Robert Fesler's music from 1975 to 1987, recorded at his home in Bierges, Belgium, on synthesizers he built himself, mostly in real time and in one take. Four LPs and a booklet.
Stellar Tip! Previously unreleased recordings of one of Sweden's most legendary jazz groups. A raucous and energic set of free jazz from the vibrant Swedish scene of the mid '60s โ a perfect match for the groundbreaking German scene of the FMP generation! Quoting Jim O'Rourke from the hype sticker: โSomeone quadruple booked the same session, because the music on this record is at the crossroads where FMP, Faust, The Insect Trust, and Catherine Ribiero met, but we know that road was never built. โฆ
*75 copies limited edition*
DNZ122 Drew Wesely โ Silence is a Sharpened Blade
Silence is a Sharpened Blade speaks in the language of materiality โ a stripped bare mantra of nylon and wood conjures unspoken and veiled interiors, channeling the intimacy of a single guitar alone in a room. Silence is a mirror, a shadow, an absence. It speaks when words fail in the poetry of negative numbers. Where do we go when the lights burn out? What is beauty in hell? What can pierce a heart of stone? Silence iโฆ
More than 25 years after the start of collaboration with Acid Mothers Temple mastermind Makoto Kawabata (including the INUI series and the classic Kawabata/Youngs release) comes the first proper VHF LP by the prolific quintet. One of an occasional series of โminimalismโ inspired LPs by the group, In A Not C is a not a barely changing drone, but a wild ride with the band in full flight, rushing along in a glorious swirl of psychedelic madness.
Like the bandโs well-known 2001 version of Terry Rileโฆ
*100 copies limited edition* Originally released in France in 1998, Vibractance is one of the most unique and haunting titles in Merzbowโs vast catalog. Itโs unique drone, noise, almost ambient like qualities makes this a great starting point for adventurer ears but also an essential album for the initiated. A true journey into the unknown where pulsating sonar waves swim between a sea of eerie beauty and tangible dreams. Celebrating itโs 25th anniversary, Aurora Central Records proudly presentsโฆ
Experimental electronic music made entirely from processed recordings of Brazilian stingless bees, by the artist and researcher Joรฃo Machado, whose bee recordings are held by the British Library.
The only album by the French band Dรผn, self-released in 1981: an instrumental suite inspired by Frank Herbert's Dune, with flute, vibraphone and fast unison lines in the orbit of Magma and Zeuhl, plus five bonus tracks.
*2026 stock* The third album of the quartet "Akira Sakata x Triple Edge," in which Masayasu Tsuboguchi, Takeharu Hayakawa, and Masataka Fujikake gather to create a rare improvised world with dynamism as if diverse organisms were wriggling under Akira Sakata, a giant tree several thousand years old.
On Healsgebedda Budgerigar, Nurse With Wound turn memory itself into a delirious tape loop: three long, sampleโswollen excursions where pet chatter, phantom TV themes and street detritus melt into a woozy, psychedelic netherworld of halfโremembered sound.
Tony Conrad alone with amplified violin and self-built Long String Instrument, playing behind a sheet inside the unfinished Mudam in Luxembourg, October 2002. Nearly an hour of unbroken drone, first published here with an extended interview by Philippe Franck. CD digipack, 8 page booklet.
