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**CD version** The very latest from Ramleh's Anthony Di Franco, whose long-running solo JFK project has been dedicated to the kind of concrete-mixed rhythmic pummel countless others would almost kill for since the cassette network culture of the 1980s. It's an immersive sound that, naturally, shares a little common ground with Ramleh yet emphasizes the monstrous chasms that can be drawn from a sturdy combo of bass-churn and galvanized beats. Whilst the labyrinthine textures beamed in from steelw…
2006 release **
"'ein(e) ausführende(r) seiten 218 - 226' is Manfred Werder's composition from 2002, realized by Antoine Beuger's electronic sound and released by Edition Wandelweiser in 2006. The 72-minute piece consists of a very quiet single electronic sound from Beuger, and short silences alternately appearing between electronic sounds. Beuger's minimal electronic sound, which evokes in me a chirr of a small cricket on a quiet autumn night, contains an absolute purity that seems to reject an…
2013 release **
"Korn presents two pieces, each 30 minutes long, which, though dissimilar in pitch (the second is higher), are otherwise tougher to prise apart than the Beugers above. Each is composed of a single sine tone, initially heard as a continuous sound for some 1 1/2 minutes, then repeated with silences interpolated, silences which increase in both length and number upon each iteration. The last line, the eighth in the example printed in the booklet, consists of three very brief blips. …
2006 release **
this cd is not conceived just to be listened to.supplemented with a simple "score", it may induce a "performance at home".you are invited to experience with your ears, eyes, body and mind, the space of your everyday life, your home, "colored" a little bit differently, alone or in the presence of one or more close persons.the cd consists of a one hour sequence of sounds, three times interrupted by substantial silences. the "score" contains 7 suggestions for simple activities.adjus…
2005 release **
The works on this CD represent three different series of compositions, which I have been working on simultaneously in the last few years. Structurally, their individual parts resemble each other: all instruments play (rather) long sounds, each one followed by a pause.55 similar events plus two drummers drumming (1999) consists of two layers of events. On the one hand, seven instruments are organized ‘isophonically’ and with regular durations. Their sounds, each comprising the sam…
2005 release **
“select a sound of one or three tones within the range of an octavedistribute the pitches between the keyboards (use each pitch only once)select 3 – 31 stops from principals, flutes and reeds and distribute them evenly between the keyboards (do not use mixtures)play the pitches and hold the keys down (e.g. with lead weights)push the stop very slowly until you hear a change – then stop the movement, listen for a while and pull another register in the same way for a long time, on…
2010 release **
"Arrayed neatly, but in dislocated sequence, across clean white pages using a standard music notation software, the material of Tim Parkinson's piano pieces suggests anonymity. Traces of other musics may be suggested by some of the material, though the focus for the performer is on projecting the sounds without the clutter of imposed interpretative rhetoric. In so doing both composer and performer declare themselves and this beautiful music is revealed."
2007 release **
Fold in; fold out: the breathing of the accordion. On this CD the accordion unfolds in a very special way, unusually close to the instrument. Four works, four worlds that seem to know each other; refer to each other like a greeting from far away.Hearing John Cage's ,,Cheap Imitation" played on accordion gives you the impression of folk music from an unknown, probably non-existent country. This music comes from nowhere, goes nowhere, is forever on its way.....Like ,,Sam Lazaro Bro…
2009 release **
The score of "Stones" consists of just a few lines of text:Make sounds with stones, draw sounds out of stones, using a number of sizes and kinds (and colours); for the most part discretely; sometimes in rapid sequences. For the most part striking stones wfth stones, but also stones on other surfaces (inside the open head of a drum, for instance) or other than struck (bowed, for instance, or amplified). Do not break anything. Christian Wolff, STONES, (from: Prose Collection, 1968…
2009 release **
"The first Stockhausen I ever heard, back in college, was Microphonie and I've always remained partial to the general family of sounds elicited therein. So it's not surprising, all else aside, that I'm drawn to the music here, derived from the excitation, via bows and strokes of a 60" tam-tam much like that used by Stockhausen, sensitively played by Greg Stuart. The added flavor, as is Pisaro's wont, is the integration of sine tones pitched very close to the range of the tam-tam …
2013 release **
"what do you do, if you work with just intonation and wish to write a piece for organ? you have to deal with the relation between equally tempered and over- or undertonal (just) intonation. 2001 i had several opportunities to make a study of some wonderful instruments. this eventually put me on the path towards this composition.in this piece only those frequencies of the organ sound that have close to whole-numbered ratios (+/- 6 cents) to a fundamental (in this case C’ at about …
2007 release ** Packed in round metalbox and limited to 333 copies. "By the look on compilation someone will maybe say that here is again senseless, thrown group of artists, that has by chance find themselves and they are presenting their multiple sounds and noises. The truth is totally opposite. After successful reviews and reactions of project SIGNS /what contributes that this project has been sold out/ Aliens production has followed development of the projects, that generates in positive dire…
Documentation '20 Years Inventionen', CD III. The string quartet 'sei-jaku' by German composer Klaus Lang, documented on this CD, was performed on 6/30/2002 in the Großer Sendesaal of the SFB Berlin by the Arditti String Quartet during the festival Inventionen 2002.
Sound installations and audiovisual material: This CD-Rom provides the programme notes accompanied by audiovisual material in the form of short QuickTime movies, photographs and mp3-files. It may be viewed with any current web browser on a variety of platforms.David Behrman: Pen LightDavid Behrman: View FinderGordon Monahan: When It RainsGordon Monahan: Etheric Theremin HarmonicTerry Fox: Litanies of InterferenceTerry Fox: bad installationRobin Minard: SoundBits 01Hannah Leonie Prinzler: _['dΛzn…
Recorded live at the 100 Club, London, on 16 April 1977, by Ron Barron. Some of this music was originally available on LP as OG 220 (Ogun, 1978). This expanded CD edition - previously only available as part of the long out of print "Blue Notes - The Ogun Collection" box set - now receives a first release as a stand alone title.
"During 2019 Keith, Julie and myself had discussed the idea of a new Couple In Spirit album for Discus Music. Rather than choosing one of the many possible live recordings of the duo, Keith and Julie were keen to make a new multi tracked studio recording, something they had not done for 30 years since their EG release. The studio was booked for spring 2020, and the project was opened for advance subscriptions. The New Year arrived, lockdown kicked in, Keith’s already fragile health deteriorat…
2002 release ** Cardboard sleeve. "Race Against Time is a very deep album, immersed in warm sounds. A captivating journey, on the one hand into the underwater, blurry landscapes, and on the other, definitely bordering on physical contact with nature. It puts you in a trance and puts you in a trance. It's a truly unique atmosphere, melancholy, and a sense of taste. You can hear the classics (Rapoon, Brian Eno, Biosphere, Lustmord) here, in Poland. A true feast for fans of the genre. This journey …
2009 release ** Limited edition of 50 copies. "This Aspec(t) album is very noisy and rather edgy, Gabola's sax often sounds very saturated, there are no concessions to melody even by mistake, SEC_ on the synth and electronics moves in a very fragmented, almost rhythmic way, no soft keyboard-like carpet as one would expect and finally Agenziano plays the guitar less and less as we have always understood it, to give it back to us so filtered that sometimes it is even difficult to understand who do…
Thames presents diverse sound interactions along the River Thames that surprise with their musicality. As we travel from central London to the river’s furthest estuary, it feels like we’re travelling back in time. We hear the sounds of nature and industry in competition, from the pitched, quasi-musical sound of Tower Bridge lifting up, to the marsh frogs of Allhallows.