Best sellers
In A Box
"When I recorded the first 2 Trickfinger records, I had recently discovered that you could make electronic music in a room with a bunch of synced machines going at the same time, record it on a CD burner and have a finished track. I've heard this process described as “overdubbing into the air”. It was as exciting to me as my first 4 track was when I was 14. I wasn't trying to be good, or original. I was just excited that music could be made that way; it felt like I was a whole group of musicians…
Olento
2024 Repress. Truly essential double LP set by Finnish legend, Mika Vaino
Rope
*200 copies limited edition* Rope is a collaborative improvisation between musician and producer Al Wootton and musician and percussionist Irene Bianco. Wootton’s hardware processing of various sampling methods, plus guitar, bass guitar and clarinet, provides a counterpoint for Bianco’s experimental treatments of drum kit, bells, vibraphone and other percussion instruments. The result is foggy, dubbed out, glacial, free form compositions that defy categorization.
Sonic Boom, Spectrum & E.A.R. Vinyl - (Book + Flexi)
In Sonic Boom, Spectrum & E.A.R. Vinyl, Danny Passarella turns Pete Kember’s solo history into a 300‑page artifact: every record from “Angel” to A ? Of When, unreleased audio, new interviews and ephemera mapped into a definitive, tactile chronicle.
Antworten
180 gram LP version with free download code. "Antworten (meaning: answer) is the third installment in a trilogy of Qluster music, following on from the Fragen (BB 076CD/LP) (meaning: question) and Rufen (BB 075CD/LP) (meaning: call) studio albums. The fact that the music on Antworten was created before Rufen and Fragen were recorded is less of a paradox than it might at first appear. For the expansive piano fantasies of their 2007 recordings had already provided a clear answer to the two musicia…
Blitzkrieg
One of Germany's longer lasting bands had first started as Blitzkrieg (until they found out a British band used the name as well) and changed their name to Wallenstein and kept their former name for the album, gracing it with a war-themed gatefold cover. Produced by the unavoidable Dieter Dierks and released on the ultra collectible Pilz label in early 72, this debut album is stunning effort that transformed the 200 MPH speed notion into music. Keyboardist Jurgen Dollasse's very international gr…
Katcharpari
** Audiophile reissue from the original masters, 180gm vinyl pressed by Pallas, laminated hand-glued gatefold cover. Limited Edition. ** Katcharpari is the second solo album by Italian jazz trumpeter Enrico Rava, recorded and released in January 1973 and considered a cornerstone of the jazz-rock/fusion genre. Recorded in Milan and released on the German label BASF, Rava himself described it as his "breakthrough album." Thanks to the critical acclaim this work received, Rava caught the attention …
Ethiopian Musics 1971
Taking a slight deviation from the widely celebrated path through experimental sounds that has largely defined their efforts over the years, the venerable Sub Rosa returns with rare and essential dive into the world of ethnomusicology with ‘Ethiopian Musics 1971’, their third release dedicated to the recordings of Ragnar Johnson and the second devoted to the groundbreaking recordings he made in Ethiopia with Ralph Harrisson during the summer of 1971. Belonging to a larger body of recordings dedi…
V.I.R.U.S.
Tip! Noton releases the Limited Edition CD Box Set of Alva Noto & Ryuichi Sakamoto’s V.I.R.U.S. Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S. series in 2002. After more than a decade from the release of the collection’s final installment with Summvs in 2011, Noton reissued all the five albums between May and November 2022.
With its impressionistic atmosphere, in this collaborative project two genera…
Nordic Sound Art
Edition of 30 (!) Eight pieces by the graduating artists of the Nordic Sound Art programme, issued in 2015 by the Royal Danish Academy of Fine Arts in an edition of 300, compiled by Jonas Olesen, who coordinated the programme throughout its life, and supported by the KUNO Publication Fund.
