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*2026 repress* Mutant Embryo Records proudly presents for the first time the release of Archaïa's eerie 2nd album!! Following their homonymous 1977 debut LP, 'Harmonie Solaire' is the last ever recordings the band made in 2013 with the authentic line-up of Michel Munier & Pierrick Le Bras. Obscure myths & legends with enigmatic symbols from the past versus an unpredictable future, a trip to occult sessions, weird creatures, robots from a parallel universe through the 'sui generis' sound of this …
*35 copies limited edition* On Fioritures, Lamasz offers his debut for Le Mont Analogue, transforming fragments of classical music into a quietly immersive work. Rooted in material drawn from thrifted cassettes, the six pieces unfold through looping motifs that drift and dissolve, gently enriched with drones, field recordings, and tape textures. The result is a cohesive, meditative reverie, where each moment slowly erodes into a suspended, near-weightless state.
Continuing their longstanding explorations of unexpected and adventurous territories of sound, Von - the imprint run by filmmaker and sound artist Carlos Casas and cofounded with Nico Vascellari - is pleased to present Kino Variants 1967-1986, the first-ever collection to illuminate the vast body of work created by the Uzbek composer Rumil Vildanov during the second half of the 20th Century. Offering a rare glimpse of liberated creative spirit operating behind the Iron Curtain, this engrossing d…
**Limited edition of 222 copies, black vinyl two color screenprinted cover** At eight o'clock on a March morning in 2024, as Amsterdam awakened around it, Charlemagne Palestine took his place at the console of the Vater-Müller organ in the Oude Kerk—the city's oldest building, a Gothic monument dating to 1306—and opened a portal. What emerged over the following forty-plus minutes, now captured on this limited edition LP, stands as one of the most concentrated distillations of Palestine's six-dec…
Two days in May 1971, produced by Bob Thiele for Flying Dutchman. Harold Alexander on flute and soprano over Neal Creque's electric piano, Richard Davis's bass, Pretty Purdie's drums and Richard Landrum's congas. Contains Mama Soul, the scat-flute track that got him into DJ sets decades later.
Jean Derome and Louis Sclavis share a quartet with Bruno Chevillon on double bass and Pierre Tanguay on drums, live at Victoriaville on 19 May 2001: flutes, clarinets and saxophone on compositions by both leaders.
Pierre-Luc Senécal's Growlers Choir, fourteen metal vocalists, live at FIMAV in May 2021 with poet Fortner Anderson: growls and throat-singing-like improvisation over electric guitar tapes, between metal, noise and drone.
François Houle, Kate Gentile and Alexander Hawkins live at Victoriaville on 21 May 2023: clarinets and electronics, drums and piano, in a set named after the medieval nonsense poem where sound leads meaning.
Four double bassists, Barre Phillips, Joëlle Léandre, William Parker and Tetsu Saitoh, live at Victoriaville on 23 May 2003 in memory of Peter Kowald: bowed and plucked basses and voices in a shared farewell.
Fred Frith on guitar, Louis Sclavis on clarinets and soprano saxophone, Jean-Pierre Drouet on percussion and objects, live at Victoriaville on 21 May 2000: one extended improvisation from abstract textures to folk-like melody.
Asked to create a solo album, Adia started looking for a creative way to re-invent her solo saxophone music. Her new improvisations are inventive pieces which take advantage of the full range of her instrument and different playing techniques, but also the sounds of her surroundings in the unusual locations where she recorded – the echo of a silo, the clucking of a chicken coop, or passing cars. These sounds inspired the music, creating a dialogue with the environment.
Gon Muruaga: Lines in the Sky. Music Shaped by Listening
Some musical encounters begin long before the first note. Others begin in the instant of listening.
Miya Masaoka's orchestra, recorded live in San Francisco in 1995 and 1997 with George Lewis, Vijay Iyer, Trevor Dunn and others: strings, Asian winds, shamisen, electronics and turntables under her whole-body conduction.
*300 copies limited edition* A new BLJ album of uncompromising industrial power noise. You know exactly what to expect. If you need to know more you don't need that album.
BLJ for those recordings were: Sean E. Ramirez, Nathan Golub, Thomas Puopolo (Scarlet Diva), Richard Ramirez, Kevin Novak, JRL, Anjilla Ulfhednar (Moonbeam Terror), Scott Kindberg, Domokos.
On Phren, Marta Salogni and Stefano Pilia build a shared electro‑acoustic architecture where guitar, tape machines and field recordings circulate like memory in motion. Signals move through modular processes, echoes and Revox loops until origin and reflection blur, turning six slow‑unfolding pieces into a living study of sound, time and feeling.
Rick Potts and Joseph Hammer met at a Halloween party in 1982. At the time, Joseph was making tape loops and recording with Points of Friction, while Rick already had many years of freakdom service under his belt with the LAFMS. They began collaborating on new recordings, with Joseph providing loops and Rick playing an Optigan borrowed from Joseph. The Optigan, made by a toy manufacturer for home use, is a primitive 1970s sampler that plays prerecorded discs ranging from exotica, pipe organ and …
The 2000 Grammy-winning box of the complete Columbia recordings by Miles Davis with John Coltrane, 58 tracks from 1955 to 1961, on vinyl for the first time outside Mosaic: nine LPs cut from the analog tapes, in a slipcase with a 60-page book.
On SIC, Nurse With Wound and Aranos construct a cold, roaring ambient symphony from metallic percussion, numbing drones and disembodied voices. Long unavailable on vinyl, this edition restores a quietly menacing work where sound sculpture and slow-moving ritual converge, suspended between dread, dream and industrial weather.
Sarah Davachi's first book, From the Ruins of the Literal: Critical Organology, Timbre, and the Poetics of Affect, published by her own Late Music imprint. The title is borrowed from Paul Ricoeur, whose account of metaphor locates meaning at the point where literal sense gives way. Davachi turns that idea on the study of instruments and timbre, disciplines she sees as long governed by empirical, neuro-cognitive and modernist assumptions. Her objection is not that measurement is wrong but that it…
Celebrated Czech musicians Floex & Jan Šikl present Directors, a collaborative album exploring neoclassical composition, electronic experimentation and chamber ensemble performance. Across four movements, Directors reveals a musical language where classical formality and electronic spontaneity exist as equal voices due out on via Minority Records. The dream of melding classical music with contemporary music, electronic in particular has been a cherished if not always successful one – it is as if…