mosconi’s divine LP of foghorn recordings. But Sylphide has a bit more of a musical element. This will be my go-to last side of the night for my (rare these days) late night Salons. The second side features two tra…
Duo in the mirror that, in a continuous game of doubling and multiplication, ventures into another world, dense with unexpectedness and vital thrills. Sun Ra and post-rock, as well as Chicago experimentation and echoes of the world of Suzanne Ciani and minimal music, are the hints one can sense while listening to Medea, a journey to the edge and beyond. Star Splitter's new album comes five years after the debut album, a period in which the two artists experimented with the infinite possibilities…
*100 copies limited edition* Solo. Acoustic but with unexpected sounds, without unnecessary virtuosity but full of surprises. Characterized by cowbells which, however, instead of being played, in the course of the concert are hung from the body and allowed to resonate. Soft, not aggressive. Melodic and full of noise. Dirty; and the dirt is the interesting part of it. An unshouted cry. A rustic in search of shibumi.
Three improvisers having fun and taking risks. The classic piano-less jazz trio reinvented by mixing melodies, dirty sounds, noises, extended techniques and references to tradition with a quasi-punk approach.
Dark moon music. If you are interested in the moon. Music concentrated in the process of discovering music, taking any risk. Extreme.How extreme is the exploration of one’s instruments, body, memories and stories. Vibrant, fast but at the same time calm music; slow.In search of the sound. Of movement that becomes sound. Of sound that becomes voice. That becomes movement.We dedicate this music to Coleman Hawkins, master improviser.
Tip! ‘Kyo Mu’ and ‘Hochtöner’ both reveal a mesmerizing symbiosis of innovative sound exploration and visionary interior music, a sublime compound of fine-drawn intricate arrangements skillfully projected in space and time, or perhaps beyond space and time. Johannes Fritsch (1941–2010) was an award-winning composer, musician, publisher, studio owner, author and music teacher. He studied viola and composition with Bernd Alois Zimmermann and was member of the Stockhausen Ensemble from 1964 to 1970…
Big tip! *2025 repress. 250 copies limited edition* An anthology of the intensely arresting work of Robert Fesler (1936-2023), revealing many of his compositions (1975 -1987) created with his self-built synthesizers, with as pinnacle the μP RPF78. All music composed and recorded by Robert Fesler at his home on rue Cour Boisacq in Bierges, Belgium.With profound simplicity and devotion, Fesler paints a hermetic inner world with strong emotions of confronting solitude, sensual alienation and trauma…
Big tip! *2025 repress. 250 copies limited edition* Metaphon is thrilled to present this collection of 14 phenomenal electronic and electro-acoustic works by French composer Fernand Vandenbogaerde, realized between 1967 and 1984. After his science studies Fernand Vandenbogaerde (1946) studied at the Conservatoire de Roubaix and did various classes and courses with a.o. Jean-Etienne Marie, Olivier Messiaen, Pierre Schaeffer, György Ligeti, Karlheinz Stockhausen and Bruno Maderna. He wrote analyti…
Before spectral music had a name, Romanian polymath Corneliu Cezar was crafting electro-acoustic revelations. Ziua fără sfârșit collects his 1967-75 recordings - radical explorations of natural resonance that predate Western spectralism by a decade.
Edition of 500. ‘A Late Lunch’ is the soundtrack to Akiko Iimura’s eponymous movie realized in 1978. It is based on acoustic instruments and field recordings, brilliantly reconfigured and mixed by Jaques Bekaert to create a surreal, immersive soundscape. The technique used includes superposition and speed change of recordings, radical sound effects and juxtaposition of sounds. The players were prominent musicians of the 1970’s, including Maggi Payne, George Lewis, David Rosenboom and Blue Gene T…
Peter Beyls stands as a pioneer at the crossroads of computer science and the arts, shaping generative systems in music, visual, and hybrid formats. In early works, inspired by figures such as Michel Waisvisz, Karel Goeyvaerts, and Lucien Goethals, Beyls fused electronic experimentation with precise tape artistry, notably advancing the crackle box synthesizer at STEIM.
14LP box set, black vinyl, slipmat, and a 64-page book. 1968 to 1972, saw the release of 6 studio albums from Folk’s first supergroup Pentangle. Featuring the songwriting talents of guitarists Bert Jansch and John Renbourn, alongside bassist Danny Thompson, drummer Terry Cox and singer Jacqui McShee, their innovative folk-fusion encompassed elements of jazz as well as pop, which left a lasting influence and legacy. The first 5 albums were released on legendary Folk label Transatlantic, while Sol…
Ennio Morricone with “Secret of the Sahara” achieved great sales success, especially thanks to the song “Saharan Dream” performed by Amii Stewart. At the time, Italian RCA released a CD and a 33 rpm with sixteen tracks selected by the author. This material was released in France on CD and on vinyl. In 2018, the same material was reissued on vinyl by Monte Stella Records. In 2007 Maestro Morricone approved six previously unreleased tracks for an expanded edition, which GDM released on CD, now tha…
Huge Tip! A true exploration in spiritual jazz that follows Work Money Death's acclaimed previous albums, with pianist Richard Ormrod, bassist Neil Innes and drummer Sam Hobbs creating a powerful trio foundation for Tony Burkill's soulful tenor saxophone. Blending influences from Indian ragas to African rhythms, its intricate layersiharmonium, congas, trilling fluteibring warmth and depth to tracks like 'Headwaters Of The Soul' and 'The Fast Flowing River.' Spiritual jazz at its most immersive a…
Taking a short sabbatical from their journey into the spiritual stratosphere and beyond, Work Money Death landed on terra firma just long enough to record a follow up to the critically acclaimed “The Space In Which The Uncontrollable Unknown Resides Can Be The Place From Which Creation Arises”. The new album “Thought, Action, Reaction, Interaction” explores many of the meditative motifs that mould this unique group in their quest for the perfect sound and space. Those who are familiar with Work …
One of the best kept secrets in contemporary British Jazz, Leeds based collective Work Money Death returns to ATA Records with a towering gesture of free improvisation. Born from the loss of guitarist Chris Earl Dawkins, A Portal to Here draws on a deep well of Spiritual Jazz to soar toward new heights of sonic transcendence. Music as testament, tribute, healing and remembrance.
You Can Can is an echoed affirmation, an album which traces song forms around silence, field recordings, and degraded analog memories. This is folk music transmogrified and mutated, as if recorded and reconstructed in Pierre Schaffer’s GRM studio.
Limited edition of 200 LPs with risograph artwork and hand-stamped covers. Sophomore release from Toronto dream-duo Joseph Shabason and Ben Gunning, this time a more cosmopolitan affair, mapping fragmented cityscapes from bent electronics and late-night FM jazz transmissions. The boys are back in town. After recording their debut in a remote cottage in Northern Ontario, the duo relocated their jams to Shabason’s Toronto studio where they gained unlimited access to a virtual cornucopia of analog …
Burkhard Stangl and dieb13 live and work in Vienna, both being long time protagonists of the local scene as well as travelling and collaborating with musicians from all over the planet. Many of those collaborations and connections have been documented on the double-CD compilation klingt.org: 10 Jahre Bessere Farben [mikroton cd 5 | 6] commemorating the first ten years of existence of named online platform, which was founded and is since being run by dieb13.Burkhard Stangl needs no further introd…