Best sellers
String Quartet II
**Edition of 300 copies** During the decades following the Second World War, all eyes shifted toward New York, a city which, at that moment, played host to some of brightest creative minds of the century. Innovations were abound. Visual artists, writers, thinkers, musicians, and composers continuously pushed into previously unthinking ground. While the United States had been previously known to give birth to a wild and distinct breed of composer, from Charles Ives to Nancarrow, Harry Partch, Cow…
Orchestral Works
2026 stock Bára Gísladóttir (b. 1989) considers sounds, instruments and ensembles as living organisms. In VAPE, Hringla and COR, the Icelandic composer and double bassist engages with the largest musical organism of all: the symphony orchestra. Through these works, we follow Gísladóttir’s fascination with language and coincidence, for example. Here is an uncompromising interrogation of the body, in its excesses and ailments. And here, most of all, is life, vaporous and between states, neith…
Improvisation for Dusty Ballz
*50 copies limited edition* Dusty Ballz (UK) and WV Sorcerer Productions (FR) join forces to present two new releases by Beijing-based noise/drone/doom metal group, Ghostmass. In Chinese, “big ghost” is a phrase sometimes used to convey a sense of utter out-of-placeness. If you see a big ghost, you find someone who walks the corporeal world in their own preposterous ways. A big ghost is not a ghost, it does not terrorise, but neither does it belong. It occurred to Li Weisi that this speaks to th…
Freak-out Electrolyze
Reissue of the long out of print 1997 album. All performed, recorded and edited at Acty Hanazono, Summer 1997. Used Instruments: Microphone, Colorsound Pedals, Romero Theremin, 60'sFuzz, Expj Ring Modulator, Arion & Guyatone Digital Delay, Evans Super Echo and Noise Canister.
Us
Us by Byard Lancaster is a vibrant suite of improvisations driven by searching melodic motifs and propulsive rhythms. In a compact yet dynamic trio format, Lancaster’s alto saxophone and flute navigate territory mapped equally by jazz tradition and the pursuit of abstraction, making the album a crucial benchmark for fans of adventurous 1970s jazz.
Mother Africa
Mother Africa by Byard Lancaster radiates with spiritual energy and improvisational daring, weaving together free jazz, blues, and soulful overtones. The album’s exploratory language and deep sense of groove reflect Lancaster’s boundary-pushing ethos, resulting in a vivid listening experience that braids together African themes, fluid ensemble interplay, and Lancaster’s distinctive melodic sensibility.
Solo Suono
*100 copies limited edition* Solo Suono is the first collaboration between saxophonist Filippo Ansaldi and electronic musician Simone Sims Longo, both based in Cuneo, Italy. Solo Suono is an album between acoustic gesture and electronic treatment, beyond the classical while starting from the classical. Breath, amplified mechanics, residual sounds, expressive freedom, and different forms that integrate electroacoustic composition. Passing through looped gestures, electronic processes, and concret…
Movie Candy
*100 copies limited edition* Over the past four years, Nick Turner (aka Tyresta) has been an indispensable part of the operations at PITP's sister label, Fallen Moon Recordings. His meticulous and thoughtful curation for the FMR imprint highlights some of the finest sound collage and experimental electronic music available today. This excellence continues with Lia Kohl and Daniel Wyche's latest record, Movie Candy. The album is a stunning documentation of free-spirited electronic music, seamless…
Rosenhagtorn
Isabell Gustafsson-Ny joins Warm Winters Ltd. with Rosenhagtorn, a suite of short pieces for piano, violin and voice. Absorbing in its profound focus on listening, this collection is a striking exploration of these sound sources; their repetitions, harmonics and oscillations. Conceiving of the release as a house, a different song is playing in each room, Gustafsson-Ny was able to explore the rawness and fragility of each instrument with incredible freedom and sensibility. She describes the album…