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On Tranquilizer, Oneohtrix Point Never (Daniel Lopatin) turns a cache of vanished 90s/early‑2000s sample CDs into a shimmering, otherworldly meditation on digital memory. Ambient‑new‑age rompler pads, anonymous whooshes and muzak fragments are re‑cut into vivid sound collages that feel more stupefying than sedative, tracing beauty inside the most ordinary sonic debris.
Recorded across a single sweltering Paris summer in June 1978, Adonia - the lone album credited to Ose - captures a rare alignment of intellect, imagination, and emerging technology. For decades it has lingered as one of the great half-secrets of French electronic music's most fertile decade, traded between collectors who understood exactly what they were holding.
At just twenty-six, Hervé Picart was living three parallel lives: scholar of rhetoric and ancient languages, journalist for the Frenc…
Conal arrived in 1981 on the Norwegian independent Uniton Records, in a run of 4,000 copies, at a point when Conrad Schnitzler was long past being a German secret. The founding member of Kluster and a brief early presence in Tangerine Dream had spent the 1970s building a body of work largely outside the record industry, issuing a torrent of self-released cassettes and LPs whose titles almost all open with the syllable Con, completed by a second that points somewhere. By the start of the 1980s th…
Despite being midway through his seventies, minimalist icon Terry Riley shows no signs of slowing down or satisfying his searching experimental appetite. On Autodreamographical Tales Riley embarks upon a musical dream diary, a project initiated in 1996. The resultant pieces play out chiefly as spoken-word passages given musical accompaniment, with Riley scoring his own strange REM meanderings via an array of MIDI instruments and piano pieces. At various points during the course of the album you …
* Introduction by Ione, foreword by Laurie Anderson and illustrations by Aura Satz * What is the difference between hearing and listening? Does sound have consciousness? Can you imagine listening beyond the edge of your own imagination? In response to the anti-war movements of the 1960s, pioneering musician and composer Pauline Oliveros began to expand the way she made music, experimenting with meditation, movement and activism in her compositions. Fascinated by the role that sound and conscious…
First published in 1971 and long out of print, 'Sonic Meditations' is now reprinted by Pauline Oliveros Publications & Ministry of Maåt Publications. 25 meditations for musicians of all ages and skill levels, to help them learn how to focus on, listen to, and produce sound naturally. An important work in the development of Oliveros' Deep Listening. A "must" for any music library!
"One of the most seminal works in late 20th century avant-garde musical thought, Sonic Meditations not only departs …
*300 copies limited edition* During the year 2021, Charlemagne entrusted us with numerous archives recently found on audio cassettes dating from the 70s and 80s. After a long process of listening and selection, we are pleased to present the first volume of these archives to you.
Almost forty years after it was initially released, 'The Moon and the Melodies' by Cocteau Twins and Harold Budd is reissued on vinyl for the first time – remastered, from the original tapes, by Robin Guthrie himself.
2024 Stock. Wild Up’s Anthology engages with the complex history of Julius Eastman’s legacy and ideas, including the titles of his work. Each person involved in making this Anthology negotiates their position and relationship to the n-word; thus, the word appears in several permutations throughout. We chose to use Eastman’s given titles in the track listing to honor the composer’s intentions. With this seven-volume project, Wild Up aims to be part of the ongoing social, political, and artistic d…
*2025 stock* A landmark new recording brings together two of Frederic Rzewski’s most powerful and socially engaged works, interpreted with striking intensity by pianist Takuya Otaki. At the heart of the release is The People United Will Never Be Defeated! (1975), a monumental set of 36 variations on the Chilean resistance song “¡El pueblo unido jamás será vencido!”, composed as an ode to solidarity and resilience in times of political struggle. Widely considered one of the pinnacles of late 20th…
"David Behrman has been active as a composer and artist since the 1960s. Over the years he has made sound and multimedia installations for gallery spaces as well as musical compositions. Sam Behrman and Siegfried Sassoon met in 1920, when Behrman, then a young writer working at The New York Times, was sent to interview Sassoon at the start of the English poet's postwar American lecture tour. In that tour Sassoon was billed as 'England's Soldier-Poet.' He had a reputation both as a war hero and …
Five pieces in tribute to Milarepa, the eleventh century Tibetan poet and saint. Radigue on synthesizer, Robert Ashley reading in English and Lama Kunga Rinpoche in Tibetan, the last track running sixty-two minutes.
Julien Sénélas, Jérôme Vassereau and Soia present a new version of "In C", Terry Riley's seminal work: a musical interpretation with two modular synthesizers (11 oscillators) and a graphic interpretation of the original score.
Vanessa Wagner breathes new life into Philip Glass: The Complete Piano Etudes, revealing the powerful lyricism and subtle turbulence of Glass’s minimalist language. Her interpretation brings emotional intensity and poetic nuance across all 20 etudes, reflecting over a decade spent exploring the repertoire and making for an immersive listening experience.
Yoshi Wada has often said that The Appointed Cloud is his favorite of his own works, and listening to this remastered edition makes clear why. Staged at the Great Hall of the New York Hall of Science in 1987, the piece was Wada's first large-scale interactive installation, featuring a custom pipe organ and homemade instruments controlled by computer through an interface and software designed by engineer David Rayna, known for his work with La Monte Young. The space itself—designed for the 1964-6…
Written and directed by Ione. Music and sound design by Pauline Oliveros. A collaborative venture among artists of all types, this 'dance-opera' is a multimedia panorama of experimental theatre and technical virtuosity that includes aerial ballet, masks, video projection, a sinister thousand-eyed monster, and a highly imaginative electronic soundscape. The one-act story, set in primeval time, retells the myth of Io from a matriarchal perspective. Io, Argivian priestess, is transformed by a terri…
Cellular Songs is the first Meredith Monk release with ECM since the extensive box-set Meredith Monk: The Recordings in 2022 and the first recording of new music since 2016's On Behalf of Nature. It is also the second part of an interdisciplinary trilogy of performance works by Meredith Monk that began with On Behalf of Nature, a meditation on the precarious state of our global ecology. Cellular Songs turns attention to the very fabric of life itself, and evokes such biological processes as laye…
A live carillon performance on the bells of St Rumbold's Cathedral in Mechelen, October 2017. Palestine started out on the carillon of St Thomas Church on Fifth Avenue as a teenager, years before the Bosendorfer, and this is him going back to it with fifty years behind him.
First-time vinyl reissue is limited to 750 numbered copies. Comes with poster. Yoshi Wada's Lament For The Rise And Fall Of The Elephantine Crocodile, originally released in 1982 on India Navigation, remains one of the most remarkable flowers to grow in the rarefied air of American minimalism – akin to Terry Riley's Reed Streams and Pauline Oliveros' Accordion & Voice, yet with a wild, liberated energy all of its own. After graduating from Kyoto University of Fine Arts with a degree in sculptur…
Drawn from an installation about what the brain does when it is doing nothing. Cognitive research uses an 800 hertz beep to jolt subjects awake and ask what they were thinking; Dreyblatt kept the beep, at random intervals between 57 and 63 seconds, across forty minutes of sine tones.