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A collective exploration of the murky area where practices from sound art, visual arts, performance, digital technologies, science, but also poetry and philosophy intersect in a constantly evolving digital environment, drawing on the cross-disciplinary dynamics and experiments initiated by the international festival ]interstice[ in Caen.   Since 2006, in the city of Caen in Normandy, the ]interstice[, rencontre des inclassables festival has explored a creative nexus of intersecting practices fro…

Drawn from two September 1964 sessions at Rudy Van Gelder’s studio with producer Bob Thiele, The Voice That Is! features vocalist Johnny Hartman in his third and final album for Impulse! following a celebrated collaboration with John Coltrane. The album blends two sessions arranged by Bob Hammer: one pairing Hartman with pianist Hank Jones, bassist Richard Davis, and drummer Osie Johnson, and another for octet, with English horn, flute, marimba and Latin percussion flourishes throughout. The rep…

The 1978 debut album by the Belgian band Isopoda from Aalst: melodic symphonic progressive rock with twelve-string guitar, flute, piano and organ, recorded at Just Born Studio in Hekelgem and first issued on Twinkle.

A Bi Kyo Ran concert recorded at the Bourbon House in Osaka on 22 March 1983 by the trio of Kunio Suma, Masahide Shiratori and Masaaki Nagasawa: four long pieces including the suite Ran and the sixteen-minute Double.

Gryphon's third album, from 1974: four long instrumental movements named after the moves of a chess game, joining crumhorn, bassoon and recorders to electric keyboards and rock drums. Toured in support of Yes.

Shingetsu's later studio record: songs the Japanese symphonic rock band wrote before splitting in 1981, recorded long after the fact and released by Belle Antique in 2016, with the 1979 demo of a key piece.

Gryphon's second album from 1974, built around the 19-minute title piece by Richard Harvey, which grew out of the band's music for Peter Hall's National Theatre staging of The Tempest. Early music meets prog.

Gryphon's fourth album from 1975, more song-based and electric, with Malcolm Bennett on bass and flute, a Beatles cover, Mellotron and Minimoog, and the 16-minute (Ein Klein) Heldenleben by Richard Harvey closing the record.

Gryphon's 2018 comeback, their first studio album in 41 years: Brian Gulland, Graeme Taylor and Dave Oberlé joined by Graham Preskett, Andy Findon and Rory McFarlane, with the crumhorns and the humour intact.

The 1974 second solo album by Finnish bassist Pekka Pohjola of Wigwam: an instrumental suite of jazz-rock and progressive writing for bass, keyboards and a horn section, issued in the UK by Virgin as B The Magpie.

Barre Phillips on double bass, Catherine Jauniaux on voice and Malcolm Goldstein on violin, live at Victoriaville on 22 May 2010: three veteran improvisers in a delicate, conversational trio.

The 1968 debut album from Norwegian guitar legend Terje Rypdal stands as a significant entry in the late 1960s jazz landscape, exemplifying the transition from psychedelic rock to a more intricate, freeform blend of jazz elements. Collaborating with legendary musicians like Jan Garbarek, Rypdal's work on this album showcases his innovative talent. Recorded during three sessions in Oslo in 1968, Bleak House marks Rypdal’s departure from the psychedelic group The Dream as he ventured into new musi…

Few musicians, and few albums, embody such a joyful sense of freedom and vitality. Racco is where the artistry of Ryojiro Furusawa reaches its peak.

Victor De Roo's single as Lazaar Vanderschrick, companion to his debut novel Heil, on Stroom.

Ikue Mori and Craig Taborn, the duo Highsmith, return after ten years and open up into three trios with Bill Frisell, Tomeka Reid and John Zorn, plus a few quintet pieces.

Zuni (Benito Simoncini) in 1983: blues-soaked funk-rock guitar cues on side A, then bass, keyboards and percussion drift towards spacey, cosmic sketches. Eleven pieces named after flowers and shrubs.

*300 copies limited edition* Stone Music returns with Into the Cosmic Forest, a deep and patient journey into open-air improvisation. The group was founded in 2022 by Tokio Hasegawa, a core member of the legendary Taj Mahal Travellers, and brings together a wide circle of musicians from Japan’s ambient and experimental scenes. While the name is new, the spirit continues. Stone Music extends the free-form, site-responsive approach that defined Taj Mahal Travellers — music shaped by environment, d…

Noton is pleased to announce12 Conversations, a collaborative album by Ryuichi Sakamoto and Alva Noto to be released on 18 September 2026.

