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**300 copies** G.A.M.S. are Andi Stecher (drums / percussion) and Guido Möbius (feedback). Released at the same time of their self-titled album, the Dadaist no wave track Lalaland Symbiose - featuring Felix Kubin on vocals - is available as a 7" single that includes a remix by the Berlin based Italian producer Unprofessional.

Edition of 77 copies.  includes 77 grooveless 7-inch opaque white vinyl records, plus 2 full-colour inserts, and embossed die-cut cover. First presented as part of null point 7: Decay/Reverberate, Silo City, Buffalo, New York, June 12-14, 2015. Curated by Colin Tucker. Publication (vinyl object and digital) contains 6 tracks, total running time 33:41. Tracks based on recordings done at Silo City during a site visit in summer of 2014 and during the presentations/performances onsite the foll…

Second in a series of seven. Includes 7-inch embossed front cover with die-cut hole back cover + grooveless opaque vinyl with a burn mark made by a soldering iron on one side + two 7″x7″ full colour inserts + AIFF and MP3 (320 kbps) versions of 5 tracks, 31:18 total. Edition of 77. Christof Migone is a multidisciplinary artist. He has a Master’s degree in visual arts from the Nova Scotia College of Art and Design in Halifax, and has performed in Europe and Canada on many occasions. His insta…

Third in a series of seven. Includes 7-inch embossed front cover with die-cut hole back cover + grooveless opaque vinyl with an off-center hole in addition to the center hole + two 7″x7″ full colour inserts + AIFF and MP3 (320 kbps) versions of 7 tracks, 45:11 total. Edition of 77. Christof Migone is a multidisciplinary artist. He has a Master’s degree in visual arts from the Nova Scotia College of Art and Design in Halifax, and has performed in Europe and Canada on many occasions. His instal…

An adventurous sonic exploration of the voice, cello and electronics. A large component of Audrey Chen music is improvised, is completely un-processed and her approach to this is extremely personal and visceral. Her playing explores the combination and layering of an analog synthesizer, preparations and traditional and extended techniques in both the voice and cello. She works to join these elements into a singular ecstatic personal language.

* 2022 stock * Recorded at the Studio Jazz Unité in Paris, France, on June 19, 1981, Filet de Sole / Philly of Soul was the only recording made by brilliant drummer Philly Joe Jones with this exact octet formation.The group plays a variety of tunes, including well-known pieces by Tadd Dameron, Benny Golson, Randy Weston, and the tandem of John Lewis & Dizzy Gillespie, plus an homage to Tadd Dameron composed by the group's tenor saxophonist Charles Davis (a regular with Archie Shepp and Sun Ra), …

Either available separately as a 3" CD, or as a bonus disk within the new Tazartes boxset. "Les Danseurs de la Pluie", which gives title to the complete anthology, is a 12-minute mini-CD, presented on creative disc, including four previously unavailable tracks. Two 1977 killer recordings from the 'Eclipse Totale' sessions of a very wild and residential nature; and two colossal new pieces recorded in 2005.

In one of the last projects he conceived, interrupted by his premature death, Davide Mosconi chose to absolutize as ‘concrete’ sonic data the complete cycle of Wagner’s “Ring”. Mosconi, an artist equally divided between the sonic universe and the visual sphere, perhaps could not resist the temptation of picking up the torch to intentionally fan the flame of he who made the Gesamtkunstwerk one of the theoretical groundings of his futuristic ideology and therefore inspiring a never-more-to-be-soot…

Alga Marghen presents Modern Shit, a very singular chapter in the Amos/It's War Boys / Milk From Cheltenham / Homosexuals history. Directly taken from the original It's War Boys catalog, here is one of the most obscure sonic works of the early 1980s, Modern Shit! First "issued" on tape, this work circulated only privately among the close friends of the label and was never officially distributed. Actually, it represents one of the most intense and experimental outputs of this creative London…

Israeli-born, Montreal-based sound artist, performer and composer Adam Basanta returns to 901 Editions after his contribution to the Quark: How Does the Invisible Sound? project in 2016, with a delicate and sublime album summarising his feedback works between 2014–2016."The following are recordings of sound installations created solely using live feedback techniques, varying choreographies between microphones, speakers, kinetic system, physical spaces, and custom software. These works exist - ta…

Tomasz Krakowiak's latest work on Bocian Records is a purely sonic affair. Performed on acoustic percussion instruments, it has little to do with percussion music. Each piece is named after a particular location and or a sonic event present there. Krakowiak's monotonous playing a specific instrument seems to achieve an effect of a field recording made at the given location. What makes this effort successful is a broad range of his techniques and sonic intuition. These excellent recordings…

