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*2023 stock* Mainly known to DJs for the funk groover "Te Queria", Rota-Mar is the first solo album by the charismatic Zéca do Trombone. During a vertiginous career which started in the late 60s, Zéca was a permanent member of Wilson Simonal's band, toured with Luiz Eça's Sagrada Família (alongside Joyce, Naná Vasconcelos, Nelson Angelo and others), recorded the seminal Brazilian funk "Coluna do Meio" for his joint effort with Roberto Sax, and played and recorded for some of the big names of Bra…
* Official reissue of one of Argentina's top jazz-rock albums. First vinyl reissue. Top sound mastered from original master tapes. 8-page booklet with previously unpublished pictures and bilingual liner notes (English and Spanish) * It's safe to say that starting a jazz album with a version of Led Zeppelin's "Black Dog" was quite a daring deed, to say the least. In Argentina — back in 1977. And yet this is something a musician with the career of Jorge Navarro could afford. Navarro belongs to a g…
2023 repress. Brace Up! is the first ever studio release from the duo of Chris Corsano (drums) and Bill Orcutt (guitar). Recorded in Brussels at Les Ateliers Claus by Christophe Albertijn on March 19th and 20th, 2018. Stage dive photograph by Jason Penner. "Over the past six years or so, drummer Chris Corsano has proven to be one of Bill Orcutt's most reliably flexible collusionists. Regardless of whether Bill is cluster-busting electric guitar strings, weaseling around with cracked electronics,…
Reissue of Harry Pussy's Ride A Dove, originally released on Siltbreeze in 1996. "By 1996, with one LP, a handful of 7"s, and a couple dozen gigs under their collective belts, Harry Pussy had thoroughly scrambled the mid-90s scuzz-rock ecosystem. Their acclaimed first LP, described by David Keenan as 'a black hole that devoured genre and flattened any attempt to classify it,' fused Japanese noise, '80s hardcore and post-Ayler jazz into a dense, white-hot ball of punk anger and insanity. The band…
* 2021 Stock * Reissue of the musical play composed by the famous Rahbani brothers, originally released in 1974. Loulou (Fairuz) is ruled unjustly for the murder of a man “Younes” and her innocence is proved one month before the completion of her fifteen years sentence. Upon her release she tells her story to “Gergie” the Shoes Shiner (Nasri Shamseddine) who goes around the town to spread the news of her being freed. Residents run to welcome her and to inform her that they were forced to testif…
Roberto Laneri's works always convey a clear artistic certainty: a total composer with an eclectic cultural background. In this latest adventure it seems to propose a kind of weird and curious Exotica music; his Mediterranean ragas release glows and shadows, but the music plays more the plateaus of the Maghreb than the Indus Valley. Like a sorcerer piper, the sax shapes alchemy and hypnotic phrasing become: vague dances of camels, ecstatic progressions of an aboriginal vortex or a mystic arabesq…
On the occasion of RT 30 (the celebrations of Right Tempo's thirty years of activity) the Italian record company has decided, among other things, to publish a new volume of this successful series. The Easy Tempo series, born in 1996, aimed to disseminate a sound linked to black culture (in its broadest meaning and most varied forms) with contaminations ranging from psychedelia to vintage electronics through soul, funk and jazz. Having drawn from the world of soundtracks did not arise from a spec…
*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…
Huge Tip! Where Ben Vida’s music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song. There is a familiarity to this music’s combination of restrained melody and heightened atmosphere. It feels, softly, like it’s made by a band: piano, percussion, voice. A composition kept aloft and even by it…
With Robert Ashley, George Cacioppo, Gordon Mumma, Roger Reynolds, Donald Scavarda, David Behrman, George Crevoshay, Philip Krumm, Pauline Oliveros, Robert Sheff, Bruce Wise. Ann Arbor, Michigan, seems an unlikely site for the establishment of a major avant-garde festival that would shake the new-music community. Tucked away in America’s heartland, the city is equally removed from the Eastern metropolises whose artists pride themselves on sensing the pulse of the times, and from the nonconformis…
Milestone release! David Tudor's (1926-1996) identity morphed seamlessly from interpreter of mainly acoustic music to composer-performer of predominately electronic music over a period of about ten years, from the mid-1950s to the mid-1960s. This set of seven CDs, the first truly comprehensive survey of Tudor's work as a composer, goes beyond any previous attempt to document that process of transformation. It captures his touch and sensitivity and offers an expansive, previously unavailable view…
