We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
When glancing over the history of indigenous French free improvised music, there tends to be two observable categories of musicians - those who worked and collaborated with their counterparts from abroad, and those who worked independently. The former is generally more celebrated, and among those the drummer Jacques Thollot, who worked with Don Cherry, Steve Lacy, Sonny Sharrock, Sam Rivers, Joachim Kühn, and numerous others, as well as with French pioneers like Barney Wilen and Jef Gilson, rank…
** Limited edition of 400 copies ** De Nor (‘the can’, or prison, in comic book Dutch) is an open-air venue/sculpture/pavillion at the Middelheim Museum in Antwerp. During its inaugural summer, Elko Blijweert played a live concert there that left an indelible mark on those lucky enough to witness it. What exactly did he do, you ask? Well, Blijweert basicly used the entire garden as an instrument alongside an array of pre-programmed pedals, keyboards, drum machines, guitars, a mandoline, and booz…
years and years of summer whine, begging and massages, Remörk has finally committed to an LP! Remörk is the name under which Kris Delacourt hides his synth madness, home-made instruments and secret jewels; not just some squirky synth bubbles: we're talking huge wah wah glass pots driven by bike pedals, magnets that react to lightning whilst spinning around, deformed church organs etc.For this debut LP Remörk re-collaged the recordings of an installation he made with 12 vinyl records, six tu…
A meteorite and a lost EP from an experimental electronic talent escape their grim fate: remain unknown to human civilization forever. Around 2015, Gareth Smyth (aka Lumigraph) produced two tracks before uploading them on his Soundcloud page under the name “Canyon Diablo”, a tribute to a meteorite that crashed in Arizona 49,000 years ago. Amazed, the future co-founder of M+M Disques barely had time to download them onto his hard drive before they were deleted... until today.
Behind the extraterr…
Naples, 1977. Luciano Cilio's sole recorded work is pure magic - four "quadri" where strings, woodwinds, wordless voices and solitary guitar trace the edges of silence. Closer to Arvo Pärt and Morton Feldman than to any Italian prog, yet entirely its own universe. Music that breathes, suspends time, breaks your heart without raising its voice. Decades ahead of its time. First ever remaster from the original tapes.
Bomb! 328 pages hard-cover book, large format + 2CD of previously unreleased recordings. Keith Tippett (1947-2020) occupies a singular place in the history of British improvised music - a pianist of extraordinary range whose work moved fluidly between free jazz, large-scale orchestral composition, and solo improvisation of rare depth. Born in Bristol and trained first as a chorister, Tippett arrived in London in the late 1960s and rapidly established himself as a central figure in the city's cr…
Green Tea is the psychedelic Harsh Noise project of veteran underground musician Nick Forté (known for his work in Rorschach, Raspberry Bulbs, Angel of Murder Suicide, Flamingo Base Jumpers etc). This highly innovative and prolific project is known for merging crushing noise techniques with surreal ambience and tripped out tranquility. Following a steady trajectory of highly praised releases on New Forces, Satatuhatta and Tribe Tapes, "Wearing the Face of a Reindeer" pushes deeper into the tensi…
Souk is delighted to present the sophomore album from a true fixture in Cairo seething electronic scene who should, by now at least, remain anonymously famous behind the 3Phaz moniker. Both as a way to make focus on the music itself regardless of identity and to sever ties with past projects, 3Phaz acts like an entity in itself, a most suitable conjuration of sounds past and future gravitating on their own dimension. Though connections are inevitable and welcoming with home turf artists such as …
Controlled Death is the dark side project by the Japanese noise legend Maso Yamazaki a.k.a. Masonna. Here with a new tape in a deluxe metal box. Also contains a poster. Play loud!
Pharoah Sanders' seminal 1974 album Elevation, a cornerstone of spiritual jazz, receives a stunning all-analog reissue on 180-gram vinyl via the prestigious Verve Vault Series, set for release on March 13, 2026. Originally recorded in 1973 across live performances at Los Angeles' Ash Grove and a studio session, this Impulse! masterpiece captures Sanders at the peak of his transcendent powers, blending ecstatic saxophone improvisation with modal grooves and profound cultural resonance.
Produced …
*100 copies limited edition* Rbia Harsha Cinta is a dark and experimental reworking of Aubry's recent film on seaweed and pollution in Morocco (Atlantic Ragagar 2022). The film's dreadful atmosphere of environmental devastation is transposed into a haunting soundscape of analog textures and naked rhythms. With its title referring to endangered seaweed species, Rbia Harsha Cinta comprises eight tracks that pulse and breathe with a post-natural intensity.
YRLNG is a new project by Gilles Aubry ded…
In 1948, Moses Asch founded Folkways Records with a self-proclaimed mandate to record the sounds of the entire world. From the Sounds of North American Frogs to Speech After the Removal of the Larynx, Folkways documented the audible nooks and crannies of existence on hundreds of LPs produced by field recordists, scientists, and experimentalists probing the margins of the human soundscape. Seventy-five years later, electronic music duo Matmos have diced, looped, stretched, and recontextualized th…
Snotty swansong from the hard-living punk, Sewn Leather, for Milan's excellent Hundebiss label. 'Freak On Hashish / Longboarding Is A Crime' commendably lives up to at least half its title (we're not what he's got against longboarding, but we're not arsed either way really) with nine blown out, sludgy misshapes that sound too wrecked to get up but still generate enough wretched energy to put off casual listeners and entice the hardcore. It starts up with the bombed-out hip hop bounce of 'Real Re…
On Gwethilu: Songs For The Dark Lake, Timoteo Carbone Hansson builds an otherworldly song‑cycle where experimental timbres, early‑medieval polyphony and Nordic folk roots swirl together into slow, haunted rituals of rhythm and drone.
Since its debut on two releases from 2011 and 2012 (the live Hit & Run with Joe Talia and the studio Audience of One), the epic structured improvisational piece ‘Knots’ has formed a staple of Oren Ambarchi’s live performances. Like a jazz musician searching for ever-new ways to play a standard, the guitarist has repeatedly brought the piece to life in a variety of settings ranging from guitar/drums duets to a large ensemble replete with string section, with each iteration bringing with it new va…
** Edition of 100 ** Huerta Ensamble is a collaborative research project by Mexican artists Concepción Huerta and Daniela Huerta, dedicated to exploring sound through synthesis and magnetic tape experimentation. Their practice delves into tuning, electricity, spatiality, psychoacoustics, and the fundamental principles of sound, with live performances unfolding through improvisation and the dialogue unique to each setting.The album, "S∞S", treats sound as a living organism — alive with resonance,…
* Limited Deluxe Edition - 200 signed copies - Heavyweight black vinyl, insert, 3,60m long leporello (accordion-style) Photo book, silkscreened cover. * Building upon their recent, incredible immersions into the contemporary landscape of experimental sound, Die Schachtel returns with one of their most striking releases to date, Border Soundscapes II, distilling their longstanding efforts at the borders of interdisciplinary practice with a profound sense of accomplishment and grace. Instigated an…
“Eternal Almost” is a collaborative album by Japanese musician Tomo Katsurada and Estonian composer Misha Panfilov. Born from the simple joy of songwriting and creative exchange, Tomo and Misha had long admired each other’s music from afar. When the opportunity to collaborate finally arrived, it felt completely natural, and by the time the album was finished, it almost seemed as though the two had known each other always.
United by a shared sense of humour and musical curiosity, Tomo and Misha p…