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Mail from Fushitsusha
Mail from Fushitsusha, which Keiji Haino himself calls 21st-century blues, draws out exquisite dynamics and 'space' - like a nerve being passed through the eye of a needle. Carrying out their sonic explorations while adhering to the Fushitsusha method, these three tough artists create a muscular sound - a sound that turns the rock - blues concept on its head! Keijo Haino sent Seijaku out into the world as his permanent band. At the time of recording, this was to be a single album, but the combin…
You Should Prepare To Survive Through Even Anything Happens
This is a real blues album created as an expression of devotion to 20th-century blues. But not blues as a style - the object of devotion here is the blues spirit. You might even say this album is the successor to authentic blues. Those who get it, get it! Keijo Haino sent Seijaku out into the world as his permanent band. At the time of recording, this was to be a single album, but the combination of Haino's overflowing musical ideas and the unlimited improvisational abilities of the three member…
The Sunny Side Of The Dark Side
"After the dark clouds of the '70s the world was changing and Maurizio Marsico, fresh off New York sessions with Rhys Chatham, started the '80s with a couple of experimental records under the moniker Monofonic Orchestra, published by the cult label Italian Records, Music Design (1981) and Friends' Portraits (1981). Stefano Tamburini, the creator of the legendary Ranxerox comic hero painted by Tanino Liberatore, was an onlooker in disguise in New York Marsico's exhibitions, and back in Italy he…
Onjo
Otomo New Jazz Orchestra with Otomo Yoshihide, Axel Dörner, Aoki Taisei, Tsugami Kenta, Okura Masahiko, Alfred Harth, Mats Gustafsson, Ishikawa Ko, Sachiko M, Unami Taku, Takara Kumiko, Cor Fuhler, Mizutani Hiroaki, Yoshigaki Yasuhiro, Nananan Kiriko, Otsu Makoto, Kahimi Karie, Hamada Mariko. Recorded by Kondo Yoshiaki on 24th January 2005.
Made In Japan - Live At Shinjuku Pit Inn, 9th April
Jojo Hiroshide (guitar), T.Mikawa (electronics), Fumio Kosakai (electronics), Junko (voice), Akira Sakata (alto sax), Yoshisaburo Sabu Toyozumi (drums). This CD is live performance at Pit Inn, Shinjuku on April this year. Hijokaidan named themselves Jazz Hijokaidan with Sakata Akira (sax, cl) and Toyozumi Sabu Yoshisaburo (ds). This performance starts from the clamor of Jojo Hiroshide, leader of Hijokaidan and their roaring sound unify with audience and rise up to heaven hypnotically. In their …
Made In Studio
Jojo Hiroshide (guitar), T.Mikawa (electronics), Fumio Kosakai (electronics), Junko (voice), Futoshi Okano (drums), Akira Sakata (alto sax). This CD is studio recording after 8 years from their The Last Recording Album and a first recording CD since Okano Futoshi (ds) joined Hijokaidan. In this CD, especially, Sakata Akira blows intensely in all tunes. This 24 track analogue recording reveal their so-called meta-noise music. A tune all member play about 30 minutes, rare Junko (vo) and Sakata duo…
Nana
Drummer Edward Vesala was an early Finnish pioneer of avant garde jazz, and he managed to release this lovely LP that has to be considered the first proper Finnish free jazz album in 1970. The Vesala trio was supposed to be a quartet, but trumpetist Mike Koskinen fell ill, and the remaining exploratory trio (Vesala, saxophonist Juhani Aaltonen and bassist Arild Andersen) recorded the album in a short, fiery session. The album Nana is an absolute rarity as well as an absolute beauty. As with many…
Circus
Circus were a shining example of the creative explosion at the heart of the early days of Progressive Rock. A tight knit jazz-rock band that crafted high quality musical workouts, Circus mixed the heavier aspects of late 60s rock with the nuances of jazz modulations, folk, pop and even forays into psychedelia. Circus decided to focus less on the sound of the pop psych scene and joined the ranks of the more experimental progressive bands emerging during the 60s such as Soft Machine, Caravan, Colo…
Concentration Patterns
* Hand-numbered limited run of 300 copies * C.R. Gillespie is a Canadian musician and sound artist. Born in Nanaimo, British Columbia, coastal living on Vancouver Island influenced his textural overlapping of “waves”; focused layering of soothing tones that tremulate and merge in a vast and expansive synthetic ocean. This aesthetic is at the forefront of his new release, Concentration Patterns, a sprawling 75-minute ambient suite which envelops the listener in a vibrating collage of drifting tex…
Whobub
The great surprise with the French quintet Hubbub comes with seeing them in performance before you’ve heard one of their recordings. Five men walk on stage, two carry saxophones, one a guitar, the pianist and drummer sit down at their instruments. It looks like a conventional notion of a band, the sole concession to the world of electronics the Gibson Les Paul, itself a guitar design that has changed little in the past sixty years. Every instrument carries with it the expectation of a characteri…
