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American indie label File 13 Records released what was already Martin Rev's sixth solo album in the autumn of 2003. The previous year, Rev and his musical partner Alan Vega had struck out in a new direction on their "American Supreme" album and Rev's solo works continued in a similar vein. If "Strangeworld" from the year 2000 actually felt more like a timeless abstract of Martin Rev's entire spectrum of musical influences, "To Live", three years later, introduces more contemporary elements, incl…

I think it's important and proper to play Steve Lacy's music today and that we have to take the risk. Keeping his example alive means to me every time to question the results achieved. My relationship with his music is not occasional. Steve is present in three tracks of my first album "trochus". Later I played his music alone and in various groups. I would like to remember at least the Fish Horn Quartet, with Fabio Martini, Jean Jaques Avenel and John Betsch, the sextet 5or6 Bones with Sebi Tram…

This 8 track acoustic guitar album is a big change for the experimental musician Maurizio Abate. After many years of psychedelic albums in which improvisation was combined with a creative recording process, he composed an entire album based on a more traditional method: acoustic guitar solo.During winter 2014 he organized a series of italian screenings preview of the documentary “ In Search of Blind Joe Death: The Saga of John Fahey” and that occasion encouraged Maurizio to experience the guitar…

* 2022 stock * Recorded in Paris during a prime period, tenor saxophonist Dexter Gordon jams on four basic group originals, including his own "Fried Bananas" and "Dexter Leaps Out." The medium- to uptempo numbers clock in between 9½ and 12 minutes apiece, giving Dexter, trumpeter Sonny Grey and the French rhythm section (pianist Georges Arvanitas, bassist Jacki Samson and drummer Charles Saudrais) plenty of opportunities to stretch out. A fine jam session that was decently recorded.

**150 copies limited edition** "Although he had accepted my request for an interview about his practice as a rhythmist, Fernand Schirren observed me with a more interrogative look than my questions could ever warrant. From the outset, he warned me that he preferred to be called ‘Schirren’ without the addition of his first name, which he despised. It is of course a contraction of Ferdinand, the name of his father, a painter, but we did not discuss the reasons for his aversion any further. On the …

** Glass mastered CD. 6-panel digisleeve (coated 350gms cardboard). Matte finish. Text by Xavier Veilhan. ​​​​​​​Designed by Mote Studio ** “When Xavier Veilhan kindly invited me to consider which artists to involve in his amazing Studio Venezia project, one of the first names I had penciled in was Nicola Di Croce. Between the many sound artists that I know and admire, Nicola has the unique quality of always provoking an original dialogue between his theoretical reflections and his practice as a…

* 6-panel digisleeve (coated 350gms cardboard). Edition of 200 * 'Prisma' is the first solo album from Italian composer Luigi Turra on 901 Editions, despite his long-term relationship with the label and appearances on various collaborations and compilations: 'Ma 間' with Fabio Perletta (2020), 'Kailash' with Shinkei (2016) and the piece 'Ki IV' (2016) for the series 'Quark: How Does The Invisible Sound?'.   Three years after 'Fukinsei', his latest solo album released by the Japanese label mAtter,…

** Glass mastered CD. 6-panel digisleeve (coated 350gms cardboard). Matte finish. Designed by Mote Studio. Photography by Fabio Perletta ** Dust Bunnies is Giovanni Di Domenico's first solo release for 901 Editions. Recorded in Oude Kerk Charlois with the majestic 1784's Hess pipe organ and in Klangendum / Worm studio in Rotterdam, the album beautifully merges acoustic and synthetic sounds. As pressurized air flows through the pipes, the music reminds us of desertic wind, evoking introspective p…

** 2021 Stock ** 2001 CD reissue of this psychedelic underground masterpiece from 1970, with a 12-page booklet, including English liner notes and photos. Includes one bonus track not found on the original LP. Recorded 1968-69, digitally remastered in 2001. The lone album by this post-International Harvester group, originally issued in 1970, once again led by the academic tape-composer turned radical folkie psychedelicist Bo Anders Persson. Accompanied by an able body of co-conspirators including…

