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300 copies limited edition A siren sounds. Is it the keel coming to free the worker from her harsh task? Or the call of an iron whale inviting us to set sail for the depths? End of work, beginning of the dream: the grooves here will not be the fruit of plowing but moving reliefs to be explored. Because if there is indeed a paradoxical guide capable of activating the levers of such a liberation of esgourdes, by playing at will with the effects of sliding between the concrete and the abstract, the…
On The Gate Is Open, Zoviet France turn four decades of occult tape‑alchemy into a new portal object: a Hong Kong–forged box of LP, 12-inch and cloth that extends their found‑sound rituals into a meticulously staged, cross‑continental threshold experience.
*2026 repress!* Born in Detroit in 1932 Dorothy Ashby can be easily recognized as the woman who gave the harp a Jazz voice. In her hands, the harp, an originally classical instrument which seemed to just scare people, became a highly versatile swinging voice able to drive a whole jazz rhythm section. Recorded in 1958 by master Rudy Van Gelder and originally released on the Prestige label, Hip Harp is a perfect example of Ashby’s artistry. At the head of a fine quartet featuring the great Frank …
The MerKaBa Brotherhood are Roman Norfleet (The Cosmic Tones Research Trio, Be Present Art Group) and Andre Raiah (Brown Calvin of Brown Calculus, Be Present Art Group). The duo draw from esoteric texts, sacred imagery, and mystic thought, shaping sound into space, tone, and pulse. It's a spare and almost geometric record featuring Sax, keyboard and percussion.
The album turns sound into a working language - textures as diagrams and melodies as signals. There is much to be learned and even more …
*100 copies limited edition* "When AJ Lee stepped back into the ring in September 2025 - after a ten-year break - she introduced herself to a new generation of fans with the words: 'If you haven't heard of me, I am your favorite wrestler’s favorite wrestler.' That is exactly what came to my mind as a lead for this blurb when Pokusa asked me to write it. Because that’s what they are: your favorite indie darlings' favorite indie darlings (even though no one uses that term anymore, let alone identi…
Reemerging three decades on, C.C.C.C.’s Love & Noise hits vinyl for the first time, a still‑devastating artefact where Mayuko Hino’s charged electronics and Hiroshi Hasegawa’s Moog storms turn harsh sonics into something crushing, psychedelic and strangely exultant.
On Minimalistic ethio 80’s and 90’s from audiotapes የሐር ሽረሪት, DJ Mitmitta threads together lo‑fi synth jams and cassette‑era instrumentals from unsung Ethiopian bands, where battered Casios and drum machines sketch hypnotic, pastel‑toned echoes of wedding halls and roadside bars.
At the turn of the millennium the original „Astral Disaster“ subcription-only vinyl release was somewhat of an Unholy Grail for Coil collectors! Virtually unobtainable in its original fiercely limited format of only 99 copies, it is the only album apart from the original „Musick to play in the Dark“ record to combine the genius of Balance and Sleazy with both Drew McDowall and Thighpaulsandra's talents.
Like „Musick“ it is an essentially tidal/lunar record with literal washes of sound enveloping…
Mike Cooper returns to Discrepant with »The Dream Island of Birds«. Neither documentary nor abstraction, »The Dream Island of Birds« sits between field recording, memory, and invention — an island heard through time and circuitry.
