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Gagaku Suites
Tip! Gagaku is the oldest of the Japanese performing arts, with a history more than a thousand years old. The term refers to Japanese classical music and dance, traditionally performed by families of musicians linked to the ancient Imperial court, and later passed down in Buddhist temple ceremonies and Shinto shrines. Shiba Sukeyasu, founder and director of the Reigakusha ensemble, descends from the Koma clan, whose origins date back to the end of the 10th century.
The recordings partly reflect …
Sabiha Sabiya
** Special mirroring/holographic cover. Edition of 300 copies ** On the same path as Baraka, Klaus Wiese (Popol Vuh) continues his intimate spiritual journey into healing and cosmic drone music. Like its predecessor, this work originally appeared on tape for Aquamarin Verlag (1982). Sabiya means bright, shining, an oriental wind that suggests feminine power; Sabiha is therefore she who manifests beauty and grace. Shaheena is indicative of gentle and soft, while Shahira embodies and represents t…
Bullfighting on Ice
** Edition of 250 copies, remastered from the original master tapes ** This album is a historical document in several respects: echo of a creative season in its early, vigorous blossoming, it presents groundbreaking music as it was performed and listened to in a moment that now seems very distant, not just chronologically but also in terms of its cultural context. Furthermore, it serves as a testament to the initial opening of the emerging Italian free music scene to Northern European experience…
Electronic Mind Waves
In the summer of 1976, a peculiar album appeared in Italian record shops bearing no artist name - only the cryptic moniker Elektriktus. The music posed a question that wouldn't be answered for decades: who had created this hybrid of jazz sensibility and kosmische synthesis? The answer was hiding in plain sight. Andrea Centazzo - recognized figure in European free improvisation who had shared stages with Steve Lacy, Evan Parker, and Derek Bailey - had been leading a double life between touring wi…
Real Time Two
** Edition of 250 copies, remastered from the original master tapes ** Recorded live in concert. Rome, Italy December 12-13, 1977 by Nicola Bernardini and at Teatro Comunale, Pistoia, Italy December 14, 1977 by Carla Lugli. "It was a magic evening. Not only did the trio burst with a creative energy that was homogeneous and interactive, but the acoustics, usually inadequate, of the half-empty sports pavilion with a capacity of 10,000 people, gave the music an ethereal transparency and crystalline…
Real Time One
** Edition of 250 copies, remastered from the original master tapes ** Real Time is an extraordinary example of interaction between musicians coming from different worlds of new music. I had the chance to perform with those two great musicians on other occasions: in duo with Alvin Curran and in duo, trio and sextet with Evan Parker. Alvin came from the American school, full of minimalist references, melodic structures and open to all kinds of contamination. Evan had left jazz to accomplish his o…
What We Do When in Silence
Huge Tip! * Limited edition of 300 copies, Embossed cover, comes with insert and postcard * Killer record here! Three Italian heavyweights doing what they do best - radical improvisation that sits somewhere between electronics, silence, and pure Mediterranean mystery. This is the real deal. Nicola Ratti, Alessandra Novaga, and Enrico Malatesta - three names you need to know if you're serious about contemporary improvised music.
The sound? Imagine if AMM had been born in Southern Europe with lapt…
Requiem for the Snake of Maidan
Holidays Records is on fire! Hot on the heels of their recent incredible vinyl releases of the Italian sound artist and musician Ezio Piermattei’s “Gran trotto” and the duo Acchiappashpirt’s “Ninulla”, they return with one of their most important and captivating releases to date: Hartmut Geerken’s “Requiem for the Snake of Maidan”, a mind-blowing body of archival recordings from the 1970s, made on a stony ridge in the Hindukush mountains of Afghanistan, encountering the artist locked in a sprawl…
Truss
It’s not often that Aerophonic Records has put out recordings by bands that are first-time groupings. There are a few notable ones, including AR024 and 026 – Of Things Beyond Thule Volume 1 and 2 featuring Joe McPhee, Tomeka Reid, Brandon Lopez, and Paal Nilssen-Love. Another one was AR029 Stringers and Struts with Jeff Parker, Ingebrigt Håker Flaten, and Jeremy Cunningham. Those lineups and performances were just too stellar to let them pass without being documented (and those records are all l…
Blink
"I started Blink in the summer of 2024, aiming to create a band sound where collective improvisations and responses take precedence over individual solos. The compositions are inspired by group behavioral patterns such as insect swarms and bird flocks, with their organic swells in dynamics and density. Gabe and Nate’s instruments are tuned a quarter tone sharp, giving the band a distinctive, off-balance feel – one inspired by classic African High Life bands, Indonesian Gamelan ensembles, and Del…
PorchBone
*2025 stock* Driff Records proudly announces the release of PorchBone, the latest project from Dutch saxophonist and composer Jorrit Dijkstra, leading an adventurous ensemble that brings new colors and textures to contemporary improvised music.