** Black Vinyl edition. Comes in a craft board jacket, including a 12-page liner notes book with archival photos ** Temporal Drift presents the first-ever officially sanctioned reissue of celebrated Japanese cult band Les Rallizes Dénudés’ three albums, originally compiled and released in limited quantities on CD in 1991. These reissues follow the label’s release of The OZ Tapes in 2022, as part of the label’s ongoing series of Les Rallizes Dénudés reissues. Led by the enigmatic Takashi Mizuta…
** 3LP, black vinyl edition** Temporal Drift presents the first-ever officially sanctioned reissue of celebrated Japanese cult band Les Rallizes Dénudés’ three albums, originally compiled and released in limited quantities on CD in 1991. Led by the enigmatic Takashi Mizutani, Les Rallizes Dénudés has gained an almost mythical status the world over with their delicate balancing act between transcendent psychedelia and pure sonic assault, maintaining its status as an underground phenomenon throug…
"Gorgeous quintet improv space explored at Chicago's ProMusica studios. Long-time partners Przemyslaw Drazek (trumpet, strings, percussion) and Brent Fuscaldo (voice, guitar, percussion, harmonica) join up again with Hamid's percussion, Tatsu's bass & shamisen, and Thymme's piano & various, just as they did on last year's amazing Ourania (FTR513). The sounds now are spacious, comfortable explorations of unknown sonic turf. There may be a bit less of the aggressive edge that marked their earlier …
The second and the last album by Annexus Quam originally released in 1972 on the Ohr label. Sound engineer: Dieter Dierks. Reissue with elaborate miniature paper sleeve of the original LP (full color print, coated sleeve). 2008 digital remaster version, limited to 1,000 copies!After the release of their debut album Osmose and much playing in jazz festivals, Annexus Quam fronted some personnel changes and settled down to a quintet. The band was now Hans Kämper (trombone, Spanish guitar, flute), H…
Saltern presents Al Di Là, the first full-length collection of recordings by renowned dancer/choreographer, artist, and writer Simone Forti. Forti (born 1935, Florence, Italy) has influenced generations of artists through her innovative approaches to dance and movement. Forti is noted for her extensive work with musicians, including Charlemagne Palestine, La Monte Young, Jon Gibson, Peter Van Riper, and Z'EV, among others. With Al Di Là, we hear Forti musically in her own right through a diverse…
"Manual of the Bayonet is hopefully just the first volume of archival recordings by this most excellent destructo-unit from the Pacific Northwest. The material here was recorded in Portland OR, between the years of 1999 and 2001, with some combination of ten members participating in the sessions. We always viewed Jackie-O Motherfucker as the West Coast version of free-rock collectives like NYC's No Neck Blues Band and Boston's Sunburned Hand of the Man. JOMF emerged from the Smegma-damaged wing …
Dinzu Artefacts presents Abstersion by Lorenzo Abattoir. An exquisite collage exploring the internal sound-world of an upright piano. The piano here has shed its traditional use as a musical instrument to emerge as a wonderfully sonorous body in itself. Incidental sounds which are typically relegated to the periphery are moved towards the center of attention in a kaleidoscopic unity which privileges no sound over any other, opening up a whole world of noise, tone, and every shade between.
music for bowed string instruments consists mostly of music composed by Malcolm Goldstein (b. 1936) between 2018 and 2019 while living in Montréal, Québec. The impulse to compose this series came from Goldstein’s experience as a teacher and performer of Béla Bartók’s 44 Duos for Two Violins (1931). Whereas Bartók’s series features a clear progression to the pieces, gradually increasing in technical and musical complexity from beginning to end, music for bowed string instruments has no such seque…
While certain recognizable fingerprints are found throughout the body of Daniel Lentz's (b. 1942) work, he has never been content to settle within one particular style or mode of music for long, moving ever forward in an evolutional continuum, an overriding arc that defines his growth as a composer -- beginning with traditional music, diverting into electronic music, moving into performance art pieces for his various touring groups, then sallying into minimalism, followed by work distinguished f…