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Two sides recorded in 1973. On one, Young and Zazeela sing over a sine wave drone with Jon Hassell on trumpet and Garrett List on trombone. On the other, three sine waves alone, tuned on oscillators built for the purpose by Robert Adler. The sleeve tells you to turn the treble off.
Sarah Davachi's first book, From the Ruins of the Literal: Critical Organology, Timbre, and the Poetics of Affect, published by her own Late Music imprint. The title is borrowed from Paul Ricoeur, whose account of metaphor locates meaning at the point where literal sense gives way. Davachi turns that idea on the study of instruments and timbre, disciplines she sees as long governed by empirical, neuro-cognitive and modernist assumptions. Her objection is not that measurement is wrong but that it…
For a group founded on refusal, The New Blockaders have collaborated a great deal. It is less a contradiction than it looks. Where most collaborations in music amount to two recognisable personalities meeting and reinforcing each other, TNB's have always worked in the opposite direction: material is passed over, altered, buried, returned, and what emerges belongs to nobody in particular. Paul Hegarty has described the process as one in which individuality gets swamped, the sound cut loose from a…
Janel Leppin - The Realist (OOYH 048), featuring the incredible new trio of Janel with Devra Hoff (Sharon Van Etten, Nels Cline, Xiu Xiu) on bass, and Chad Taylor (Chicago Underground Duo, Marc Ribot, jaimie Branch) on drums, which Phil Overeem called "the freshest sounds from one of the most fascinating artists in creative improvisation."
"Death is a lack with weight. At the moment that you realize that someone you love is irrecoverably gone, a small tear in your life opens up. As days go by, the sliver of grief grows, becoming a rift, a gap, a gulley, a canyon. At the point that you feel lost in the immensity of space where that person used to be, the expansion stops; the hole—the vast and airy part of your life that used to be occupied by that person—becomes solid. Maybe it decreases in size, but more likely, your memories grow…
This is a set of improvised studies made on the Clavemusicum Omnituonum, a harpsichord designed in1606 by Trasunto with 31 keys per octave. With this 2016 copy made by Markus Krebs for Studio31(Basel), I let the music unfold out of the gestures the hands were able to make thanks to the newpossibilities - and obstacles - created by such a keyboard. As a classically trained harpsichordist, Irelished the opportunity to fully embrace the oblique angles opened up by the keyboard’s disorientinglayout,…
Reissue of the 1971 DEA Records double album in which Barbara explains black, white and gray witchcraft, tests whether you were born a witch, and performs chants, prosperity rituals and exorcisms. Second pressing of 500 copies.
One of the landmarks of minimalism, Radigue's sonic investigation into life, death, and life elsewhere after death, considered to be Eliane Radigue's masterpiece. "Trilogie de la Mort is a work in three parts. The first, Kyema, was originally released by XI in 1992. The 2nd and 3rd parts, Kailasha and Koumé are being released for the first time and the trilogy now makes its debut as a whole [this 3CD set is being sold for the cost of 2 CDs to make up for the prior availability Kyema]. 'Kyema' is…
*100 copies limited edition* Tokyo-based artist Ryu Yoshizawa has spent the past decade developing a singular language as Koeosaeme. His works sit somewhere between electronic composition, musique concrète, sound collage and sound art. Following a series of acclaimed releases on Orange Milk Records, this album turns his attention to a place close to home: Kaihin-Makuhari, a coastal district on the outskirts of Tokyo. Land that was once part of the sea. Conceived as a future city, Kaihin-Makuhari…
Remastered LP edition. Finally back in print! Originally released by EMI's Pathé Marconi imprint in 1969, People in Sorrow — a 40-minute work by the four-piece lineup of Roscoe Mitchell, Joseph Jarman, Lester Bowie, and Malachi Favors — has long been unavailable on vinyl and CD, and then only in hard-to-find European and Japanese issues. It is arguably the finest and most ambitious of the 14 studio albums recorded by the Art Ensemble of Chicago during their 23-month sojourn in France, which laun…
The first thing that should strike any attentive listener of Gary Mundy’s work as Kleistwahr is that this new collection of nine songs features drums on the opening two tracks. Combining a manic rhythm with searing white noise, a post-punk guitar chopping angular sounds like it belongs to the debut Banshees’ album, and despairing vocals, ‘Cold Blood Cold Night’ sets the tone for most of the album. While not every song is bound to this same pulverising beat at its core, there’s a lot of untamed n…
The 1974 DG recording of Drumming by Steve Reich and Musicians, with Six Pianos and Music for Mallet Instruments, Voices and Organ. Remastered from the original four-track tapes for the first time, cut all-analogue at Emil Berliner Studios. Numbered 3LP box, 180g, original artwork.
*2026 repress* On his debut album “Scattered Memories”, the composer, musician and true master on the Iranian spike fiddle kamancheh Saba Alizadeh blends his instrumental virtuosity with spherical electronics, samples of Persian music instruments and field recordings from his hometown Tehran.
Born in Tehran in 1983 as son of the world renowned Tar and Setar virtuoso Hossein Alizadeh, Saba Alizadeh studied the Iranian spike fiddle with Saeed Farajpoury and Keyhan Kalhor plus photography and later…
The Faust vaults through Jean-Herve Peron's eyes. Songs, sabotage and tender strangeness sit side by side, a personal cut of the krautrock legends' boundless, unruly tape archive.
More from the Faust archive, chosen by drummer Zappi Diermaier. Rhythm-driven fragments, noise and studio mischief, the collective's fearless early spirit heard through a founder's own ear.
Originally released by CRI in 1974 and now reissued on vinyl for the first time by Death Is Not The End, Music by Earle Brown is a concise overview of the composer's landmark early experiments with graphic notation, open form structures and magnetic tape.
*300 copies limited edition* Auto-Da-Fé is a collection of SPK’s singles from between 1978 and 1979. The first five tracks, from '78 and '79, are basically a scratchy thrashy punk sound, augmented by synthesizers and samples. Guitars grind, electronics screech, and metal is most thoroughly bashed. Highlight of these early works, and indeed the album, is the deranged Slogun. The intro to the song, a demented echoing clucking and quacking, leads into a pulverising mechanical grind. Surely a candid…
*300 copies limited edition* "Paranoia standard edition has sold-out and here comes the expanded edition / re-print of one the best, if not the best, Atrax Morgue CD release. To this new edition we have added two alternative versions of the track Il Forcipe di Thanatos which were first released on the 7" vinyl Malaplacenta out on OEC in 2017. The original project dates back in 2007 just before Marco's death. On those two alternative tracks you can hear Marco's voice ranting the text written by M…
*200 copies limited eidtion* Boston based The Pandora Consort, a dynamic force in early music, is excited to release a 16-work album of their sought-after concert program, Hildegard Reanimated: Vision in Vision (Hildegard Von Bingen) with a dedicated performance recorded in the stunning acoustic Sanctuary space at Epsilon Spires in Brattleboro, Vermont. The release is a collaborative effort of Sedimental, The Pandora Consort and Epsilon Spires with In-Situ Polyculture Commons who sponsored the p…