Best sellers
Harmograph
On Harmograph, Matteo Scaioli turns self-built synths and live tablas into a single breathing organism, stretching 35 minutes of big-room ambience into shifting patterns where pulse, overtones and hallucinated folk-memories slowly braid together.
Wheel of life
*300 copies limited edition* Wheel of Life is the new LP by Japanese hurdy-gurdy artist Tomo, released via Knotwilg Records. Following Vieille-Electronica, the record dives further into a singular blend of drone, folk and minimal experimentation. Rooted in Breton tradition yet shaped by influences from Japan, India and medieval music, Wheel of Life unfolds as a timeless and hypnotic work. Tomo’s playing moves between fragile intimacy and raw, almost punk-like build-ups. Music that lingers and re…
LDS
On LDS, Henrik Raabe steps away from Wareika’s cool deep house and into a slow‑burn world of dub‑soaked guitars, pastel synths and feather‑light percussion, folding jazz, Afro pulses and 1980s UK dream‑pop into something quietly hypnotic.
Wigmore Hall 1968
*Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert.* John Tchicai (1936-2012) was one of the most visionary free jazz saxophonists of the 20th century - a rare artist whose voice stood apart even among giants. Born in Copenhagen to a Danish mother and a Congolese father, his path to New York came through a chance encounter at a socialist youth festival in Helsinki, where Bill Dixon and Archie Shepp heard him play and urged him to make the mo…
Orbital
The Outskirts came together as a working band during bassist Ingebrigt Håker Flaten’s three-year stint as a Chicagoan from 2005-2008. They played regularly at all of the working venues for improvised music in Chicago at that time, including The Hungry Brain, The Velvet Lounge, The Hideout, and Elastic. They even made a live recording in April 2009 that they were eager to release. But unfortunately, the multi-track audio files were lost in a hard drive mishap, leaving only a barely usable rough m…
Agneta Nilsson (Heldon IV)
On Agneta Nilsson, Heldon sharpen their hybrid of radical prog and early electronics into long, slow-burning forms, where rigorously shaped tension keeps colliding with sudden voltage spikes of guitar and synth.
Black Suite
Belonging to an incredible, audiophile reissue initiative dedicated to the seminal Jazz Actuel series - one of the greatest depositories of 1960s free jazz - at long last we're gifted one of the greatest of them all: the first ever fully authorized reissue of Jacques Coursil's towering 1971 LP, Black Suite, fully remastered from the original 1969 analog master tapes. Featuring an all-star line-up of Anthony Braxton, Arthur Jones, Burton Greene, Beb Guérin, and Claude Delcloo, it has long remaine…
American Bus
On American Bus, Jason Black and Arawak ride a 1977 dream of the U.S. West Coast: lean, blues‑edged funk‑rock cues, honking sax and one off‑route reggae detour, all conceived as Italian library visions of San Francisco from behind a bus window.
Waterforest
On Waterforest, Yoichi Kamimura turns a multichannel installation into an intimate atlas of water and ice, braiding global field recordings into a quietly immersive study of climate, memory and the act of listening to landscapes.
With a Heartbeat
With With a Heartbeat, Pharoah Sanders and Bill Laswell ride the amplified pulse of the human heart into a slow, glowing trance, fusing tabla cycles, electronic drones and cornet smears into four long arcs of cosmic late‑period Sanders.
Io Sono Nato Libero - Legacy Edition
** First-ever 24Bit/192kHz remaster from the original tapes. 180g black vinyl, numbered, in a gatefold die-cut sleeve faithful to the 1973 original** Some records define an era. Io Sono Nato Libero is one of them - and perhaps, within the entire canon of Italian progressive rock, the one most resistant to any replica. December 1973. Banco del Mutuo Soccorso - the Rome-based group led by brothers Vittorio and Gianni Nocenzi, alongside vocalist Francesco Di Giacomo, guitarist Marcello Todaro, bass…
Schematics For A Blank Stare - Volume Four
On Schematics For A Blank Stare Volume 4, Jeffery Scott Greer digs deeper into his cracked-beat, sample-scarred universe, sketching late-night instrumentals that flicker between head-nod hypnosis and uneasy, half-remembered dream logic.
Searching
*2026 repress* Searching was self-recorded in Ronald’s living room on a 4-Track Tape Recorder in 1984. The recordings symbolise his engagement to cross-over everything that was known to him musically at that time. Most importantly, all recordings reflect his personal way of searching; searching for his own characteristic sound. Rhythmical patterns meet well balanced distortion, shaping the music into a mirror of his character. He was part of several Dutch Latin and Jazz bands, including Cascada …
Issue 136 (Magazine + 7", Orange)
For acclaimed composer Hannah Peel, the momentum just keeps building. A superb new album with virtuoso percussionist Beibei Wang, her continuing ‘night tracks’ show on BBC radio 3, and an ambitious ballet inspired by her Mary Casio alter ego, all point to 2026 being the year she makes another major leap forward.
Signaling
On Signaling, Nick Mazzarella and Tomeka Reid compress a wide slice of Chicago’s creative music history into intimate alto–cello dialogues, tracing a clear line from Hemphill/Wadud’s 1970s duets to a present tense that feels urgent and newly carved.
Greek Variations & Other Aegean Exercises
British Jazz Explosion Series! Recorded in '69, Greek Variations & Other Aegean Exercises is irresistible on two counts. First, for its daringly conceived and brilliantly performed music, inspired by Greek folk songs and instrumental textures and deep enough to reveal all its treasures only after many repeated listenings. Second, for being recorded at the moment when the Don Rendell/Ian Carr Quintet, a major force in British straight-ahead jazz since '62, had broken up and Carr's equally influen…
Thrilling
In Thrilling, Ennio Morricone’s widescreen sense of drama condenses into a tightly wound suite of themes: tense strings, ghostly choirs and razor‑edged rhythm figures that turn suspense into something almost voluptuously atmospheric.
Kobaia
In early 1967, John Coltrane died. Christian Vander was twenty years old, living in something close to poverty in Paris, and Coltrane's death pulled the ground from under him. He went to Italy, to Milan and Turin, and spent nearly two years in a state of deliberate self-destruction. One morning in Turin he woke up and decided to stop. He returned to Paris, met bassist Laurent Thibault, and began working on something that had no name yet.
By 1969 Magma existed as a group. By 1970 they had a contr…
Aesthesis
Tip! *2026 much needed repress!!* Thorn Wych is a musical instrument maker and musician based in the Lancashire town of Bacup, specialising in work made from tree branches. Particular to her interest are UK native trees; so far Wych Elm, Lime, Wild Cherry, Oak, and Yew. With these unique instruments, crafted in her backyard workshop, she creates music that evokes memories of an unknown world—out of sync with time and place and beyond the boundaries of the material realm.
Her pieces consist main…
Early Combinations
On Early Combinations, Art Ensemble history is still in wet cement: Roscoe Mitchell’s proto‑Ensemble and Joseph Jarman’s quartet collide in two long 1967 tapes where themes for cancelled gigs and failed auditions already sound like future classics.