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Edition Omega Point presents a collection of early work from Japanese experimental composer Kazuo Uehara. "'Seoul 1982' was composed using recorded sounds as raw material to reassemble the 'historical' soundscape of Korea's capital city, Seoul, in the early 1980s. During this time, despite the political chaos and the tension in the city under the Korean military government, I felt the lively energy in people's lives. The raw material comprised a wide range of different sounds, including th…
2013 release. Edition Omega Point presents solo performance pieces by Japanese sound and visual performance artist Kenichi Kanazawa. "Oto no Kakera" ("Fragments of Sound") was based on his participation in an exhibition called Sound Garden in 1987. He cut thick steel plates like pieces of a jigsaw puzzle, concerned with the thematic relationships of iron, figures, and sounds. He attacked the pieces with sticks, and then played with their sounds. Various pitches, tones and resonances of sou…
2013 Release. Kenichi Kanazawa held the exhibition "Oto no Kakera" ("Fragments of Sound') and "Workshop" at the Kawagoe City Museum between 2006 and 2010. At the fifth and final exhibition, he did a workshop and performance with Hiroyuki Ura and Shinjiro Yamaguchi. This performance consisted of some fragments, with Yamaguchi adding his own details. According to his explanation, he tried to capture an invisible figure of music through composition using simple rules and styles. Housed in a …
This new recording is collaboration by Yasumune Morishige and Rezen. Yasumune Morishige is one of Japan's most unique voices of the cello, improvising musician. His sound is not only hard edge and deep but also sensitive, however, he has played with other artists almost than solo. Reizen has acted as ambient unit Nerae until several years ago. He plays guitar drone now, and the sound was released on PSF and Fylkingen. In this recording, they played inside (and prepared) piano only. Especiall…
Masayuki Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.
Hand-numbered LP limited to 300 copies - On November 8, 2016, Genesis Breyer P-Orridge and Edley ODowd performed an intimate and dynamic set to a sold-out audience at Cafe OTO in London. These multi-track recordings will be mixed by Psychic TVs Jeff Berner and Edley ODowd and issued as a very limited 12” vinyl edition by Old Europa Cafe. Expect darkness, light and the occasional humor as these two collaborators glide through a set of improvisational words and sound.
Speed, Glue & Shinki's second release, originally released in 1972 on Atlantic and often referred to as Tiger, brought together a number of tracks not included on Eve, as well as some new recordings that took a very different musical slant. Joey Smith decided that since he could he handle himself admirably on drums, it was time to challenge a new instrument, so he bought a synthesizer. Drafting in friend Mike Hanopol to take over the bass-playing duties from the departed Masayoshi "Glue" Kabe, S…
Akira Sakata is a legendary Japanese jazz musician active since the early 70s (Yosuke Yamashita Trio, Akira Sakata Trio) and also an ocean-biologist. Among others he has toured and recorded with The Thing, Jim O’Rourke, Bill Laswell, Merzbow, Chikamorachi, etc.On this album originally released in 1985 he teamed up with vocalist Akira Emoto to create an incredible record which is rooted in Jazz and explores an entire world of sounds. You got to listen to believe it!
**2006 release, long out of print, very few copies available** This album's a pretty great testament to Satoh's durability as one of the great composer arrangers – sublime stuff from the late 70s, and a record that really works nicely alongside Masahiko's music for films. An obscure murder mystery, given a great deal of depth and class from the music – which is often surprisingly jazzy, despite the setting of the film and kinda avantgardish in some passagesBut all this idle talk aside, it's the …
2013 release. CD reissue of a cult LP from a early 80s weird Japanese oddity, an amalgam of synthesizer and vocoder processed vocals reciting Missa Ordinarum (!) dusted with bright electronic sound and plenty of reverb. Includes a 16-page booklet with Latin lyrics and Japanese translations, a discussion between Shigeaki Saegusa and Hiroyuki Namba, and liner notes by Shigeaki Saegusa and Hiroyuki Namba
Scratching surfaces and moving through a sense of non meaning confusion stuck in a place that pushes mysterious sense of forshadowing and disheveled overture. Stretching and breaking live and deconstructed recordings assembled at two sites, deconstructed and reassembled for our pleasure and possibly yous. Shadow Glass is the new duo of Nathan Ivanco and Matthew Conzett.