First ever re-issue of this obscure private tape recorded in 1984. More uncompromising sounds by Pietro Mazzocchin. Screeching old school electronic abuse with an overly obsessive approach. A very intense album with an unsettling and claustrophobic atmosphere. For fans of extreme sounds ! Lp + one sided LP in pink vinyl and blue vinyl with paste on cover. Includes a numbered pink insert. Cover images are original artworks from 1984 by Pietro Mazzocchin. Edition …

*2022 stock. 40 copies limited edition* Do you like the sound of fast forward? What about pitch bending feedback and fast foreward? What about stuttering spewing bent feedback on fast forward? What about stabbing your guitar with an ice pick? Did somebody kick the cord out? Side B picks up where side A left of more or less but introduces more variations on a theme of digital stuttering collapsing cities of electronic cyrstals. This tape is pretty short but that's okay as it's likely to bend your…

*2022 stock. 150 copies limited edition* Red Lebanese presents Pilote De Ligne by Bruxelles based producer Buntlax. Music Composed And Produced By Buntlax Between 2008 And 2015. Lyrics Written By Constance Barrère From England. Samples By Veshelite. Visuals Made By Guillaume Del Marmol. Released By Red Lebanese 2015 (C) Instruments Used: KAWAI SX240, WALDORF Pulse, MFB 522, KORG EMX-1, ACIDLAB Bassline2, NOVATION Nova2 aka , VOCODER NEXT VoxII, KORG Monotron.

The endemic concept of Oceans is to be a platform really available to all/and it is for this reason that the co-production with Fango Radio - Dissipatio.label - Dire Graft - Diazepam - Dischi Devastanti Sulla Faccia - Workin' Klass Noize [support], wants to extend to a process of integration and exchange up to the creation of a collective without fixed base and components - beyond genres, categories, egosystems - mobile and ready to change continuously. The result of this methodology, in which m…

*2022 stock* Ikuisuus presents a split tape between Hurricanes Of Love and Black Krak Fairy

Australian born, Sweden based artist John Chantler returns to Room40 with his fifth solo edition. Tomorrow Is Too Late was commissioned by INA GRM for their Présences Électronique festival in 2018 and sees Chantler significantly expand the horizons of his acoustic palette. Moving from subtle microtonal movements to passages of intense harmonic saturation, Tomorrow Is Too Late is his most dynamic work to date. A powerhouse of reductive intensity that bares witness to Chantler’s uncompromising son…

Wolfram Schurig's musical career began with instrumental playing. After basic training on the recorder, his concert studies with Kees Boeke, one of the protagonists of historically informed performance practice, left their mark on him. This experience plays an important role in Schurig's working method as a composer: "You simply write music differently when you are on stage yourself. You owe it to the performer to deliver something that is playable, and in which he can find himself as a co-creat…

This debut release by the regular working trio of Dave Rempis, Joshua Abrams, and Avreeayl Ra is a perfect example of what makes Chicago such a fertile breeding ground for improvised music; three musicians of widely varying ages, backgrounds, playing experiences, and musical interests join forces to deliver moments of both sublime beauty and volcanic energy, continually tempered by the seamless narrative momentum that they weave together in a seemingly effortless way. Although the trio has only …

* 2021 Stock* Nocturnal Earthworm Stew is a glorious experiment in electronic music, capturing the vitality and early curiosity of the 1970s. An earlier press statement called it "Serious headphone music made under the influence of Stockhausen, John Cage, Ornette Coleman, Stravinsky, Frank Zappa, Weather Report, Charles Ives and others." The influence of prog and space rock is pronounced, and contributions from Canadian prog legends Nash the Slash and Martin Deller (of FM) solidify Nocturnal's p…

**2021 Stock** The rarest, and I would dare to say best, folk/psych album from Peter Howell and John Ferdinando, musical brainchildren behind Ithaca, Agincourt, Alice Through the Looking Glass, and Tomorrow Come Someday. This fifth Howell/Ferdinando album had just been completed in or around 1974 when the partnership came to an end. Howell had been working at the BBC as a studio manager since 1970 (he’d provided a stiff upper lip voiceover for John Peels Top Gear shows), but he was now offered a…

* 2021 Stock * Aura was a San Francisco Psych-Funk band that formed in 1974 and played extensively throughout Northern California. By 1976, the band recorded their first and only album at Pacific Recording Studio in San Mateo. The original title of the album was meant to be “Sativa”, but out of fear that promoting the joys of marijuana would be too controversial, the band omitted the title and just left it as “Aura”. Over the ensuing decades, the Aura album has grown in stature to become a major…

Among the greatest artefacts of 1970s Latin American music, Lion Production’s first ever vinyl reissue of Montevideo Blues lone, self-titled LP, stands as a rare document of revolutionary music being made in Uruguay, and a crucial counterpoint to the sounds of Tropicália from Brazil. Fusing the rawness of rock with indigos Uruguayan rhythms, not to mention plenty of heavy grooves, it’s easily one of the most captivating records of its day.

