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Vinyl Lp, edition of 300 copies. The work of the Berlin-based composer Andrew Pekler has been been documented in various releases for labels such as ~scape, Staubgold and Kranky. When asked by Giuseppe Ielasi for some material to be released on Schoolmap Records, Pekler immediately considered the possibility of taking the many unused music fragments that had been collecting cyber-dust on various hard drives and bringing them into some kind of order. Raw sketches, orphaned sounds, finished pieces…
*ONE OF 2009'S MOST ACCLAIMED ALBUMS, FINALLY BACK IN STOCK* Ducktails is the lo-fi bedroom pop pseudonym of New Jersey's Matthew Mondanile, who also goes by the handle of Predator Vision on Not Not Fun. Over the last three years he's dreamt up a steady stream of largely cassette only gems which squarely fall into the Hypnagogic Pop style identified by the Wire magazine in mid-2009. 'Landscapes' is a remarkable collection of raw-finished pop reminisces with a vivid sheen of washed-out summery eu…
Early archival recordings: brand new release of never-before-heard material from the heyday of Ya Ho Wha 13, featuring the legendary Father Yod and his sons playing improvisational, psychedelic spirit music recorded in the wee hours of morning meditation. Father was a wealthy man, with a rich inner life, a family of disciples that loved him, many, many women and seemingly unlimited power. So why at the height of his success, did he choose to spend his time playing rock and roll? Having a band in…
Robert Hampson released the exceptional Répercussions earlier this year, now he has followed that up with two more albums, released simultaneously but presented separately. Even though he has become suddenly prolific, both albums are of the utmost quality, and have a distinctly different approach to sound between them. And yes, fans of Loop and Main, there are guitars! On Signaux Hampson sets up a rich tapestry of needle like high frequencies and subtle bass spreads, expertly woven into …
Recorded at Studio GOK Sound, Tokyo April 7 2010 by Hamamoto Yohei.Produced by Masami Akita and Lasse Marhaug. Cut by Rashad Becker at Dubplates & Mastering, Berlin. Cover design by Lasse Marhaug. Masami Akita and Lasse Marhaug have been working together since the mid 90ies. The first release on Marhaug's (now deleted) label Jazzassin Records in 1995 was the First Rock split single. In 2001 Merzbow and Jazzkammer (Marhaug's project with John Hegre) released a live album. Later, Akita and…
It's been five years since the last Belong long player, as the duo works slowly to organize their sound works. Both the time invested, and the wait, have been well rewarded with this return.Common Era shows extraordinary progression from that first album of dense, scorched earth instrumentals, hints of a new direction having been revealed on the Colorloss Record EP from 2008 which contained covers of four should-have-been classics from the original psychedelic era. The new material has such comm…
Total Head Crush Destruction from Mr Wiese (also of Sissy Spacek and LHD, works with Sunn 0)), etc,etc), if your head was made out of a boulder the sounds here enclosed are still designed to leave behind nothing but blood stain dust. Side A is the eternal acid rain that we all fear slowly melting your skin away and reminding of your insignificant humanity, Side B is a metallic behemoth continously punching you from all directions leaving you with just enough unbroken bones so that you can…
LP version. Avant-hillbilly master fiddler Henry Flynt scuffles through a most peculiar set of electrified and acoustic bumpkin fiddle howls and screeches circa early to mid 1960s. From the enviable opening 'echo rock', in which Flynt does his best to compete with the electro-echo buzz of a Jorgen Ingmann or Link Wray to the beauteous instrumental glow of the extended modal country jam of 'Jamboree', Flynt proves once again that his is not a music simply rooted in the taut belt of New York isms,…
Kye is proud to present Inland, the new LP by Clapton-based Astor. Advancing the cause of 2012's 'Alcor' LP, 'Inland' finds Mark Harwood and sometime collaborator Maja Larsson further complicating reason with dark and circuitous audio constructs. Inland' is sonically conceptualised through the meticulous choice of instrument used: ranging from an array of bells, gongs and ethno-percussion, alongside petrified piano melodies and a grinding organ. Accordingly, this is complemented by the use of T.…
Apart from the fact that “MV & EE” is slang for zero gravity and that they’ve been doing it consistently “better” with good vibes/jams they still WANT to give you more of the best of them. This is their “space homestead” and for good reason this wall of sound applied thru DIY sensibilities was recorded over the course of a year in 9 different studios, presenting as clearly as circumstances can permit, a living idea right here in the now of what it is all about. These are sonics in motion,…
