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This project is a dynamic exploration of songwriting from an instrumentalist’s perspective. Rather than following a fixed path, it fluctuates—drifting between the sonic possibilities of instrumental textures, timbral exploration, and sound processing. These elements give rise to evolving patterns: from abstract soundscapes to clear, repetitive melodies and canons. The music weaves together experimental, improvised, contemporary influences mixing with avant- pop creating a collage of shifting moo…
Beat poetry influence free form jazz collective, formed in Montreal in 1967, L'Infonie existed officially until 1974. Lead by composer Walter Boudreau (aka retlaW uaerduoB) and poet, singer, trumpeter Raôul Duguay (aka luôaR yauguD) this very loose collective featured up to 33 artists from various backgrounds ranging from free jazz, classical, contemporary, rock, visual arts and poetry
On Before There Was Sound, Roscoe Mitchell’s 1965 quartet with Fred Berry, Malachi Favors and Alvin Fielder captures the AACM language in embryo: sharp themes, free rhythm and a restless sense of form already pushing past hard‑bop borders.
This is the first in a series of various compilations to come with a focus on the 80’s japanese Minimal/Synth/Wave and electronica. While Japan is very known for the Japanese Noise (almost as Germany is known for NDW (Neue Deutsche Welle) or 70’s Kraut (Progressive).Electronic Music this aspect of the 80’s Japanese Music Culture still seems to be less explored and exposed to the interested listeners. In the early 80’s you had several outstanding labels such as Vanity releasing great artist…
In 1975 a young queer singer from Cleveland meets photographer Nan Goldin — an encounter that will lead them to New York’s bombed-out downtown, where something unprecedented is brewing. At Max’s Kansas City and CBGBs, in derelict lofts and underground clubs, a generation of visionary women artists is rewriting the rules of creativity, sexuality, and power.
Adele Bertei didn’t just witness the No Wave explosion—she ignited it. As acetone organist for the Contortions and Brian Eno’s assistant, she…
On Irreparable Parables, Andrew Wasylyk invites a choir of kindred voices into his gently haunted sound world, turning his childhood‑warm, strings‑and‑Rhodes miniatures into a series of quietly radiant songs about fragility, hope and the stubborn endurance of feeling.
Felt, the elusive Southern rock outfit hailing from Alabama, proudly announces the long-awaited reissue of their one-and-only album, Felt, originally released on the cult Nasco label in 1971. This vinyl gem captures the raw fusion of gritty blues and mind-bending psychedelic rock that defined an era of underground innovation.
Formed in the heart of Alabama's vibrant music scene, Felt channeled the soulful twang of Delta blues with swirling psychedelic experimentation, creating a sound that's equ…
Paul Nova's career began with Bizarre Unit and the legendary 1981 7" Dancing / Away from the Screaming Car, before he founded Exhibit One Records in 1982 and released a sequence of four highly collectible vinyl records culminating in the LP Trees Without Leaves (1984). His music exists in the lineage of the coldest and most precise British synthesizer pop of the early Mute years, but with a restraint and a melancholy that gives it a character entirely its own. The original Exhibit One pressings …
Tip! Tip! Tip! Twenty years after its first publication, Art Yard are proud to present the fully revised 2nd edition of Hartmut Geerken's long unobtainable Omniverse Sun Ra, a definitive hitch-hiker's guide to the Sun Ra galaxy. 304 full colour pages / 1850 gramms - Size: 290mm x 245mm Portrait.The new, completely revised edition features:- unpublished photographs of Sun Ra and the Arkestra by Hartmut Geerken and Val Wilmer;- fully revised discography by Chris Trent, co-author of The Earthly Rec…
Incredible 10xCD lavish box set, a 11+ hour compendium of the electronic music key works from one of the most important electronic composers of the 20th century complete with a 106 page book. Paris-born composer Luc Ferrari was a pioneer both of electronic and instrumental avant-garde music. He was the founding director of the Groupe de Musique Concrete in 1958 and was, along with Pierre Schaeffer, one of its leading practitioners. Ferrari constantly reinvented his own poetic approach to sound a…
On Early Combinations, Art Ensemble history is still in wet cement: Roscoe Mitchell’s proto‑Ensemble and Joseph Jarman’s quartet collide in two long 1967 tapes where themes for cancelled gigs and failed auditions already sound like future classics.
