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*2026 repress!!!* Oh yes! First ever official reissue of the positively sublime and very rare Butterfly LP, recorded in Tokyo in 1979 by Japanese songstress Kimiko Kasai and jazz legend Herbie Hancock. Due to its super-rare status as a Japan-only release, this exquisite collection of covers never got the recognition it deserved at the time, despite incredibly inspired performances from Kimiko, Herbie and the supremely talented musicians assembled for the project. From heavenly drummer Alphonse M…
*2024 stock* Crafted throughout 2004 and early 2005, Rösner’s original source material stems largely from instruments (guitar, percussion, analog electronics), and through his detailed processing and production methods he’s been able to counterpoint a desire for raw digital overtones against earthy acoustic qualities.
The results are simply a pleasure for the ears – course passages of hiss and electronic splutter give way to lilting moments of sheer melodic beauty. With strong humming bass heavy…
Guitar and Pedal Steel duets by Nicholas Merz (New Orthodox) and Pat Murano (Decimus)
'Komos Cowboys are here. Here with a LP debut. A debut that winds through the living room like a lab coat experiment, already in progress. Yea it doesn't feel like the first word from these chaps, instead it's as if someone just flipped on the flashlight or the Zoom recorder and the Cowboys didn't look up. The result- a sliding, blinking scene report on something that's been rolling for some time now. Maybe the…
*100 copies limited eidtion* The 12 lp cycle of the zodiac of Decimus Magnus Ausonius was originally initiated in 2011. Over the course of 15 years, lps were release on various labels including Kelippah, Digitalis, Planam, Holidays and Further. This present LP represents the resolution of this arc.
Bright Madness is the third album from the pinch-me-is-this-real improvising trio of Wendy Eisenberg, David Grubbs, and Bonner Kramer. Fresh off their 2025 Big Ears appearance, Squanderers slid on over to Kramer’s adopted hometown of Asheville, North Carolina and laid down the glorious afternoon’s worth of instant compositions that stands before you. It’s the sound of Eisenberg, Grubbs, and Kramer doing their damnedest to dazzle one another, from shell-game sleights of hand to the effortless bea…
Few figures in experimental music embody rupture as completely as Maurizio Bianchi. A Journey Through Sound, Silence and Return traces his arc from ferocious early industrial extremism to a radical withdrawal and enigmatic comeback, revealing an artistic ethic where creation, renunciation and re-emergence form one continuous, troubling gesture.
The first ever survey of the seminal British experimental music collective, Gentle Fire, "Explorations (1970 - 1973)" offers a remarkable and previously unavailable glimpse of their activities during the early 1970s.
Moon Ray was recorded on 21 and 22 April 1977 in Japan for the Three Blind Mice label. The album features the quartet led by alto saxophonist Yoshio Otomo, accompanied by Tsuyoshi Yamamoto (piano), Tamiko Kawabata (double bass) and Arihide Kurata (drums). The programme consists of standards from the American jazz repertoire as well as an original composition by Otomo. The production is part of the TBM label's series of acoustic recordings.
Recorded in Tokyo in June 1978 after his stay in the United States, Midnight Sun captures the Tsuyoshi Yamamoto Trio in a format typical of the Three Blind Mice aesthetic: full, dynamic sound and natural breathing of the playing. Between standards (‘Autumn Leaves’, ‘Love Is Here To Stay’) and more personal themes, Yamamoto favours melodic narration, with a deep left hand and a very singing touch.
Lucky restock, few copies available! The new transmission from Turin's My Cat Is An Alien, Maurizio and Roberto Opalio's long-running cosmic project, issued in a hand-numbered limited edition of 99 copies on their own Opax Records imprint. Two long-form pieces built around what the Opalios describe as a genuine creative breakthrough: applying their established practice of spontaneous composition in reverse, working by subtraction once the "apogee of real-time creation" had been reached, in servi…
La Isla Borrego gathers fragments and echoes from the last few years. Based on an invented dream, this is not a composition, but a sediment; not a field recording, but an archive of mistreated memories. There is no map for La Isla Borrego. Instead, there is the architecture of an invented dream: an accumulation of acoustic residue shipwrecked on the conscious island of the last six years. Sounds are not emitted, but reflected and bounced. A catalogue of biographical errors; a series of echoes sa…
*2024 stock* Rainforest Spiritual Enslavement is the ambient techno project of Dominick Fernow. Focusing on slow paced bass studies and synthetic dub textures, surrounded by collaged and looped field recording environments, RSE shrouds sound over image to target the sector of brain where fear supersedes rationality -- the imagination. As RSE appears live for the first time, it has transformed into an entity with rotating contributors on stage and on recording. Ambient Black Magic moves away from…
A sequel to 2011's communication from our future selves on 'The Spectacle of Light Abductions', this new endeavour by restless netherzone traveller Spencer Clark envisions a space map towards the other side of human life.
A meditation on the paintings of Vedran Kopljar, these two side-long pieces, recorded and performed at Kopljar's exhibition at Muhka Museum in Antwerp in 2024, tap into the barren world inhabited by Clark while wandering what he calls the "Abomination Plateaus".
Searching for m…
Numbered edition of 500 copies Comes with 8 page 12" booklet Thanks to Dan Wilson for the segues on side 2 Special thanks to Sandra Cross, Miles Champion and Ed Baxter. These recordings were collected by William English from the floor of Captain Seddon’s cottage shortly after he died and just before the building was demolished. Many other tapes were left behind. The only recordings he made were audio letters, diaries and most prolifically, his phone conversations. The 12 pieces on this LP were r…
Degraded, faded cities now empty of people. You can hear household appliances in the kitchens still talking, but only to each other. The phrases are distorted, unclear; broken English , Japanese and a few Korean and Chinese automated voices, syllables, shopping lists, play lists for dinner and recipes. Somewhere one of the machines is dialled in on an isolated pre Buddhist monk chant, distant like from a high cliff meditation cell. The flow of the wide, long Black Mother River Kali Gandaki below…
Tip! "Expect the unexpected. Masami Akita, corrupt mastermind behind the bound and gagged and tossed into the jet engine noise of Merzbow has, over the last years, really begun to stretch the limits of what he sonically does. Seems, with releases (Tauromachine, Hybrid Noisebloom, 1930...), there has been more variety within the choppy slabs of noise that he designs. What we have here is, quite possibly, the most varied Merzbow release to date. Why? Because, amidst the stalk and squeal noise,…
On Oblivion Seekers, Ben Vida turns everyday speech into a glowing maze: neutral‑toned duets, drifting chamber textures and collaged overheard phrases dissolve meaning and sound into one long, entrancing mantra of language in motion.
Two of Henning Christiansen’s tape works from the 1980’s, Peter der Große op. 174 (1986) and Gudbrandsdal op. 178 (1987), are now released for the first time by the Institute for Danish Sound Archaeology.
After more or less 20 albums on guitar released since 2005 on LPs, cassettes and CDs, the first real album on piano by Belgian singer-songwriter Bram Devens aka. Ignatz. In 1910, the illustrator George Herriman created the Krazy Kat comic strip. Ignatz, a vicious mouse, was Krazy Kat’s arch enemy, and his favourite pastime was to throw bricks at Krazy Kat’s head (who misinterpreted the mouse’s actions as declarations of love). Ignatz is the alter-ego of Belgian musician Bram Devens. Since 2005, …