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Abnormal Songs
Originally issued on cassette on the R.E.P. label in the '80s in very limited quantities, then re-issued on a 10 CD-R box set entitled Makoto Kawabata early works 1978-1981 (ltd. ed. 100 copies only). "This is a music that I originally composed for a play called Alice in Nakedland. The play was some erotic expressionist nonsense, sort of like Alice in Wonderland and Dr. Caligari's Crime added together then divided by two. My script was used, but my music was rejected by the other staff members."…
CINo51
"Previously, a boy dreams the dreams of many other boys. He meets three other boys and they dream together. Sadly, one of his co-dreamer's dreams become nightmare. In an effort to avoid seeing their own dreams relegated back to sleeping, our hero and his fair dreaming compatriots leave their troubled friend to face his nightmares on his own. His nightcap is quickly filled and the boys march forward, eventually seeing all of their dreams made manifest. In this installment our boy has beco…
Endless Music
Awesome artist record, this is the 2nd edition with hand stamped cover, nice gatefold + insert "in 1971 dietrich albrecht changed his real name officially to albrecht/d.a/d. was born in 1944,lives in stuttgart/germany since 1958and acts like an artist since 1966.he worked and performed with beuys, throbbing gristle, vostell, paik, saree and many more.he invented permanent instant performance.he saved raoul hausmann from being forgotten.his work includes:mail art: endless music: processed copies:…
Trowel And Era
With a treasure trove of analogue, swirling effects, arch songcraft and a sweet yet assured vocal delivery, Trowel & Era brings to the table the epic debut long player by the one man band Apothecary Hymns (AKA Alex Stimmel). Stimmel has made a collection with one foot in kaleidoscopic coastal loner psych that floats on a musical bed of whimsical levity and another foot rooted firmly in the grand ethos of east village troubadours of the mid 60s." Alex Stimmel: acoustic & electric guitars 6 & 12 …
IV
The fourth and final album to be released during Faust's original lifespan, originally released by Virgin Records in 1973. "As an album, IV matches the band's trajectory: Jumbled, fragmented, with random data integrity issues, but seeming more the brainchild of inspired pop anarchists than calculating avant-gardists. Yes, the record sounds more 'professional' than any of their others, but somehow that doesn't actually equate to slick sounds: Opener 'Krautrock' (which Irmler says wa…
Urge To Kill
Nobody knows what a Brainbomb is, but with the sounds of this record strapped close to your skull you will not need your fancy pants college thesaurus to figure out exactly what the meaning is. This record is maximum, in-the-red and dealing with more issues than a year of after school specials. Sounds like a fried out speaker blowing a mix of Detroit fueled orgy fun and evil bad-assery. Driving around in your car, being tired, picking up hitchhikers and killing them with hammers and scre…
Live at the Hint House
Live at the Hint House might be considered a field rec. in as much as it is a recording of an ambience or soundscape. Made on my first ever trip to mainland America to play music this is the 2nd set of that evening, the 1st set had been an acoustic one of songs and slide guitar. At the start of the 2nd set i quickly realised that my guitar was not working and rather than stop and attempt to find out what was wrong i decided to just continue and improvise with what was at hand on the table …
Walks
Much needed re-issue of this fantastic and unfortunately overlooked 1985 tape on "Stichting Stopcontact". Lex Grauwen and Paul Oosterbaan had worked together for about 8 years before they formed Tranquil Eyes in 1982. They decided to turn their back to stage performances and started experimenting with home-taping. Using an array of electronics, Tranquil Eyes recorded a great amount of songs and made a fine selection on Walks. Their first and only release. The wonderful produced tracks sou…
C\'est Com... Com... Compliqué
LP version with printed inner sleeve: The Bureau B label breaks into new territory and presents a newly-recorded album by Krautrock legends, Faust. "There is no group more mythical than Faust." Thus wrote English musician and eccentric Julian Cope in his classic of the genre, Krautrocksampler. Which says it all really -- neither the habitus nor the music of the six-piece Hamburg group is easy to grasp. Formed in Hamburg in 1970, some lauded Faust as the best thing that ever happened to rock, oth…
Pacific Fog Dreams
Way out in the North West American wilderness, Evan Caminiti (Barn Owl) and Lisa McGee regroup for another exceptional, ethereal session as Higuma. 'Pacific Fog Dreams' is also their 2nd release for Root Strata, following their earliest collaborative release in '08 with 'Haze Valley', and 2010s 'Den Of The Spirits' LP for Digitalis, one of the finest of its ilk in recent years. Their sound is incredibly precious and achieves the rarest of tangible sensations with glooming, ghostly drones and bil…
