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Limited vinyl reissue of the 1978 direct-to-disc classic. Isao Suzuki on piccolo bass with Ron Carter, Hank Jones, Roy Haynes, and strings arranged by Masahiko Satoh. A summit of Japanese and American jazz from Tokyo's golden age of audiophile recording, with obi and liner notes.
Like on the early solo Haino album that shares the group’s name (released on P.S.F. in 1993), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric…
On Die Dritte Ebene, Emilio Gordoa and Sven‑Åke Johansson let vibraphone, drums and accordion run in seemingly parallel lines until a mysterious “third layer” appears - a ghost‑music of overtones, pulse and texture that neither player could summon alone.
The definitive publication accompanying the most comprehensive exhibition ever dedicated to one of the most visionary composers and polymaths of the 20th century
Noisette is the third in Soft Machine series, recorded January 4th, 1970 at the same concert as "Facelift" on Third, by the short-lived quintet formation of the group: Elton Dean & Lyn Dobson-reeds, Hugh Hopper-bass, Mike Ratledge-keyboards & Robert Wyatt-drums & vocals. Noisette features the rest of the concert, & showcases a band in transition from their earlier psychedelic/ progressive sound towards the jazz rock sound of Third & Fourth. It features the quintet performing versions of material…
It was legendary record producer Alan Lorber that came up with the concept of "The Bosstown Sound" -- "The Sound Heard 'Round The World" to market and promote the best and brightest of the Bean Town sixties psychedelic scene. (Boston's key groups at the time included Orpheus, Beacon Street Union, Ultimate Spinach, Chamaeleon Church and others). The Ultimate Spinach, arguably the finest of them all, produced magnificent examples of surreal psychedelic record-making, now prized by crate-diggers an…
One of the most important sound sources in history, a relic of a bygone era. Minamata is an industrial noise avant-garde band formed in France in 1984, with the methyl mercury pollution incident that occurred in 1953 on the coast of Minamata City, Kumamoto Prefecture, Kyushu Island, Japan, as its theme.
In 1985, the band became a trio, and their compositional skills and overall quality improved, resulting in the creation of Methylmercure. During this period, the noise scenes in developed countr…
We are pleased to announce the upcoming reissue of “Min Bul”, a milestone of Norwegian rock and jazz, included in the renowned Nurse With Wound list, from the band whose leader was a young Terje Rypdal. Recorded in the Rosenborg studio in September 1970, with Egil Eide as engineer, “Min Bul” is a highly experimental work for its time that grew out of the Samklang projects at the Henie-Onstad Art Center, where director Ole Henrik Moe encouraged adventurous composers and improvising musicians to j…
Where it all began: Keith Jarrett's first ECM solo piano album (1971). Spontaneous compositions of startling melodic and rhythmic invention that foreshadow The Köln Concert. A cornerstone of jazz piano.
Sorry For Laughing is a project by Gordon H. Whitlow who is also a member of legendary US avantgarde collective Biota, formerly Mnemonists or Mnemonist Orchestra. Their music is a mixture of modern classical, experimental sounds, noise, industrial, avangarde, songwriting and free jazz. In 1986 Gordon H. Whitlow released a cassette under the name Sorry For Laughing: "The compositions stem from my beginning days with the avant-garde recording ensemble Biota, shortly after completion of the Bellowi…
Dee Brown's Bury My Heart at Wounded Knee, published in 1970, was the first major history of the American West written from the perspective of its Native peoples. Its impact across Europe was considerable - a generation reading it not as distant history but as a mirror turned on the mechanisms of power still very much in operation. In Germany, where the mythology of the American frontier had deep and complicated roots, it landed with particular force. Wolf Conrad "Conny" Veit read it, and made a…
2018 repress. Landmark work from the Finnish scene of the 60s – one of those ultra-rare European jazz records that collectors have dug for decades! The set's got a stark, modern sort of feel – but also a nice soulful swing, too – a balance that few of the other Scandinavians hit so well at the time – as they were either hanging between farther-out progressions, or more inside, tightly arranged jazz! Drummer Christian Schwindt's vision here is exceptional – full of rich feeling, deep tone, and ca…
*Edition with 44 pages booklet. In process of stocking* This album is a bit difficult to pigeonhole, as most of the early Embryo work is. The opening number sounds if anything, like an outtake from Miles Davis' Jack Johnson soundtrack, but with lead guitar sound more prominant. Then, gears are switched, and you are listening to acoustic folk guitar and sitar, which melts into a cool ostenato riff flanging around, that just builds and builds, with countermelody on Violin (or Veena?) and guitar we…
Formed in 1967 in Detroit, the band Mystic Siva consisted of four teenagers - none older than fifteen - who released a single self-titled album, recorded in a single day in 1970 at the band's self-managed V.O. Studios. The lineup consisted of Dave Mascarin on drums, lead vocals, the original composer, and creator of the album cover; Al Tozzi on guitar, who co-wrote five of the eleven tracks with Mascarin; Marc Heckert on B-3, organ, and vocals; Art Thienel on bass and vocals.
2026 Stock. Alan Vega, born Alan Bermowitz in Brooklyn, had spent the 1970s as one half of Suicide, the New York duo whose drum-machine menace unsettled audiences a decade before anyone thought to call it synth-punk. By the mid-1980s he had set out, against every expectation, to chase the mainstream: Saturn Strip (1983) took him to Elektra under the wing of Ric Ocasek of The Cars, a long-standing Suicide champion, and Just A Million Dreams followed in 1985, again produced by Ocasek with Chris Lo…
*250 copies limited edition* The latest album from one of our absolute favorite current artists - Warlock Corpse. Hailing from the wastelands of central Asia, Труп Колдуна has been churning out high quality raw dungeon keller black metal synth for a few years now, but "Return of Dark Sorcery" feels like he has really hit his stride and is firing on all cylinders. Imagine perhaps taking the raw black metal sensibilities of Old Nick, the melodies of Quest Master, and the grit of Putrid Marsh and t…
An unceremonious release of some old songs strewn across the past few years, played and recorded into a lounge room in Annandale, Gadigal land. Marking a time of playing around lots with jasper (when time was easier to wrangle) and hopefully making room for new songs to come visit! we are singing forever. Sounds from budapest train, typewriter, guitars, an old fan favourite, kata, jasper, laughter.
Touching homebuilt compositions from celebrated American novelist, playwright and poet Ishmael Reed, channelling a long life immersed in jazz culture. A joint in-house production from ANF and NYC-based label Reading Group.
You’re never too old to learn something new. Reed credits bebop with keeping him and his friends out of reform school because they were too busy listening to records at each other’s houses to get into trouble. Finding fame as a distinguished writer, he found his way back to…
For close to a decade the sound of Italian cinema and television ran through four musicians from Rome. I Marc 4 were the rhythm section the country's leading composers reached for first, and between sessions they cut a long run of library albums under their own name. The scarcest corner of that catalogue sits on two companion imprints, Silver Music and Silver Men, issued in 1976 and seldom seen since. This new edition draws the strongest material from both onto a single LP, in the original milit…
*100 copies limited edition* Ivan the Tolerable proudly announces the release of Le Monde Inverse: 2026 Remaster, a definitive sonic reissue that revitalizes his acclaimed album with enhanced clarity, renewed dynamics and subtle reinterpretations preserving the original spirit while offering fresh detail for modern listening.
Originally released to critical praise for its atmospheric textures and introspective songwriting, Le Monde Inverse is reimagined here through a meticulous remastering proc…