Best sellers

Irène Schweizer, Rüdiger Carl and Louis Moholo: the LP Messer, live in Moers and in the FMP studio in 1975, followed by Tuned Boots, the twenty-minute trio piece recorded in Graz in 1977.

The only album by the Swiss group Island, released in 1977 with a cover painting by H.R. Giger: dark, theatrical progressive rock without guitar, built on keyboards, saxophones and flute, with the long bonus piece Empty Bottles.

L'Oriole is the meeting point between violinist and composer Clara Lévy and sound artist Stéphane Clor. Combining violin, violoncello piccolo and a unique orchestra of resonators and transducers, the duo explores birdsong, resonance and the transformative power of sound. Acoustic instruments are projected into cymbals, drum skins, aluminium cans and other resonant objects, creating rich layers of colour, texture and spatial depth. Inspired by the work of Olivier Messiaen and his fascination with…

Hospital Productions is proud to announce ‘Trick’ on 2xLP format. “Trick’ is deeply important to the Hospital history as it was the first time working with the icon Richard Ramirez in 1999. 5 tracks spread across each disc ‘Only If You Want To Fuck’ and ‘Voyage Of Tempted Flesh’. ‘Trick’ shows Ramirez at his most focused, linear, and darkest noise that only he can do. Listeners will be torn between minimalist brittle static and eerie envelope-filter delayed electronics creating a chasm of gravel…

Scottish singer and guitarist Alasdair Roberts and Norwegian just intonation explorer Fredrik Rasten stretch seven traditional Scottish ballads into slow, drone-rich spells: an hour of overtones, hurdy-gurdy, psaltery and two voices.

Anthony Braxton's 12+1tet live at Victoriaville on 20 May 2007: Composition No. 361, seventy minutes of layered Ghost Trance writing with Taylor Ho Bynum, Mary Halvorson, Steve Lehman, Nicole Mitchell and others.

Electronic lullabies and folk songs from Ethiopia! A landmark recording from Ethiopia’s vibrant cassette era of the 1980s, Resonance of Time features pioneering composer Wesenyeleh Mebreku reimagining Ethiopian folk melodies through the humble circuitry of an early Casiotone keyboard. Historically, the works featured on Resonance of Time (የጊዜ ቃና Yegizie Kana) stand as quiet documents of Ethiopian musical memory. Many of the original songs included in this release emerged during important moments…

In September, 1967, three of the primary ensembles of free music in Northern Europe gathered for a mini-festival on Radio Bremen: the Manfred Schoof Quintet, the Peter Brötzmann Quartet, and the Irène Schweizer Trio. Pianist Alexander von Schlippenbach appeared as part of the Manfred Schoof Quintet, but in these sets, which mixed the dozen members of the ensembles, as well as presenting them on their own, Schlippenbach in fact either led or was at the center of several groupings, presenting two …

On Fantasy, Piero Umiliani resurfaces four decades late with a perfectly preserved final statement: a 1983 library dream where analog synths, light orchestration and soft rhythms drift between science‑fiction shimmer and easy‑listening warmth, closing his universe on a quietly visionary note.

*75 copies limited edition* DNZ122 Drew Wesely – Silence is a Sharpened Blade Silence is a Sharpened Blade speaks in the language of materiality — a stripped bare mantra of nylon and wood conjures unspoken and veiled interiors, channeling the intimacy of a single guitar alone in a room. Silence is a mirror, a shadow, an absence. It speaks when words fail in the poetry of negative numbers. Where do we go when the lights burn out? What is beauty in hell? What can pierce a heart of stone? Silence i…

Stellar Tip! Previously unreleased recordings of one of Sweden's most legendary jazz groups. A raucous and energic set of free jazz from the vibrant Swedish scene of the mid '60s – a perfect match for the groundbreaking German scene of the FMP generation! Quoting Jim O'Rourke from the hype sticker: “Someone quadruple booked the same session, because the music on this record is at the crossroads where FMP, Faust, The Insect Trust, and Catherine Ribiero met, but we know that road was never built. …

The Second Quintet with Shorter, Hancock, Carter and Williams on its autumn 1967 European tour: Antwerp, Copenhagen, Paris and Karlsruhe on three CDs, restored by Michael Brändli, with an essay by Art Lange.

