Best sellers
This Is the Right Path
Tip! Dec. 2015: I received an invitation from Old Heaven to participate with FaUSt to the 3rd edition of “Tomorrow Festival” at B10 Live, Shenzhen, China! A few months later, May 2016, we were on our way to the most exciting concert experience. A loooong flight-haul and then, such a warm welcome, such a perfect organization… the most charming, dedicated, competent crew around us… the largest cement mixer I ever used on stage, and an audience so vibrant, so focused. I was and still am in memory, …
Electric Silence
Originally released in 1974, Dzyan’s third and final album is a Krautrock masterpiece, blending daring world beat, jazz-prog, and mysticism. Multi-instrumentalists experiment with exotic sounds and inventive instruments, creating a psychedelic, otherworldly work—an enduring highlight of German rock.
Early Works
Bill Fontana investigates the physics of perception itself. Side A: tape collages where sound becomes both material and force. Side B: Wave Spiral for 5 Rin Gongs - a sidelong, 21-minute centerpiece where pure sine waves create interference patterns, frequency made sculptural. Sound spiraling through space, dissolving boundaries between observer and phenomenon.
Cara Maluco
Osees return with a four-track EP recorded last year in Tornio, TX. A couple fried trippers and couple tight dance punk numbers. Crazy face indeed.
Gérard Grisey. Vortex Temporum
The first-ever vinyl release of Gérard Grisey’s Vortex Temporum (to our knowledge). Movements I and II appear as a single track to preserve their spectral continuity. The LP features cover art by Dariia Kuzmych and comes with a zine of her ballpoint drawings, merging time and human tissue.
Ukho Ensemble Kyiv:::Dina Pysarenko, pianoInna Vorobets, flutesDmytro Pashynskyi, clarinetsRachel Koblyakov, violinAndriy Savych, violaRaphaël Ginzburg, cello
Conducted by Luigi Gaggero
Carol Of Harvest
Limited edition, numbered. 1000 copies. 20-page booklet in LP size. Few records carry this kind of weight. Two hundred copies pressed in the summer of 1978, quietly distributed from a small Nuremberg label, and then - silence. It took decades for the world to catch up.
Carol of Harvest were five teenagers from the Middle Franconian town of Fürth, Bavaria. Axel Schmierer composed everything - all the songs, all the English lyrics - and the band coalesced around him with the precision of people wh…
Baudouin Oosterlynck & Bénédicte Davin
On their self‑titled LP, Baudouin Oosterlynck & Bénédicte Davin slip two late‑’70s vocal compositions into the present tense, turning Glasgow’s Tectonics stage into a resonant laboratory where Oosterlynck’s ultra‑precise scores and Davin’s live voice re‑sculpt silence, timbre and breath.
The Disintegration Loops
Since the turn of this century, perhaps no other modern composition has had a more resonant healing effect than The Disintegration Loops. Composer William Basinski’s deteriorating analog tape loops evolved from melodic symphonies to melancholic silence over a span of time that uncannily turned passing minutes into pensive lifetimes. In her foreword for the new box set reissue of The Disintegration Loops, the pioneering multimedia storyteller, Laurie Anderson, describes the impact of this transfo…
Missus Beastly
Missus Beastly had formed in Herford in 1968 under the name Psychotic Reaction - lifted from the Count Five song - before settling on a name borrowed from a doll on a German children's television programme. Lutz Oldemeier on drums, Reinhard "Atzen" Wehmeyer on guitar and vocals, Wolfgang Nickel on keyboards, and Petja Hofman on bass had been playing the southern German circuit - Mainz, Munich - to crowds that responded to their unstructured, hour-long improvisations with something approaching de…
Flare
On Flare, Sylvia Lim turns six chamber works into a series of luminous close‑ups, magnifying tiny shifts of timbre, breath and touch until fragile sounds bloom into something cathartic, raw and quietly destabilising.
