Best sellers
Three Nails Left
Cien Fuegos present a reissue of Schlippenbach Quartet's Three Nails Left, a classic mid-1970s originally released on FMP in 1975 and showing Schlippenbach is in sublime form. It features a stellar line-up, with Evan Parker - soprano and tenor saxophone; Peter Kowald - double bass and Paul Lovens - percussion. Side A was recorded live at 3rd Jazz Festival Moers June 2nd, 1974 by Michael Krause. Side B was recorded live at the Quartier Latin Berlin, February 2nd, 1975 by Jost Gebers with the FMP…
Pieces For Broken Piano
Pieces for Broken Piano turns a weather‑wrecked 1916 Gebrüder Stingl grand into an accidental “prepared” instrument, as Miroslav Beinhauer navigates new works by Terry Riley, Philip Glass, Milan Knížák, Gordon Monahan, Elliott Sharp, Milan Gustar and Yoon‑Ji Lee written specifically for its fractured voice.
The Forward Process
*200 copies limited edition* "In a somewhat inconspicuous passage in Ursula K. Le Guin’s sci-fi classic The Dispossessed, its main character — the brilliant physicist Shevek — meets a composer who has translated Shevek’s revolutionary theories into music: ‘I’m writing a piece of chamber music. Thought I might call it The Simultaneity Principle. [Several] instruments each playing an independent cyclic theme; no melodic causality; the forward process entirely in the relationship of the parts. It m…
Rollerderby Volume One: Issues 1 - 10 (Magazine)
Anthology of Lisa Suckdog’s infamous Rollerderby zine collecting the first ten issues originally published 1989 - 1993. Includes written work, drawings and interviews by the likes of Lisa, Bill Callahan, Seymour Glass, Dame Darcy, Jean-Louis Costes, Psycodrama, John Aes-Nihil, GG Allin, Yamatsuka Eye, Nick Zedd, Royal Trux plus classic articles such as “The Dirty Letters I Get”, “My Early Sexual Experiences”, “The Global Village Of S&M”, and “We Are All Murderers”.
Minority Of The Dead
The backstory: 5 September, 2012 was the day John Cage would have turneed 100. Centenary celebrations for a prominent artist would seem rather conventional. Inappropriate for an extremely unconventional artist. But seemingly inappropriate things can be quite appropriate in unconventional contexts. So why not participate in a 100th birthday commemorative project? No sooner said than done...
Seeking Other Beauty
Bayeté Umbra Zindiko’s Seeking Other Beauty is a visionary statement from keyboardist and composer Bayeté, also known as Todd Cochran, newly available in a definitive all‑analog reissue that brings its futuristic spiritual jazz into sharp contemporary focus.
Recorded in 1973 for Prestige, Seeking Other Beauty channels the electricity of early‑70s Miles Davis while drawing on the cosmic funk of Parliament‑Funkadelic and the astral explorations of Lonnie Liston Smith—only with a fuzzed‑out clavine…
Insha
*300 copies limited edition* With Insha, This Morn’ Omina crosses a new threshold within its long-established ritual universe. The album marks both a return and an expansion, retracing paths once considered barren, and reopening them as gateways to origin forces and primal intention. Created in close collaboration with Konchong-Gyaltsen (Nam-Khar), Insha is rooted in convergence rather than continuity. Untethered from the logic of trilogies or cyclical narratives, Insha turns directly toward the…
The Third Mind. A Sonic Tribute to the Dreamachine
On The Third Mind. A Sonic Tribute to the Dreamachine, a constellation of contemporary artists tune themselves to the flicker-frequency of Brion Gysin and William S. Burroughs. Hypnotic loops, drone hallucinations and cut-up sonics seek not to illustrate the Dreamachine, but to let it hear itself thinking.
