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There are albums that defy categorization, records that exist in a space entirely their own. Comus' 1971 debut is one such work - an album that, over fifty years later, still sounds like nothing else ever recorded. Formed in Beckenham in the late 1960s, Comus emerged from the same South London arts scene that nurtured a young David Bowie - indeed, they performed at his legendary Beckenham Free Festival in August 1969. But while their contemporaries in the British folk revival looked back to trad…
100 copies limited release Sound trails, minimal structures built with pads, discreet electronic elements, slow, deep and enveloping bass lines, backgrounds of confused voices treated in reverse, circular movements alternating with liquid stasis and quiet... Creaks on layered sound substrates of indecipherable nature, which seem to emerge from a thick blanket of fog that reveals fragments of real landscapes here and there, ready to disappear from view again after a few moments, once more hidden …
2026 Stock, last copies. 5LP deluxe box and a 156-page clothbound book packaged in a custom white-birch wood box, limited to 665 hand-numbered copies The book features music manuscripts and notebook pages from the musicians' archives, an extensive itinerary, the complete history of the NYAQ, artists' bios, and musical analysis. 2013 release. Five LPs of entirely uncirculated music by the New York Art Quartet, featuring Roswell Rudd, John Tchicai, and Milford Graves; the bass chair is alternativ…
On Paris Public Spaces 2, Éric La Casa and Seijiro Murayama stage brief, focused vocal interventions across Parisian sites, letting microphone placement and urban acoustics turn spoken sound into a moving portrait of how voice and city continuously re‑shape one another.
A Senegalese Griot singer, an Amsterdam improviser and a Puerto Rican jazz drummer find eachother on an open playground, a stage build for improvisation, an old cinema now used for minute made story telling. Equiped with an m'bira, a xalam, a drumkit, a voice, percussion, house hold tools and an electric chlavichord on 220 volt, they sit down and take off: Wrrrrrraaang! Singer and percussionist Mola Sylla is in many ways a musical explorer. Born and raised in Dakar, Senegal, he grew up in the tr…
‘Learning’ - Sophie Agnel’s first solo LP, feels like the dark, physical inversion of her excellent ‘Song’ which came out on Relative Pitch earlier this year. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers from a brain tumour - a shocking discovery that will require Agnel to start again with the piano. It’s a terrifying prospect, but Agnel has been here before, having reorientated herself almost entirely away from her early classical training over the la…
Cien Fuegos present a reissue of the Peter Brötzmann Octet's Machine Gun, originally released in 1968. One of the most important albums of European free jazz, finally in the Cien Fuegos series. Recorded May 1968 at "Lila Eule", Bremen. Recorded with a whiff of revolution in the air back in May '68, this landmark Brotzmann LP taps into the spirit of its time with a robust garage rock sensibility, lending a considerable urgency to the session, with the highest volume passages taking up far more ai…
Whenever the term “Free Jazz” gets mentioned, the same questions more or less present themselves: “Is this easy to listen to?” “Is there structure, or is this just a few friends playing over each other?” “Is this another Coleman/Taylor/Dolphy homage?” Yes; yes; maybe—who cares? Free Jazz is (in my definite opinion) the last bastion of music (and maybe even art as a whole) where true innovation is not only still possible but also extremely well-executed—if done right. Enter “Second Sight” by Oslo…
*2025 much needed repress!!* Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
*100 copies limited release* Winding through cavernous and dark meanders, amid gurgling water, rustling sounds, low and deep pulsations, incisive and impactful sound masses, floating waves, crystalline drips, sudden rays of light, electronic spirals, and unexpected openings onto almost soothing soundscapes and quiet environmental stasis, Rod Modell paints musical textures that are apparently abstract and contemplative, but in reality charged with pathos and drama, taking advantage of a spectacul…
Luz gélida(d)o montediluída em flor(es).
