Best sellers
Parkustomnie
First documentation of an improvised session by Jean-Luc Guionnet (church organ) and Miguel A. García (electronics) recorded at the Conservatorio Jesús Guridi in Vitoria-Gasteiz in 2016. Across two pieces, the duo plays the dynamics of the electroacoustic field itself: the work is calibrated so that playing it at different volumes produces materially different listening experiences, with the threshold of audibility used as a compositional parameter. Particularly quiet, post-reductionist.
Oriental Suite
From The Edge is a long-form musical work shaped by the acoustics, history, and atmosphere of Dover.
Smolders / Delaere / Nijs
Composition trio between Jos Smolders (electronics), Guido Nijs (saxophone) and painter Koen Delaere, whose abstract pigment surfaces serve as compositional model. Five tracks named after pigments (Aureolin, Barium, Diarylide, Bianco di Titanio, Indigofera Suffruticosa) translate Delaere's clashing, superimposed colour material into sonic canvases. The work grew out of two years of free improvisation; on Diarylide, the duo is extended with Eric Van Der Westen on bass and Aron Raams on guitar.
We Now Create - Music For Strings, Winds And Percussion
A pivotal masterpiece by Masahiko Togashi, Masayuki Takayanagi, Mototeru Takagi, and Motoharu Yoshizawa is set to be reissued as the eighth release in the Spin This Now! series
Bloood 2
*250 copies limited edition* 00 Action Group is Joseph Frivaldi‘s NYC underground collective & elastic association. Out of it comes an assemblage of blasted system songs , upper body textures , non - electronics and in & out voices ….decrepit blocks of cracked reservoirs have come apart in nice slices ….
Bloood 2 is the first release on the New Dracula Theater label & the second by 00AG after a limited double cassette on Reality Delay. Performed by J.Frivaldi ,Tran , RDMayson , Lary7, Akio Mokun…
Live @ Nublu
Wrens creates music that is modern and without immediate comparison. This is revolutionary art, both musically and lyrically. Had Miles Davis lived to be 100, continuing on his path of repeatedly changing the direction of jazz, it would be easy to imagine that by 2026 it could have sounded like Wrens, not only because of the heavily affected and brilliant trumpet playing, but because it feels so contradictory to the institutions that breed much of this music today. When asked about the meaning b…
Music For Tombak & Synth
Cinna Peyghamy unveils new album fusing Persian tombak and modular synthesis. Five years in the making, "Music For Tombak & Synth" bridges heritage, technology, and personal identity. The project, initiated in 2019 during Peyghamy's master's thesis research on contact microphones, was conceived as a means to reconnect with his Persian roots while exploringexperimental sound design. In the album, Peyghamy seamlessly blends the traditional Persian tombak with modular synthesis and digital sign…
Mystic Siva
Formed in 1967 in Detroit, the band Mystic Siva consisted of four teenagers - none older than fifteen - who released a single self-titled album, recorded in a single day in 1970 at the band's self-managed V.O. Studios. The lineup consisted of Dave Mascarin on drums, lead vocals, the original composer, and creator of the album cover; Al Tozzi on guitar, who co-wrote five of the eleven tracks with Mascarin; Marc Heckert on B-3, organ, and vocals; Art Thienel on bass and vocals.
Honnomajika~Naharu × Keiji Haino
*2026 stock* This is the first album by the trio "Honno Majikanaharu" consisting of Lapis (guitar & vocals), Hiroshi Higo (bass & vocals), and Masataka Fujikake (drums) in their activities over 10 years since their formation. This is a live album with Keiji Haino in their more than 10 years of activity since the formation of "No-Maji-Kanaharu".
Annihilation of Samsara
On Annihilation of Samsara, Attila Csihar, Balázs Pándi and John Wiese converge as a single, shifting organism, dissolving borders between extreme metal, free improvisation and noise into a dense, unstable ritual where sound behaves more like weather than music.
The Crystal Suite
On The Crystal Suite, Paul Schütze channels J. G. Ballard’s The Crystal World into slow‑burn electronics and guitar haze, rendering time‑sick landscapes where matter ossifies, light fractures, and contemporary collapse glows with eerie, faceted calm.