In the ensuing half century, Slovenian artist Milan Grygar, who trained as a painter, has dedicated himself to the relationship between sound and image. He has replaced paint wherever possible with sonic elements, interrogated the duration of a line, drawn with sticks, and integrated windup toys that leave noisy traces in his “mechanical drawings.” Grygar incorporates the acoustic frequencies that emerge during art making, but he also writes visual scores that musicians can interpret. His art is…

Four decades after Prati Bagnati del Monte Analogo, Francesco Messina returns to his hundred-year-old Schimmel piano for seven pieces of hazy drone and ambient minimalism, written with no deadlines after playing that 1979 album live in Milan.

Nat Birchall goes back to the source. Not Coltrane this time, but the record that led him to Coltrane in the first place. In 1973 a schoolboy in Lancashire ordered a triple LP from his local record shop after reading about it in Black Music magazine. It was Grounation, by Count Ossie & The Mystic Revelation of Rastafari - hand drums, chanting, poetry, and the tenor saxophone of Cedric 'Im' Brooks, soulful and untamed, heard years before Birchall ever put on a John Coltrane record. When he finall…

Paris, 1969: Grachan Moncur III's second album for BYG, cut with a Brazilian rhythm section and bassist Beb Guerin. Samba sway meets American creative jazz, with Fernando Martins' wordless vocals on the title track.

2026 repress of the Stroom compilation spanning thirty years of home recordings by the Belgian architect and Absent Music founder.

Recorded across a single sweltering Paris summer in June 1978, Adonia - the lone album credited to Ose - captures a rare alignment of intellect, imagination, and emerging technology. For decades it has lingered as one of the great half-secrets of French electronic music's most fertile decade, traded between collectors who understood exactly what they were holding. At just twenty-six, Hervé Picart was living three parallel lives: scholar of rhetoric and ancient languages, journalist for the Frenc…

It feels as if it were yesterday. In 2002, after returning to Frankfurt from a record-hunting trip to Johannesburg, I put one of my new South African discoveries on the turntable and jumped into the shower. Suddenly, the record player erupted into a terrible noise, as if someone were hammering the needle. I ran out, dripping wet, and discovered that the stylus had hit a deep cut carved into the vinyl. A Kenyan friend, Dan Ojwang, had sent me to a record shop opposite the Market Theatre in Newtow…

This bundle includes the following albums:Piero Umiliani "La ragazza dalla pelle di luna" (LP, 1972)Piero Umiliani "La ragazza fuoristrada" (LP, 1973)Piero Umiliani "Il corpo" (LP, 1974)Piero Umiliani "Psichedelica" (LP, 1968)The Braen's Machine "Underground" (LP, 1971) Few composers captured the eclectic beauty of Italy’s golden age of soundtracks like Piero Umiliani. A master of mood, texture, and subtext, Umiliani created a vast discography that blurred the lines between jazz, lounge, funk, p…

Last copies...** Heavyweight high-gloss embossed jackets with metallic Pantone. Each LP housed in polyethylene acid-free paper backed sleeves within consistently designed 12" sleeves for each record ** Adding to its already extensive discography, The Hafler Trio (now just solo) enlisted the help of Wire's Bruce Gilbert for their latest, Idiots. Grim and far reaching, this 2XLP moves at its own pace and draws the listener in with its slow, dark amble. Channeling both the natural and industrial wo…

The tamburium is an instrument Hennix built: eighty-eight keys, each one triggering a recording of a precision-tuned four-string tambura. Documented in Berlin in 2017, it was her first solo release since 1976 and came out two months before she died.