In the early 1990s, Cooper met illustrator and writer Charles van Sandwyk while walking on a small island in Fiji. Van Sandwyk was living there quietly, working from a modest bamboo house near the beach. Years later, Cooper learned that following a serious car accident…
A bizarrely entrancing jewel from the depths of the Japanese underground, Doo Dah Nean was originally released in small run of hand assembled cassettes by the La Musica label in the late 90’s. The album is the sole release and evidence of Nean, an entirely under-the-radar trio that crossed the sensual, disassociated female vocals of Japanese iroke kayōkyoku music with off-balance shamanic rhythm and echoing electronic rumble. Nean were the trio of Yui on bass and electronics, Naoko on voice, and…
The second book in the trilogy of volumes dedicated to Grim Humour fanzine, which ran between 1983 and 1993 and lasted eighteen editions. Following on from the first one, published in 2020, this book continues the same approach and blends together reprinted original pages with rewritten features, some insightful reflections on them and additional material by both editor/publisher Richard Johnson and contributors including Andy Pearson, Tom Vague, Edward Ka-Spel, Gordon Sharp/Cinder, Wojtek Kozie…
Companion volume to Parkustomnie, drawn from the same 2016 sessions at the Conservatorio Jesús Guridi in Vitoria-Gasteiz. Guionnet (church organ) and García (electronics) again use volume as a compositional variable: the music is engineered so that at low playback levels the performance feels restrained and exquisitely subtle, while at high volume entirely new sonic strata emerge in overwhelming detail. Electroacoustic improvisation that turns the amplifier into part of the score.
Quartet Records presents its fifth newly recorded release of a classic film score, and its third devoted to the music of John Barry, following Séance on a Wet Afternoon and the three television films starring Katharine Hepburn. The unforgettable music of this five-time Oscar-winning composer continues to be celebrated around the world, and the impact of his innovative scores for dozens of films from the 1960s through the ’90s still reverberates today. The Ipcress File, directed by Sidney J. Furi…
On Noisextra, Masonna condenses his infamous live violence into ultra‑compressed shock cells: all‑frequency spray, cut‑up screams and convulsive drop‑outs that feel less like tracks than controlled electrical injuries to the stereo field.
Bomb! Estonian multi-instrumentalist Misha Panfilov returns with Days As Echoes, a sophomore release that channels the expansive spirit of Krautrock through the lens of contemporary ambient and spiritual jazz. Part of Panfilov's ever-expanding musical universe, the Misha Panfilov Sound Combo delivers six compositions that function as both individual meditations and a cohesive sonic narrative about hope, journey, and human connection. Drawing from an impossibly diverse palette that includes Ethio…
Big Tip! *Limited edition of 200 copies* Geometrik Records is delighted to once again play a part in the exclusive recovery of Marcelo Expósito's previously unpublished work, which had been lost since its original creation in the 1980s. Marcelo Expósito is one of Spain's most internationally renowned contemporary artists, whose work is regularly exhibited across Europe and Latin America. But he began his career at a very young age during the era of sound experimentation that flourished in the wa…
Massive edition, 580 pages, hardcover. Frans de Waard published Vital, a fanzine for electronic and electroacoustic music, from 1987 to 1995. It was a low-budget, Xeroxed publication, bearing the revolutionary instruction: ‘No Copyright Publication. Reprint Now!’ It featured interviews with Asmus Tietchens, O Yuki Conjugate, Merzbow, P16.D4, Pierre Henry, Jim O’Rourke, Brume, Döc Wor Mirran and many others, hosted discussions on copyright, plagiarism and plunderphonics, house music, ambient musi…
This is the second album by the trio "Honnomajika Naharu", consisting of Lapis (guitar & vocals), Hiroshi Higo (bass & vocals), and Masataka Fujikake (drums). This is their first release in about a year since their last album (Honnomajika - Naharu X Keiji Haino: FDR-1052), and is a live album with Otomo Yoshihide (guitar & vocals) as a guest. It is another miraculous work, completely different in type from the previous album, as if the multiple layers of expression have been crystallized into on…
2024 Stock. On June 17, 2022, the acclaimed Los Angeles-based new music collective Wild Up will release Julius Eastman Vol. 2: Joy Boy, the follow-up to last year’s Julius Eastman Vol. 1: Femenine, a record that was hailed “a masterpiece” (The New York Times), “instantly recognizable” (Vogue), “absorbing” (Pitchfork, in its 8.1 review), and “singularly jubilant” (NPR, who placed Femenine among its top 10 records of 2021, across all genres).
Arriving, once more, on New Amsterdam Records, Julius E…