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Cellist Tristan Honsinger and guitarist Olaf Rupp in their first recorded duo, Berlin, March 2010: one hour-long improvisation, Can You Imagine a Conversation Between a Table and a Chair?, in eight parts.
*100 copies limited edition* Founded by Moreno Daldosso in 1992, Murder Corporation emerged during a crucial transitional period for the Italian industrial underground. The ritualistic and experimental tendencies that had characterized many projects of the 1980s were progressively mutating into harsher territories shaped by power electronics, death industrial, noise extremism and transgressive performance aesthetics. Within this shifting environment, Murder Corporation rapidly developed a distin…
With Yours Sincerely, Haruomi Hosono turns a lifetime of musical wandering toward compassion, memory and the unknown. Tender psych-folk and bubbling avant-pop frame his first new collection in seven years, while female voices open fresh emotional territory. Rather than settling into legacy, he makes curiosity the engine of a quietly adventurous renewal.
MNE is Toshi Mikawa of Incapacitants and Hijokaidan on electronics, Jun Numata on guitar and electronics and Martín Escalante on saxophone: dark, extreme noise improvisation recorded in Tokyo in December 2023. Digipak CD.
*300 copies limited edition* For the Raven was due to be the next release after Ligeliahorn on the Nekrophile Rekords label. Sadly the project fell through and, even more sadly, it coincided with a number of the celebrants being rounded up to enjoy a short holiday at Her Majesty's Pleasure, expense and, indeed, insistence. By the time our intrepid Disciples Of Doom re emerged the momentum had been lost and For the Raven was consigned to the Metgumbnervaults to, until recently, only make an occas…
Three new LPs from the two labels run by Timo van Luijk, Metaphon and La Scie Dorée, offered together.
Robert Nasveld's self-titled LP (Metaphon 029, Signature Series III) collects the only three tape pieces the Dutch pianist and radio producer ever made, realised between 1974 and 1984 at Ton Bruynèl's studio at the Utrecht Conservatory and at the Institute for Sonology: Collage voor Anja, Soundscape and I Touch You. Edition of 300 copies.
Pierre Mariétan's Musique d'été (SCIE 4126) was first pu…
Music From Memory presents ‘Sleep Machines’, a new collaborative album from UK ambient pioneers O Yuki Conjugate and German producer and DJ Philipp Otterbach.
Donaueschingen, October 1979. Karl Berger brought the orchestra of his Creative Music Studio from Woodstock to the German contemporary music festival, and Südwestfunk and MPS recorded it. The roster reads like the CMS guest book: Don Cherry on trumpet and bamboo flute, Lee Konitz on alto, Oliver Lake on alto, soprano and flute, George Lewis on trombone, Leroy Jenkins on violin, Trilok Gurtu on tabla and congas, Peter Apfelbaum on drums and baritone, Ingrid Sertso singing, Berger on vibes and pia…
Mega Tip! Edition of 200 copies, comes with a large illustrated insert. Giuseppe Chiari arrived at music from the wrong direction. He read mathematics and engineering at university and studied piano and composition privately, and it was John Cage who turned him toward experimental music. With Pietro Grossi he founded Vita Musicale Contemporanea, one of the first Italian associations for new music, and with Sylvano Bussotti he assembled the travelling exhibition Musica e segno. In 1962 Frederic …
Holy Tongue are a trio composed of Valentina Magaletti, Susumu Mukai, and Al Wootton. Accomplished musicians in their own right, they create expansive rhythmic music that moves freely through dub, trance, post-punk, free improvisation and cinematic psychedelia. Such a dynamic energy and force is mapped across a trilogy of critically acclaimed EPs, their debut album Deliverance and Spiritual Warfare and their collaborative album with dub-pioneer Shackleton. The trio recorded a series of improvisa…
Montreux, 7 July 1973: Gary Bartz brings the NTU Troop on stage as a quartet and plays the first half of the concert as one unbroken suite. Langston Hughes turned into song, alto and soprano over electric piano and bass. First vinyl edition since 1975, cut AAA from the original tapes by Kevin Gray.
Wewantsounds reissues Brigitte Fontaine's landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem, Wadada Leo Smith, and the Art Ensemble of Chicago. This new edition pairs the original album with rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart, and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and …
*200 copies limited edition* This year’s Aube tribute release from advaita records is Entangle Spirant, originally released in 1995 by Drahtfunk-Products. Using only steel wire as its sound source, this unique noise—in which various friction sounds intertwine to create a hypnotic soundscape blending chaos and order—embodies the quintessential Aube aesthetic. We have faithfully reproduced the original artwork, which perfectly complements the music.
On Fantasy, Piero Umiliani resurfaces four decades late with a perfectly preserved final statement: a 1983 library dream where analog synths, light orchestration and soft rhythms drift between science‑fiction shimmer and easy‑listening warmth, closing his universe on a quietly visionary note.
Miya Masaoka's orchestra, recorded live in San Francisco in 1995 and 1997 with George Lewis, Vijay Iyer, Trevor Dunn and others: strings, Asian winds, shamisen, electronics and turntables under her whole-body conduction.
Six pieces by Kiyoshi Mizutani from 1989 to 1991, made with environmental sound, synthesizer, wire, guitars and backward tape. Povertech Industries, 1999.
The Sun City Girls were unlike any band before them or that has come in their wake. Their catalog, their ethos, their *being* - you name it, with the Girls that “it” was singular and became legend. This singularity started early and extended to their release schedule and the means behind the same. While the band would prove to be wildly prolific throughout their existence, during their nascent days they quickly realized that they could not be contained by any sort of traditional label schedule. …