Best sellers

2025 stock Warp's first ever 'guitar-playing' signing make a welcome return with this, their self-titled, second album for the label. Applying less of their signature 'shoegaze' aesthetic, the addition of Boredoms drummer E-da and electronic musician Shigeru Ishihara in the line-up, has given this album much more of a palpable feel than earlier releases on Warp and Too Pure. An invigorating return.

Two sixteen-minute pieces of anenoises and choictronics recorded by Maurizio Bianchi as M.B. in 2017 at the Emoptyc studio in Opera, with artwork built on photos of anechoic chambers. 30 copies on BeTon Raw.

Ten tracks from Lebanon's private press cassette scene of the late 1970s and 1980s, many tied to Ziad Rahbani's Bypass Studio circle: disco, soul, jazz, bossa and AOR, some tapes issued in tiny runs and some never released at all.

People Skills - the long running project of Philadelphia's Jesse Dewlow - has spent close to two decades tuned to that lower, stranger frequency, and Several Years Later may be the fullest transmission he has yet let out of the room. Since the mid 2000s, Dewlow has worked at the seam where a song comes apart into weather. Repetitive guitar figures, idle tape phenomena, sound residue, voices sunk far beneath the surface - materials gathered under the sign of his Heresy Museum and set loose in sha…

Thurston Moore on guitar with drummers Tom Surgal and William Winant, live at Victoriaville on 17 May 1996: a single album-length improvisation of feedback and percussion, named after a Tibetan Buddhist deity.

The three albums Reich made for ECM between 1978 and 1982, reissued as facsimile sleeves in a card box: Music for 18 Musicians, the Octet / Music for a Large Ensemble / Violin Phase LP, and Tehillim. Cut all-analogue from the original tapes.

SML is a Los Angeles based quintet featuring Anna Butterss, Jeremiah Chiu, Josh Johnson, Booker Stardrum, and Gregory Uhlmann.

On Cosmos Nucleus, Carlos Garnett turns his cosmic post‑Coltrane fire into a large‑ensemble manifesto: six expansive tracks where Pharoah‑like spiritual cries, funk currents and celestial brass fanfares coalesce around the incandescent “Mystery Of Ages.”

Montenegrin born in Istanbul, precocious pianist growing up in an embassy, brilliant musician. Prolific composer speaking eight languages, he arranged music for jazz, pop music, adopting multiple identities. For one label, he is Andy Loore; for another, Emiliano Orti. For others, he is called Alan Blackwell or Johnny Montevideo, but behind all these aliases, there is only one man: Janko Nilovic.Exploring the shelves of musical production, venturing into the less-illuminated corners of library mu…

Tip! Tip! Tip! We are incredibly excited to announce a landmark discovery and upcoming release that will be a must-have for collectors and fans of Italian film scores. After decades of being considered a lost artifact, the original soundtrack for the iconic 1975 giallo film, Nude per l'assassino (Strip Nude for Your Killer), has been found. This marks its first-ever official release, presented in a lavish vinyl edition that includes a 30x60cm poster and has been meticulously remastered from the …

*2025 repress!!* Essential Italian funk library, a must have for any  digger ! Here’s the 1977 collaboration between master composers Remigio Ducros and Luciano Simoncini (Arawak, Jason Black, etc.), a groovy record with killer drum-breaks , dreamy flute harmonies, blazing horns and heavy Fender Rhodes  line.

Lansdowne Books returns to World Countdown, the music newspaper that Charles Royal published in California every two weeks between August 1966 and July 1969. Original copies are very hard to find today. World Countdown - Volume 2 picks up where the first book stopped and reproduces every issue from July 1967 to May 1968. These are the months right after Monterey, when West Coast psychedelia was at full strength and the paper followed it issue by issue. In its pages: Love, Moby Grape, Spirit, Blu…

Somewhere in the Wind is the third record that Loren Connors and I have made together. Of the three, it’s the first that consists exclusively of electric guitar duos and it’s the first that was recorded live. To me it feels very much like a live record; this music happened in crowded rooms in Brooklyn on two dates in 2025 and there’s an urgency to connect with others and a pleasure in doing so that can be heard on both of these tracks. On the first of our duo records (Arborvitae, 2003) I primari…

Limited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl. One of the most quietly radical entries in Deutsche Grammophon's legendary Avantgarde series - the run of albums issued between 1968 and 1971 that did more than almost any other label project to document the experimental music of its moment - returns to vinyl. Recorded in London in 1971, the Scratch Orchestra's r…

The Intercommunal Free Dance Music Orchestra was created in 1971 by an “old hand” of French free jazz, François Tusques. Free Jazz, was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais) in 1965. But, six years later Tusques had had his fill of free jazz. After having wondered, together with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), if free jazz wa…

Paul Bley's 1971 ECM album of three Annette Peacock compositions, recorded by two piano trios in New York in March and July 1967, with Barry Altschul on drums and Gary Peacock or Mark Levinson on bass.

