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** Newly remastered for this edition. Limited edition pressing ** Shivkumar Sharma, the guitarist Brijbhushan Kabra, and flutist Hariprasad Chaurasia were all aged about 30 when they made Call of the Valley. Shivkumar Sharma, who had made his first solo album in 1960, was responsible for establishing and popularizing the instrument in Hindustani classical circles. Kabra was also having to prove himself because of the guitar's Western and Indian popular music associations Chaurasia's problem was…
* Newly remastered, limited edition pressing * In the 1920s, Tau Moe (pronounced mo-ay), a Hawaiian musician, arrived in India and introduced Hawaiian music to the Sub Continent. After settling in Calcutta in the early 1940’s, Moe and his family performed, taught and introduced Hawaiian music by building and selling guitars to the local musicians. Indian filmmakers and composers quickly fell under the spell of these instruments and sounds and made them suitable for playing ragas— the melodic p…
* Newly remastered, limited edition pressing * Brij Bhushan Kabra was one of the Indian musicians who heard the steel guitar’s siren call, but his vision went beyond adapting Hawaiian sounds to popular music. Instead, he saw the instrument’s potential for playing ragas. To pursue this dream, Kabra began studying with Ali Akbar Khan, whose fretless sarod offered a sonic example for Kabra to emulate with his lap-slide guitar. Kabra’s instrument was a Gibson Super 400, modified with a drone string…
Swiss/Lebanese experimental duo Praed (Raed Yassin & Paed Conca) is back with a new blast. A band whose musical oeuvre can be described as a mixture of Arabic popular music, free jazz, and electronics. Following Doomsday Survival Kit previously released in 2019 (Akuphone, AKU1011), Kaf Afrit keeps the listener in suspense by imposing its cataclysmic universe. An album inspired by Shams al-Ma'arif, a 13th century esoteric and magic book from Egypt composed of four furious pieces that don't leave …
The Ring of the Seven Lights (Metametal, long version) (1994-95 / revision and new master: 2013). Seven continuous variations from a single Bonshô sample(Buddhist temple traditional bell from Japan), a tribute to Inayat and Vilayat Khan.
Jean-Claude Eloy: 'I created and partially realized it in 1994-95 during this conversion of Anâhata into an electro-acoustic version alone. I first made a short version out of it which integrated into Electro-Anâhata and became the fourth station within the firs…
“Gaia-Songs” (1992 - revision 2015). Songs for the other half of the sky n° V - VI. For a soprano (or mezzo-soprano) solo and an actress voice (Sprechgesang technique) with electro-acoustic (fixed sounds). Anne-Lisa Nathan, mezzo-soprano. Helena Rüegg, actress voice. “First there’s this relation between sung voices and spoken voices with regard to the electro-acoustic parts. The sung v…
One of the Jean Claude Eloy' most essential release 'Kâmakalâ. The Energy Triangle' (1971) for three orchestra ensembles, five chorus ensembles, with three conductors. Orchestra and chorus of the WDR, Schola Cantorum, Stuttgart. Conductors : Michel Tabachnik, Bernhard Kontarsky, Jacques Mercier. Kâmakalâ - a Sankrit term meaning energy triangle - refers to India's philosophy (Tantric Shivaïsm) and is expresses here as the appearance of energy, which is the erotic and cosmic energy (Kama), that w…
Galaxies' (Warsaw version), electro-acoustic alone. Fully electro-acoustic version of Anâhata / Galaxies realized on the composer's personal computer from the original electro-acoustic recordings of this work.Electronic music studios where the original Anâhata / Galaxies were produced (1984-86): Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Toky…
'Le Minuit de la Foi' ('The midnight of the faith') (2014) for electronic and concrete sounds, around selected sentences by Edith Stein recorded by German actress Gisela Claudius. New work from Jean-Claude Eloy, a long piece under the power of expanded sounds and sacred words.'Le minuit de la foi' is a double album, each CD of which forms a stand-alone entity. Each CD can therefore be listened to separetly. However, you do need to liSten to the full album for it to become meaningful through its …
Providing the simple text 'Blowing into playback remembrances. Rescription. Some kind of telling.' Banana seem to improvise in space, with considered timing, to-hand objects and bursts of feedback, voice and hidden instrumentation. The tape rings of previous releases of theirs such as MP Hopkins solo LP 'Blue-Lie Half Breath' on Penultimate Press or Alexandra Spence's 'a veil, the sea'. I hear nods to the 'Onkyo' scene in the whistling feedback and stark spaces. Comparisons to works by Akio Suzu…
** Edition of 75 ** Soundtrack commissioned by the dance platform Cerco Coreogràfico (São Paulo, Brasil), for the performance AMA. Composition by Patrícia Bizzotto with the collaboration of Andreia Yonashiro, Bárbara Malavoglia, Marion Hesser, Sara Lana, Felix Blume, Francisco César, Lucas Veríssimo, Marina Cyrino, Matthias Koole, Shari Simpson.
