Best sellers
Scattered Memories
*2026 repress* On his debut album “Scattered Memories”, the composer, musician and true master on the Iranian spike fiddle kamancheh Saba Alizadeh blends his instrumental virtuosity with spherical electronics, samples of Persian music instruments and field recordings from his hometown Tehran.
Born in Tehran in 1983 as son of the world renowned Tar and Setar virtuoso Hossein Alizadeh, Saba Alizadeh studied the Iranian spike fiddle with Saeed Farajpoury and Keyhan Kalhor plus photography and later…
People In Sorrow
Remastered LP edition. Finally back in print! Originally released by EMI's Pathé Marconi imprint in 1969, People in Sorrow — a 40-minute work by the four-piece lineup of Roscoe Mitchell, Joseph Jarman, Lester Bowie, and Malachi Favors — has long been unavailable on vinyl and CD, and then only in hard-to-find European and Japanese issues. It is arguably the finest and most ambitious of the 14 studio albums recorded by the Art Ensemble of Chicago during their 23-month sojourn in France, which laun…
Barbara, The Gray Witch
Reissue of the 1971 DEA Records double album in which Barbara explains black, white and gray witchcraft, tests whether you were born a witch, and performs chants, prosperity rituals and exorcisms. Second pressing of 500 copies.
8
Loveland Music presents 8, a studio recording featuring an all-star ensemble of Jakob Bro, Brian Blade, Craig Taborn, Chris Cheek, Jesper Zeuthen, Anders Christensen, Larry Grenadier & Marcus Gilmore, playing compositions by Paul Motian and Jakob Bro. The album was recorded in a single session at New York's Power Station with engineer James Farber, following a week-long residency at the Village Vanguard.
"Danish guitarist and composer Jakob Bro is celebrated for his pure reflective expression a…
Africa
Studio 44, Monster, Holland, 11 March 1987. One day. Pharoah Sanders with John Hicks on piano, Curtis Lundy on bass and Idris Muhammad on drums, a band he kept for years. Produced by Wim Wigt for Timeless.
The record is built around Coltrane. Loewy at AllMusic writes that most listeners will prefer the originals to Sanders's imitations, but calls Africa a joyous and worthy tribute. AllMusic's survey of the Timeless years is warmer: it hears the title track's highlife melody undercut by Hicks's p…
Yogi Jazz
*2023 repress* Tremendous early work from German saxophonist Joki Freund a player who would go onto much greater fame in the progressive years at the end of the 60s, but who already sounds plenty darn great on this early combo side from 1963! The style of the work is incredibly hip with a definite John Coltrane modal groove in place, but also a sense of globally conscious jazz that's very much in the spirit of classic Saba/MPS work, but which predates most of that by a number of years! Freund pl…
Any sense of where we were gone
Any sense of where we were gone is music obsessed with the infinite within the minute, with the mercurial, breakable, with shifting, sifting, cohering, and digressing. It is an improvisational framework in five parts for chamber ensembles, prepared piano, and electronics, written for and played here by my good friends. It steals inspiration from postmodern fiction, obscure geometry textbooks, and poems about time. This is a live recording of the first performance
“To do. To do something, to do g…
Werke Für Orchester / Ensemble
Kayn before the machines: orchestral scores from 1957 to 1966 on the first disc, Sequenzen, Aggregate, Vectors I and II, Signals; ensemble works to 1974 on the second, including Phasen for speech sounds and four percussion groups. Premiered at Darmstadt, Venice, Warsaw and Hamburg.
Werke Für Tasteninstrumente 1 - Keyboard Works 1
Kayn's earliest keyboard music in historical recordings: Fünf Kleine Klavierstücke (1952), Divertimento (1955), Quanten (1956) and Fractals (1994) on the first disc; on the second the studio Quanten and Diffusions (1965) for one to four electronic organs, from Sonology in Utrecht.
Auto-Da-Fé
*300 copies limited edition* Auto-Da-Fé is a collection of SPK’s singles from between 1978 and 1979. The first five tracks, from '78 and '79, are basically a scratchy thrashy punk sound, augmented by synthesizers and samples. Guitars grind, electronics screech, and metal is most thoroughly bashed. Highlight of these early works, and indeed the album, is the deranged Slogun. The intro to the song, a demented echoing clucking and quacking, leads into a pulverising mechanical grind. Surely a candid…
Music By Earle Brown
Originally released by CRI in 1974 and now reissued on vinyl for the first time by Death Is Not The End, Music by Earle Brown is a concise overview of the composer's landmark early experiments with graphic notation, open form structures and magnetic tape.
Aco Dei De Madrugada (One Morning I Waked Up Very Early)
Paris, 1969: Grachan Moncur III's second album for BYG, cut with a Brazilian rhythm section and bassist Beb Guerin. Samba sway meets American creative jazz, with Fernando Martins' wordless vocals on the title track.
Spiral Code
Second An'archives album from Tokyo trio archeus - Keiko Higuchi, Shizuo Uchida and Tomo - recorded in a single day in Koenji, with guest Kiyotaka Moriuchi on two pieces. Free improvisation moving from dense noise to near-silence. Edition of 290 with silkscreened jacket and obi.
Our Mother The Mountain
Half-speed master edition of Townes Van Zandt's 1969 second album, cut at StarDelta by Lewis Hopkin. Folk and country songwriting at its most intimate, from 'Be Here To Love Me' to 'Tecumseh Valley', with new clarity and depth.
Psychogeography
*300 copies limited edition* "A sprawling, meditative journey into inner and outer space, the new double album from Ivan The Tolerable sees Oli Heffernan retreat fully into the solo realm—crafting an expansive sonic world that feels both intimate and cosmic in scope. Recorded entirely alone and released via Riot Season, this latest work drifts away from structured forms and toward something more fluid, exploratory, and transcendent.Drawing on the devotional atmospheres of early ambient pioneers …
Hildegard: Vision in Vision
*200 copies limited eidtion* Boston based The Pandora Consort, a dynamic force in early music, is excited to release a 16-work album of their sought-after concert program, Hildegard Reanimated: Vision in Vision (Hildegard Von Bingen) with a dedicated performance recorded in the stunning acoustic Sanctuary space at Epsilon Spires in Brattleboro, Vermont. The release is a collaborative effort of Sedimental, The Pandora Consort and Epsilon Spires with In-Situ Polyculture Commons who sponsored the p…
The Wide Point
Walldorf Studio, near Frankfurt, 1 and 2 May 1975. Albert Mangelsdorff on trombone, Palle Danielsson on bass, Elvin Jones on drums. Seven pieces, thirty-nine minutes, released by MPS the same year.
Mangelsdorff had recorded with Jones once before, on the 1968 duet album Albert Mangelsdorff and His Friends. The Wide Point is the first of his trombone-bass-drums trio records, the format that would produce Trilogue with Pastorius and Mouzon the following year and the Montreux album in 1980. The ban…
Spirits Known and Unknown
New York, 21 and 22 October 1969. Leon Thomas's first album under his own name, made months after Karma, with Pharoah Sanders credited as Little Rock, Lonnie Liston Smith, James Spaulding, Cecil McBee, Richard Davis and Roy Haynes. A shorter Creator Has a Master Plan, Echoes, and the Malcolm X elegy Malcolm's Gone.