*300 copies limited edition* Originally released in 2000 on Smalltown Supersound, Kim Hiorthøy’s first record Hei captures an artist who had made very little music before – yet it seemingly was the starting point of a musical career that would stay away from easy categorisation. Now, Hei (2026 Remaster) returns on blickwinkel, released digitally and on vinyl on 30 October 2026, as part of an ongoing series revisiting and reissuing Hiorthøy’s work. Made in Copenhagen with little equipment — an Ak…

Debut album by X, the 1980 Los Angeles punk landmark produced by Ray Manzarek of The Doors, with the twin vocals of John Doe and Exene Cervenka. Remastered by Jason Ward for the 2019 Fat Possum reissue.

Belgian improvisers Linus and Bonnie 'Prince' Billy reimagine the songs of Dutch songwriter Jules de Corte: slowed, expanded folk miniatures on religion, love and loss, with guitars, banjo, clarinet and lap steel.

*300 copies limited edition* Sophomore album from Palace Records label founder and heavily influenced by soundtrack and library music from the past including one of his hero's, John Cameron (Kes, KPM, Bruton) who features on the album (Swing Time). The record is an assortment of outré electronics (Siren Call, Squeaks And Bleeps), modal jazz (Swiftly, Waltz For Someone) and wonky disco (Line Stepper, The Shuffle). Other contributors to the album include members of Palace Records band The Kanpai Q…

On All the Numbers, Lester Bowie’s first sessions as a leader catch the future Art Ensemble core in 1967 workshop mode, running multiple takes of two pieces that keep splintering into different shapes, energies and internal logics.

Box with both Caprice albums by Sevda, Maffy Falay’s Turkish folk and jazz group with Okay Temiz and Salih Baysal: the 1972 Jazz i Sverige record and the Montmartre live set, plus a DVD of the Swedish TV programmes.

Eugene Chadbourne and René Lussier, live in Paris and at Victoriaville in May 2002: acoustic and electric guitars, banjo and voice in a twisted hoedown of free improvisation, bluegrass and country blues.

The legendary Don Cherry with his great 1966 quintet featuring Gato Barbieri (tenor sax) Karl Berger (piano) Bo Stief (bass) Aldo Romano (drums) which can also be heard on three fine releases on ESP-Disk, and with the New York Total Music Company in 1968. His quintet was on very fine form at this time, it captures a crucial stage of Cherry’s journey from free jazz to yet wilder territories. The recording was made for radio broadcast and is nice and clear: this is the first time it has been is…

Trost Records proudly announces the latest release in its ongoing cooperation with Berlin’s legendary FMP label, with the long overdue reissue of two classic live albums by the singular alto saxophonist Noah Howard, a key figure in New York’s free jazz revolution during the 1960s. Berlin Concert was recorded live in the titular city in January of 1975 with a quartet featuring pianist Takashi Kako, bassist Kent Carter, drummer Oliver Johnson, and percussionist Lamont Hampton, while Schizophrenic …

Richard Raux's band after Magma, recorded at the Château d'Hérouville in 1974: spiritual jazz, progressive rock and Malagasy rhythms, with his brother Patrice on guitar. Restored and remastered for Souffle Continu's 100th release.

Huge Tip! Industrial music legend Chris Connelly returns to his first love with White Phosphorus (Chris Connelly plays Throbbing Gristle), a suitably uncompromising homage to the "random, tense, scary & compulsively fascinating" phase of industrial music's catalysers and ur-agitators. Having carved a twisted career with behemoths Ministry and Revolting Cocks over the past 40 years, starting life with the formidable Fini Tribe and collaborating with disparate characters such as Killing Joke, Caba…

Cellist Tristan Honsinger and guitarist Olaf Rupp in their first recorded duo, Berlin, March 2010: one hour-long improvisation, Can You Imagine a Conversation Between a Table and a Chair?, in eight parts.