*100 copies limited edition* Originally released in France in 1998, Vibractance is one of the most unique and haunting titles in Merzbow’s vast catalog. It’s unique drone, noise, almost ambient like qualities makes this a great starting point for adventurer ears but also an essential album for the initiated. A true journey into the unknown where pulsating sonar waves swim between a sea of eerie beauty and tangible dreams. Celebrating it’s 25th anniversary, Aurora Central Records proudly presents…

Fukuoka, early '80s. In the backstreets of Hakata, between neon lights and moonlight, three figures shaped darkness and grey shades from the Far East. The "Moonlight" EP and all the Neo Museum rarities finally collected in one vinyl release: the most ritualistic and lunar side of Japanese new wave shines again.

Volume II. Originally issued as a limited CDR in 2003, now reissued as a fully pressed CD. "A certain flavour of composition puts emphasis more on what could be considered 'hang-time' than 'narrative'. Some pieces don't necessarily have to 'go' anywhere in particular, their existence is simple enough in that it presents a mood, a moment, a place and encapsulates it. Think of still-images for the ears as opposed to moving-pictures for the eyes. As an audio exploration into this hovering su…

Music from Stan Douglas' two-channel installation ISDN (Venice Biennale 2022), where London grime MCs and Cairo mahraganat rappers trade verses. Two edits chosen by the artist, 180 g 12", 1,000 copies.

On Live in Europe 1968 & 1972, Marion Brown leads a borderless quartet through two rare European concerts, pairing his singing alto with Gunter Hampel's vibes, Barre Phillips' bass and Steve McCall's drums in a sound that hovers between lyrical free jazz and chamber‑like intimacy.

Robert Fesler's music from 1975 to 1987, recorded at his home in Bierges, Belgium, on synthesizers he built himself, mostly in real time and in one take. Four LPs and a booklet.

On Healsgebedda Budgerigar, Nurse With Wound turn memory itself into a delirious tape loop: three long, sample‑swollen excursions where pet chatter, phantom TV themes and street detritus melt into a woozy, psychedelic netherworld of half‑remembered sound.

Experimental electronic music made entirely from processed recordings of Brazilian stingless bees, by the artist and researcher João Machado, whose bee recordings are held by the British Library.

"This is where you have been forever and will always be forever." Stuart Dempster, speaking about what it feels like to be in a cistern where time seems to stop. Stuart Dempster created Underground Overlays From The Cistern Chapel in the same cistern where the legendary Deep Listening album was recorded. Reverberating with powerful, deep tones, this double LP is intended as a companion to the acclaimed Oliveros/Dempster/Panaiotis album Deep Listening. Underground Overlays From The Cistern Chapel…

More than 25 years after the start of collaboration with Acid Mothers Temple mastermind Makoto Kawabata (including the INUI series and the classic Kawabata/Youngs release) comes the first proper VHF LP by the prolific quintet. One of an occasional series of “minimalism” inspired LPs by the group, In A Not C is a not a barely changing drone, but a wild ride with the band in full flight, rushing along in a glorious swirl of psychedelic madness. Like the band’s well-known 2001 version of Terry Rile…

*300 copies limited edition* The first Af Ursin album in a decade, this release features extraordinary Belgian vocalist and performer Bénédicte Davin. Ad Fontes is a personal response to the fractured reality of our time. Created in the wake of visible social decay, manipulation, and institutional control, the album serves as a sonic mirror to an era defined by corruption and systemic failure. Instead of preaching political manifestos or claiming to have answers, this work is an intimate persona…

Andrew Hill's Compulsion!!!!!, recorded on October 8, 1965 at Van Gelder Studio with Freddie Hubbard, John Gilmore, Cecil McBee, Richard Davis, Joe Chambers, Renaud Simmons and Nadi Qamar, first released by Blue Note in 1967.

*2026 stock* The third album of the quartet "Akira Sakata x Triple Edge," in which Masayasu Tsuboguchi, Takeharu Hayakawa, and Masataka Fujikake gather to create a rare improvised world with dynamism as if diverse organisms were wriggling under Akira Sakata, a giant tree several thousand years old.

The first album under the Mnemonists name, released in 1980 in 500 copies on the Colorado collective's own Dys label: 22 'Fragments' of improvisation between modern classical, noise, industrial and free jazz, by the circle that became Biota. Reissued on CD by Klanggalerie.