Mythology has a recurring theme: creating ambiguity by rearranging worlds and creatures that normally donโt belong together. Centaurs, Minotaurs, Hydras and so on: mockery and mystery intertwine into entities that are in equal parts magnificent and ridiculous. Referencing this idea in the present, Loris S. Sarid conjures 12 compositions simultaneously showing traits of dreamlike trap, candy-flavoured New Age and Spoken Word. The lines between spiritual and mundane, drama and parody are bent and โฆ
** 2021 Stock. High quality vinyl, with original insert and new liner notes on printed innersleeve ** More than 40 years after its original release, the recording of the Marc Levin Ensembleโs Songs Dances and Prayers will be reissued, both on vinyl and digitally. Until now it has only existed in the original vinyl form, making it difficult to obtain, which is why we decided to make this magnificent recording easily available again. Though Marc Levin is often characterized as a Free Jazz musicianโฆ
*300 copies limited edition* The first Af Ursin album in a decade, this release features extraordinary Belgian vocalist and performer Bรฉnรฉdicte Davin. Ad Fontes is a personal response to the fractured reality of our time. Created in the wake of visible social decay, manipulation, and institutional control, the album serves as a sonic mirror to an era defined by corruption and systemic failure. Instead of preaching political manifestos or claiming to have answers, this work is an intimate personaโฆ
Long deleted, last copies around: This is a simultaneous performance of "Coyote III" and "Pianovariation 1984". Recording of a performance at Seibu Museum of Art (Sรดgetsu Hall), Tokyo, June 2nd 1984. Paste-on front cover with rubber stamped back cover. Includes double sided b&w insert. Blank white labels
"This is where you have been forever and will always be forever."ย Stuart Dempster, speaking about what it feels like to be in a cistern where time seems to stop. Stuart Dempster created Underground Overlays From The Cistern Chapel in the same cistern where the legendary Deep Listening album was recorded. Reverberating with powerful, deep tones, this double LP is intended as a companion to the acclaimed Oliveros/Dempster/Panaiotis album Deep Listening. Underground Overlays From The Cistern Chapelโฆ
*300 copies limited edition* Originally released in 2000 on Smalltown Supersound, Kim Hiorthรธyโs first record Hei captures an artist who had made very little music before โ yet it seemingly was the starting point of a musical career that would stay away from easy categorisation. Now, Hei (2026 Remaster) returns on blickwinkel, released digitally and on vinyl on 30 October 2026, as part of an ongoing series revisiting and reissuing Hiorthรธyโs work.
Made in Copenhagen with little equipment โ an Akโฆ
Andrew Hill's Compulsion!!!!!, recorded on October 8, 1965 at Van Gelder Studio with Freddie Hubbard, John Gilmore, Cecil McBee, Richard Davis, Joe Chambers, Renaud Simmons and Nadi Qamar, first released by Blue Note in 1967.
When describing the "Last Shot at Heaven" cover art on the Skullflower Bandcamp page, Matthew Bower highlights the ambiguity of the striking photograph of a civilian casualty during the Yugoslavian schism. "Is it ecstatic[?]" he asks of the woman's expression. This, too, is a question one could reasonably ask of any Skullflower album.
Bower and his many cohorts' body of work is full of lengthy compositions that evoke all manner of emotions. Statement records like "IIIrd Gatekeeper", released a yโฆ
Few gestures in the history of recorded sound have been as absolute as the one Richard and Philip Rupenus made in a garden shed in rural Newcastle in 1982, when โ as The New Blockaders โ they committed Changez Les Blockeurs to tape and, with it, drew the founding line of noise as an art of pure negation. From the outset TNB armed the music with a manifesto: blockade as resistance, an anti-music and anti-art set against every convention of composition, performance, and even personality, the soundโฆ
Kemialliset Ystรคvรคt mark three decades with Joskussaaret, their first album in eight years: a collaged hike through a fictional island resort, built by Jan Anderzรฉn with Ben Chasny, id m theft able, Islaja, Dialect and many others.
Created between March and May 2020, Does Spring Hide Its Joy is an immersive piece, positioned as a โstudy in harmonics and non-linear composition with a heightened focus on just intonation and beating interference patternsโ.
Peter Brรถtzmann - tenor saxophone, tarogatoToshinori Kondo - trumpet, electronicsSabu Toyozumi - drums
Recorded live on October 2nd, 2016 at Roppongi Super Deluxe, Tokyo, Japan by Kunimitsu TsuburaiAll music by Peter Brรถtzmann, Toshinori Kondo and Sabu ToyozumiMastered by Arลซnas Zujus at MAMAstudiosDesign by Oskaras AnosovasPhotos by Moto UeharaCover art by Sabu Toyozumi
Frank Denyer's String Quartets 2 to 6, played by the Luna Quartet with heavy mutes at the volume of a conversation: microtonal single-movement pieces with sung notes, pellet bells, a buzzing string and a tap-dancer's shoe, meant to be heard in sequence.
The first full-length collaboration between Steven Stapleton and Tony Wakeford, originally on Tursa in 1992: Wakeford's songs set inside Stapleton's surreal tape landscapes. First vinyl edition, on transparent green or blue vinyl, in a gatefold.