*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…

** 20 copies only ** Mono Radius is the first collection in a series of recordings which looked at the retrieval and manipulation of radio frequency guard bands and half duplex crosstalk interference. Pulled from late night radio scanning and various local analogue signals, all recorded artifacts were then processed manually through a VCR, via the audio/control head. Mastered by Giuseppe Ielasi pnl(a) is Brandon Auger. Brandon Auger (b.1978) is an artist, improviser and structural builder based …

Tip! *2nd collector's edition of 20 copies with chromatic variation* Xing presents the new LP Vernascacadabra by Invernomuto, eighth release of Xong collection - artist records. The release is on white vinyl, in a limited numbered edition of 150 copies. The collector's edition consists of 10 copies, each accompanied by a jacquard blanket, with the original picture also used for the record cover. Vernascacadabra is a series of compositions for ocarina as a part of an artistic journey through the …

More from the inexhaustible archive of Berlin's electronic anarchist. Schnitzler stacks pulsing sequences and caustic tone-colours into restless, self-contained machines of sound: uncompromising, hypnotic and utterly his own.

A collection from Conrad Schnitzler's archive, recorded between 1974 and 1975, originally released on LP only in 2009. Contains the complete original material (three more tracks than the 2009 release) on CD for the first time (with original running order). Just when you think you have grasped Conrad Schnitzler's master plan, every time you kid yourself into predicting what you are about to hear, the next record comes along to prove you wrong. Motorik is writ large throughout. Even the less rhyth…

"Conrad Schnitzler is undoubtedly one of the founding fathers of German electronica. And his son, Gregor Schnitzler, matched the father's extraordinary level of creative output. They appear to have settled any musical differences amicably. After all, how else could they have 'shared' an LP released by Conrad Schnitzler himself? One half of Conrad & Sohn features music by Conrad Schnitzler, the other, his son Gregor. Two mini-albums on one disc, so to speak. An ideal opportunity to compare them. …

Having never been released on vinyl before, Terza Ipotesi Su Un Caso Di Perfetta Strategia Criminale. Music remains even more obscure than the film itself. The backdrop to an Italian exploration thriller, Terza…. Follows in the path of other Italian films from the period with funky and jazzy lounge sounds that scream psychedelic 60’s. Limited to 500 copies total, this will surely be a collectors item in the future.

*2023 stock* Why Jazz Happened is the first comprehensive social history of jazz. It provides an intimate and compelling look at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz’s post-war styles. Rich with the voices of musicians, producers, promoters, and others on the scene during the decades following World War II, this book views jazz’s evolution through the prism of technological advances, social transformations, changes in the law,…

* 2021 Stock * Art, Mystery’ is Mayo Thompson’s first published work of fiction since the 1960s. He is best known for his work with the psychedelic band The Red Krayola.  "In ‘Art, Mystery’, a controversial former footballer, now export agent specializing in chrome, accepts an unusual commission from an odd source, the very man who brought him down, a former football referee turned art handler - to find and export a pornographic work of Renaissance art.   "Mr. Thompson has given us the perfect c…

*2022 stock* This is a live album performed by a band of college students from the Governor's State University in Chicago under the direction of Warwick L. Carter. Although there were many college bands that existed at the time, this is one quite unlike any other and under the strong leadership of Carter, the group rose to tower heights in a performance very fortunate to be recorded to tape. The almighty jazz-funk cover of "Freedom Jazz Dance" under the title of "Listen Here" bursts with a stron…

*300 copies limited edition* Nifbin Circle is the fourth release by Detlef Funder, aka Konrad Kraft, on the Cologne label Aufabwegen. Sounds generated with two apps on the iPad,provided the basic structures and the sound space. The strangely enraptured textures created in this way, with a subtle percussive touch, were partly combined with supporting beats in the course of further processing. Thus, after more than 30 years, tracks with rudimentary melodies and rhythms were created again.

