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Monobeat Original is the new project by Werner "Zappi" Diermaier, drummer and founding member of the legendary Krautrock band Faust. An odyssey of dark-tribal-ritualistic-krautrock with a cinematic bent. From the atavic to the post-industrial and the renewal of a distant and hypnotic Krautrock. Music from a future too far away. Zappi W Diermaier drums, keyboards, psalter, voice. Elke Drapatz drumeffekts. Amaury Cambuzat guitar. Uwe Bastiansen guitar. Dirk Desselhaus guitar, bass guitar, Artwork …
Ultratumba
The Galician duo Trajedesaliva (Mon Ninguén – music , synths & Una Vena – words, voice and visual concept) returns with Ultratumba, an album full of passion, anguish, bitterness and sadness. Guided by naked emotions as much as by sparkling intellect, this is a singular work, an architectural wonder of pure analog electronic sound as we have not heard for a long time, with splendorous timbres that tend to the dark but also to the emotionally devastating. An album that feels strangely interactive …
Creation
*2023 repress* Eighth album from Gilles Peterson favourite Nat Birchall. Deep, soulful spiritual jazz of the most honest kind and probably Nat's best album to date. The band features two drummers who, along with the rest of the 5 piece group, create enough kinetic energy for interstellar travel, which is exactly where the music takes the listener!
Starless and Bible Black
Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring, elegant, and delicate violin and Mellotron parts scattered throughout its 41 minutes, often all in the same songs. The album was on the outer fringes of accessible progressive rock, with enough musical ideas explored to make Starless and Bible Black more than background for tripping the way Emerson, Lake & Palmer's albums were. T…
Ptah, The El Daoud
Ptah, the El Daoud was the third solo album by Alice Coltrane. This was Coltrane's first album with horns (aside from one track on A Monastic Trio (1968), on which Pharoah Sanders had played bass clarinet). Sanders is recorded on the right channel and Joe Henderson on the left channel throughout. All the compositions were written by Coltrane. The title track is named for the Egyptian god Ptah, "the El Daoud" meaning "the beloved". "Turiya", according to the liner notes, "was defined by Alice as …
Live in Paris 28.05.1975
The subject of many poor quality bootlegs, this concert - one of only a handful undertaken by Fripp & Eno - is routinely described as legendary. Hearing the tapes in fully restored audio quality, it's easy to understand why it attracts such reverence now and perhaps, why the shows attracted such hostility then. No Roxy Music hits, No King Crimson riffs, just a duo sitting in near darkness with a reel to reel tape recorder, improvising over the pre-recorded loops with a filmed background projecti…
The Encyclopedia of Civilizations Vol. 5: Babylon
Fifth volume of "The Encyclopedia of Civilizations", Abstrakce's collection of split LPs where selected artists offer their own insight into fascinating ancient cultures. This time the focus is on the enigmatic Babylon, visited by two of the label's favourite electronic bands currently active. Berlin-based duo Driftmachine take us on a journey between the ancient cities of Akkad, Uruk and Ashur. Astonishing electronics with a superb and precise sound, floating somewhere between modular ambient, …
Ptooff!
2023 Repress. LP 180gr Vinyl, fold-out poster cover. After the release of Disposal early this year, Tiger Bay returns with another album by the UK psychedelic rock band The Deviants. The band’s debut album Ptooff! was released in 1967 on the label Underground Impresarios, and only available through a few selected head shops, and then re-printed by Decca Records in 1969.Founded by legendary counter-culture figure Mick Farren and Russell Hunter and inspired by The Fugs, the band was the first of t…
Dracula's Music Cabinet
Finders Keepers presents this uber-rare soundtrack to a film that never existed, performed by an imaginery pop group. Incredible Polanski inspired German hip hop psychsploitation beats from 1969.
Basenezmen
*2023 stock* Recorded in Royal Alzheimer Hall, Thessaloniki, Greece, January 2015, Limited release of 500 unique record covers for the 500 hand-numbered copies of the Basenezmen music project. Two of the most important musicians in Greece are currently together for the first time to present ‘basenezmen’ project. They improvise under rythmic structures in form of jazz, rock, ambient and folk music.