On PorchBone, Dijkstra assembles a singular front line that sets alto saxophone and lyricon alongside the rich, brassy voice of the trombone. This unusual pairing creates a wide palette of timbres—by turns muscular, playful, and surprisingly intimate. Th…
Climbing To Sleep
As students in the late 1980s, Julia Werntz and Pandelis Karayorgis both enrolled in Joe Maneri’s Microtonal Composition and Performance class at the New England Conservatory, beginning a formative period of mentorship and collaborations with musicians in the scene surrounding that course. During those years a special mindset was cultivated regarding rhythm and musical form, as well as the rich world of microtonal melody and harmony. We also were married during that period, but our musical paths…
Still and Moving Lines
Pogus is absolutely delighted to offer this new release by Alvin Lucier, three of which are previously unrecorded. The overwhelming feeling that comes from Still and Moving Lines, a new Pogus disc featuring four compositions by Alvin Lucier performed by the Australian new music ensemble Decibel, is that it is an exercise in listening. It invites you to explore the world sonically beyond the immediate aural experiences normally presented to you. By challenging and subverting listening conventions…
Brengenging Sala
*Limited edition of 300 copies* Previously unreleased in any form, the seven tracks comprising "Brengenging Sala" (with a running time of more than 73 minutes) offer a true overview of Matt Shoemaker's genius as a master sculptor of potent and affecting sound art. His trademark haptic tones and scraping feedback build tension; his elegant electronics provide guidance; and his scrupulously curated field recordings articulate the sense of place requisite for full immersion in this sound world. Per…
Burn the Night / Bruciare la Notte: Original Recordings, 1983-1989
Burn the Night / Bruciare la Notte: Original Recordings, 1983–1989 is the first archival collection of music by the Italian minimalist composer Tiziano Popoli. In his music, Popoli framed the Italian avant-garde and New Wave of the 1980s through an architectural aesthetic distinctly detailed by a Yamaha DX7 synthesizer, Roland TR-909 drum machine, and early sampling technology.
Fire of God's Love
Sister Irene O'Connor’s Fire of God's Love, reissued by Freedom To Spend, is a visionary 1976 private-press recording from Australia, blending devotional song with experimental electronics and echo-drenched vocals. The album’s raw spirituality, home studio inventiveness, and tape manipulations grant it a unique place in outsider pop, now made newly available to contemporary listeners in beautifully restored form.
FRKWYS Vol. 13: Sunergy
Sunergy brings together synthesists Kaitlyn Aurelia Smith and Suzanne Ciani for the thirteenth installment of FRKWYS, RVNG Intl.’s intergenerational collaboration series. For this edition, a panorama of the Pacific Coast provides the place and head space for a musical appreciation and consideration of a life-giving form vast and volatile with change.
Fortuitously (as is the freaky way), Smith and Ciani were discovered to be neighbors in the small coastal community of Bolinas, California. T…
Lion's Eye / Lion's Tale
An astonishing album, Lion's Eye for Gamelan was commissioned in 1985 by Barbara Benary for Gamelan Son of Lion. Lion's Eye for Synthesizer was commissioned concurrently by Neil Rolnick for iEAR Presents at Rensselaer Polytechnic Institute. Both versions were performed in 1985. The intention to combine both pieces in order to expand the tempo range of the Gamelan was first realized in May of 1989 in performances by the Berkeley Gamelan in Oakland and San Francisco, California under the direction…
Duet
“Composition 429” is the first piece using a new writing method that Braxton calls “Lorraine.” The composer’s notes to the piece describe Lorraine as “a music system that governs the ‘sonic winds’ of breath.” Saxophonist and longtime collaborator James Fei contributes an essay detailing the Lorraine system, which uses a combination of traditional notation and color-coded symbols of the composer’s design to indicate “specific sound types or performance techniques,” drawing from Braxton’s long his…
Piwal
Other Minds is pleased to present Piwal by the Balinese composer and gamelan musician Putu Septa. Septa represents a new generation of maverick Indonesian composers, “evident,” as ethnomusicologist Oscar Murakami-Smith writes in his liner notes, “from the title of the multi-movement piece presented on this album—Piwal, a Balinese word which may be defined as ‘rebellion,’ ‘resistance,’ ‘disobedience,’ ‘denial,’ or ‘deviation.’” Piwal is Septa’s attempt to square the traditional lineage of gamelan…