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Nocturnal Earthworm Stew
* 2021 Stock* Nocturnal Earthworm Stew is a glorious experiment in electronic music, capturing the vitality and early curiosity of the 1970s. An earlier press statement called it "Serious headphone music made under the influence of Stockhausen, John Cage, Ornette Coleman, Stravinsky, Frank Zappa, Weather Report, Charles Ives and others." The influence of prog and space rock is pronounced, and contributions from Canadian prog legends Nash the Slash and Martin Deller (of FM) solidify Nocturnal's p…
Fragile
**2021 Stock** The rarest, and I would dare to say best, folk/psych album from Peter Howell and John Ferdinando, musical brainchildren behind Ithaca, Agincourt, Alice Through the Looking Glass, and Tomorrow Come Someday. This fifth Howell/Ferdinando album had just been completed in or around 1974 when the partnership came to an end. Howell had been working at the BBC as a studio manager since 1970 (he’d provided a stiff upper lip voiceover for John Peels Top Gear shows), but he was now offered a…
Nuestra Soledad / Vera
* 2021 Stock* It was—and is—almost impossible to categorize Vera Sienra’s musical style, but we’ll try: wistful songs with the world-weariness of Fado, and the pulsating sadness of the bossa nova. Her powerful and unique tone of voice, plus the softness of her guitar, have always been an unmistakable trademark. Listening to the songs of Vera’s debut album (from 1969), few people believed that those mature melodies were created by the beautiful and timid blonde who could be seen on their black & …
Lord Krishna Von Goloka
In 1973, Rolf Ulrich Kaiser's visionary powers acted as a catalyst for an authentic combination of acid, music and spirituality: the mystical LSD-fueled musical project Lord Krishna Von Goloka. For this adventure into Indian and Oriental mythologies and legends, Kaiser asked esoteric Swiss artist (he was a friend of Giger's), poet, specialist on Alpine folklore, and friend of Timothy Leary, Sergius Golowin, to join a group of musicians including Klaus Schulze and members of Wallenstein and Witth…
Maison Rose
She had been part of a traditional "antique folk" movement in France in the late 60's & recorded 8 albums w/musicians from this scene before this last album, recorded in '76. Certainly, the avant garde edge lurking beneath the simple folkiness puts in mind the explorations of Brigitte Fontaine w/her sometime musical voyager Areski. Her music has its own deeply ethereal quality, & the album itself has its own magic spell to cast that renders comparison w/other albums unimportant in the end.
Michael Oosten
* 2021 Stock * Keeping a band together was difficult in the late 1960’s. Tough too, because Michael Oosten was writing songs that veered away from pop-song structures. There was also the relative ease and lack of responsibility required for hauling around a guitar. So, Oosten took off, with a Martin guitar in tow, playing coffeehouses and clubs across the country. By the end of 1973, he was ready to record an LP—five psychedelic folk/rock tracks, ranging from the brightly smiling ‘Sunny Day’ to …
Top Soul
* 2021 Stock * Impossible to find jazz/soul/funk monster by Fusión, issued in Chile in 1975 by ALBA (ALD-041)—a fulsome combination of funk, electric jazz, and soul, with Latin roots. Bassist Enrique Luna had lived and studied art in New York, and knew first-hand the last, avant-garde years of John Coltrane, and Miles Davis’ mutation from hard bop trendsetter into an electric jazz pioneer; Matias Pizarro had appeared on the scene in the mid-60s as a young pianist of outstanding technical ability…
Mexico
Along with the two records by Nurse With Wound favorites Moving Gelatine Plates, Ergo Sum's weird and wonderful album Mexico is an unusual portal into the intense creativity of early 1970s French music. True, the bands are not musically similar; yet these three albums are distinguished not only by their instrumental richness, but by their unceasing sense of adventure. We'd go so far to say that Ergo Sum presents one of the most distinctive experiences in a rock idiom (apart from Zeuhl music jugg…
Daily Dance
After meeting at a Stooges/MC5 concert, drummer Bob Thompson and guitarist Doug Snyder met one fine day in October 1972 in Thompson's kitchen and bashed out this set of fiery improvisations, seemingly influenced as much by Iggy's proto-punk moves as John Coltrane's whole sheets of sound ethos; the result is a mythical frenzy of distorted guitar and improvised drums, creating walls of psychedelic noise; its sound is unparalleled for its time, preceding its closest kin, New York's no-wave explosio…
Aura a.k.a Sativa
* 2021 Stock * Aura was a San Francisco Psych-Funk band that formed in 1974 and played extensively throughout Northern California. By 1976, the band recorded their first and only album at Pacific Recording Studio in San Mateo. The original title of the album was meant to be “Sativa”, but out of fear that promoting the joys of marijuana would be too controversial, the band omitted the title and just left it as “Aura”. Over the ensuing decades, the Aura album has grown in stature to become a major…
Dino & Montevideo Blues
Among the greatest artefacts of 1970s Latin American music, Lion Production’s first ever vinyl reissue of Montevideo Blues lone, self-titled LP, stands as a rare document of revolutionary music being made in Uruguay, and a crucial counterpoint to the sounds of Tropicália from Brazil. Fusing the rawness of rock with indigos Uruguayan rhythms, not to mention plenty of heavy grooves, it’s easily one of the most captivating records of its day.