Koto virtuoso Michiyo Yagi joins the longstanding Norwegian duo of drummer Paal-Nilssen-Love and electronics wizard Lasse Marhaug for a session of extended improvisations. Galvanized by Nilssen-Love’s arsenal of sounds and textures, Yagi drives the most traditional of Japanese instruments to non-idiomatic and percussive extremes while Marhaug's abstractions reach heights of surprising lyricism. A veritable atlas of strange and wonderful sonic terrain, “Angular Mass” invites the listener to an un…

*The latest Wire Tapper CD, free to all readers with The Wire 465 November 2022 issue.* On the cover... Tyshawn Sorey: The genre straddling polymath unifies improvisation and composition into his own rigorous and powerful sense of expression. Plus: Black Composers: After a century of racist and Eurocentric marginalisation, the AACM and others forged new strategies for creative experimentation. Horse Lords: The Baltimore noise rock quartet gallop through a panoply of tunings and philosophical ide…

On the cover... Lucrecia Dalt: The Colombian experimental musician and now sought after soundtrack composer explores heritage and diaspora through rhythmic rearrangements of South American music on new album ¡Ay!; Inside the issue... Anthony Moore: The former Slapp Happy and Henry Cow player has forged a unique career taking in stadium rock, experimental film, modern composition and his own solo works; Carl Stone: The electronic music and sampling pioneer gets music history dancing to a new tune…

“MLMC Live at Punctum” marks the return of media artist, performer and experimental musician Aloïs Yang to 901 Editions after his immersive sound explorations on “Micro Loop Macro Cycle” (2018). “Micro Loop Macro Cycle” is made up of installation, performance, video, and digital releases that investigate environmental cycles through the studies of various states of water. It invites participants to consider their profound relationship to the element of water through technology, and the combined …

** Glass mastered CD. 6-panel digisleeve (coated 350gms cardboard). Matte finish. Text by Xavier Veilhan. ​​​​​​​Designed by Mote Studio ** Inspired by Georges Perec's lipogrammatic novel “La Disparition”, written without the use of the letter e. The music score and its interpretation reflect constraint as a process. The score is dedicated to Reinier Van Houdt.  —  Score and photography by Bruno Duplant. Renato Grieco plays double bass and baroque double bass. Recorded by Renato Grieco.

"After a near decade of solo and collaborative projects, Up in Air is Ben Pritchard's most confident foray into songwriting yet, nestling lopsided experimentation into a bed of lowslung blues and reflective folk." Featuring collaborators Sholto Dobie on self-built organs, and bassist Otto Willberg.

"This is a new release on the Italian label Superpang. I first met Giovanni Di Domenico, an Italian musician living in Brussels, 15 years ago. We hardly ever had the chance to play music together, and when I went to Europe just before Corona, I made this album based on a session recorded in his studio. After returning to Japan, I edited and dubbed in additional synths and strings. A fresh collaboration with an old friend, I hope you'll give it a listen! Big thanks to Tony for the great design an…

*2023 stock* Mainly known to DJs for the funk groover "Te Queria", Rota-Mar is the first solo album by the charismatic Zéca do Trombone. During a vertiginous career which started in the late 60s, Zéca was a permanent member of Wilson Simonal's band, toured with Luiz Eça's Sagrada Família (alongside Joyce, Naná Vasconcelos, Nelson Angelo and others), recorded the seminal Brazilian funk "Coluna do Meio" for his joint effort with Roberto Sax, and played and recorded for some of the big names of Bra…

Roberto Laneri's works always convey a clear artistic certainty: a total composer with an eclectic cultural background. In this latest adventure it seems to propose a kind of weird and curious Exotica music; his Mediterranean ragas release glows and shadows, but the music plays more the plateaus of the Maghreb than the Indus Valley. Like a sorcerer piper, the sax shapes alchemy and hypnotic phrasing become: vague dances of camels, ecstatic progressions of an aboriginal vortex or a mystic arabesq…

*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…

Tip! *50th annyversary deluxe edition* Recorded over a six month period in 1970/71 at Bearsville, In My Own Time was Karen Dalton's only fully planned and realized studio album. The material was carefully selected and crafted for her by producer/musician Harvey Brooks, the Renaissance man of rock-jazz who played bass on Dylan’s Highway 61 Revisited and Miles’ Bitches Brew. It features ten songs that reflected Dalton's incredible ability to break just about anybodys heart – from her spectral evoc…

