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Xerrox Vol. 1 is the third studio album by German electronic artist Alva Noto. It was released in 2007 as part of the ongoing Xerrox pentalogy, based on the concept of digital replication of source material.
Using the process of copying as a basis, the Xerrox series deals with the manipulation of data through endless reproduction. Due to the inherent fallacy of making copies from other copies, everyday sounds become so altered that they are hardly associated with their source material. As a resu…
Near the Bear is Cheryl E. Leonard’s intimate Arctic meditation, interweaving field recordings and natural objects into five cinematic pieces that speak to both the wildness and vulnerability of Svalbard and Greenland’s landscapes.
We're back digging through Flipper's legendary catalog, more precisely in the Octopus Records section, and after bringing back Alessandroni's "Storie Di Guerra" here is the return of Amedeo Tommasi's Telegiornale", released under his Atmo alias. The album opens with a cinematic and suspenseful overture that immediately draws the listener into its world. Tommasi's virtuosic piano playing takes center stage throughout the album, with his nimble fingers crafting intricate melodies that are both ev…
The historical importance, influence, and stature of the Schlippenbach Trio was cemented long ago. Formed in 1970 by German pianist Alexander von Schlippenbach in the early days of European free jazz, the group also featured British saxophonist Evan Parker and German drummer Paul Lovens, and soon formed the core of the mighty Globe Unity Orchestra from that point on. As heard on its 1972 debut for FMP Pakistani Pomade - reissued by Cien Fuegos back in 2015 - its foundational music helped establi…
Dais reissues Coil's seminal Black Antlers, the group's final studio masterpiece completed by Peter "Sleazy" Christopherson after Jhonn Balance's passing. A vital document of the group's final creative surge - where live energy, poetic mysticism and digital experimentation reached their apex.
Since 1992, Robin Storey (founding member of the pioneering post-industrial band Zoviet*France) has been creating innovative and thought-provoking music under the Rapoon moniker. Drawing inspiration from his early days with Z*F, he continues to push the boundaries of ambient, industrial, and world music genres, earning him a dedicated following across the globe. Originally available in 1994 as a limited-edition DAT tape through Staalplaat Records, Cidar was later included as a bonus CD in the re…
Big tip! This is it! Chicago spiritual jazz master Kahil El'Zabar delivers one of the most powerful live recordings in recent memory! Captured over two unforgettable nights at "mu" in London - July 15th & 16th, 2024 - this is music as ancient ritual, as communion, as healing force. El'Zabar created new material specifically for these performances, alongside reimagined arrangements of classics like Wayne Shorter's "Footprints", Gershwin's "Summertime", and Duke Ellington & Juan Tizol's "Caravan".…
Pieces for Broken Piano turns a weather‑wrecked 1916 Gebrüder Stingl grand into an accidental “prepared” instrument, as Miroslav Beinhauer navigates new works by Terry Riley, Philip Glass, Milan Knížák, Gordon Monahan, Elliott Sharp, Milan Gustar and Yoon‑Ji Lee written specifically for its fractured voice.
One of the most striking and enigmatic works to appear on Discreet Music in recent years. There is a long tradition of artists who have tried to set scripture to music and failed magnificently - the failure itself becoming the subject, the wound becoming the work. Carrie DeCunzo Mirande's debut album belongs to this lineage. In the twenty-four days before Christmas 2024, she read the twenty-four chapters of the Book of Luke and attempted to respond in sound. Two piano pieces emerged - one inspir…
Between innocence and anger, a record of witness. Pharoah Chromium is the project of German-Palestinian musician and sonic performer Ghazi Barakat. With Chronicles from the Arab Cold War Pharoah Chromium continues his long-standing engagement with the Palestinian cause, following Gaza (LP, self-released 2015) and Jean Genet à Chatila (7”, self-released 2018). In the summer of 2023, new material began to take shape from a session with flutes, EWI (an analogue synth played like a wind instrument)…
*200 coipes limited edition* Among the many kind remarks and deeply personal stories that have been shared with zakè and 36 about their beloved series, Stasis Sounds For Long-Distance Space Travel, perhaps the most succinct and poignant is one from a fan, regarding the first installment: “I was terrified of space travel, until I heard this album.” In those few words, the complex themes and contrasts that the artists explore through their comforting hymns of cosmic scale are summed up beautifully…
November 1978. Henry Cow disbands after a decade of music that redefined the boundaries of experimental rock. November 2022. Four founding members return to the stage. Not to look back - but to improvise the present.
Fred Frith (guitar, violin, electronics), Tim Hodgkinson (keyboards, saxophone, lap steel, electronics), Chris Cutler (drums, percussion), John Greaves (bass, vocals): reunited under the name Henry Now.
No scores. No prepared material. Only the instinct honed over fifty years of son…
In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. The fifth performance is by Mark Sanders.
Mark Sanders has played with many renowned musicians including Derek Bailey, He…
In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. The third performance is with John Butcher.
Good Liquor Caused my Heart for to Sing sets out to expose and connect the …
Anthology of Lisa Suckdog’s infamous Rollerderby zine collecting the first ten issues originally published 1989 - 1993. Includes written work, drawings and interviews by the likes of Lisa, Bill Callahan, Seymour Glass, Dame Darcy, Jean-Louis Costes, Psycodrama, John Aes-Nihil, GG Allin, Yamatsuka Eye, Nick Zedd, Royal Trux plus classic articles such as “The Dirty Letters I Get”, “My Early Sexual Experiences”, “The Global Village Of S&M”, and “We Are All Murderers”.
Mystic Synthesis at the Dawn of Electronic Consciousness! Florian Fricke's visionary second album remains a towering achievement in transcendental electronics
*300 copies limited edition* With Insha, This Morn’ Omina crosses a new threshold within its long-established ritual universe. The album marks both a return and an expansion, retracing paths once considered barren, and reopening them as gateways to origin forces and primal intention. Created in close collaboration with Konchong-Gyaltsen (Nam-Khar), Insha is rooted in convergence rather than continuity. Untethered from the logic of trilogies or cyclical narratives, Insha turns directly toward the…
Cien Fuegos present a reissue of Schlippenbach Quartet's Three Nails Left, a classic mid-1970s originally released on FMP in 1975 and showing Schlippenbach is in sublime form. It features a stellar line-up, with Evan Parker - soprano and tenor saxophone; Peter Kowald - double bass and Paul Lovens - percussion. Side A was recorded live at 3rd Jazz Festival Moers June 2nd, 1974 by Michael Krause. Side B was recorded live at the Quartier Latin Berlin, February 2nd, 1975 by Jost Gebers with the FMP…
An astonishing album, Lion's Eye for Gamelan was commissioned in 1985 by Barbara Benary for Gamelan Son of Lion. Lion's Eye for Synthesizer was commissioned concurrently by Neil Rolnick for iEAR Presents at Rensselaer Polytechnic Institute. Both versions were performed in 1985. The intention to combine both pieces in order to expand the tempo range of the Gamelan was first realized in May of 1989 in performances by the Berkeley Gamelan in Oakland and San Francisco, California under the direction…