3 Nights at Cafe Oto
"Free-improv CDs sometimes turn up in the record-business equivalent of fish-and-chip paper, but this handsome book-form package encloses three audio CDs, a DVD, a raft of colour photography, and a thoughtful essay from Richard Williams. It documents a 2013 Cafe Oto season for the UK trio of drummer Eddie Prévost, bassist John Edwards and saxophonist Evan Parker, plus German musicians Christof Thewes (trombone) and the doyen of European free-jazz pianists, Alex von Schlippenbach – the Brit…
Silver Pyramid
Matchless Recordings presents an historic recording. Eddie Prévost's Silver Pyramid performed by Music Now Ensemble directed by Keith Rowe in London in 1969. Includes Cornelius Cardew, Lou Gare, Keith Rowe and others. The music is continuous. Time codes have been inserted at intervals to assist retrieval. Pre-Scratch Orchestra Ensemble formed by / for the occasion of the four day 'Music Now' event at the Roundhouse, 1969. The motley crew perform Eddie Prévost's 'composition' 'Silver Pyramid'. En…
Blackheath
Alexander von SCHLIPPENBACH, piano. Eddie Prévost, drums. Piano solo, drums solo and then a duet. Recorded at a concert given at Blackheath Halls, London, England on 30th March 2008. Recording and mastering Sebastian Lexer. Notes by Christoph Wagner. Cover artwork Myah Chun.
Discrete Moments
Matchless Recordings presents a live concert by Eddie Prévost and John Tilbury recorded at Gateway Studios, Kingston-upon-Thames, England on the 6th of January, 2004. The album includes eight tracks performed by John Tilbury - piano, prepared piano and organ and Eddie Prévost - stringled barrel, tam-tam, percussion.
"Some of their music is delicate and pointillistic with wide spaces between sounds, but there are also rich, thick webs and, as indicated, Cage/Kleeube Goldberg thunkity-thunk machin…
Ankle On: Electronic and Orchestral Works
Martin Bartlett was an inspiring and original thinker, composer, writer, performer, and organizer. His preoccupation with building aleatoric elements into electronic music distinguishes his work. He devised elegant and open interactions for instrumental performers and computer-controlled synthesizers which included building his own electronic devices and extensive work on the Buchla 400. He worked with or studied under Pauline Oliveros, John Cage, and David Tudor, and collaborated extensively wi…
Variations: a movement in chrome primitive
2014 new reissue. Having sat through two full cd’s of some of the most sublime, drifting piano based variations I’ve ever heard im not quite sure how to go about putting the experience into words. Whilst 'archival' may bring to mind dusty stacks in library basements, there's a slew of old material being reissued by labels at the moment that might just serve to extinguish this semantic connection. A digital reappraisal is American composer William Basinksi, whose extensive 'Variations: A Movement…
Ray of dark
Debut release from Linda Aubry Bullock, a long-time fixture on the Boston-area experimental music scene through her various groups (including, not mentioned below, the please, a trio with Hubby Mike Bullock & Brendan Murray) ...
This set’s a neat mix of throbbing industrial electronics & sound-art-lineage mood pieces (such as the vibrating-plate mechanics of the segment in the sound-sample) all played by a revolving quartet including Linda, Mike, Eric “Rambutan” Hardiman (proprietor of the exce…
Zwolfzungen
For Zwolfzungen I collected recordings of eleven languages I'm not, or partially, able to speak and understand. Eleven languages I encountered in my travels, whose sound I especially liked. Moreover, I invented a twelfth one, developed and learned during the past years and featured as a last installment of the series. Zwolfzungen could be translated as twelve languages as well as twelve tongues. I try to "misunderstand" each one of those languages as much as I can. They include, among ot…
Promises
Apparently it's been over a decade since avant jazz deity Pharoah Sanders recorded any new music, it took Sam Shephard aka Floating Points to coax the 80 year old out of near-retirement. Anyone familiar with Sanders' work will know how life-affirming his music can be, from his early work with John Coltrane, through 1967's mind-altering "Tauhid" to his spiritual pairing with Alice Coltrane on "Journey in Satchidananda". Here, he takes a more restrained role, offering bursts of tenor to compliment…
Tibetan Bells
Tibetan Bells was a legendary 1971 album by Henry Wolff and Nancy Hennings and Drew Gladstone, originally released by Island label (while in Italy it went out on Bla Bla records, of Franco Battiato fame). It was the first recording to use traditional Tibetan bells and singing bowls, and it's a true estatic listening experience. In 1972 the world was listening to heavy, intense, high-energy music. In the midst of this rock explosion Chris Blackwell of Island Records released Tibetan Bells in the …