120 Days Of Sodom
*300 copies limited edition* Re-edition of the Cult Industrial-Noise / Power-Electronic split album out in 1997 on OEC. The original LP, limited to 470 copies, is long time sold-out: time for reprint it into CD format. It’s amazing, it has been 28 years since the original split LP was released. These tracks all sound better than ever thanks to a meticulous mastering job by Grant Richardson. “120 Days of Sodom” is accompanied by the only previously unreleased Deathpile track, which was recorded i…
Lion's Eye / Lion's Tale
An astonishing album, Lion's Eye for Gamelan was commissioned in 1985 by Barbara Benary for Gamelan Son of Lion. Lion's Eye for Synthesizer was commissioned concurrently by Neil Rolnick for iEAR Presents at Rensselaer Polytechnic Institute. Both versions were performed in 1985. The intention to combine both pieces in order to expand the tempo range of the Gamelan was first realized in May of 1989 in performances by the Berkeley Gamelan in Oakland and San Francisco, California under the direction…
Réminiscences
With Réminiscences (2017–2019), Jean-Claude Éloy embarks on an ambitious journey through memory, transformation, and pure listening. This vast electroacoustic cycle—comprising Incantation, Confrontation, Contemplation, and Oppression-Libération—draws deeply from the sound world of his seminal work Yo-In. Éloy recycles and reworks electroacoustic materials originally created at the Institute of Sonology (Utrecht, 1979/1980) and incorporates an extraordinary archive of percussion samples recorded …
Deserted Palace
Transversales Disques proudly presents the first official LP reissue of "Deserted Palace", studio album written & performed by Jean Michel Jarre in 1972, during his work experience at G.R.M. (Groupe de Recherches Musicales). In 1971, an order was placed with producer Francis Dreyfus to provide sound for public places such as airports and libraries. He decided to pass the project on to Jean-Michel, who had recently been signed by his record company.
These fifteen tracks are made with only two syn…
De Vrije Loop
On De Vrije Loop, Mix Monster Menno raids the entire Ultra Eczema archive, flipping decades of uncompromising noise, improv and oddball electronics into a late‑night, After‑Hours‑style turntablist trip that feels like the label’s unconscious talking in cuts and crackle.
Reflections Vol. 3: Water Poems
** Edition of 300. Glacial Blue Vinyl ** On Reflections Vol. 3: Water Poems, Félicia Atkinson and Christina Vantzou channel their friendship and atmospheric artistry into ceremonial focus. Spoken-word environments and orchestral imagination flow like tributaries into a unified stream, resulting in a collection of dreamlike songs and soundscapes anchored in sea, sky and stone. Through electro-acoustic instrumentation, voice, and environmental sound, Water Poems invites listeners into a subconscio…
Free Music (1975-1988)
Cortizona proudly unveils Cortizona Heritage, a new sublabel created in partnership with the Study Centre for Flemish Music (SVM) to revive and showcase hidden chapters of Flemish music history.The debut release sets the tone: blending the exuberance of a marching band with the unpredictability of free improvisation, WIM Fanfare brought raw, joyful musical anarchy to city squares, parades, and unsuspecting audiences.
Live at Gold Standard
Orbital Ensemble returns with Live at Gold Standard, a six-track EP recorded live off the floor at Gold Standard Recorders. The session captures the full chemistry of the ensemble’s Toronto-based lineup: Jon Catanus, May Akanuma, Racha Moukalled, Artu Bastos, Ana Higuera, Dan McLay, Caleb Klager, and bandleader Felipe Sena. The group expands its sonic palette with special instrumentation, including vibraphone, which appears on select performances and adds a luminous, airy dimension to their neot…
The Creator's Musician
Solo bass albums constitute a rare and demanding genre. The instrument's resonance, its sustain limitations, the absence of harmonic support - all conspire against extended solo statements. Yet Horace Tapscott's longtime bassist approaches the challenge with a structural intelligence that transforms apparent constraints into compositional architecture. Roberto Miranda's arco work on "Evolution On The Life Of Moses" demonstrates a command of overtones and microtonal shadings that recalls the medi…
Peel Sessions 1973-74
Peel Sessions 1973-74 is a unique collection showcasing the legendary German experimental rock band’s dynamic live performances captured for BBC Radio 1’s John Peel sessions. This album brings together raw, electrifying recordings from 1973 and 1974, highlighting Can’s groundbreaking sound that blended psychedelic rock, avant-garde, and improvisational music. Fans and newcomers alike will experience the band’s creative energy and innovative spirit in an intimate setting outside the studio.
Featu…
Appearance/Music for Solo Performer
Big tip! Beyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, "Music for Solo Performer", was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell C…
Fables
This is the first widely distributed release for Isabel Pine after a series of self released EP’s and singles on Bandcamp. She studied classical music on viola from the age of 3 through into college, where she was on a path to be a performer in a large ensemble, but eventually left after feeling frustrated and limited in a world that did not provide much of an outlet for individual creativity. But the doors of perception really opened when she moved to British Columbia and was exposed to the raw…