*200 copies limited release* Timeless sounds merge into a singular experience, giving birth to "L'Immagine di Me, Lontano," where timeless samples, devoid of memory, reimagined through the constant employment of granular synthesis, blend with echoes of distorted strings and distant pianos. Sounds excerpted from the sonic fabric of the world metamorphose into fragments of emotions, suspended between reality and imagination. The recordings, rich with unknown atmospheres, unveil their deepest essenโฆ
*300 copies limited edition* One is a self-titled psychedelic and progressive rock album released in 1969 by the British group One, originally issued on the Fontana label.ย Built around singer and multi-instrumentalist Alan Marshall and keyboard player Bobby Sass, the group brought together musicians with strong studio and live backgrounds, creating a sound that is loose, soulful and unusually expansive. The album mixes blues-rock, soul, jazz touches and psychedelic improvisation into five long pโฆ
In a stunning effort, Pica Disk takes a deep dive into the depths of the New Zealand underground with a much needed repress of the towering 5CD box set, โEnclosures 2011-2016โ, dedicated to the incredible output of Omit. Described as one of the greatest outsider artists currently working in the field of experimental electronic music, this immersive collection gathers 30 strikingly abstract gestures; sprawling ambient pieces; the broodingly musical, flirting with the melodic and rhythmic; and comโฆ
Nearly sold out at source - Kevinย Drumm - electronics, tapes, microphone, computer assistance and Greg Kelley - trumpet
recorded 2023-2025 at Full and Empty in Chicagomastered by Taku Unamidesign by Yuko Zamaproduced by Jon Abbey
Industrial music is not about what is right with societyโฆ and there is still work to be done. At 7:57 the fountain is still pumpingโฆ industrialization of religion. The songs from torture chambers are passed down through the generations.ย Packaged in silk screen and velcro heavy canvas bag, with individual disco sleeves, vellum insert and text by Takahiko Yokoyama.
*199 copies lmited edition* Immerse yourself in the mysterious and haunting world of "Megaptera," a captivating music project that pushes the boundaries of industrial and dark ambient genres. Initiated by Peter Nystrรถm alongside Mikael Svensson, with the participation of Magnus ร slund, "Megaptera" embarked on a sonic journey into the heart of darkness, where atmospheric textures and chilling soundscapes intertwine. "Megaptera" is a project that defies conventional classification. The trio's earlโฆ
Studio album by the Miles Davis quintet with Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams, recorded at Columbia's 30th Street Studio in New York in June and July 1967 and first issued in 1968.
Keyboardist Himiko Kikuchi's 1987 fusion album with guitarist Masatsugu Matsumoto, a full horn section and members of Spectrum, AB's and Yuji Ohno's band. Limited 180g reissue on Great Tracks, pressed in Japan.
Long overdue reissue of the first Windy & Carl album and first ever vinyl pressing. Originally self-released by the duo as a cassette in 1994, Portal set the template for their singular sonic explorations to come.
โโฆethereal soundscapes that will transport the listener to other plains of reality.โ โAcid Test!
โCarl layers willowy guitar arpeggios, foggy keyboards, and chimes over Windyโs murmured intonations and rippling basswork. Everything sounds fresh and unaffected in the careful hands of thโฆ
Feral Grace was written around old childhood places reclaimed by nature, or replaced by new housing estates. Places long forgotten, their purpose discarded as the world moved on. Yet the memories stay there, caught in the undergrowth, thought of once in a while.ย We remember gathering leaf moss from the woods for our tomato plants. Building dams in shallow streams. Filling our wellies with frog spawn and carrying it home like treasure. Small acts that felt large at the time.ย Fishing banks where wโฆ
Big Tip! Limited edition of 500 copies in black vinyl, inside a reverse-board printed sleeve with printed inner-sleeve with postcard insert. โReetโ is a lost treasure of late 1960s folk/psych-folk. The only album she ever put to tape, with clear pure voice and guitar. luckily recorded by Andres Raudsepp in 1969.ย Reet will be loved in the same breath as Sibylle Baier, Vashti Bunyan, Molly Drake & Bridget st John. Reet Hendrikson deserves wider listening and we hope this reissue will help .
Reet Hโฆ
A collector's field guide to 400 gospel soul records from the mid-1960s to the late 1980s, from choirs and vocal harmony to funk and disco, chosen and annotated by Greg Belson of The Divine Chord Gospel Show.
Bomb! 328 pages hard-cover book, large format +ย 2CD of previously unreleased recordings. Keith Tippett (1947-2020) occupies a singular place in the history of British improvised music - a pianist of extraordinary range whose work moved fluidly between free jazz, large-scale orchestral composition, and solo improvisation of rare depth. Born in Bristol and trained first as a chorister, Tippett arrived in London in the late 1960s and rapidly established himself as a central figure in the city's crโฆ