Restocked, now out of print: Pakistani-born musician Ilyas Ahmed traffics a sound that borders on the folk/drone/raga/rock axis, one that Scottish critic David Keenan has called “gone”. Currently residing in Portland, OR, Ahmed has released recordings on Time-Lag, Digitalis, and Root Strata. He is known to perform live with Honey Owens (Valet) and Jed Bindeman (Eternal Tapestry, Heavy Winged) and his recent recordings have featured Liz Harris (Grouper). He first appeared in the Fall of 2005 with…
Secret Seven Records is proud to release the first ever reissue of the lost psych-folk LP 'Goodby Sunball' by cult favorite, Michael Yonkers. Privately released in 1974, 'Goodby Sunball' was recorded at Yonkers' home studio a few years after 'Microminature Love' and just before 'Lovely Gold'. Remastered from the original LP by Ben Tuttle. Limited to 500 copies."The music for 'Goodby Sunball' was written during the recovery period following serious spine surgery. The surgery had not gone well,…
For this latest album Caledonian folk impresario Alasdair Roberts teams up with expected collaborators like Alex Neilson (whose drumming and percussion work has illuminated many a free-folk record over recent years, a few of which Roberts has been involved with) and more unusual contributors such as Niko-Matti Ahti of Fonal's Kiila. Perhaps more than ever, Roberts' music invites comparisons to Bonnie 'Prince' Billy, traveling sufficiently far from the trad songwriting fold to be thought of as 'a…
Latest work by swiss artist Marc Zeier presents 9 musique concrete compositions based on ice, wind, plankton, a whip, a bow, a suitcase, and other recordings made in the last few years, reminiscent of his 90's albums 'Seismogramm' on Schimpfluch and 'Yack Park' and 'Geopod' on Zabriskie Point.
Another absolutely essential vinyl only album this time from New Zealander Greg Malcolm. Working as a perfect companion piece to the wonderful Es album, 'Swimming In It' sounds like an on-form John Fahey jamming with Morton Subotnick - it's really that good. As unusual synthesized bleeps and drones cut through Malcolm's lovingly finger picked guitar playing it is easy to realise how so many people have been touting this as a potential album of 2005. I was actually quite taken aback when I first …
Heresy of the Free Spirit is a trio comprised of Dutch lute player, Jozef Van Wissem and Brooklyn based multi-instrumentalists, Che Chen (of True Primes) on violin, bowed rawap, bass recorder, percussion and tape machines, and Robbie Lee (of Howling Hex, Baby Dee) on portative organ, bass recorder, guitar, banjo and electronics. Using early European as well as non-western instruments and electronics, the trio plays arrangements of Van Wissem’s lute compositions as well as free improvisations tha…
Features 3 works: "Capture Éphémère" (1967); "Sons-jeu" (1987); "La Mémoire des Sons" (2001). "Excepting some rare mixed pieces, Bernard Paremegiani's works as a whole take the form of music for 'fixedsounds', coming within the scope of the immense repertoire of electro-acoustic music. From his training in the art of mime and his experience as a sound engineer, Parmegiani has retained a taste for a hand-to-hand approach (sound/embodiment, as we could be tempted to say) with various sound mate-ri…
Lasted is the third album by Thomas Meluch under the alias Benoit Pioulard. Thomas has toured throughout North America and Europe since his last record, the process of which has had a marked impact on the development of these songs as lyrics and structures have been scrapped, tweaked and reworked in the live setting. As with previous albums it was recorded and mixed in domestic isolation, this time throughout the rainy season in his current home of Portland, Oregon. While the extent of the…
Like this week's brilliant Sun Araw release, On Patrol, Robedoor's Burners is vying for sleeve art greatness, truly looking like something that's arrived from another age and most probably another dimension. Recorded and mixed last year at the same studio that birthed the band's formidable Raiders long-player, this new album joins some of the dots between the group's menacing drone past and their recent turn towards more confirmedly song-based material. Pick of the tracks has to be the …
LP version. A remarkable collection of hillbilly minimalism, by one of the forgotten heroes. These are blocks of generic material subtly changed by reiteration and lack of development. Like Beefheart, Henry Flynt is one of the rare examples of musicians who fearlessly experimented with the blues and folk forms in the face of all contemporary and experimental music orthodoxies. An important recording and a great listen.