Best sellers
Born Again Pagans
Triple LP edition, black vinyl. Infinite Fog are delighted to present another piece of the intriguing Coil puzzle. In the mid 1990s the core team of John Balance and Peter Christopherson were continuing their exploration of the outer reaches of electronic sound production as exemplified by the "Born Again Pagans" release, originally an EP only, featuring both the hugely danceable "Protection" smash which had Danny Hyde's influence writ in large letters all over it, as well as the first outings o…
Mana
The treasure of Japan’s jazz scene and its most formidable drummer, Takeo Moriyama, drives out a powerful, intense beat. This important work — recorded in April 1994 and the catalyst for Moriyama’s comeback — is being released on vinyl for the first time. Backed by a rock-solid lineup of players — Fumio Itabashi (piano), Toshihiko Inoue (S. Sax & T. Sax), Eiichi Hayashi (A. Sax), and Hiroshi Yoshino (bass) — the recording delivers a ferocious performance that condenses the universe of Moriyama’s…
Have You Heard About the World Coming to an End?
Death Is Not The End present a compilation gathering a cross-section of early gospel choirs and vocal harmony groups recorded between late 1920s and the mid-1950s - a period when spirituals & jubilee traditions merged with blues, jazz and early rhythm and blues, providing the musical routes for the coalescence of the civil rights movement born out of the black church. In the modern world these perennially vital recordings provide a fitting tonic for the near-dystopia we find ourselves living thr…
Mannequin
"After Aktor and Quietism last year, the Scotsman is in top form, churning out albums that are stunning in their intelligence and pop refinement. If Mannequin is so good, it's for three main reasons. The first is that Momus has returned from his experiments that saw him playing around with AI or composing K-pop songs. We welcome with delight his return to the basics of a pure and perfect pop characterised by a certain economy of means, a DIY ethos — a synth-pop hodgepodge that suits him perfectl…
A Concrete Pasture
Follow-up to Haarlemmerhout, pushing Polack's hyper-local Haarlem practice out into the wider world. Four long pieces are built from material gathered across continents - the temple of the reclining Buddha (Wat Pho, Bangkok), Schiermonnikoog in the Dutch Wadden, Hong Kong traffic lights, Gamelan percussion - then routed through electronic processing, nostalgic power chords, electroacoustic crescendo writing, and a final tenor saxophone gesture reminiscent of Albert Ayler's raw expressivity.
Breach
Zeno van den Broek's most aggressive work for the label, framed around chaotic systems and the energetics of protest and riot. Sine waves, noise and grid logics from his architectural-conceptual practice are pushed into pitch-black metal-electronic territory, with polyrhythmic structures driving the buildup and release of accumulated tension. A formal study of chaos that retains his rigorous minimalist vocabulary while shifting it into visceral, high-energy mass.
Paintings
Final work in a trilogy (Sketches, Drawings, Paintings) marking Philipp Bückle's return to music after closing his Teamforest project. Recorded in 2014 across Copenhagen and Dortmund, the album combines a visually organic sensibility with experimental composition, the titles functioning as discrete sound paintings spanning warm September evenings, rainy days, a seascape, a wedding. Mastered for vinyl by Stephan Mathieu. Ambient drone abstraction grounded in figurative diaristic detail.
Absens
MMMD returns with Absens, a commanding new album that expands their deep monolithic sound into a darker, more intimate terrain: across nine tracks, the record fuses subterranean low frequencies, complex inter‑modulations and brooding textures with distant threads of folk, all rendered through custom‑made instruments and meticulous sound design. Absens is an exploration of absence and presence, where physical weight meets spectral intimacy — MMMD assemble these elements into an immersive work tha…
Dwaal / Wold +
Originally released by Ghent's Dauw tape label in 2016 and quickly sold out, here reissued on CD with two new interpretations added. The original is a pair of eighteen-minute pieces: Dwaal layers orchestral washes against radio static and erratic noise, while Wold spreads sparse piano notes over a bed of fine hiss, supported by wind and bird recordings from Vriescheloo. The reissue adds remixes by Benoît Pioulard (organ and guitar) and Nicola Ratti (synth sputters and rhythm).