Nordic Sound Art ran from 2007 to 2015 as a joint study programme within the KUNO network, shared between the art academies of Copenhagen, Helsinki, Bergen, Tromsø and Umeå. Students spent a year moving betwee…
A Sudden Burst of Noise
A Sudden Burst of Noise is a study in the equivalence between rotational frequency, material structure and sonic form. Following the core idea of the Brutalism project, architecture and infrastructure are treated not as backdrop but as structural agents. The radio telescope, its reinforced-concrete body, its rotating mechanics and its scientific function, serves as the compositional framework: rotational movement becomes rhythm, structural tension becomes texture, measured cosmic data becomes so…
The Faust Tapes
There’s something perversely fabulous about the thought of this warped masterwork wandering into 60,000 unsuspecting British homes in 1973. Faust’s second-and-a-half album hit the shops to celebrate their signing to the nascent Virgin Records, who were looking to take advantage of the zeitgeist for German music at that time. Undeterred by the fact the band’s unwillingness to engage with the commercial landscape had seen them dropped from Polydor, Branson and co cooked up a suitably spectacular m…
Nothing Is New In This Room Except The Dust
With Nothing in this room is new except the dust, Ivan The Tolerable returns not to a room but to a weather-beaten tract of being — a north-facing interior where wind has a voice and the light is a thin animal nosing the corners. The trio who forged Black Water, Brown Earth and An Orphan Form — Oli Heffernan, Mees Siderius, and Elsa Van Der Linden — move here with the patience of creatures that have learned the seasons of each other’s blood. If the earlier records surveyed land, this one digs in…
Bright Madness
Bright Madness is the third album from the pinch-me-is-this-real improvising trio of Wendy Eisenberg, David Grubbs, and Bonner Kramer. Fresh off their 2025 Big Ears appearance, Squanderers slid on over to Kramer’s adopted hometown of Asheville, North Carolina and laid down the glorious afternoon’s worth of instant compositions that stands before you. It’s the sound of Eisenberg, Grubbs, and Kramer doing their damnedest to dazzle one another, from shell-game sleights of hand to the effortless bea…
Variierende Töne Vol.II - membranes + machines
Descending from the first volume, Variierende Töne vol.II retraces the essential threads of the label, this time through two parallel perspectives: membranes + machines. A continuity of path, where past and future blur into new readings, into sounds that move between repose and tension, between presence and absence.
The work is divided into two movements. Side A: an immersion in organic matter—field recordings, acoustic research, surfaces shaped by Hanna Maria & Mattia Onori, Marco Ragni & Leona…
Clocking The Wheel
In June of 2013, a new label for improvised music was born. After years of working with other labels in the “business,” saxophonist and label founder Dave Rempis saw the writing on the wall that many of those outlets for underground music would soon go belly up. With shifting modes of consumption and distribution due to the wave of digital options drowning out traditional music media, it became clear that artists working outside of the mainstream would have to take over their own production and …
Live in Arles 1975 (2LP)
Seventh entry in the essential Can live series, and one of the great ones. A hot August night in 1975, the Roman Théâtre Antique in Arles, the core four locked in: Irmin Schmidt, Michael Karoli, Jaki Liebezeit and Holger Czukay. No safety net, just the band stretching out in real time.
For decades this concert lived only in the stories of the people who were there, the recording buried in the Spoon Records vaults. Unearthed at last for its first ever release, with sleeve notes drawn from first-h…
A Body of Water
On A Body of Water, Kaloja - the duo of Jan Anderzén and Paul Wilson - summon a strangely pastoral, hyper‑alive electronic ecosystem. Psychedelic synthesis, physical modelling and impressionistic sound‑painting converge into abstract figures that ripple through an unstable yet welcoming landscape, like sentient currents moving beneath a calm surface.
Thank You, Guitar
In the ongoing battle between technical virtuosity and authentic expression, most guitar "shredders" have chosen the wrong side - trafficking in overwrought drama while remaining devoid of soul, viewing music as competitive sport rather than spiritual exploration. Enter Cyrus Pireh, whose latest Palilalia release Thank You, Guitar represents nothing less than a revolutionary approach to "transcendental shred electric guitar music" that upcycles the despised 32nd-note neck sprint into something g…
Bonnie Dobson
Bonnie Dobson’s self-titled 1969 album is a striking blend of folk-pop and psychedelic nuances, marking a move beyond the traditional acoustic style that made her famous in the early 1960s. The album’s mood is often reflective and melancholic, balancing pastoral beauty with darker themes of change, loss, and uncertainty. One of the hidden gems of the album is track B4 “Pendant Que” by the celebrated Quebec songwriter Gilles Vigneault, which stands out since it is sung in French and reflects Dobs…