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LINE is proud to present Wiel the first full length from the collaborative project VEND, by Joe Gilmore and Alex Peverett. Wiel is a selection of compositions focusing on a subtle, delicate use of acoustic and synthetic sound in both abstract and linear form. Shorter pieces of acoustic events flutter about the stereo field with almost accidental design and are related to Vend’s use of playful rhythmic compositions. The two longer compositions, Wiel vii/2 and vi/2 take their form from the sonific…
A very nice compilation distributed worldwide by Wire and produced by Xing. Fragments of Phonorama were recorded live at Raum, Bologna, in 2006-07 from two collective performances conceived by Riccardo Benassi for Xing. The original recordings were re-shaped and re-composed in Berlin by Valerio Tricoli and Riccardo Benassi. Phonorama is a live electronics happening generated from improvisations by 20 musicians to create a collective soundtrack. One long environmental suite involving some of the …
Field Tracker was recorded at the Institute for Electronic Art, Alfred NY during the Winter of 2000. Inoue, utilizing his digital sound processing systems in combination with bells, guitar, and other odd sound making objects, constructed tiny improvisational sound moments each one having a shape and gesture of their own. These micro compositions were at times highly abstract and noisy and at other times extremely melodic and calm. Many of these micro compositions were used in the production of h…
CD version. A vibrant soundtrack to the Cockney Jewish experience, when the swinging hot dance bands were still all the rage, and the Yiddish language was spoken on the streets of Whitechapel. Feast on long forgotten 78 rpm discs that have only recently been unearthed, starring a host of recording artists united for the first time. Hear the legendary dance band figures of the era like Bert Ambrose and his Orchestra, and Lew Stone and his Monseigneur Band, to the relatively unknown Jewish special…
*100 copies limited edition* "Utsnobi Matriarkaluri Tomis Simgherebi" is an improvisational cycle recorded by musicians Darja Kazimira and Zura Makharadze during the filming of the experimental, analogue film "Rue de la Lune" by the Irish director Juana Robles, dedicated to the comprehension of one matriarchal generation, embraced by the tendency to painful transformation and self-absorption, striving throughout the performance to get out of these boundaries, heal and to reborn. In this act, the…
*2024 stock* Reissue of the seminal Motorpsycho's album. The album was originally released as three EP's; "Babyscooter" (released January 27), "Have Spacesuit Will Travel" (February 3) and "Lovelight" (February 10). There were only pressed 500 copies of each.
*200 copies limited edition* There is a long tradition of Electroacoustic music in Finland beginning in the 1950’s with the experimentation of tape music. Finland’s first electronic musical instrument the "Sähkövalopiano" or "Electric Light Piano" was built before this in 1894. It was constructed in the Polytechnic Institute (now Aalto University) in Helsinki. Finland also has a tradition of blending archaic traditional music in the contemporary music scene. The Kalevala tradition for example da…
Federico Ughi Together with Leo Genovese and Brandon Lopez Explores the Spaceways in the New Multidimensional LP ‘Infinite Cosmos Calling You You You, Vol. 1’
Six Organs of Admittance takes listeners through an extended narcoleptic journey on Sleep Tones, an all-electronic double album of new ambient work. Mastered by VDSQ labelmate Chuck Johnson, Sleep Tones was made with a specific effect in mind. These new sounds from the Six Organs universe represent an essential creative shift from one of the great guitarists of the 21st century, showcasing his ever-evolving palate. An antidote to modern overload, Sleep Tones provides a welcome stasis. In its phy…
Second part in the reissue series of all Selten Gehörte Musik records. Two CD's in printed CD-sleeve packaged in fullcolour 12" LP gatefold sleeve (reproduction of the original) with printed 12“ innersleeve featuring rare photos and an english text on Selten gehörte Musik by Gerhard Rühm. This is the reissue of the second SGM release from 1974. Recordings of the second Berliner Musicworkshop with Dieter Roth, Gerhard Rühm, and Oswald Wiener, Berlin 15th - 26th November 1973. Also included …
