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Continuing their longstanding explorations of unexpected and adventurous territories of sound, Von - the imprint run by filmmaker and sound artist Carlos Casas and cofounded with Nico Vascellari - is pleased to present Kino Variants 1967-1986, the first-ever collection to illuminate the vast body of work created by the Uzbek composer Rumil Vildanov during the second half of the 20th Century. Offering a rare glimpse of liberated creative spirit operating behind the Iron Curtain, this engrossing d…
Miya Masaoka's orchestra, recorded live in San Francisco in 1995 and 1997 with George Lewis, Vijay Iyer, Trevor Dunn and others: strings, Asian winds, shamisen, electronics and turntables under her whole-body conduction.
In September, 1967, three of the primary ensembles of free music in Northern Europe gathered for a mini-festival on Radio Bremen: the Manfred Schoof Quintet, the Peter Brötzmann Quartet, and the Irène Schweizer Trio. Pianist Alexander von Schlippenbach appeared as part of the Manfred Schoof Quintet, but in these sets, which mixed the dozen members of the ensembles, as well as presenting them on their own, Schlippenbach in fact either led or was at the center of several groupings, presenting two …
The Portuguese percussionist turns drums and cymbals into generative sources: seven tracks of spectral tones, sub-bass rumble and warbly VHS tones, shaped by electronic manipulation and by the chromatic dissonance of Carlo Gesualdo.
Roger Doyle's third solo album on Allchival: new fixed electronic works, software piano improvisations and voice, a response to Finnegans Wake and music from Operating Theatre's 1986 The Pentagonal Dream, read by Olwen Fouéré.
*2024 stock* The Yamashita Trio on tour in Germany in 1975 had a miraculous encounter with free improv genius Manfred Shcoof! This is a too hot live recording of the live performance with Yosuke Yamashita, Akira Sakata, Takeo Moriyama, and Manfred Schoof, who responded aggressively with their whole heart and soul!
One of the most singular and quietly devastating works in The Caretaker's long catalogue. Out of print for over a decade, Patience (After Sebald) returns in a 2026 pressing on History Always Favours The Winners, limited to 500 copies.
Conceived by James Leyland Kirby as the score to Grant Gee's feature-length documentary of the same name, originally released in 2012, the album traces a path through the work and shadow of the German writer W.G. Sebald (1944-2001), following the long coastal walk …
From Lawrence English: "I like to think that sound haunts architecture. It's one of the truly magical interactions afforded by sound's immateriality. It's also something that has captivated us from the earliest times. It's not difficult to imagine the exhilaration of our early ancestors calling to one another in the dark cathedral like caves which held wonder, and security, for them. Today the ways in which sound occupies space, the so-called liquid architecture, holds just as much wonder, albei…
Staggering, career-defining work from Norwegian vanguard Helge Sten (aka Deathprod), who drives relentlessly forward on this illuminating new tome, using Harry Partch's extremely rare metal and glass instruments to pen a major new work that’s been years in the making and somehow resets modern experimental mores. Truly one of the most exceptional, most unclassifiable albums we've heard in ages - one that does a rare thing of having immediate impact - only to further expand deeper into the psyche …
The three albums Reich made for ECM between 1978 and 1982, reissued as facsimile sleeves in a card box: Music for 18 Musicians, the Octet / Music for a Large Ensemble / Violin Phase LP, and Tehillim. Cut all-analogue from the original tapes.
Recorded over two December days in Copenhagen and shelved for nearly three years, Bjerge, Strand gathers Jakob Bro with Charles Lloyd, Larry Grenadier and Jorge Rossy, and arrives on Loveland Music as a limited double vinyl in gatefold sleeve with artwork by the painter Tal R.
Bro invited Lloyd to The Village Recording in Vanløse in December 2023, bringing along the rhythm section he had formed in 2019 with Grenadier and Rossy, the two players who spent two decades refining the piano trio alongs…
Cologne, Cornet Studios, January 1975. Rolf Kühn on clarinet with a band that reads like a German jazz roll call: his brother Joachim Kühn on piano and electric piano, Philip Catherine on guitar, Gerd Dudek on tenor and soprano, Albert Mangelsdorff on trombone, Bo Stief on bass, and two drummers, Daniel Humair and Kasper Winding.
Kühn chose not to record in the MPS studio in the Black Forest and brought in the engineer Wolfgang Hirschmann instead. In his own account, quoted in MPS's reissue note…
Grand Rapids, Michigan, Urban Institute for Contemporary Arts, 28 April 2003. The Billy Bang Quintet with Frank Lowe on tenor, Andrew Bemkey on piano, Todd Nicholson on bass and Tatsuya Nakatani on drums. Lowe was playing with one lung. He died that September, and this is his last recording.
Bang and Lowe went back to the loft years and had made a run of duo and group records together. Justin Time, which had Bang under contract for Vietnam: The Aftermath and its sequel, released the tape in 2007…
René Lussier, Érick d'Orion, Robbie Kuster and Martin Tétreault live at Victoriaville on 21 May 2021, for the label's 35th anniversary: guitar and daxophone, electronics, drums and turntables in one hour of collaged noise.
In Spacemen 3 Vinyl – Extended Edition, Danny Passarella assembles the definitive visual chronicle of Sonic Boom and J Spaceman’s recorded universe: a lavish, full‑colour archive of global pressings, ephemera and new interviews that turns their vinyl trail into a tactile, time‑spanning narrative.
The first album of new studio recordings of Philip Glass's film scores: Brussels Philharmonic and Dirk Brossé play 29 pieces, from Koyaanisqatsi to Kundun, with over half an hour of unreleased music from the composer's archive.
* Limited Edition 300 Copies + 12 Pages Booklet * The album contains several and unpublished performances by Vicinelli and tries to return all the vocal grades and timbric spectrum of her practice. The performative overstatement of the meaning alternates with purely phonetic aspects of poetry. The side B of the LP ends with an unpublished moving audio recording of Vicinelli who, almost sleeping, tells about a dream she dreamt to director Alberto Grifi, her partner at the time.
Patrizia Vicinelli…
The complete Jonestown "death tape" (FBI Q 042), recorded on 18 November 1978. Second pressing of 500 copies, dedicated to Christine Miller, the one voice that argued against the poison.
Debut album by Abenaki bassist, singer and composer Mali Obomsawin, built on songs and stories of her family, with Savannah Harris, Miriam Elhajli, Allison Burik, Noah Campbell and Taylor Ho Bynum.