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Recorded in churches and industrial buildings in the the North of England, and originally released on Winebox Press in 2013, High Peak Selections was the first full-length vinyl release by Jon Collin. Across its six mostly improvised tracks, it showcases an artist somewhat at odds with much of the wave of fingerpicking acoustic guitarists that was in the middle of breaking around this time. While the base technique here is still fingerstyle, his use of various preparations, metal slides, feedbac…
Gen Ken Montgomery ran a tiny record shop and sound art gallery called Generator in downtown New York — one of the first such spaces in the city — and it was from here that his practice took shape. A self-taught autodidact with no formal training in music or art, Montgomery built his first tape in 1981, Gen Ken and Equipment (150 copies), from cheap synthesizers, toy instruments, household gadgetry, and electric machines: an ice crusher named Icebreaker, an aquarium pump, a refrigerator, a shoe-…
Sounds While Waiting documents the latest organ works by composer and musician Ellen Arkbro – following her phenomenal debut, 2017's For Organ And Brass, and the more recent Chords. Recorded at a centuries-old church in Unnaryd, Sweden in June 2020, these pieces reveal the enchanting qualities of sustained harmonic sound, how patterns of listening dissolve and emerge as textured space. On opening track "Changes," long radiant tones ebb and flow like divine breaths, while "Leaving Dreaming" build…
In Sheep’s Clothing announces the long-awaited vinyl pressing of Marc Leclair’s beloved 2005 album Musique pour 3 femmes enceintes. The album will also be available on streaming for the first time via Community Music Group. For years after Marc Leclair released Musique pour 3 femmes enceintes, he heard from listeners who had lived with the record in an unusually intimate way. Many described how the music became part of the emotional landscape of the months leading to birth. “I never expected tha…
On Interview with a Cat, Marcel Broodthaers turns a deadpan Q&A with a meowing interlocutor into a razor‑sharp miniature of conceptual art: a five‑minute 1970 audio piece where questions about painting, markets and museums collapse into one insistent “miaow.”
Whitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read…
On Jazz Flamenco, Pedro Iturralde forges a taut, singing dialogue between Andalusian cante and modal jazz, letting saxophone and flamenco guitar trade roles as soloist and accompanist in a music that sounds both inevitable and newly invented.
On Bidule 2.0, eRikm tunnels into a cache of unheard Pierre Henry tapes, feeding analog “sound objects” from 1950–1974 through his custom digital apparatus to forge a dense, flickering work where early musique concrète and present‑tense signal processing fold into one another.
CAM Sugar is proud to announce the definitive release of the original soundtrack composed by Ennio Morricone for Il clan dei siciliani (The Sicilian Clan) by Henri Verneuil (1969), one of the most celebrated European noir films of the late 1960s, starring Jean Gabin, Alain Delon, and Lino Ventura.
Since the turn of this century, perhaps no other modern composition has had a more resonant healing effect than The Disintegration Loops. Composer William Basinski’s deteriorating analog tape loops evolved from melodic symphonies to melancholic silence over a span of time that uncannily turned passing minutes into pensive lifetimes. In her foreword for the new box set reissue of The Disintegration Loops, the pioneering multimedia storyteller, Laurie Anderson, describes the impact of this transfo…
Tip! A pivotal force in the foundations of Noise music in Japan, Fumio Kosakai is half of The Incapacitants, and has recorded with other acts such as Hijokaidan, CCCC, and Club Skull. Originally released on cassette in an edition of fifty copies in 1993, "The Warm Garden" is a pinacle for collectors of 90s noise and the outer realms of Japanese psychadelia. The work steps away from the denshi zatsuon (electronic noise) of his other groups and instead comprises two pieces of minimal electronics, …
Tip! *300 copies limited edition* fold/interval is an audiovisual project and publishing and curatorial platform founded by Giuseppe Ielasi, Fabio Perletta and Giulia Bruno. This is their first release. Thirty minutes of guitar and electronics duos with a 12-page photo booklet and a letterpress sleeve.
On Flare, Sylvia Lim turns six chamber works into a series of luminous close‑ups, magnifying tiny shifts of timbre, breath and touch until fragile sounds bloom into something cathartic, raw and quietly destabilising.
One of the most important jazz albums of the 1970s - finally on vinyl in its definitive edition. Julius Hemphill's Dogon A.D. is the missing link between the avant-garde and the blues, between the cotton fields and outer space. Recorded on a freezing February day in 1972 at Oliver Sain's Archway Studios in St. Louis - no heat, malfunctioning equipment, some musicians didn't even show up - and yet what emerged was nothing short of a masterpiece. An "almost accidental classic" that has haunted col…
The legendary Isao Suzuki Trio's iconic 1976 album Black Orpheus, a cornerstone of Japanese jazz, receives a stunning 180g vinyl reissue, bringing its soulful modal and soul-jazz grooves back to life for a new generation of listeners.
Originally released on Three Blind Mice (TBM-63) and recorded on February 20, 1976, at Aoi Studio in Tokyo, Black Orpheus showcases bassist and cellist Isao Suzuki leading a powerhouse trio with pianist Tsuyoshi Yamamoto on piano and electric piano, and drummer Don…
A cornerstone of the acousmatic tradition, finally on vinyl. François Bayle's Jeîta ou Murmure des Eaux arrives as a limited LP via Recollection GRM and Shelter Press - one of the composer's most singular and spatially ambitious works, composed in the wake of a concert given at the Jeita Grotto in Lebanon in 1969, where Bayle had traveled to mark the opening of the cave's newly discovered upper gallery. Bayle joined the Groupe de Recherches Musicales in 1960, studying under Pierre Schaeffer and …
In Spacemen 3 Vinyl – Extended Edition, Danny Passarella assembles the definitive visual chronicle of Sonic Boom and J Spaceman’s recorded universe: a lavish, full‑colour archive of global pressings, ephemera and new interviews that turns their vinyl trail into a tactile, time‑spanning narrative.
On Truly, Slightly, Overflowing, Whereabout of Good Will, Keiji Haino and Reinhold Friedl strip everything down to voice and piano interior: incantatory howls, whispered fractures and scraped strings tracing a stark ritual of tension, silence and imploding song.
* Edition of 150 * A short blast and a fitting coda. Organum Electronics' Fiire is the first - and quite possibly the last - appearance of David Jackman's harsh electronic project on vinyl. Released on Die Stadt in a limited edition of 150 copies on black vinyl, it arrives as a companion piece to the Das Kreuz 7" released under Jackman's own name, the two singles together forming an epilogue to the monumental seven-album CD subscription series that unfolded on the label between 2023 and 2025.
Ja…