"Hailing from Belém do Para in the north of the country, Ary Lobo was ready to launch his campaign on the south of the country and set out for Rio de Janeiro in October of 1955. There he encountered the usual southern biases against singers from the North and it was only after meeting Gadé, a respected pianist, that he was able to secure an audition at Rádio Mauá. But the opportunity nearly turned into a disaster as he arrived to that session in such a frail state that he couldn't perform. Insuf…
About 20 years ago, Carlos Giffoni quickly made a name for himself both as a noise guitarist and a laptop noisician upon arriving in New York (via Florida and Venezuela). His expertly curated annual No Fun Festival, as well as his No Fun label, further solidified him as a key figure in the international noise scene. The festival’s success proved the formula for experimental and improvised music fests could work with the noise underground as well, but it also capitalized on the faster rate of con…
Franz Mon (born 1926) is a pioneer in the field of concrete, visual and phonetic poetry. He once licked the new radio play into shape like no other german-speaking playwright before him. As a sound poet and with his 'articulations' or phonetic pieces, he conceptually renewed sound poetry in the postwar years.A tension of research is generated. Franz Mon is a tireless researcher, his material is language. In "Artikulationen" he speaks of " the dance of the lips, of the tongue, of the teeth, move…
Dominik Steiger, born in Vienna 1940. Universty drop out. Joins the french foreign legion 1959 but was dismissed a year later for psychiatric reasons. 1961 ï¬Ârst poems and beginning of a bohemian life. 1961-64 vagabondage through europe and asia. Published several books of poetry and prose since 1961. First drawings published 1972 by Günther Brus in his periodical 'Schastrommel'. Exhibitions of graphic works since 1975 in galleries throughout Europe. Ad hoc musician. First LP of songs…
2024 Stock. First volume of solo piano compositions by Emahoy Tsege Mariam Gebru, finally back in print. Born to an aristocratic family in Addis Ababa in December of 1923, Emahoy spent much of her youth and young adulthood studying classical music in Europe. She returned to Ethiopia in the 40s, where the war interrupted her musical studies. In 1948 during a church service in Ethiopia, she found her faith and began years of religious training. Throughout her physical and spiritual journeys, Ema…
The follow-up to Chuck Johnson's acclaimed Balsams LP, The Cinder Grove delves further into the compositional possibilities of the pedal steel guitar. This halcyon collection of tracks draws on a wider palette of sounds, adding strings and piano, to dive deeper into the sound bath of Johnson's meditative music. The Cinder Grove is a profound, affecting statement on the nature of loss and irreplaceability as well as a major addition to the canon of Johnson's work. It's a suite of requiems for los…
*Reissue of the 1987 album, originally released on What's so funny.* "Like watching a stalker cleverly follow its prey for miles, only to watch it shy away just short of lodging a knife into the back of the followed, Fünf Auf der Nach Oben Offenen Richterskala (Five on the Open-Ended Richter-Scale) is Einstürzende Neubauten at their unsettling, gripping, and tension-ridden best. It was also the group's most subdued and measured work to that point, organic dark ambient that rarely utilized the ch…
Reissue of the 1996 album, originally released on Mute. The quintessential scientists of the post-avant-garde abstain from focusing on listener disintegration tactics as they did on prior albums, but opt instead to hone their craftmanship in new compositional areas. Dark, focused explosions, w/ theatrical strings & tightly-wound vocal structures.
Working outside normal record business market mechanisms, Einstürzende Neubauten recorded this album over some 200 days in their own studio funded by their world-wide network of subscribing supporters via www.neubauten.org. Possibly informed by the title of 2000's Silence Is Sexy, the word on the international music scene was that Einstürzende Neubauten had become calmer, quieter even. Alles Wieder Offen blows this assumption out of the water; it is an urgent and compelling album in every aspect…