no record
* 2021 Stock * "In 1965, eight guys from London, Ontario, decided to start a free-improv group — 'free' to the point of building their own instruments, which they decided couldn't be set up to produce specific pitches... Their vocalist, schoolteacher Bill Exley, banged on a cooking pot and bellowed hilariously about stupidity and destruction and Canada. They didn't treat what they were doing as an advanced, visionary form of experimental music, but as a big, stupid, fun, ecstatic noise. By the '…
Years Before the Wine + Agonistes
* 2021 Stock* Third Estate’s “Years Before the Wine” is an ambitious and intricate psychedelic concept album from 1976 about the French Revolution (!) which blends warm Southern summer sounds (the band were from Baton Rouge, Louisiana) with baroque song structures. Never fear, the serious subject matter is no match for the strong songwriting and light, flowing music. Stunning vocals from Fae Ficklin on the title track are lovely, but even without them this album would richly deserve its status a…
Dug Dug's / Lost in My World
* 2021 Stock * Here it is – Los Dug Dug’s self titled debut (also known as “Lost in My World”): the “must have” first album (1971) from psychedelic guru Armando Nava and his band, recorded after their failed trip to NYC did not produce the stardom they had been promised—pain and disappointment sparking great song-writing on this, the first Mexican psych album in English.
After an extended stint as the house band at Tijuana strip joint Fantasitas, Los Dug Dug’s relocated to Mexico City in 1966. T…
Underwater Kites
* 2021 Stock* Arriving in the wake of inspirational releases from Joy Division, Cabaret Voltaire, Clock DVA and Throbbing Gristle, Modern Art’s Underwater Kites pinched those templates into a range of nervy, minimalist styles porous to influence and defined by the moody character of Gary Ramon’s vocals and his feel for expressive, evocative melody. As the founder of Color Discs/Color Tapes, there’s reams of evidence that Ramon was a proper locus for the post-punk scene at that time, and his outp…
Evening Colours
** 2021 Stock ** Laurence Vanay is the pseudonym for Jacqueline Thibault, wife of music producer and musician Laurent Thibault (Magma). The first ever reissue of her second album, originally released twice in 1975: a version on Galloway credited to fictitious English band Gateway, and once as a CAM label library LP—and incredibly rare in both incarnations. Pure genius: almost all instrumental, with gorgeous keyboards of many types (Hammond, Fender Rhodes, etc.), acoustic/electric guitar, even a …
Sidewalk Talking
* 2021 Stock* I love this record. For me, it has a trace or two of Arthur Lee and Love at their best (‘Krishna Dov’ would not sound out of place on “Forever Changes,” for example), with dashes of maybe Terry Callier in some of the jazzier tunes. I also like that Hollins & Starr wrote a gentle tribute to one of my favorite old-time bluesmen, Mississippi John Hurt. At times this album is a gorgeous, ethereal blend of psychedelic folk and offbeat pop; but there are some funk and avant-garde moves t…
Viene...
* 2021 Stock * Congregación was the most legendary of the many excellent bands of the early 1970's Chilean music scene -- one could easily say that for many people, this album has had the impact of a religious experience. There is good reason for that: Congregación's music has a highly evocative sense of space, using natural sounds, native Andean instruments, and acoustic textures to foreground ecologist and mystic Antonio Smith's soaring melodies and deeply felt, philosophical lyrics. The resul…
Sirio 2222
* 2021 Stock * Raw-edged heavy rock, fronted by Lino Ajello's powerful electric guitars, channeling the dark, jagged energy of Jimmy Page, Adrian Gurvitz, and Jeff Beck. Il Balletto Di Bronzo absorbed their influences (Led Zeppelin, Jimi Hendrix, The Yardbirds), but moved from there into an inspired, hard-edged musical space; the band's overwhelming power and great melodies make them irresistible. Un posto and Neve Calda are centered around simple but effective guitar riffs. Eh eh ah ah starts l…
Sea Fluorescent
** CD edition, digipack deluxe ** First ever reissue of highly sought after french jazz funk fusion nugget from Alain Bellaïche featuring, Jerry Goodman (Mahavishnu Orchestra), John Hicks (Strata-East) & Fabiano (Fabiano Orchestra). Remastered from the master tapes. Restored artwork + 12 page booklet & Obi Strip A Frenchman who is returning (but who we seem to discover!) from the USA is something unusual. Everything seemed to start out well for Alain Bellaïche: Born in Tunis, childhood in C…