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Armed with four 8011 DPA hydrophones, DPA 4060 omni mics, a Telinga parabolic reflector mic and and a Sound Devices 744T digital hard disk recorder, Jana Winderen studies and records wild places which have a particular importance in our understanding of the complexity and fragility of marine ecosystems. The recordings were made on field trips to the Barents Sea (north of Norway and Russia), Greenland and Norway, deep in crevasses of glaciers, in fjords and in the open ocean. These elements are t…
Amazing release: Creating an after-the-fact transition between early electric jazz and contemporary electronic washes, Dru is made up of David Maranha (organ), Manuel Mota (electric guitar) and Riccardo Dillon Wanke (electric piano). Initial impressions are something like a slowed-down, percussionless (and trumptetless!) version of Bitches Brew. The keyboards create slow-changing washes of texture while Mota's clean-and-warm-sounding guitar interjects chords and thoughtful melodic fragments. Eac…
Circulations is an impressive hourlong electro-acoustic work by composer Pierre-Yves Macé and his second album (after a lukewarm debut released on Tzadik). Making the best of a residency at Euphonia (Marseille), he first wrote four solo pieces for percussion, electric guitar, harp, and clarinet. At Euphonia, he rehearsed these solos with musicians Frédéric Doumas, Rémy Décrouy, Rafaëlle Rinaudo, and Agathe Fourneau (respectively) and recorded them. Then, Macé composed a tape part for each solo, …
(2003) 10 inch vinyl record. Blank recordsleeves with add on cellotaped collage. Some have stamp by Le Souffleur or are signed by the author. The LP is numbered 01 to 400; or is dated in which case they have original (one off) artwork. The photocopied collages consist of cut-up photo's collaged together with cellotape; after which they have been photocopied again, cut-up with a knife and repaired with cellotape. The collages with handwritten texts and printed texts are assembled from books and m…
colossal 6-disc set of obscure early concrète music: a lovely anthology celebrating the 30 years anniversary of Institut international de musique électroacoustique de Bourges (IMEB), formerly Groupe de musique électroacoustique de Bourges (GMEB). Realized between 1970-83 and 1984-1999
30e Concours International de musique et d'Art Sonore Electroacoustiques, Bourges 2003. With Maurio Mary 'Signes émergents', Laurent Soulié 'Ecorde de lune' for tape and instruments (TM+), Ambrose Field 'One hell of a place to lose a cow', Gerald Eckert 'Offen - fin des terres' for tape and instruments (Aventure). Free with this audio CD, a CDrom around the festival Synthèse 2003.
Comprised of one 44 minute track, Variation #9 'Pantelleria,' this archival release is one of my all-time favorites of the piano and tape variations from the early eighties. Using a lilting piano melody on a small loop, the requisite magic happened in the recording process when this particular loop would randomly slip along the play head revealing an extraordinary counterpoint (in reverse) on the other side of the tape. To me, this piece evokes a lazy Arcandian summer idyll, and will alwa…
"The CD "Theology" contains the source recordings used for the LP "The Religious Experience", and is limited to 450 copies. The two albums and their music should be considered as mirror opposites. Where theology is a completely artificial system of belief, a religious experience is the immediate experience of the thing itself. Likewise, the music on "Theology" is complex and elaborate, while "The Religious Experience" is much simpler, going directly to the heart of the material compri…
Limited ed. of 400 copies with a bonus album of music packaged in a custom designed full color gatefold case with a mounted 12 page booklet of bonus artwork. What if the Voyager space craft became sentient? Would it destroy humanity? Who is to say it wouldn’t become the most far-out musician of the galaxy? Expo ‘70’s sonic reach seems to extend past even the concept of space/time itself. One Eno Eon past normal, the patter of Expo ‘70’s dark matter squeaks and moans in wave forms, like the Dopp…
Brand new solo release for guitarist Nicola Ratti with his languid, disarming sound of small and gentle gestures and loping rhythms, often repeated and subtly shifting in an impressionistic vision founded on traditional elements. Merging guitar, piano and double bass with percussion, environmental sounds and occasional voice, Nicola constructs songs that by turns float, swell and envelop in magnetic fashion. A piercing tenderness remains at the core of his work, though on Ode there is a more exp…
estocked, reduced price: Perpetuum Mobile is the result of a uniquely schizophrenic 'open source' compositional process: the UK's finest collage composers (collage-posers?) Ergo Phizmiz and People Like Us (aka Vicki Bennett) uploaded files to a shared server, downloaded and processed each other's work, and flung the resulting fragments back at each other. The result is an interpenetrating audio-collage so intricate that neither party can recall who did what to whom. So far, so avant-garde; but w…
DOME : B.C. Gilbert & G. Lewis. Floating-point re-master by Russell Haswell, August 2011. Cut at Dubplates & Mastering by Rashad Becker, August 2011. New artwork and layout: Dave Coppenhall. Editions Mego are proud to release the complete recorded works of DOME in a deluxe vinyl box set that that also includes newly designed artwork by David Coppenhall, reproductions of the original Atelier Koninck posters that accompanied Dome 1 and Dome 2, insert with sleeve notes by Howard Jacques and …
New gatefold handmade cover. 500 copies. "There's an amazing attention to aesthetics that Andrew Chalk undeniably pays for each release with his name on it. It starts with the music and continues through the cover artwork, packaging, and presentation. The first part of Blue Eyes of the March is a 20 minute long piece which sounds like it was created by a prepared guitar, tuned only to play a limited number of pre-determined notes as they're quietly plucked and resonate for long stretches. The to…
First volume in a hopefully never-ending series set on liberating unheard early electronic music gems from obscurity ... these all come as full-color printed mini-cdrs housed in mini jewel cases with a full-color insert (front) with stills from the films in question and recording details (back), all housed in a zip-seal banded baggie. these recordings have been professionally cleaned up to remove unwanted artifacts ; sound qualities range based on the source (either 8mm/16mm prints from the sbs …
Hypnotic new electronic ambient recording using another recently discovered loop from the archive. Premiered at Bleeding Edge Festival, Montalvo Arts Center, August 2006.
This is Robert Hampson’s 2nd solo album under his own name. Released as a special Stereo CD and 5.1 Surround DVD. Répercussions : An Acousmatic multi channel piece commissioned by the Groupe de Recherches Musicales (GRM) in Paris for a performance the Akousma festival, diffused on the Acousmonium speaker system in 2011. Recordings of percussive intruments of all kinds - Piano, Drum skins, Gamelan, Metal grates etc are treated and manipulated to form a dense nonlinear or non rhythmical narr…
Jarrod Fowler is a percussionist from Massachusetts, USA. ‘Percussion Ensemble’ is a non-musical rhythmsystemic aggregate ready-made from percussive dialectical composites of “experimental percussion music”. Jarrod Fowler's projects are systemic investigations of musical thought and practice. These experiments question instabilities shared by both music and non-music. Letterpressed sleeve printed by Ben Owen / Middle Press. Numbered edition of 180 copies.
Aidan Baker has tried his hand in many different areas of music and it’s always amazing to here the outcome, as more often than not the results are excellent. There have been records that dabble more in psych, kraut, ambient, drone, and so on. However here on Scalpel, Baker has combined a familiar ambiance within his body of work with folk music for something that is loosely being dubbed as his “folk/drone” album. I really didn’t know what to make of that at first. I suppose a descri…