The Infinite
2023 much-need repress. Nat Birchall continues apace with his “one-semble” recording projects, this album being the fourth one to feature only Nat himself playing all the instruments. The Infinite presents seven original compositions loosely based around various mystical aspects of the universe. The recording demonstrates Nat’s belief in the music having its own life outside of any human input, and also that it has its own laws and innate sense of balance and form, as does the universe itself. A…
Xian Orphic
Edition of 500 copies - a new project from Andy Votel and Demdike Stare's Pre-Cert Home Entertainment Label* Pre-Cert's library of second class curios expands again with 'Xian Orphic', a neo-tantric episode of synth collage posited by the enigmatic Shallkross (work it out) at Villa Scott. Its influences are typically far-flung and esoteric, synching kindred spirits from transcendental, nu-religious and metaphysical sound forms with a rich sensuality evoking the private, new age pressings o…
Flock Toxicant
Debut vinyl release for Pre-Cert Home Entertainment from N.Racker, a well known producer operating incognito. Think rumbling doom, hazy folklore and a dense library/soundtrack aesthetic - somewhere between Sunn O))), The Haxan Cloak and Morricone/Gruppo di Improvvisazione Nuova Consonanza* After delivering a limited edition cassette release that sold out in a couple of hours last month, N. Racker unveils his vinyl debut for Pre-Cert Home Entertainment, a label run by Demdike Stare and And…
Harmonitalk
Amazing, utterly unique synth/prog/pop oddity from 1980, given a new lease of life by Finders Keepers (good luck trying to find the original LP on KM Records private press - you won't). A trio led by the mysterious Gary Sloan - whose harmonica, subjected to various electronic treatments and manipulations, is the lead instrument throughout - scaling giddy heights of new age majesty on 'Good Indian' and soloing gaily over the tautest, grooviest analogue pulsations on 'Harmonitalk'. Just whe…
Issue 100
This month's Electronic Sound put together a spectacular double CD to accompany Electronic Sound 100, with 23 tracks inspired by visions of the future, from cyber worlds and life on other planets to AI excursions and madcap B-movies.
Electro-Anahata
Electro-Anâhata (1986-1994). Fully electro-acoustic version of Anâhata realized on the composer's personal computer from the original electro-acoustic recordings of this work. Electronic music studios where the original Anâhata was produced (1984-86) : Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Tokyo-Gakuso studio, Tokyo (1983): for the Shô a…
Outer Blanc
* Limited LP edition * Highly electrified guitar, anamorphosed, perforated, and tainted by all sorts of effects, implodes its rage and its urgency in the magnetic nets of a tape recorder as cannibal as it is destructive. From various recordings Lionel Fernandez & Jérôme Noetinger have created and produced these ten pieces: big, biting, dangerous and acerbic – like the intoxicated meeting of a chainsaw and a microphone. Real garage music: grease, gutted car bodies and outdated alternators, like a…
Jeu du Monde
“Jeu du monde” is a collection of around twenty musique concrète pieces which spreads over more than six hours of music. Each CD has been designed as an audio film which tells a full story. The box set includes previously released works which have long been unavailable, reworked versions of digital releases, as well as unreleased pieces especially composed for this occasion. With the use of a complex sound palette ( synthesizers, analog and digital manipulation, percussion, low fidelity samplers…
One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling
"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…
Subcontinental Synthesis Electronic Music at the National Institute of Design, India 1969–1972 (Book)
264 pages. The history of India's first electronic music studio founded in 1969 at the National Institute of Design in Ahmedabad by David Tudor. Subcontinental Synthesis explores the history of India's first electronic music studio, founded in 1969 at the National Institute of Design in Ahmedabad with the support of the composer David Tudor. The essays and writings unravel the narrative and context surrounding the studio as well as the work of the Indian composers who created groundbreaking reco…