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Masaru Imada Piano
Sublime solo piano from Masaru Imada – a Japanese player with talents in a range of different styles, but who sounds especially nice up-close here in an intimate setting! Imada's got a way of letting a tune really find its way organically – almost as if the songs here are little flowers opening up in his fingers on the keyboard of the piano – although never in a style that's "flowery" at all, because Imada's a master of finding just the right notes at the right moment – never embellishing things…
Morning Flight
*2022 stock* Recorded in 1973, “Morning Flight” by trombonist Hiroshi Fukumura is a stunning modal and spiritual jazz album! Genius work from Japanese trombonist Hiroshi Fukumura – working here at the helm of a twin-trombone group that also features the talents of Shigeharu Mukai – in a style that's filled with soul and free-thinking imagination! The two players work together beautifully here – avoiding any of the cliches of trombone-heavy groups from the past – and instead, using the open-ended…
Sunrise/Sunset
*2022 stock* "Mindblowing sounds from Japanese bassist Isoo Fukui – one of a handful of 70s players on that scene who really helped reinvent the sound of his instrument in jazz! Isoo really drives the group here up from the bottom – by playing both bass and cello with these well-inflected notes that are heavy on soul and rhythm, and which often enforce a modal sensibility that's carried out perfectly by the vibes of Kazuhiro Matsuishi and piano of Hideo Ichikawa! A few numbers feature guitar fro…
Physical Structure
*2022 stock* Amazing 1976 record by drummer George Otsuka, Physical Structure is an amazing jazz-fusion record featuring Fumio Karashima on piano and Fender Rhodes and Shozo Sasaki on tenor sax. Check the surprising and sublime cover of Naima which alone justifies to get this record! Personell list: George Ostuka (drums), Shozo Sasaki (tenor and soprano sax), Fumio Karashima (piano, electric piano and synthesizer), Mitsuako Furuno (bass), Norio Ohno (percussion).
Standards
*2022 stock* Sublime release from Masaru Imada Trio. Imada's got a way of letting a tune really find its way organically – almost as if the songs here are little flowers opening up in his fingers on the keyboard of the piano – although never in a style that's "flowery" at all, because Imada's a master of finding just the right notes at the right moment – never embellishing things just to show off. Instead, his imagination finds all the best paths forwards, especially on his original tunes on the…
Free Form Suite
Classic Japanese free jazz monster, originally released in 1972. Recorded live at Aoi Studio, Tokyo on 19 May 1972. The late 60s and early 70s was the time that Japanese free jazz began to lift off (see We Now Create LP of Togashi Masahiko with Takayanagi, Motoharu and other heavyweights releasing the 1st free jazz LP in Japan) and blossom into a fierce musical power to be reckoned with. Legendary combos such as Masayuki Takayanagi New Direction were soon responsible to be the originators of thi…
Remember Of Love
Imada's last album for TBM. The lyrical and flowing solo opening "Maki" is a reprise of the title track from his first solo album (JVC), the title track from TBM5003 (2), a reprise of TBM14 with electric piano (3) (2), a reprise of the title track from TBM5003; (3), a reprise of TBM14 with electric piano; and (4), an ethereal synth piece." - Koki Hanawa
My Back Pages
"This is Kunio Ohta's second TBM album, known as a favorite of listeners who love the TBM label. The original "Umi to Taiyo (The Sea and the Sun)" features all the members in lively action, and Takano's melancholy tenor solo on the over 16-minute title track is a must-hear." - Koki Hanawa
The World Of Shuko Mizuno
"This is a live recording of "Shuko Mizuno's World Evening" on the fourth day of "5 Days In Jazz 1976", which made the genius Shuko Mizuno known to the world. The massive, fast-paced jazz-rock piece "Concentration" and "Jazz Orchestra '75 Part II" are breathtaking performances. Katsumi Watanabe's superb solo is also noteworthy!" - Koki Hanawa
Yokohama Concert
Stunning duo comprised of two of the most important musicians of the Japanese underground/avant-garde, Otomo Yoshihide in a duo with the great Japanese drummer, Hiroshi Yamazaki – who has Kaoru Abe among his extensive list of past collaborators, and was also a member of Masayuki Takayanagi’s pioneering New Directions group. This album is dedicated to Masayuki Takayanagi.Otomo Yoshihide moves between free jazz, noise, improvisation, composition and the unclassifiable with a generosity that opens …
