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In Ancient Greek Mythology, Zeus was the king of the Olympian Gods and the supreme deity. Zeus was the God of the sky, lightning, thunder (Κεραυνóς / ΚΕΡΑΥΝΟΣ), law, order, and justice. The Cyclopes were three, orb-eyed, immortal giants who forged the thunderbolts of Zeus. The lawless Titans, encouraged by Gaia (Γαῖα / Γη / Εarth), tried to wrestle control of the world from the Olympian Gods in a ten-year battle known as the Titanomachy. The Titans were the brothers and sisters of Cronus and it …
For their second official CD release (after a handful of cassettes and CD-Rs) this Helsinki quintet of horns, guitars, drums, and vocals forsake any sense of live atmosphere by mashing four years of recordings into a disorienting, rude collage of over the top takes on multiple forms of extreme music. More early 90s, Bad Vugum-damaged rock than 00s Fonal psych-folk, Hasardi is a tangent of the punk/hardcore continuum that veers wildly and often into free jazz, noise and just general weirdness. Ha…
Małe Instrumenty (Small Instruments) are a band exploring new sounds using a wide array of small instruments. The instruments used in their sonic experiments feature an ever expanding array of professional instruments, sound toys made for children or naive in nature, strange musical inventions as well as a whole array of small items that aren't really instruments but do make a sound. The music created in this way reveals unique colours of sound sometimes beautiful and fine, sometimes surprising …
Two tracks each by Francisco Lopez, Luis Mesa, Juan P. Monreal, Antonio Garcia, Miguel Ruiz, 1 track each by El Sueno de Hyparco, Markus Breuss, Orfeon Gagarin.
Painting Petals On Planet Ghost is the project formed in 2004 by the brothers Maurizio and Roberto Opalio, better known as My Cat Is An Alien, along with Ramona Ponzini, after years of synergistic interaction. The idea behind the project is to combine the most lyrical and melodic MCIAA sounds with the peculiar research carried on by Ramona and focused on the use of ancient Japanese poetry as a privileged source of texts to be set to music. PPOPG is therefore a project that reflects an escape to …
Reissue of an extremely limited 2010 release (x50 private copies). This multi-dimensional collaborative opera (audio installation and concept album) is a bridge between the conception of sound within the contemporary art scene, post-industrial culture and the avantgarde black metal music scene. It focuses on creating a dialogic development between radical forms of concrete music, unorthodox sounds, conceptual arts and experimental recording practices of acoustic phenomena. The following artists …
ESP-Disk' present a CD reissue of Peter Lemer Quintet's Local Colour, originally released in 1968. British pianist Peter Lemer studied with Jaki Byard, Paul Bley, and Bill Dixon. His lengthy and distinguished career has found him in a wide variety of settings. As an avant-garde jazz pianist, he recorded with Spontaneous Music Ensemble; in the jazz fusion realm, he was a member of Gilgamesh and Paraphernalia; as a progressive rock keyboardist, he played with Gong, Baker Gurvitz Army, the Mike Old…
Futurism with its dynamic force, youthful spirit, attention to innovation and a bit of Italian histrionism; the sixties with their hopeful and playful atmosphere and their crisp and catchy music; Italy with its beautiful sun, beaches, Mediterranean brightness and laxity; minimalism with its focus on the deepness of details; all the things happening in Bologna in the late seventies, among some of the newest and most creative experiences in film, performance, fashion and music. With these elements…
Tip! ** 33 copies * Cristiano Carosi on tapes and samples, Devid Ciampalini on FM synthesizer and sequencer; each shape rolls into the next one with no previous plan, like skipping from a radio station to the other during a 40 minutes travel on the highway to planet earth year xxxx. Primo Tempo and Secondo Tempo were recorded live with no overdubs in February 2020, Terzo Tempo was remixed in April 2020
*300 copies limited edition. In process of stocking* "These two pieces were recorded in Paris in December of 2017 at the request of Banned Productions who then released them as a cassette. However, only very few copies of the tape were made and distributed, which is the reason for this new edition, mastered for the occasion by Paul Lavigne at Kontrast Mastering. The cover drawing was copied by hand from the original cover art and screen-printed by Charlotte at ZYX Éditions (Bretoncelles, Basse …
Winfried Ritsch on Mono Metal Space: "... a 2x1m metal plate hung on a stand or frame is stimulated by amplifier driven modified motors used as strong transducers, and sensored by pickups. The computer-controlled feedback uses digital filters and dynamics effects as signal processing to try to resonate the plates within their individual overtones. These playable feedback filters are controlled as notes by playing increasing and decreasing sounds near the composed frequencies of the notes which e…
*200 copies limited edition* Great compilation from French label Fern Recordings. Featuring: Vincent Jehanno, Alice Kemp, BRB>VOICECOIL, Leif Elggren, Jeph Jerman, Yeast Culture, Aliénor Golvet, Anne Gillis.
Milan's Palalido, 1981 crackles with Kraftwerk's "Computer World" tour. Robotic rhythms, neon lights, anthems like "The Model" & "Numbers" ignite. A time capsule of synthpop mastery, future sounds live.
My Solid Ground were a German progressive rock band active in the 1970s. This obscure krautrock album called “My Solid Ground” from 1971 has long been considered a classic of the genre. The first track, the 13-minute ‘Dirty Yellow Mist’, certainly lives up to its reputation as the group embark on a dark space rock journey. It sounds like a mixture of psychedelic rock and progressive rock. With lots of long keyboard tones, a crunchy guitar riff, some acid guitar sounds and distorted chanting as w…
**20 copies only** A Take on "Piece for Guitars" is an extension of the installation called Pieces for Instruments, which features three filmed sound performances entitled Piece for Drums, Piece for Microphones and Piece for Guitars. In each performance, a musical instrument is dragged through a different natural site. This approach aims to use the ground as an actual "musical score", in order to question how landscape shapes culture and, more specifically, sonic and musical imaginaries. Piece f…