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A title like a manifesto, and music with the conviction to carry it. For a few nights at the close of 1972, the Jazzhus Montmartre in Copenhagen held a trio that would barely survive the season. Abdullah Ibrahim - then still recording as Dollar Brand - sat at the piano; Don Cherry stood with his trumpet; Carlos Ward raised his alto. From the performance of November 14 came The Third World-Underground, a record that surfaced only in Japan, on Trio Records' Nadja imprint in 1974, and then all but …
Since 2005, Mariska Baars aka soccer Committee, has quietly carved out a singular space where folk, ambient and experimental music dissolve into one another. Working with little more than her voice, an acoustic guitar and delicate loops, Baars creates songs of a remarkable intimacy. There's nowhere to hide in these arrangements, and that's precisely where their magic lies. For Accidental Meetings, Baars revisits a selection of songs from across her catalogue, gently reshaping and reimagining som…
Skintone Edition Vol.1 begins the remastered reissue of 14 essential Susumu Yokota albums from his Skintone label (1998–2012), released individually and in two box sets over 18 months, celebrating Yokota’s innovative legacy in ambient and electronic music.
Phillo Jazz winks at improvisational traditions Akita has always both honored and subverted. Jazz's spontaneity finds its noise equivalent - though the relationship is more conceptual than sonic. Where jazz improvisation operates within harmonic frameworks, Merzbow improvisation occurs in texture and density, shape and duration.
The "Phillo" prefix remains mysterious - perhaps referencing philosophy, philology, or simply playing with sounds. These recordings demonstrate fluidity at its best: not…
Never-before-released 1981 live recordings by Alterations, the great British free-improv quartet of David Toop, Peter Cusack, Steve Beresford and Terry Day. Hundreds of instruments cover the floor; the music reacts to room, noise and audience alike. Playful and rigorous at once. From Sub Rosa's SubLogos series. LP.
*250 copies limited edition* The quartet of Ivo Perelman, Matthew Shipp, William Parker and Bobby Kapp returns with Synesthesia, a new recording that captures their deep connection and evolving voice in contemporary free jazz. Following the acclaimed Ineffable Joy and Heptagon, the group continues to explore spontaneous composition, open form, and strong collective interplay. This time, the music leans further into a modern jazz language, with sharper focus, clearer shapes, and a refined sense o…
On Paradise Cove, Misha Panfilov and Shawn Lee build a sun‑bleached instrumental universe where deep‑funk pulse, soft‑psych haze and library exotica glide together. Surf‑tinted guitars, analogue keys and supple rhythm work trace a 35‑minute arc that feels like a lost soundtrack to a dream resort just slightly out of time.
TBM is proud to present Tomorrow, the new piano trio album by Hideo Ichikawa, a musician defined by two distinctive facets: the consummate technical pianist and the composer whose work shines through innovative, lyrical expression. Released on the TBM label, this record captures Ichikawa at a remarkable creative peak, where precision and imagination meet with rare naturalness.
On Tomorrow, Ichikawa reaches extraordinary artistic heights—an album that feels both deeply considered and vividly aliv…
On Timeless Records: From The Archives (1974–1991), Antal rethreads the Dutch label’s glory years into a double‑LP of modal and spiritual fire - from Pharoah Sanders to Art Blakey, Woody Shaw and beyond - built for dancers, diggers and late‑night headphones alike.
Hardcover, 468 pages, 21×27 cm! In the wake of his Cause And Effect cassette label and distribution service, Hal McGee launched Electronic Cottage International Magazine. From 1989 to 1991, its six issues focused on the independent home recording community – artists who had developed their craft in the post-punk DIY era. The contributors were nearly all members of the hometaper community. The magazine featured articles providing helpful tips and highlighted the challenges hometapers faced. It in…
Electronic Sound Issue 139 arrives with Scritti Politti legend Green Gartside on the cover, bundled with an exclusive limited edition gold vinyl seven-inch featuring two of the group's much-loved mid-1980s classics: Wood Beez (Pray Like Aretha Franklin) and Perfect Way. Inside, an exclusive interview with Green marks the reissue of Scritti Politti's Songs To Remember (1982) and Cupid & Psyche 85 (1985), two brilliant albums that took the band from scratchy post-punk outsiders to electropop giant…
French composer Sylvain Bombled aka Mayerling is back on HITD with ‘Finis Terrae’, marking the project's first album in 8 years. In the winter of 2025, the musician came up with these five pieces while in solitary retreat on the northern coast of Ouessant, the westernmost island of metropolitan France. The rough weather, the awe-inspiring beauty of the surroundings and the majestic grandeur of the natural elements play a pivotal role in each composition, allowing Mayerling to delve into his inne…
Double LP reissue, remastered. Two original albums - Ambiances and Images (early 1970s) - collected on one set. Includes inlay with the original liner notes and a selection of Viktor's paintings, photographs and film stills. Institut for Dansk Lydarkaeologi / BIN.
The music on Horse Lords’ Demand to Be Taken to Heaven Alive! feels both impossibly detailed and eminently human. The album’s twelve pieces are layered and interwoven, tonally and rhythmically complex––moiré-like patterns of interaction and tessellation that play out for both mind and body, full of sonic warrens with an inescapable groove. An electrifying leap forward for the band’s shared language, Demand to Be Taken to Heaven Alive! aims to liberate the listener into a spiritual, ecstatic, and…
Released on Polydor in 1972, this is Roy Ayers hitting his stride. The Ubiquity sound has clicked into place: jazz improvisation, funk underneath, soul harmony, spiritual weight, all of it pulling in the same direction. The vibraphonist leans hard into groove without losing the openness, soul-jazz tipping over into the jazz-funk that would carry him through the decade. The band is loaded - Harry Whitaker on electric piano, organ and voice; John Williams on bass with Ron Carter stepping in on "We…