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Uzed is the fourth album by Belgian band Univers Zero. It was released three years after 'Ceux du Dehors', due to a change in line-up and a new repertoire, although the EP 'Crawling Wind' had been released in the meantime. The album marked a turning point for the band. Univers Zero explored new electric colors, giving it a more rock feel with the addition of new musicians such as Jean-Luc Plouvier, who introduced the synthesizer, guitarist Michel Delory, who played a memorable solo in 'Célesta (…
The definitive chronicle of the global hometaper movement. Jerry Kranitz traces the underground network of cassette traders, bedroom labels, and mail-art collaborators that flourished from the late 1970s through the early 1990s. Expanded second edition with new interviews and comprehensive index.
In the quiet extremities of contemporary composition, few have ventured as far into the territory of disappearance as Jakob Ullmann. This release documents the simultaneous realization of two works from his remarkable series of Solo pieces - compositions that exist somewhere between notation and performance, between instruction and interpretation, hovering at the very threshold of audibility. Begun in the late 1980s as Ullmann sought to depart from strict Western notational conventions, the Solo…
2026 stock Space in the Sun was one of Akio Suzuki’s major sound projects, a unique construction completed in 1988 and located on the merdian line, which took around 18 months to build. Its purpose was to allow Suzuki to spend one day, on the autumnal equinox, purifying his sense of hearing in nature. This release comprises a 44 page book containing plans and materials from the time alongside texts, and two CDs of environmental recordings created on site at Space in the Sun. To date only tiny fr…
The first time on any format for Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen. Three weeks before the scandalous release of "Salò, or The 120 Days Of Sodom", Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote 'Addio a Pier Paolo Pasolini' (Goodbye to Pier Pa…
Re-issue of Danish cult classic from 2006 with new artwork by Martha Hviid and AK. 12" vinyl feat. oliver hoiness - andreas führer - anders lauge meldgaard yoyooyoy / lolita industri 2008 og 2006
lo-fi wizard oliver hoiness. the ever-cheerful kalle del what the hey. the evergreen supermelle aka. fresh fruit
Philadelphia vibraphonist Khan Jamal's 1974 Palm masterpiece receives its first proper reissue. Recorded during Parisian exile, this exploratory album showcases revolutionary vibraphone techniques across four essential tracks - a crucial document of jazz's global underground network.
"Silva has created what could perhaps best be described as “ambient jazz”. That in itself seems like a contradiction, ambient being at odds with the spontaneity of jazz, and jazz being so vivid. But here we are. It’s partly the texture of the musical sounds that merits comparisons with jazz - far from the purely electronic soundscapes of Eno, early Tangerine Dream etcetera. Rather than tone and atmosphere over musical structure and rhythm, this is tone, atmosphere, musical structure and rhythm. …
Lou Reed's infamous Metal Machine Music returns for its 50th Anniversary. The most notorious album in rock history returns – Remastered, Revisited, and Still as Radical as Ever
Wümme, Lower Saxony. 1972. A converted schoolhouse. Inside: a tangle of cables, reel-to-reel machines, custom electronics soldered together by hands that refused manuals. This was not a professional recording studio. This was Faust's laboratory—and So Far was the experiment that proved you could rewire rock music's circuitry without killing the patient. Six months earlier, Faust had released their self-titled debut—a savage dismantling of what a rock album could be. Tape edits sliced through son…
First-time vinyl reissue is limited to 750 numbered copies. Comes with poster. Yoshi Wada's Lament For The Rise And Fall Of The Elephantine Crocodile, originally released in 1982 on India Navigation, remains one of the most remarkable flowers to grow in the rarefied air of American minimalism – akin to Terry Riley's Reed Streams and Pauline Oliveros' Accordion & Voice, yet with a wild, liberated energy all of its own. After graduating from Kyoto University of Fine Arts with a degree in sculptur…
Big tip! Beyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, "Music for Solo Performer", was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell C…
I have two stories behind this beast of a record. The first one is of course the oldest type of story around, the stranger comes to town. The stranger in this story is Zach Rowden. He shows up in Bucharest, once or twice, with his band (or duo if you want) Tongue Depressor. On one of the occasions he meets one of the locals involved in Bucharest avantgard circuits, Laurenţiu Coţac. And they decide to play together. They jam their double and electric basses. And it gets recorded. 23 minutes long …
*100 copies limited edition* El-Hadra is more than ambient music - it’s a sonic ritual that leaves a permanent mark on the soul. This album has transformed the way many perceive sound, becoming a personal landmark for countless listeners. Originally recorded in the late 1980s, it fuses elements of Sufi trance with hypnotic tabla rhythms, meditative zither, and deep ambient drone to form a truly transcendent experience. Listening to El-Hadra is like entering a space beyond time - a journey one ca…
Originally released on CD in 2002, this LP features archival recordings dating back to 1959 alongside recordings made by Hal Willner in January 2001 (Jan 7th - 10th). For the fi rst time ever on vinyl, `Die On Me' has been re-mastered & newly edited by Kramer. Within this historic collection are the last voice recordings of the legendary Beat poet Gregory Corso. Intimate and raw, he muses on his life in conversation with friends Allen Ginsberg, Marianne Faithfull, and the legendary Chicago write…
Experience the extraordinary sonic journey of Terry Riley like never before with Live In Paris, 1975, an exclusive release from France Musique FM. Captured in these rare French live recordings, Riley delivers a mesmerizing display of his signature psychedelic organ mastery, following closely on the heels of his 1972 landmark work, Persian Surgery Dervishes.
In stunning form, Riley conjures endlessly rippling, dosed organ drones that create a captivating sense of stasis within expansion—a uniquel…
*100 copies limited edition* A restless voyage on an electronic ocean of infinite sound. With TED, Brooklyn's Daksina label delivers one of its most ambitious and unclassifiable releases yet - a sprawling two-part journey through LIN11C's dense universe of fractured electronics, spectral voices, and orchestral wreckage.
Across two extended pieces totaling over thirty minutes, TED unfolds like a transmission from some waterlogged future. Clarion calls ring out across cavernous spaces while ghost…
Vocalist and songwriter Laura Ann Singh presents her new album Mean Reds, a deeply personal and sonically expansive project that traverses jazz, folk, and global influences with fearless honesty. Known for her evocative voice and ability to blur genre boundaries, Singh brings listeners into an intimate conversation about vulnerability, resilience, and the beauty that can emerge from darker emotional landscapes.
Mean Reds captures a spectrum of moods—from haunting ballads drenched in longing to…
Swedish Contemporary Music on Fylkingen Records captures a snapshot of Sweden’s postwar avant‑garde: electroacoustic experiments, new chamber works and text‑sound pieces shaped at the nexus of Fylkingen, EMS and the ISCM, where technology and radical composition meet.