**CD version** If you are among those who own the two previous Braen's Machine LPs, Underground and Quarta pagina, you're probably already well aware of one of Italian library music best kept secrets, that is the real identities of those hiding behind the pseudonyms Braen and Gisteri. These were the monikers of Alessandro Alessandroni and Oronzo De Filippi, directed by Piero Umiliani and his record label Liuto. With Temi ritmici e dinamici (Rhythmic and dynamic themes) the plot thickens and give…
Perhaps best known for his piano work Book of Sounds these two works by German composer Hans Otte were composed in the 1970s. In that decade his aesthetic creed became increasingly clear: "the search for the character and individuality of sound as such, which must be rediscovered and re-experienced independent of superimposed structures. The composer understands the dialogue with sounds as the discovery of their nature." (Ute Schalz-Laurenze)While Hans Otte was an enthusiastic, one might say vis…
A selection of six tracks from “Spider Labyrinth” appeared for the first time, on CD “Porte aperte”, from the homonymous movie of director Gianni Amelio. Compared to the original stereo masters, there are nine more unpublished tracks. The author composed and directed a symphonic score which alternates dissonant and calm, suspended musics. This LP, of a total running time of 34:42 minutes, intends to be a sincere homage to Franco Piersanti’s Art.
**Limited Collectors Edition, 300 copies** Digitmovies releases the originally soundtrack by Luciano Michelini for the film Silent Action (aka Chopper Squad, original title La Polizia Accusa: Il Servizio Segreto Uccide). Luciano Michelini created symphonic background music that alternates romanticism with drama and mystery. The album opens with the theme of the opening credits, a dark motif produced by strings, percussion and piano which is reprised later in the film. A second recurring motif is…
* 300 copies * Digitmovies release an LP of the OST by Ennio Morricone: Noi Lazzaroni (We Rascals) from 1978. Ennio Morricone has composed a very "rural" score with the sounds that represent the life of the protagonist. Although integrated within modern society, the soul of this man is always directed to his past, to his land, to the teachings of his father which he could never leave behind. This adherence to the homeland is expressed through deliberately wild and almost enraged vocal performanc…
In the immense Goblin discography, an enormous void has always been represented by the original motion picture soundtrack of Squadra Antimafia, a score which we have tried to find, since many years, but that is apparently lost. A 1978 movie full of absolute cult icons among which Tomas Milian, Bombolo, Enzo Cannavale, Eli Wallach, Massimo Vanni directed by Bruno Corbucci: to this incredible list of stars to add Goblin is exciting. So, a while ago, following the initiative of Fabio Capuzzo, veter…
Beat Records and Digitmovies are pleased to release for the absolute first time on CD the complete edition of the brilliant soundtrack by Guido & Maurizio De Angelis for the sci-fi comedy “Chissà perché… capitano tutte a me” (aka Everything Happens to Me) directed in 1980 by Michele Lupo and a cast starring Bud Spencer, Cary Guffey, Ferruccio Amendola, John Bartha, Giancarlo Bastianoni, Paolo Figlia, Lorenzo Fineschi, Giovanni Gianfriglia, Robert Hundar, Clayton Landey, Amedeo Leorini, Ottaviano…
1980, a crossroad full of living icons in a single movie interpreted and directed by Alberto Sordi, Io e Caterina. So, Alberto Sordi, Edwige Fenech, the year of release, 1980, what do we miss to get an absolute masterpiece? The soundtrack composer, Maestro Piero Piccioni. We can say it openly, one of its greatest score for cinema, intense, full of energy, orchestral, funky, melodic, touching, enthralling, passionate. An album that will be the score of your private summer, on your turn-table, in …
*200 copies limited edition* Human intervention modifying nature and occupying it by integrating into its space through architecture, nature reshaping spaces by (re)settling among structures in the form of a pulsating living organism, an ecosystem, a forest. An aural reflection on the experience of space and sound, and how the natural sound of a place can interact in particular with the architectural space that has occupied it. A visual, photographic and aural investigation of contemporary mount…