Turkey’s first stereo LP. A foundational recording of Anatolian psychedelia. Audio transferred from the original analog master tapes, mastered and lacquer cut by Frank Merritt at The Carvery, London, and pressed on 180g heavyweight black vinyl at Record Industry in the Netherlands. Released by the legendary Yonca Müzik label in 1973 as Turkey’s first stereo LP, Türküz Türkü Çağırırız! now returns as the first official reissue. The album captures Mazhar Alanson and Fuat Güner at a pivotal moment …

Or (AKA John Talabot) is a Catalan producer, electronic musician & DJ residing in Barcelona. his 2012 debut album ƒIN received critical acclaim from The Guardian (5*), Anthony Fantano, Pitchfork (8.5 BNM) & DJ Mag. Highly anticipated, Talabot's first album in over a decade. A more left-field side of Talabot, with tangle of cartwheeling synth hooks, bursting with colour & looping electronics.

For a group founded on refusal, The New Blockaders have collaborated a great deal. It is less a contradiction than it looks. Where most collaborations in music amount to two recognisable personalities meeting and reinforcing each other, TNB's have always worked in the opposite direction: material is passed over, altered, buried, returned, and what emerges belongs to nobody in particular. Paul Hegarty has described the process as one in which individuality gets swamped, the sound cut loose from a…

Sinsuke Fujieda Group recorded Fukushima at Groove Studio Matsudo in May 2023. When Superfly Records put it out on vinyl in the spring of 2025 the thousand copies vanished within days, two further pressings followed, and copies on the second-hand market are now asking three figures. This CD is the record the LP could not hold: the five compositions restored to their full unedited length, three flute pieces that had only ever appeared digitally, and Jiva, a previously unheard piece for bamboo cla…

*2026 stock* For this album I have assembled a collection of contrasting works from the archives. Some have previously been released, others not. Three pieces: Sculptor, Touche pas, and Bubble chamber are based on the microsound techniques of granular synthesis and micro-montage. By contrast, Modulude, Clang-tint, and Still life were conceived before my microsound period. For any given piece, my compositional practice usually takes years. For example, Modulude was initially conceived in 1998 and…

Bill Orcutt built The Four Louies by dropping Steve Reich's Four Organs onto "Louie Louie" - two of the most stubborn riffs in American music, high minimalism and dumb garage, forced into the same frame. This is what happened when he took it off the record and into a room. At Roulette last March the four organs became six, the rock trio swelled into a small army, and the plunderphonic stiffness of the studio version simply burned off. Six organists, twin drummers, William Winant on maracas, Chri…

Tip! Mekong Shellac is an extremely rare collection of classical and popular styles of Khmer music from the 1930s to the 1950s. Restored from the few original remaining copies, this compilation reveals a remarkable world of early 20th-century Cambodian folk music previously lost in time through war, cultural shifts, and modernization. These recordings were selected for their distinctive musical qualities, the physical condition of the 78 rpm records from which they were sourced, and the circumst…

Few contemporary composers have created instruments as singular as Ellen Fullman's Long String Instrument, and fewer still have explored its possibilities with the depth and invention documented on Elemental View. This six-movement work, performed in collaboration with The Living Earth Show, transforms an industrial-sized space into a resonating chamber where 136 precisely tuned strings create what can only be described as environmental music in its most literal sense. Fullman has spent decades …

We Jazz Magazine, Issue 18 / Spring 2026 "Space Time" for Shabaka. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Shabaka by Tina Edwards, Booker Stardrum by Clifford Allen, Aurora Nealand by Bennett Kirschner, Jazz Now Jazz by Rui Miguel Abreu, The Space Book by Patrick Preziosi, XT by XT (Paul Abbott & Seymour Wright), Naïssam Jalal by Florent Servia, Craig Taborn by Bret Sjerven, the term "Free Jazz" b…

Scottish singer and guitarist Alasdair Roberts and Norwegian just intonation explorer Fredrik Rasten stretch seven traditional Scottish ballads into slow, drone-rich spells: an hour of overtones, hurdy-gurdy, psaltery and two voices.

The expanded edition of the scores of Emahoy Tsege Mariam Gebru's piano music: the 16 pieces of Éthiopiques 21, with photographs, drawings and handwritten letters from the Emahoy Music Foundation archive. 128 pages, 29 x 29 cm.

A zine on the ten years of Kaoru Abe in Tokyo's free jazz scene, 1968-1978, with excerpts from an unpublished 1973 conversation between Abe and Shinto recorded in a small Shinjuku coffee shop. English and Japanese.