Many Many Women
Many Many Women by Petr Kotík is a large-scale composition for voices and instruments from 1975-78 on the text of Gertrude Stein's novella of the same name. It was published in Paris in 1910 as part of the book G.M.P. - Gertrude, Matisse, Picasso. In 1972, the book was published again by Dick Higgins in his publishing venture Something Else Press. Kotík used the complete text, which determined the length of the piece. Inspired by his close collaboration with the composer and singer Julius Eastma…
Iapetus
Wewantsounds continues its reissue program of Bob Shad's cult jazz label, Mainstream Records, with Hadley Caliman's superb 1972 album, Iapetus. Recorded in LA and featuring a heavyweight lineup of West Coast players including Todd Cochran, Woody “Sonship” Theus, Luis Gasca, and Victor Pantoja, the majority of the album was composed by Todd Cochran (aka Bayeté) soon after he had composed Bobby Hutcherson's Blue Note classic, Head On. A true hidden treasure, it is reissued here on vinyl for the fi…
Voice
On Voice, Sofia Jernberg compresses a lifetime of radical vocal exploration into a stark solo document, treating the larynx as full‑spectrum instrument - from split tones and pitchless friction to fragile lyric shards that hang in charged silence.
Unfamiliar Music (Paris)
Sparkling or Silent finds crys cole and Oren Ambarchi pausing their restless, always‑on‑the-move discographies at a curious angle, as if turning the light slightly to see what has been glinting at the edges all along. Both artists have long carried an electroacoustic sensibility in their work - in cole’s hyper‑attentive treatment of small sounds and negative space, in Ambarchi’s use of guitar and electronics as malleable matter rather than fixed instruments - but here that sensibility becomes th…
Obscurum per oscurius
The Latin title - 'explaining the obscure by means of the more obscure' - frames a collection of drones composed by Kouw across an extended period, in which the initial moments of inspiration are deliberately obscured in the final material. Long-form ambient drone work, mostly close to alien stillness with the occasional submerged rhythmic emergence, the album positions itself in the alchemical lineage where the act of explanation projects further mystery into what it claims to clarify.
Moving Music - Sounds From the Rocking Chair
Compilation that grew out of the label's December 2019 crowdfunding campaign. Twenty-four musicians contributed across sixteen tracks, mixing solo pieces with ten new collaborations (TVO & Jos Smolders, Radboud Mens & BJ Nilsen, Kouw & Petrovic, and others). The set holds together with surprising consistency across modular composition, minimalist ambient drone and electroacoustic experiment, functioning as a cross-section of the label's network at a precise moment.
Space Elements Vol. III
2025 stock According to Rafael Toral, the Space Program is all about a simple idea: to perform abstract electronic music under jazz values. The result is full of fascinating paradoxes: "melodic without notes, rhythmic without a beat, familiar but strange, meticulous but radically free." Taiga now releases its most eloquent example so far: "Space Elements Vol. III is the strongest and musically most diverse statement within Rafael Toral's Space Program to date. You will experience "jazz on electr…
Reference: Miles Davis’ 3rd Quintet Bitches Brew Live 1969 in Europe
"The shock and awe that Bitches Brew produced within and without the jazz world on its release in March 1970 was largely unexpected, the result of the music’s uncompromising power and what many felt to be its perplexing, eccentric sound and structure. In retrospect, we know how Miles’ unconventional studio methodology and Teo Macero’s subsequent compositional editing of the voluminous taped material innovated the remarkable finished product. But what has only marginally been discussed is the ext…
Iskra
*2026 repress. 200 copies limited edition* Iskra is the debut album by Polish multi-instrumentalist and composer Olga Anna Markowska. Starting at “Dawn” and ending at “Dusk”, it is a journey of melancholic depth and true beauty filled with warm memories from what was & what could be.
Using zither, cello, electronics and occasional wordless voice, Olga weaves together something so affecting and under the skin beautiful that it is hard to shake, bringing to mind classics from artists like Jacaszek…
The Final Painting
Time stands stunningly still on The Final Painting, the dreamy, elegiac final album from legendary underground singer-songwriter/poet/painter Ed Askew.
Day of Anger (I Giorni dell'Ira)
Issued for Ortolani's centenary, the most complete edition yet of his 1967 western score for Tonino Valerii's film with Lee Van Cleef and Giuliano Gemma. Jazzy horns, electric guitar and that slow-stepping main theme, across the original mono and stereo albums plus the full score in stereo. 350 copies.