Haarlemmerhout
Polack returns to the park in south Haarlem made famous by Nicolaas Beets's Romantic 1839 novel Camera Obscura, and uses it as the field for an exercise in urban escapism. Local recordings (pigs from the petting zoo, birds migrating north from Africa) are torn apart and rebuilt with layers of synthesis and electronics, blurring the line between unprocessed source and synthetic counterpart. Field-recording ambient in the lineage of Chris Watson, but tilted toward romantic synthesis.
It Deel I
First album in IT DEEL, a multi-year project by the Kleefstra Bros (Jan Kleefstra on poetry, Romke Kleefstra on guitar) with Popfabryk, addressing the ecological degradation of Frisian nature. Each volume is composed in residency at the Thomaskerk in Katlijk and presented live before pressing. Volume I is built with Polish composer Michał Jacaszek, whose electro-acoustic vocabulary surrounds Jan Kleefstra's Frisian-language spoken word with ambient and drone landscapes.
Slo-Mo Neon Luminate Hoverings
Trumpeter/composer Ambrose Akinmusire and guitarist/composer Mary Halvorson's album Slo-Mo Neon Luminate Hoverings is due June 12, 2026, on Nonesuch Records. The album features four new compositions by each musician as well as one collaboration. The album track “Soundcheck“ is available today and can be heard below; you can pre-order the album here. The duo, long admirers of each other’s musicianship, met at Halvorson’s Brooklyn apartment and began playing together periodically, going back as fa…
Savana Selvaggia
Savana Selvaggia collects two previously unreleased tracks by Giuliano Sorgini, highlighting one of the most visionary and experimental aspects of his library music: from an imagined African landscape through atmospheric melodies and analogue electronics ("I misteri del mondo"), to a mystical sound world where African and Middle Eastern influences merge with futuristic electronic textures and Krautrock-inspired rhythms (“Arabian Synthesizer”).
Crafted in his own Cat & Fox Studio in Rome, these …
Stunt
Issued in 2008 as the first installment of a three-part series, Stunt marks a striking departure for Giuseppe Ielasi. Best known up to that point for the patient ambient and electroacoustic work on labels like Häpna and 12k, Ielasi sets aside guitars and field recordings here in favour of a single tool: one turntable, and a large pile of vinyl records.
The six pieces collected on this 12" were assembled over three months from short segments, loops, and longer improvisations drawn directly from t…
No Way Out
Essential 1967 garage-psych debut by Chocolate Watch Band, raw prototype of protopunk energy with volcanic guitar work and inflammatory vocals by Dave Aguilar channelling Jagger like nobody else. Distorted riffs, cosmic psychedelic legerdemain, killer covers of Stones material.
Scale
Scale, addresses issues of observation, embodied transferences, telepathy and duration employing swipes, knocks, resonators and hypnotic patternings on the acoustic harp with the less controllable sounds of radio waves, homemade synths and feedback. Inspired by the timings and sensations of natural phenomena including daylight’s slow emergence at dawn and the pulsing ambiance of ocean currents. Nature as both utopic and disruptive. Attention is situated in an often luscious, contemplative sonic …
D
D is the debut studio album of composer Georg Deuter, a German New Age instrumentalist and recording artist known for his meditative style that blends Eastern and Western musical styles. The album was released in 1971 by Kuckuck Schallplatten.After travelling extensively in Asia in search of spiritual and creative inspiration, Deuter settled for a long time in Pune, India, where under the name Chaitanya Hari he became a neo-sannyasin - a disciple of Bhagwan Shree Rajneesh. With the aid of a mult…
Decay Music n. 2: In Girum Imus Nocte Et Consumimur Igni
Milan based Die Schachtel presents In Girum Imus Nocte Et Consumimur Igni (We turn round in the night and, behold, we are consumed by Fire) - a work for solo guitar by the Italian composer Stefano Pilia, the second release to appear on a new series from the imprint - Decay Music, highlighting inspired contemporary experimental efforts in the ambient, ethereal, and emotively abstract.Born in Genoa and based in Bologna, Pilia is a guitar player and electro-acoustic composer concerned with the scul…