Piero Milesi
The Nuclear Observatory Of Mr. Nanof
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Working in a melodic vein, The Nuclear Observatory Of Mr. Nanof veers from ethereal solo keyboard electronics to scores for lyricon and small chamber ensemble. Lovely, yet also rich musically.
Piero Milesi (Milan, 1953; Levanto, 2011) was an Italian musician, composer, andmusic arrangerer. Milesi began his career by studying cello, composition, and experimental electronic music. He joined the International Folk Group of Moni Ovadia in 1977 as a performer and composer. The composition Modi was created between 1978 and 1980. It is a two-part composition which was published in 1982 by the British independent label Cherry Red Records following an introduction to the label by another Cherry Red artist, Morgan Fisher. Since 1984 his compositions have been produced by Studio Azzurro di Milano. The compositions The Nuclear Observatory of Mr. Nanof and Camera Astratta (Abstract Chamber) are two soundtracks produced by the American independent label Cuneiform Records.
Milesi composed various soundtracks for film and theater and worked as an arranger and composer for various Italian pop artists. Holding a degree in architecture, he created sound installations and musical interventions in large spaces (in one of which he was assisted by Brian Eno). His last-published new recording was "MInute Quartet" on the compilation album "Miniatures 2" (released in 2000 on Cherry Red Records) produced by Morgan Fisher. It is a one-minute string quartet in four movements.
Release notes
Track 1, 4 & 7 from the film "The Nuclear Observatory Of Mr. Nanof" (L'Osservatorio Nucleare Del Sig. Nanof), produced by Studio Azzurro (1985), directed by Paolo Rosa. Recorded at Capannone Studio, Vimodrone. Soundtrack produced by Grazia Fava and Studio Azzurro. Track 2, 3, 5, 6 & 8 from the film "The Oversize House" (La Casa Fuori Misura), produced and directed by Giulia Ciniselli (1985). Recorded and mixed at Cinemusic Studios, Milan. Track 9, 10 & 17 from "King's Night" (La Notte Dei…
| 1 | Mr. Nanof's Tango | 12:53 | |
| 2 | Tom Thumb | 1:25 | |
| 3 | Between The Scale And The Apple | 0:49 | |
| 4 | Scene Of The Madmen | 1:10 | |
| 5 | Waiting For The Fête | 0:52 | |
| 6 | My Dad Had Two Mommies And Two Daddies | 0:50 | |
| 7 | Graffiti | 1:31 | |
| 8 | Towards The Tree In Front Of The House | 0:43 | |
| 9 | The Procession | 4:50 | |
| 10 | Three Figurations: The Braid, The Rhombus, The Star | 4:33 | |
| 11 | The Presence Of The City | 7:10 | |
| 12 | Pantelleria | 4:13 | |
| 13 | Questa Non É La Mia Voce [This Is Not My Voice] | 3:23 | |
| 14 | Writing On The Glass | 1:54 | |
| 15 | In The Car With Mr. Felsen | 3:09 | |
| 16 | Let Ninusk Be | 1:12 | |
| 17 | The Waterfall | 2:51 |
- Silvio Righini
- Cello (1, 4, 7, 13 to 15)
- Piero Milesi
- Composed By, Producer, Design Concept [Cover Concept], Conductor (1, 4, 7), Keyboards (1 to 8, 12, 16)
- Georgiana Goodwin
- Design Concept [Cover Concept], Design
- Allan Goldberg
- Engineer [Sound] (1, 4, 7)
- Ezio De Rosa
- Engineer [Sound] (9, 10, 17)
- Giancarlo Lupo
- Engineer [Sound] (2, 3, 5, 6, 8)
- Lino Castriotta
- Engineer [Sound] (11)
- Alberto Mompellio
- Keyboards (1, 4, 7)
- Paolo Brunelli
- Keyboards (1, 4, 7)
- Mario Arcari
- Lyricon (1, 4, 7)
- Roger Seibel
- Mastered By [Digital Premastering]
- Valerio Festi
- Performer [Fireworks] (9, 10, 17)
- Studio Azzurro
- Photography By
- Peter Kaspar
- Photography By [Back Cover]
- Alessandro De Curtis
- Piano (11, 14, 15)
- Riccardo Sinigaglia
- Programmed By [Computer] (2, 3, 5, 6, 8)
- Ellade Bandini
- Snare, Cymbal (1, 4, 7)
- Lucia Memo Pickova
- Soprano Vocals (13 to 15)
- Walter Morelli
- Timpani [Kettle Drums] (1, 4, 7)
- Mauro Righini
- Viola (1, 4, 7)
- Carlo De Martini
- Violin (1, 4, 7, 13 to 15)
- Daniela Bozzolo
- Violin (1, 4, 7)



















