Just arrived, this is the newest edition RZ release focused on a radical electronic (+ Ensemble) music by Clara Maida "During the first years of my compositional research, my goal was to mark out, in my music, the flux of the psychic energy at work in the unconscious and its underlying structure. At the time, I was going through an analytical process favouring access to this unconscious activity, and my readings in the field of psychoanalysis were helping me in the effort to elaborate a musical …

German composer Michael Reudenbach's works and studies from 1991-2009 are presented in a six-panel digipack with a 22-page booklet of notes, images and photos

Born in 1934, Christian Wolff is the last surviving member of the group of composers that also included Morton Feldman and Earle Brown, which gathered around John Cage in New York in the 1950s. Wolff's own music has remained faithful to that Cageian experimental tradition ever since, and the eight works for pairs of instrumentalists here show how, in the right hands, the varying degrees of freedom his works allow their interpreters can produce astonishingly beautiful results. The common denomina…

Six modern song cycles for soprano and piano by Holliger, Sciarrino, Lachenmann, Kurtág, Rihm and Bernhard Lang, sung by Sarah Maria Sun with pianist Jan Philip Schulze, with several first recordings.

Marc Chan's My Wounded Head 3, an open-ended piano piece inspired by Bach's Passion chorales, played in a 72-minute continuous recording by Rob Haskins.

Twenty-four tracks of saxophone music by Henry Cowell and Percy Grainger, many of them first recordings, for saxophone ensembles, piano and orchestra, directed and played by Ulrich Krieger with guest ensembles and the Glens Falls Symphony Orchestra.

Structured improvisation compositions by violinist Malcolm Goldstein, ranging from jazzy to dense microtonal sound, in which he plays with the Montreal-based Ratchet Orchestra as composer, soloist and ensemble member.

Volume 7 of Mode's Edition Christian Wolff, on 2CD: the composer plays his own Incidental Music (2003-04), written for a Merce Cunningham Dance Company Event, and the ongoing series Keyboard Miscellany, on piano and melodica.

Survey of saxophonist Ulrich Krieger's chamber music, probing the ties between the rock and classical avant-gardes: six works from 1997-2005 played by California E.A.R. Unit, Sonic Boom, Ensemble Experimente and others, with Krieger himself.

Roger Reynolds's complete works for cello, on 2CD and composer supervised, with many first recordings, played by Alexis Descharmes with Ensemble Court-circuit, violin, electronics and piano, and readings by the composer.

Four chamber works by Chris Newman, all first recordings, played by Berlin's Ensemble KNM conducted by Steffen Tast, with Newman as vocal soloist in Cologne.

Five chamber works by Tim Hodgkinson, co-founder of Henry Cow, for ensemble and electronic sound, bass clarinet and strings, and string quartet with harp, trombone and synthesizer, played by Hyperion Ensemble and others.

Six chamber works by Keeril Makan performed by the International Contemporary Ensemble and pianist Cory Smythe, including Mercury Songbirds, Afterglow for solo piano and Mu for prepared violin played by Erik Carlson.

Four works by Johannes Schöllhorn: the concert piece clouds and sky for piano and orchestra with the WDR orchestra, rota for contrabass clarinet and string quartet, red and blue for percussion sextet, and a self-same song for solo contrabass clarinet.

First complete recording of John Cage's works for organ, played by Gary Verkade on the organ of Gammelstad Church, Sweden: Some of 'The Harmony of Maine', Souvenir, ASLSP and Organ2/ASLSP, with 4'33'' on the DVD only.

Helmut Lachenmann performs with and supervises Ensemble Signal in Zwei Gefühle, Musik mit Leonardo for speaker and ensemble, and plays three of his own piano works, recorded after a four-concert tour of the programme.

First CD recording of Songbirdsongs by John Luther Adams, a cycle for piccolos, ocarinas, flutes and percussion based on real bird songs, with Callithumpian Consort, plus Strange Birds Passing.