Sleepy
*2022 stock* "Hidehiko Matsumoto Quartet – Sleepy released by Three Blind Mice. Album recorded in 1976 and it was DSD mastering from the original analogue master tapes. This record, made in 1976 in a one-horn quartet setting, showcases Matsumoto’s brilliant playing on both tenor saxophone and flute. He is a true master of both instruments and it is a great pleasure to hear him beautifully recorded by the people of Three Blind Mice. A masterpiece, with great sound." - Audiophile Music
Ginparis Session
For the better part of the 50s and 60s, Masayuki Takayanagi was among Japan's best-respected jazz guitarists. But it wasn't until his experiments with tabletop guitar led him down the seductive path of sonic experimentation that he became the stuff of legend. “Ginparis” (literally translated as Silver Paris) was known as the chanson cafe in Tokyo, Ginza, and the performances often centred around chansons but eventually became the session venue for young jazz musicians. They left their mark on a…
Ode To Birds
"Hideto Kanai's first album is fairly hit-or-miss free jazz, but here he's in full-blown Black Saint and the Sinner Lady mode. There are twenty three musicians on this album (twenty three!), and while the undercurrent of free jazz is still running through, it's much closer to experimental big band or avant-garde jazz. And it's extremely compelling. Two side-long pieces, both of which go in and out of being quite elaborate and being complete chaos. There's some unusual and dissonant guitar and sy…
Air
Reissue of the Japanese group Air featuring percussionist Yuji Imamura. Seems like half split between moderate Jazz Rock with monster improvised parts and outlandish Avant Jazz with strong percussion minimalism and tribal rhythms, the instrumental arsenal is huge and promising (various strings, winds, keyboards, electronic equipements). Two side long instrumental tracks, the material is mostly based on individual soloing depending on each musician.
Maiden Voyage
"Five of Japan's most famous arrangers (Miki, Yamaya, Takahashi, Ueda, Maeda) have come together to create a rare big band work. Highlights include the title track with its electric sound arranged by Miki and the dynamic "Giant Steps" arranged by Maeda. "Koki Hanawa
Poppy
Poppy was pianist Masaru Imada's second album for the Three Blind Mice label. Imada brought the idea of playing slow ballads by himself to the TBM producer Takeshi Fujii, who greenlit the project but requested Imada to perform his original compositions with his current trio. The result was this album. Side A consists of four solo piano performances of jazz standards, and the trio takes on Imada's three originals on Side B.Produced by Takeshi Fujii. Recorded at Aoi Studio in Tokyo on January 25 a…
Alone Together
*2022 stock* "A lyrical duo work that was created during the legendary Czech-American jazz bass player, composer, also occasional saxophonist George Mraz's tight schedule. Imada's original, light "Blue Road" and romantic "Blue Rain" will make you intoxicated." - Koki Hanawa
Step!
*2022 stock* Naosuke Miyamoto Sextet's Step!, originally released in 1973. A fantastic modal jazz album, led by Naosuke Myamoto on bass, with Masayoshi Yoneda on the piano and Takashi Goto on saxophone. On One For Trane, the group delivers a strong and amazing moment of spiritual jazz. Also features Kunji Shigi (trumpet), Takashi Furuya and Shoji Nakayama (drums). Produced by Takeshi Jujii. Recorded on August 25, 1973.
Dragon Garden
Masayuki Takayanagi, a charismatic artist who relentlessly pursued new jazz. Three albums by Tee & Company, the strongest big combo of the 20th century under Takayanagi. This is their second album. Includes the fast-paced "Dragon Garden". The other three tracks, in which Takayanagi, Mori and others interplay with a unique sense of time, are also must-listen.
Magina
“Miki Yui (Tokyo, 1971) is an artist, composer and performer who has been living in Germany for some years, mainly in Dusseldorf, where she studied at the prestigious Kunstakademie, and in Cologne, where she first seriously started working with sounds (small sounds, as she calls them). Lastly, she has accentuated the more visual aspects of her research, which by now is characterized by the use of diverse – yet complementary – “media” such as sound itself, drawing, the written word, silence... Yu…