**Edition of 100** "Recorded with a 4-track cassette recorder in c/ Natalio Rivas 7, Granada, Spain, on the nights of June 23rd (Nido i) and September 21st (Nido ii), 2018. Electric guitar, toy instruments, recordings of my daughter playing in Las Mimbres, Granada. The two tracks were meant to be some sort of lullabies, some music my then-2-year-old daughter could fall asleep to." - Francesco Covarino
** Edition of 100 ** Tsss Tapes presents Tiento Madera by Marco Serrato: double bass and Raúl Cantizano: flamenco guitar. Recorded, mixed and mastered by Nacho García in Sevilla, October 18th, 2020.
**100 copies** Derek Baron and Zoots Houston experiment with an array of objects and junk.Resonating metal surfaces, chains, paper, thin strips of wood, a broken radio, small battery powered oscillators and a floor tom. Passing cars outside the window. Silence.One microphone recording it all in Chicago, December 2015.
Big Tip! *240 copies limited edition* Audio dream directors Timo van Luijk (Af Ursin, Elodie) and Bart de Paepe (Sloow Tapes, Sylvester Anfang II) played as Ilta Hämärä on a MiMa night in Rotterdam (NL) in 2016. It was the day before Kraak fest, and they had a tour tape with them. A great night, as so many MiMa nights. Timeless Reality, featuring Family Underground, were also on the bill and on fire too: passport losing lo fi stoner garage. The toilet was broken, so everybody had to go to Hostel…
First reissue on CD, after 32 years since its original edition on this format, of “Transreplica Meccano”, Lāszlō Hortobāgyi's masterpiece. "Transreplica Meccano - Complete Edition” is the comprehensive and remastered edition of this opus with tracks from the same recording sessions that never saw the light before.
Although they have sewn their names into the thread of rock history with their work with King Crimson, Roxy Music and production work ranging from Keith Tippett to U2, the three albums these boys have recorded together are equally important. It’s ironic that No Pussyfooting was withheld by Eno’s record company for two years, as they feared it would destroy his career. Its blend and textures of Eno’s electronics and Fripp’s treated guitars was as important to left-field music as Eno’s solo ambien…
*2023 repress* Akhenaten was the first album Nat released on the fledgling Gondwana label back in 2009, it was the second release on the label and has remained a hugely popular and much sought after album ever since. Jazzman Records issued a vinyl version in 2016 (which quickly sold out and is now a collector’s item) and Nat reissued a CD version a few years later, but this is a much needed and long awaited new vinyl pressing. Featuring four original compositions the album is a deeply meditative…
Monobeat Original is the new project by Werner "Zappi" Diermaier, drummer and founding member of the legendary Krautrock band Faust. An odyssey of dark-tribal-ritualistic-krautrock with a cinematic bent. From the atavic to the post-industrial and the renewal of a distant and hypnotic Krautrock. Music from a future too far away. Zappi W Diermaier drums, keyboards, psalter, voice. Elke Drapatz drumeffekts. Amaury Cambuzat guitar. Uwe Bastiansen guitar. Dirk Desselhaus guitar, bass guitar, Artwork …
The Galician duo Trajedesaliva (Mon Ninguén – music , synths & Una Vena – words, voice and visual concept) returns with Ultratumba, an album full of passion, anguish, bitterness and sadness. Guided by naked emotions as much as by sparkling intellect, this is a singular work, an architectural wonder of pure analog electronic sound as we have not heard for a long time, with splendorous timbres that tend to the dark but also to the emotionally devastating. An album that feels strangely interactive …