A vital tape work returning to circulation thirty-six years after its private cassette debut. Mieko Shiomi's 1990 memorial for George Maciunas, self-released that year on a privately circulated cassette and unheard in proper edition since, now receives a first ever CD reissue, mastered by Giuseppe Ielasi. In accordance with the composer's wishes, this edition presents the work's two sides spliced together into a single continuous piece. By 1990 Shiomi had already lived several musical lives. A f…

Listed as one of the four most influential Jazz albums that happened to be released in 1959 (Dave Brubeck -Time Out & Charles Mingus -Ah Um among them), so much has been said and written about Miles Davis'Kind Of Blue, it's virtually impossible to summarize all the necessary info to the length of this page. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it's the best Jazz album ever made, but the music itself will do that to you. As Bill Evans …

With Jazz Raga, Gábor Szabó fused modal jazz, Indian raga, and 1960s psychedelic currents into a single visionary statement. Recorded in 1966 at Van Gelder Studio, it remains a landmark of cross‑cultural improvisation—sitar‑tinged grooves meeting the freedom and pulse of spiritual jazz.

Minutiae is the first full-length release form Stockholm’s Ināra Quartet, made up of brothers Kasper (guitar, banjo, mandolin) and Mauritz Agnas (bass, cello), Johan Graden (piano, harmonium, synths) and Mischa Grind (percussion). Drawing on wide performance and composition experience in free improvisation, jazz, and composed new music, the quartet have carved out a unique niche where radical approaches to rhythmic organisation and group interaction are wedded to immediately accessible, folkish …

Fred Frith on guitar, Louis Sclavis on clarinets and soprano saxophone, Jean-Pierre Drouet on percussion and objects, live at Victoriaville on 21 May 2000: one extended improvisation from abstract textures to folk-like melody.

Dark Entries is Filling Your Silence with the help of J.D. Slater. Legendary actor, director, and composer J.D. Slater is sometimes known as “the Lou Reed of gay porn.” Slater cut his teeth in the New York punk scene, even opening for the Talking Heads and Blondie at CBGB with his project Frenzy. A true polymath of the erotic, he co-founded Raging Stallion Studios with Chris Ward in 1999, which has remained a prolific outlet in the world of gay pornography. Having spent years in front of and beh…

The first-ever vinyl release of Gérard Grisey’s Vortex Temporum (to our knowledge). Movements I and II appear as a single track to preserve their spectral continuity. The LP features cover art by Dariia Kuzmych and comes with a zine of her ballpoint drawings, merging time and human tissue. Ukho Ensemble Kyiv:::Dina Pysarenko, pianoInna Vorobets, flutesDmytro Pashynskyi, clarinetsRachel Koblyakov, violinAndriy Savych, violaRaphaël Ginzburg, cello Conducted by Luigi Gaggero

Tip! Jim O'Rourke and Jos Smolders teamed up again after their first collaboration, Additive Inverse from 2021. Over a period of three years, both artists worked in sessions of a day, each in their own studio.The result is sometimes like a warm cloud of sounds, suddenly breaking up into a rhythmic, irregular pattern, after which it dives into introverted mindsets. The music is in constant flux. The project followed the same workflow, but this time Jim took the lead and kicked off with a salvo of…

Step into the golden era of soul-jazz with the long-awaited vinyl reissue of “Vibrations” (1976) by Roy Ayers Ubiquity — a record that captures the unmistakable warmth, groove, and sophistication that defined Roy Ayers’ sound at its peak. Beyond its original impact, “Vibrations” has taken on a second life through hip-hop. Its grooves, breaks, and melodies have been extensively sampled by generations of producers and artists, becoming a foundational source for crate diggers and beatmakers alike. …

Nearly four decades after the fact, the full story of Coil's aborted commission for Clive Barker's Hellraiser can finally be heard - and it is every bit as extraordinary as the legend suggested. The Unreleased Themes for Hellraiser [expanded ritual], released by Mental Groove Records / Musique Pour La Danse, is the definitive edition of one of experimental music's most mythologised what-ifs: a lost soundtrack now restored, expanded, and assembled into a coherent and deeply unsettling whole. The …

A detailed look at the elusive work of a French pioneer of musique concrète and electroacoustic composition Eliane Radigue

Long awaited re-issue of The Necks 2011 masterpiece. Always different, here the Necks resolutely layer polyrhythmic material to form seething blocks of sound - in two long pieces, one more stripped back to the live trio, the other featuring multiple strata of swirling Hammonds, noise-guitar and electronics. Their 16th release still resonates on its own.  It features two starkly contrasting tracks: the pulsating, raw, 'Rum Jungle' and the slower building, rather hypnotic 'Daylights.' Polyrhythms …