Delicate guitars, ethereal voices, tracks woven from sighs and layers upon layers, like secrets and small nocturnal rituals under the cold glow of the moon. Beautiful, evocative, and quietly transformative. The artist, cláudia simões, also known as alga, dedicates this work to winter: a season of introspection, stillness, and subtle magic. Let's enjoy the offering.
Besides being a visual artist, Christoffer Kjærskov has quietly been making experimental music for the last 20 years. His works, always recorded to 4 track cassette, seem to carry a certain warmth flowing through the patiently unfolding loops and shimmering melodies this release is an assemblage of synthesizer, urban field recordings and even some synthetic flute solos peeping through the tape mist. A lovely unpretentious recording, I am very happy to present through afvikling .
2024 stock Two CDs of sound recordings from India, presented in a beautiful handmade wooden box. Indian Soundscapes is a double-album collecting various fieldrecordings made during four trips to India from 2001 to 2004. There cordings were made by Iyou, otherwise known as Charles Powne, ownerand proprietor of Soleilmoon Recordings since its inception in 1987. An engrossing two-hour-long audio adventure for armchair travellers, backseat drivers and homesick Desis. North, South, East, West. Rajast…
Music aged in time, resonating from the surface to the corethrough layers and sediments of stones — the strata. Four morning recording sessions with a separation between them of between three and ten months — a chronozone that will rest for a time and on which the next one will be added, thus forming the total of the six pieces of the album — becoming six strata.
A slow-moving album that develops landscapes of subtle but continuous evolution, where we find layers of diverse nature created from d…
This anthology is the second compilation from EM Records of the works of the late Henry Kawahara, a media artist and electronic music producer who was particularly active in the Japanese cyber-occult underground of the 1990s, a scene linked with technologies such as 3D (binaural) recordings, brain machines, sound chairs, computer graphics and compact discs. These tracks, produced 1990-95, include a series of recordings described as "Parallel Data Sounds" and "Sound LSD", a "new language system t…
Patrick Shiroishi returns to his brutal prog roots for an album of 60 saxophone exercises, equally punishing and rewarding. Executed during the plague years and delivered in two halves, one featuring pieces composed strictly with programmed drum accompaniment, the second with additional metal/wood sound sources, Inoue truly stands out in an extensive and captivating discography.
Wewantsounds is delighted to reissue French pop icon Brigitte Fontaine's landmark 1968 album Brigitte Fontaine Est Folle, originally released on the cult label Saravah and arranged by Jean-Claude Vannier. This special 2-LP edition, approved by the artist, features the original album, newly remastered from the original tapes, along with a second LP of demos, instrumentals, and a live rendition of "Il Pleut" recorded for France Inter/ORTF. The release also includes a 20-page bilingual booklet with…
Tilaye Gebre was a central figure in Ethiopian music during the mid- to late 1970s, a period now hard to document but rich with talent. His saxophone and arrangements are likely featured on many recordings from Addis Ababa of that era. Despite Ethiopia’s limited formal musical institutions, Tilaye trained at the Haile Selassie First Theatre music school, where he began studying saxophone instead of guitar under mentor Ato Aymre Gemeda. This instrument became his lifelong expressive voice.
Tilaye…
On The Third Mind. A Sonic Tribute to the Dreamachine, a constellation of contemporary artists tune themselves to the flicker-frequency of Brion Gysin and William S. Burroughs. Hypnotic loops, drone hallucinations and cut-up sonics seek not to illustrate the Dreamachine, but to let it hear itself thinking.
Two masterful explorations of electroacoustic practice that showcase the profound possibilities of the medium - from Ferrari's intimate sonic memoir to Vande Gorne's four-decade spanning artistic statement. Essential listening for anyone interested in the cutting edge of contemporary experimental music.
Brunhild Ferrari - Errant Ear
A stunning new long-form electroacoustic work by the German composer Brunhild Ferrari. Drawing upon sound sources recorded between the 1970s and 2024, with sonic con…