Zamaan Ya Sukkar: Exotic Love Songs and Instrumentals from the Egyptian 60's
Zamaan Ya Sukkar is a rich musical portrait from the time when Cairo was the vibrant cultural heart of the Middle East and the grandeur of the leading orchestras was incomparable. Unearthed Latin and jazz-tinged tracks will let your mind drift off to the glamorous nightlife of '60s Cairo. Meet some forgotten souls of the Egyptian music scene and cinema world. Sensual voices and Bollywood-like orchestra sounds inflame the senses of the body with an intangible exotic twist! All music is remastered…
El Pulso Del Acero: Shinkansen
El Pulso del Acero: Shinkansen is Esplendor Geométrico's electrifying new album, blending trance-inducing industrial rhythms with bold voice and noise collages. Featuring 16 tracks, it revisits the raw power of their 80s classics while exploring futuristic industrial sounds, with recordings from Tokyo (2025) and a rare previously limited tracks now on vinyl for the first time. After over 40 years of continuous innovation, the influential Spanish duo continues to shape industrial, techno, and exp…
Slo-Mo Neon Luminate Hoverings
Trumpeter/composer Ambrose Akinmusire and guitarist/composer Mary Halvorson's album Slo-Mo Neon Luminate Hoverings is due June 12, 2026, on Nonesuch Records. The album features four new compositions by each musician as well as one collaboration. The album track “Soundcheck“ is available today and can be heard below; you can pre-order the album here. The duo, long admirers of each other’s musicianship, met at Halvorson’s Brooklyn apartment and began playing together periodically, going back as fa…
Geometry of Murder: Extra Capsular Extraction Inversions
On Geometry of Murder: Extra Capsular Extraction Inversions, Earth x Black Noi$e stretch the 1991 debut into an even slower, more vaporised continuum, where Carlson’s primordial drones are rerouted through modern electronics into a smeared, time‑dilated echo of the original.
Harumi
Somewhere between 1967 and 1968, at the very nerve of the psychedelic era, Japanese singer and composer Harumi recorded in New York an album that today sounds like a lost manifesto of cosmopolitan psychedelic pop. Harumi is a rare example of delicate, almost fragile psychedelia - where Eastern melodic sensibility meets soft American folk-rock and the studio imagination of the late 1960s. Recorded with New York musicians, the album moves between dream-pop long before the term existed, baroque pop…
Eternity's Pillars B/W Raise The Chalice & Reverential
Eternity’s Pillars b/w Raise the Chalice & Reverential consists of three brand new tracks created and performed by the iconic duo of Stephen O’Malley and Greg Anderson and co-produced by sunn O))) and Brad Wood. Brad Wood recorded the material at Bear Creek Studios in Woodinville and Sea Grass in Los Angeles in 2025. The tracks on this maxi 12” are the first official sunn O))) studio recordings to feature only the original core duo on heavily saturated electric guitars and synthesis. sunn O))) g…
Motherland
On Motherland, The Visitors - brothers Earl and Carl Grubbs on alto and tenor saxophone - channel late Coltrane’s searching fire into a spiritual soul‑jazz ritual, all tenderness and incantation wrapped in a warm, analogue glow.
Passages... À Travers Le Temps
Octavian Nemescu's music doesn't perform - it initiates. This Metaphon collection reveals Romania's spectral mystic at his most profoundly timeless, where bees' wings and synthesizer drones become pathways to the inaudible."
Xerrox Vol.3
Xerrox Vol. 3 is the eighth solo studio album by German electronic artist Alva Noto, released in 2015 as part of the ongoing Xerrox penthalogy, which began with Xerrox Vol. 1 (2007) and Xerrox Vol. 2 (2009).Inspired by formative influences such as Andrei Tarkovsky's 1971 film Solaris, La Isla Misteriosa y el Capitán Nemo by Juan Antonio Bardem, and Henri Colpi, Carsten Nicolai exchanges austerity for cinematographic lushness in the remarkably widescreen third volume of his Xerrox series.
In line…
Taillis
On Taillis, Roxane Métayer and Charles Dubois cultivate a sparse, alive thicket of sound where violin, prepared drums and resonant objects trade roles, letting melody, pulse and texture quietly braid into fragile, shifting song‑forms.