Deep In Ocean Sunk The Lamp Of Light
Earlier this year we all fell in love with the absolutely killer (but sadly ridiculously limited) 'Twisted Stems' 7" from moody Londoners Guapo, and now we have the perfect accompaniment. Aethenor is the project of Daniel O'Sullivan (of Guapo), the prolific and omnipresent Stephen O'Malley (Sunn o))), Khanate, KTL) and Vincent De Roguin and between them they have managed to lay down some of the most earth shatteringly atmospheric and cinematic soundscapes this side of Earth's incredible 'Hex' al…
Double sextet (1975)
Recorded in ann arbor in 1975, this long lost destroy all monsters gem features the group as a sextet (mike kelley, jim shaw, cary loren, jeff fields, kalle nemvalts, and john reed). missing are the lovely lyrics and goth scrawl of niagara but in her place we see the collective brainstorm through 30 minutes of an underground music/non-music and b-culture genealogy that is unmistakably destroy all monsters. a melted mind, reconstructed with duct-tape, bent circuits, saxophone drips, and fuzz that…
Graves At Sea / Asunder
Arizona's Graves at Sea churn out two crushing tracks of thick and murky doom bubbling through a thin layer of blackened crust. Think Grief, 13, or Burning Witch and you're halfway there. 20 minutes of nauseating downtuned sludge brought to you by four sun baked freaks from the desert. Asunder return with a new 20 minute track of gargantuan sludge. Funeral doom from the ghetto.
Eddy Merckz
Beside the usual noise- and experimental-projects there were also great new-wave-bands like The Misz. Eddy Merckz is a good example for the extreme high quality of the 80′s cassette-culture-scene. Their very catchy sound is comparable to early Virgin Prunes with some more pop-appeal; fine harmonies and male/female singer made this band to remarkable milestone in european new-wave, although they unfortunately never reached a bigger audience. And “Eddy Merckz” is in my eyes their best wo…
The Electronic Record For Children
"Recorded in 1969 , early electronic music pioneer Bruce Haack and child educator Ms. Nelson go bravely and deeply into psychedelic music compositions designed to open the minds and hearts of the young. Truly far out electronic music that evokes a space age alternate universe. Bruce and Ms. Nelson are joined by pianist Praxietellis Pandit and their relaxed sounding friend Chris to bring you songs about everything from ancient folk tales to outerspace to what the world sounds like when y…
Trilogy Select
Another highly sought-after pressing from the Olde English Spelling Bee, this time from Christelle Gualdi aka Stellar Om Source, featuring Daniel Lopatin aka Oneohtrix Point never* Intrepid sci-fi soundtrack-y synth excursions from the mind of electronic visionary, Christelle Gualdi aka Stellar Om Source, collated by the good folk at Olde English Spelling Bee. 'Trilogy Select' is essentially a directors cut of tracks taken from Stellar Om Source's trio of self-released CDr albums made bet…
School Of The Flower
Ben Chasny (COMETS ON FIRE) might beat you if you call his solo work folk music. Hypnotic, mesmerizing, full of rough edges & elliptical turns round & round. First studio record from the highly prolific Chasny, joined by free-jazz sensation CHRIS CORSANO on drums & absolutely no computers. Chasny says "I see my music as being much more from the underground class of '92 than this folk scene...it has the same rock to folk quotient as Zep 3...Rock is the new folk & folk fucked rock without the reac…
the Religious Experience
VERY LAST COPIES AROUND Stasis and stability are nowhere to be found here. Instead, an ever-changing dialogue between structure and chaos shifts from one performer to the next, never resting long before launching again into shuddering flight. Accoustic instruments and vocals form a familiar reference point, but studio treatments take the music into psychedelic and cinematic realms. In their words, “Improvisation is a way to experiment without thinking. When our improvisations ‘work’, the music j…
Concussion Summer
'Concussion Summer' on Not Not Fun is by a merry band of travelers called Social Junk. I've never had concussion but I was hoping to this summer, sadly there's been no decent weather for me to go out tree climbing or trying to get myself set upon by gangs of local toughs. Next year, eh? It's kind of hard to know what to say about this LP really, other than I like it. Some bits are noisy and lo-fi tribal a bit like that amazing Heavy Winged LP from a couple of weeks back and there are even…
Crow Autumn
Richard Skelton’s work as A Broken Consort is, ostensibly, consistently and easily contextualized within a broader composer-centric scene. Nick Cave and Warren Ellis, for example, deal in similar realms of psychogeographics with their soundtrack work on The Assassination of Jesse James by the Coward Robert Ford and the like. There, the compositions render emotions on the physical plane. Landscapes and troubled faces don’t just feel alienated or manic or soul-crushingly vast. They look it.…