** 2026 stock ** One of the lost gems of the 90s, Talk Talk's final album 'Laughing Stock' has gathered momentum in the hushed tones of music fans' conversations since it's release. At long last it has secured a reissue. The record took a year to make yet has required decades to fully appreciate. following up on the abstract 'Spirit of Eden', which sufficiently alienated pop fans of the band's earlier material, 'Laughing Stock' took spaces in recorded music to new extremes, with layers of silenc…
Pianist Joel Futterman and bassist William Parker deliver an epic improvisatory journey on this three-track, hour-long studio recording. Futterman and Parker have worked together in duo and group contexts since the 1980s, and their deep creative bond is audible in every note of this suite.
Three of the most essential new releases from Metaphon and La Scie Dorée, gathered in a single bundle. Liliane Donskoy's Intégrale Acousmatique (3LP set) brings together for the first time the near-complete acousmatic works recorded at Ghent's Institute of Psychoacoustics and Electronic Music between the 1970s and 1980s - a towering, previously inaccessible body of work by a French composer trained by Milhaud, Messiaen, Schaeffer, Stockhausen, Berio, Ligeti, and Xenakis. Wired's Kyoto 1970 docum…
Bangor Flying Circus, the self-titled debut from the short-lived but influential Chicago progressive rock trio, is a striking document of late-1960s American psychedelia and ambitious musicianship. Formed in mid-1967 and active through 1969, Bangor Flying Circus brought together seasoned players from the Shadows of Knight and H.P. Lovecraft to create a sound that bridged blues-rooted rock, baroque psychedelia, and forward-looking progressive arrangements.
Recorded and released during a moment of…
On Numbers 1 & 2, Lester Bowie joins Malachi Favors, Joseph Jarman and Roscoe Mitchell in a pre‑Art Ensemble crucible where AACM discipline, raw timbral play and open‑form swing coalesce into a blueprint for the Chicago future.
The next book on Korm Plastics contains no photographs of the artists, no list of released records, no pictures of record sleeves, and no footnotes. It is not a hardcover, not on glossy paper and is not expensive. It’s… ‘America’s Greatest Noise’ tells the story of Ron Lessard, owner of RRRecords, a record store in Lowell, Massachusetts and, from 1986 to 2009, a record label, releasing the albums of Blackhouse, F/i, PGR, the first Merzbow LP outside Japan and many more, regional compilations, th…
At the turn of the millenium the original „Astral Disaster“ subcription-only vinyl release was somewhat of an Unholy Grail for Coil collectors!
Virtually unobtainable in its original fiercely limited format of only 99 copies, it is the only album apart from the original „Musick to play in the Dark“ record to combine the genius of Balance and Sleazy with both Drew McDowall and Thighpaulsandra's talents. Like „Musick“ it is an essentially tidal/lunar record with literal washes of sound enveloping …
France's near-revolution of May '68 kicked the country's small but vibrant counter-culture into overdrive and birthed a local underground music scene. The bands it spawned made music with far less rock purity than groups from the UK and US - their influences foregrounded improvisation, disjunction and genre-blending: Soft Machine, Pink Floyd, Frank Zappa, free jazz and radical politics. The introduction of the synthesiser in the early 1970s added fuel to the fire. This six-track compilation inau…
From Lawrence English: "I like to think that sound haunts architecture. It's one of the truly magical interactions afforded by sound's immateriality. It's also something that has captivated us from the earliest times. It's not difficult to imagine the exhilaration of our early ancestors calling to one another in the dark cathedral like caves which held wonder, and security, for them. Today the ways in which sound occupies space, the so-called liquid architecture, holds just as much wonder, albei…