*300 copies limited edition* Originally released in 2000 on Smalltown Supersound, Kim Hiorthøy’s first record Hei captures an artist who had made very little music before – yet it seemingly was the starting point of a musical career that would stay away from easy categorisation. Now, Hei (2026 Remaster) returns on blickwinkel, released digitally and on vinyl on 30 October 2026, as part of an ongoing series revisiting and reissuing Hiorthøy’s work. Made in Copenhagen with little equipment — an Ak…

** 2021 Stock. High quality vinyl, with original insert and new liner notes on printed innersleeve ** More than 40 years after its original release, the recording of the Marc Levin Ensemble’s Songs Dances and Prayers will be reissued, both on vinyl and digitally. Until now it has only existed in the original vinyl form, making it difficult to obtain, which is why we decided to make this magnificent recording easily available again. Though Marc Levin is often characterized as a Free Jazz musician…

Mythology has a recurring theme: creating ambiguity by rearranging worlds and creatures that normally don’t belong together. Centaurs, Minotaurs, Hydras and so on: mockery and mystery intertwine into entities that are in equal parts magnificent and ridiculous. Referencing this idea in the present, Loris S. Sarid conjures 12 compositions simultaneously showing traits of dreamlike trap, candy-flavoured New Age and Spoken Word. The lines between spiritual and mundane, drama and parody are bent and …

Created between March and May 2020, Does Spring Hide Its Joy is an immersive piece, positioned as a “study in harmonics and non-linear composition with a heightened focus on just intonation and beating interference patterns”.

Few gestures in the history of recorded sound have been as absolute as the one Richard and Philip Rupenus made in a garden shed in rural Newcastle in 1982, when – as The New Blockaders – they committed Changez Les Blockeurs to tape and, with it, drew the founding line of noise as an art of pure negation. From the outset TNB armed the music with a manifesto: blockade as resistance, an anti-music and anti-art set against every convention of composition, performance, and even personality, the sound…

Kemialliset Ystävät mark three decades with Joskussaaret, their first album in eight years: a collaged hike through a fictional island resort, built by Jan Anderzén with Ben Chasny, id m theft able, Islaja, Dialect and many others.

The first full-length collaboration between Steven Stapleton and Tony Wakeford, originally on Tursa in 1992: Wakeford's songs set inside Stapleton's surreal tape landscapes. First vinyl edition, on transparent green or blue vinyl, in a gatefold.

When describing the "Last Shot at Heaven" cover art on the Skullflower Bandcamp page, Matthew Bower highlights the ambiguity of the striking photograph of a civilian casualty during the Yugoslavian schism. "Is it ecstatic[?]" he asks of the woman's expression. This, too, is a question one could reasonably ask of any Skullflower album. Bower and his many cohorts' body of work is full of lengthy compositions that evoke all manner of emotions. Statement records like "IIIrd Gatekeeper", released a y…

Companion to the expanded Comme à la Radio: unreleased ORTF radio sessions from 1969-71 with Areski Belkacem, plus four unissued studio takes, among them two instrumental versions of the title track and a full 10-minute "Leo" with the Art Ensemble of Chicago.

The only album by the French band Dün, self-released in 1981: an instrumental suite inspired by Frank Herbert's Dune, with flute, vibraphone and fast unison lines in the orbit of Magma and Zeuhl, plus five bonus tracks.

*300 copies limited edition* One is a self-titled psychedelic and progressive rock album released in 1969 by the British group One, originally issued on the Fontana label. Built around singer and multi-instrumentalist Alan Marshall and keyboard player Bobby Sass, the group brought together musicians with strong studio and live backgrounds, creating a sound that is loose, soulful and unusually expansive. The album mixes blues-rock, soul, jazz touches and psychedelic improvisation into five long p…

Frank Denyer's String Quartets 2 to 6, played by the Luna Quartet with heavy mutes at the volume of a conversation: microtonal single-movement pieces with sung notes, pellet bells, a buzzing string and a tap-dancer's shoe, meant to be heard in sequence.

2026 repress of the Stroom compilation spanning thirty years of home recordings by the Belgian architect and Absent Music founder.

Deathpile's G.R., a power electronics album about the Green River Killer, begun during the hunt and finished after Gary Ridgway's arrest.