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Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (…
The first ever collection of Jill Kroesen's wildly inventive and often dystopian compositions from '72 through '84. Includes her art rock masterpiece Stop Vicious Cycles, her coveted '80 single, an equal amount of unissued treasures, and copious liner notes. Jill Kroesen is probably best known for her 'no wave' compositions throughout the 1970s and early '80s. It's a fascinating and theatrical sound that sort of defies categorization. This compilation should help this music of real historical si…
The Cheerful Insanity of Giles, Giles and Fripp reveals King Crimson's gentle 1968 genesis - a landmark British psychedelia album featuring the Giles brothers and young Robert Fripp. This breezy, Beatles-esque collection showcases burning Frippian guitar work and the original "I Talk To The Wind." The 2025 Panegyric reissue removes spoken interludes for improved flow. Essential prehistory.
The second instalment of a landmark session by one of the most unique figures in black music is a shower of sounds that have come straight from another world. Sun Ra and the various groups he led were as prolific as they were innovative. By conservative estimates they produced around 200 recordings over a fifty-year period, and the early 70s was as fertile a time as any. In a typical burst of creative energy Ra and an ensemble he dubbed The Solar Myth Arkestra produced enough material to be spr…
Florida-born saxophonist, composer, poet, actor and playwright Archie Shepp was one of the most articulate exponents of politicized black culture in the late ‘60s, a time of enormous upheaval and radical thought. Relocating to Paris he made a number of highly influential albums, such as Blasé, that broached the essential themes of freedom and racial equality, and tapped into the bedrock of African-American music. Gospel and blues were a major part of the work, which also had a strong avant-garde…
** Original 1971 BYG album. Digitally mastered from BYG tapes by Nick Robbins. 16-page booklet with photos & exclusive liner notes by author and journalist Kevin Le Gendre ** Debut solo album by the legendary purveyor of music that daringly blurred the boundary between psychedelic rock and raucous, riotous Dadaism. Australian vocalist-guitarist Daevid Allen was a part of the highly experimental Canterbury scene, alongside the likes of drummers Robert Wyatt and Pip Pyle, before he relocated to P…
** Deluxe 180gr. Marbled vinyl edition. Comes in a deluxe matte laminate gatefold sleeve. Original 1969 BYG album facsimile-edition. Mastered to vinyl from BYG tapes by Nick Robbins. Exclusive liner notes by author John Masouri **'A Jackson in Your House' is the first of the Art Ensemble of Chicago’s renowned trio of albums for BYG's Actuel series. This album is The Art Ensemble’s most celebrated release and finds the American avant-garde jazz collective at their most sensational, mocking and st…
On Sandy, Sandy Denny sharpens intimacy into something orchestral, fusing folk clarity with country shimmer and chamber strings. The album feels like a private notebook sung aloud, where regret, resilience and quiet defiance unfold with luminous, unhurried precision.
First-ever reissue on vinyl of the short-lived supergroup’s sole studio album. Originally recorded in 1978, it brings together some of the most renowned figures from the Canterbury Scene.
Temporary Offer. These 1969 recordings (released 5 years later) combine Archie Shepp’s free jazz bonafides and a blend of blues and funk through an African lens, all in a big band setting. The all-star brass section, featuring James Spaulding and Charles Davis on sax along with trombonist Graham Moncur III lead the way on stand outs including “New Africa” and “Spoo Pee Doo.” This Verve By Request LP features transfers from analog tapes and remastered on 180-gram vinyl, pressed at Third Man in De…
Saved from the dust of time, here is a truly rare and obscure piece of vinyl by one of the most enigmatic bands in the whole history of British Progressive Jazz. Originally released in 200 copies in 1973 and reissued here for the first time, Quincicasm's only release stands as a brilliant document of the 70's British underground electric jazz scene. Somewhere at the crossing of open form jazz and art rock explorations.
Ken Eley - saxophone, Dick Pearce - flugelhorn, Julian Marshall -vibraphone. …
*2025 stock* John Coltrane with the Red Garland Trio is the third studio album by the jazz musician John Coltrane. It was released in early 1958 through Prestige Records. The recording took place at Rudy Van Gelder's studio on August 23, 1957. It was reissued in 1961 as Traneing In with a new catalogue number and cover design.
Kranky announces the reissue of Low Christmas, the beloved 1999 holiday EP from slowcore pioneers Low, available now on vinyl, CD, and digital formats. This timeless collection of subversive seasonal songs—originally released as a limited-edition cassette—captures the Duluth trio's signature minimalist beauty, blending haunting harmonies, sparse instrumentation, and wry takes on Christmas traditions.
Low—comprising Alan Sparhawk, Mimi Parker, and John Nichols—crafted Low Christmas as an antidote…
Loscil (aka Scott Morgan) returns to Kranky with Lake Fire, a nine-track offering of ash-laden sonics that mine the tension within the cycle of destruction and rejuvenation. Lake Fire is the result of a disjointed creative process. Originally conceived as a suite for electronics and ensemble, most of the original compositions were deserted, save for “Ash Clouds,” featuring James Meager on double bass. The remaining tracks were reshaped and remixed, built anew out of the remnants of the abandoned…
Originally released in 1967, Ayler's first LP on Impulse! and arguably his best for the label. "During 1967-69 avant-garde innovator Albert Ayler recorded a series of albums for Impulse that started on a high level and gradually declined in quality. This LP, Ayler's first Impulse set, was probably his best for that label. There are two selections apiece from a pair of live appearances with Ayler having a rare outing on alto on the emotional 'For John Coltrane' and the more violent 'Change Has Co…
Double DVD (region free, ntsc) release documenting a sound installation dealing with the suburb Muelheim in the City of Cologne. Based on field recordings, interviews with the population and photographs the sound-video-installation presented a very personal but nevertheless insightful portrait of this diverse urban area. The sound installation was commissioned by kulturbunker muelheim e.v. as part of the festival muelheim klingt in 2005. It was presented in the form of a dual screen/monitor and …
On Die Dritte Ebene, Emilio Gordoa and Sven‑Åke Johansson let vibraphone, drums and accordion run in seemingly parallel lines until a mysterious “third layer” appears - a ghost‑music of overtones, pulse and texture that neither player could summon alone.
"Lines was born from the desire to take where I’ve left it with 'Fleeting Future' and go a bit more horizontal and ambient. Work with layers of lines, whether they be dotted or straight, and leave them to unfold and see where they would take me." — Akusmi “ ‘Secant’, I must have listened to this tune 3 times in a row, this one soundtracked my night drive through the winding roads” – Benji B, BBC Radio 1 London based composer, multi-instrumentalist and producer Akusmi announces ‘Lines’, an exhila…
Brain liquification from the secret agents residing at Chocolate Monk headquarters. The last installment of their recent "soup" trilogy, these final fumes waft into your ears in precise yet frenetic fashion. Jarring cuts, unexpected sounds, and surreal atmospheres abound. Music to confound and delight.
In 2022 New Forces received a pair of discs in the mail from Nick Forté (Rorschach, Raspberry Bulbs, Half Mortal) that contained the initial creative burst from his new project Green Tea. The albums were astonishingly well crafted and could hardly be considered "demos"; indeed, they felt like masterworks that emerged out of thin air, blending psychedelic harsh noise with ambient and new age music in a way that felt incredibly fresh and exciting. As the artist describes it, "I knew I was working …