Dynamite cuts gives you a wonderful hard to find Jazz 45, from the Canadian P.M label. Bernie Senensky, a superb piano player, set the pace with this Hard Piano driven jazz groove. With a little treasure on the flips with Beloved Gift, a superb interlude that ends with Heavy bass hip hop vibes

Dynamite Cuts takes a different move from the funk & soul and is proud to be able to press for the first time on 7" vinyl, two Colosseums' killer rock club tracks. Our A side is the powerful up-tempo "Elegy" a funky love song, with steaming guitars and heavy groove, massive club track back in the day! On the flip is the "The Kettle" heavy rock groove sampled by Fat boy slim for "Ya Mama" Perfect for all good music collectors

Back in the 80s I became a big funky jazzy and soulful vinyl collector. Which opened the world of the late great Mr. Weldon Johnathan Irvine music, I managed to collect all of his LPs and singles back in the day. All have a place in my heart, back in the 90s I was also lucky enough to meet him. Licensing & Compiling for a small label called Hubbub records. Mr. Irvine was such a calm and gently person who just oozed music. He sadly passed away in 2002, which was a shock. But now years later It is…

Fly Me To The Sun is a breathtaking German library gem from the hallowed Coloursound label. Originally out in 1983 it features two Polish composers, Andrzej Marko and André Mikola. If outré synth-funk is your thing, you need this record. Almost blindingly luminous with positive vibes and radiant optimism, Fly Me to the Sun is a collection of funky, sun-dappled compositions for synthesizer and live instruments like drums, bass and guitar. A dope blend of beatbox driven future jazz and electro pop…

A giant of Scandinavian experimental music, Lasse Marhaug has been active in sound creation since his teenage years. His interests have spanned a wide range of styles: from improv jams to film sound, from humorous collages to crushing harsh noise works. This non-stop activity has resulted in a massive body of recorded work and numerous live performances all over Tellus. Besides his solo work he has collaborated with a multitude of fellow sound artists on stage and in the studio. In the everflowi…

Opener "God Damn This Ugly Sound" is less an exercise in composition and more in locating, as it is a six-minute excerpt from a medical record documenting the sounds of various diseases.  The rest isn't as obtuse, as it segues nicely into the looping guitar feedback and shrill squeal of "Blues for Sterling Hayden," which could easily be an exercise in sheer noise blast, but is instead a carefully controlled track that demonstrates just how subtle the duo can be, even under such 'extreme' conditi…

Back in 2006, Lasse Marhaug released an album with Joachim Nordwall from the Skull Defekts and Johannes Helden called When The Ice Is Leaving, Scandinavia Is Burning. With a title like that, the album should have been all fire and brimstone of Nordic noise: abusive, throttling, and demonic. It was not. Instead, that was the album you would expect from an album called The Quiet North; and The Quiet North is certainly not quiet. Pure brutalist noise is what Marhaug has in store for us. This wall o…

Since 2004, Laurent Gérard alias Èlg (Opéra Mort, Orgue Agnès) has never ceased to draw the sonic equivalent of concentric spirals and labyrinths made of cedars, brambles and guts. By constantly renewing his instrumentarium over the years, he has built improbable bridges between musique concrète and songwriting (Vu du Dôme, Mauve Zone), diagonal spoken word and wormhole (Amiral Prose), electronic incantations in crypt and blob choirs (Mil Pluton, La Chimie). The language is sometimes francophone…

**Edition of 300 copies pressed to yellow vinyl with light green marble, in high gloss sleeve and black disco bag. ** Tip! The long-lost psychedelic album from the Incapacitants of the North! On Friday November the 13th, 2009, Lasse Marhaug and Tommi Keränen had an extremely productive day at a real-deal high-end studio in Helsinki, recording a 7” (Het Potati - released on A Dear Girl Called Wendy), a CD (Python In The Bowl - released on Freak Animal) and an LP (Fifty-Sixty - this one). An unnam…