Best sellers

CD eissue of Don Cherry's classic Eternal Rhythm Group, recorded at the Berlin Jazz Festival, 1968. An amazing line up of: Cherry (cornet, gender and saron [gamelan], flutes), Albert Mangelsdorff (trombone), Eje Thelin (trombone), Bernt Rosengren (tenor sax, oboe, clarinet, flute), Sonny Sharrock (guitar), Karl Berger (vibes, piano, gender), Joachim Kühn (piano, prepared piano), Arild Andersen (bass), & Jacques Thollot (drums, saron, gong, bells, voice). Two "side-long" pieces with gamelan under…

Third album by Glass Triangle, Zeena Parkins on electric harp, Mette Rasmussen on alto saxophone and voice and Ryan Sawyer on drums: a studio session moving from delicate passages to dense, kinetic interplay.

After a nine-year hiatus, Marteau Rouge  — Pauvros, Foussat, Sato — made a comeback for a one-off concert, this time alongside Daunik Lazro, one of their long-standing friends.

Long deleted, last copies around: This is a simultaneous performance of "Coyote III" and "Pianovariation 1984". Recording of a performance at Seibu Museum of Art (Sôgetsu Hall), Tokyo, June 2nd 1984. Paste-on front cover with rubber stamped back cover. Includes double sided b&w insert. Blank white labels

*300 copies limited edition* For the Raven was due to be the next release after Ligeliahorn on the Nekrophile Rekords label. Sadly the project fell through and, even more sadly, it coincided with a number of the celebrants being rounded up to enjoy a short holiday at Her Majesty's Pleasure, expense and, indeed, insistence. By the time our intrepid Disciples Of Doom re emerged the momentum had been lost and For the Raven was consigned to the Metgumbnervaults to, until recently, only make an occas…

2026 stock Forgetting You Is Like Breathing Water, the self-titled debut from the duo of trumpeter Will Evans and guitarist, synthesist, producer and multi-instrumentalist Theo Trump, arrives like a vault revelation. It feels like a decades-old yet newly unearthed masterwork of gorgeous ambient improvisation, the sort of thing scholars live to research and shepherd into deluxe reissue. The patient, crystalline chords that swell and resonate like a series of confessions; the textured brass murmur…

The 1972 official bootleg of the Islands line-up on tour in the USA, the last of the original King Crimson vinyl series, cut on 200g from masters approved by Robert Fripp.

Dramatic moments of enlightenment – when the mask is dropped and truth revealed – are found in tales from the Buddha and Euripides to Scooby Doo and Star Wars. And few artists have been as fascinated by niggling the clueless or deflating the stuck-up as Harry Partch (1901-1974). As a lifelong outsider, the conformist society he experienced and the narrow-minded attitudes (not to mention musical delusions) that permeated it, are themes to which he often returned. In the 1950s, seeing a world that…

Naples, 1977. Luciano Cilio's sole recorded work is pure magic - four "quadri" where strings, woodwinds, wordless voices and solitary guitar trace the edges of silence. Closer to Arvo Pärt and Morton Feldman than to any Italian prog, yet entirely its own universe. Music that breathes, suspends time, breaks your heart without raising its voice. Decades ahead of its time. First ever remaster from the original tapes.

A powerful "electric Miles" sounding band reinterprets a couple of classics  - In A Silent Way and Freedom Jazz Dance - and adds some wholly contemporary improvisation to the mix."2026 Is Miles and Coltrane's Centenary year and if Jazz music needs any Gods then surely they fit the bill without question. When I heard In a Silent Way for the first time back in 1970 when I was 17 (incidentally that was the first year I heard Coltrane as well) it truly was music like nothing I had ever heard before.…

The problem with Harmonia is that words simply don't do the band justice. A super-group made up of Hans-Joachim Roedelius and Dieter Moebius (of Cluster) and Michael Rother (of Neu!) they re-defined not only the Krautrock genre but also electronic music in general with a mere two full-length albums ('Musik von Harmonia' and 'Deluxe') so saying that they are an important act, especially on the pages of this particular website just doesn't do them justice. With a flawless blend of electronic and e…

Emil Beaulieau, the persona of RRRecords founder Ron Lessard and America's Greatest Living Noise Artist, on a 7" lathe cut: two untitled sides of turntable abuse and recycled sound, thirty numbered copies on black, clear and white vinyl.

Giuni Russo's 1981 CGD album, produced with Franco Battiato and Alberto Radius and arranged by Battiato and Giusto Pio: electronics, experimental pop and avant-garde singing, remastered on 180g yellow vinyl.

Recorded at Rudy Van Gelder’s studio in Hackensack, New Jersey, on May 19, 1957, Paul Chambers Quintet captures bassist Paul Chambers leading an exceptional ensemble at the height of the hard-bop era. Released by Blue Note in 1958, the album brings together trumpeter Donald Byrd, tenor saxophonist Clifford Jordan, pianist Tommy Flanagan, and drummer Elvin Jones.  Chambers is more than the foundation beneath the group: his resonant bass lines and confident solos give the session its unmistakable …

Cien Fuegos present a reissue of Schlippenbach Quartet's Three Nails Left, a classic mid-1970s originally released on FMP in 1975 and showing Schlippenbach is in sublime form. It features a stellar line-up, with  Evan Parker - soprano and tenor saxophone; Peter Kowald - double bass and Paul Lovens - percussion. Side A was recorded live at 3rd Jazz Festival Moers June 2nd, 1974 by Michael Krause. Side B was recorded live at the Quartier Latin Berlin, February 2nd, 1975 by Jost Gebers with the FMP…

MPS studio, Villingen, 14 September 1980. Cecil Taylor alone at the Bösendorfer Imperial the studio had bought for Gulda, after two days of practising. Eight pieces, one of them fifty-three seconds long, the first side running as a suite. Berendt heard Tatum, Bud Powell and boogie in it. Taylor wrote the title in the guest book.

Originally released in 1991 this was Henry Threadgil's new band's debut release. That's where Threadgill introduced the unique concept of dual tubas and dual electric guitars. In Very Very Circus's ultra-layered sound world all roles melt equally into an unprecedented sound experience. A big step forward in modern jazz from one of the greatest composers of our time. Henry Threadgill - alto saxophone, flute, Curtis Fowlkes - trombone, Brandon Ross - electric guitar, Marcus Rojas, Edwin Rodriguez …

Three works by Åke Parmerud from 2013 to 2021: Louder Than Life, a five-movement memorial to composer Anders Blomqvist, Raw, made only from the unprocessed output of one unruly software synth, and Dark Matter, built from the electromagnetic fields of household devices.

"The shock and awe that Bitches Brew produced within and without the jazz world on its release in March 1970 was largely unexpected, the result of the music’s uncompromising power and what many felt to be its perplexing, eccentric sound and structure. In retrospect, we know how Miles’ unconventional studio methodology and Teo Macero’s subsequent compositional editing of the voluminous taped material innovated the remarkable finished product. But what has only marginally been discussed is the ext…

Originally released in 2000, Iron grew out of Pavlov's teenage fascination with heavy metal and the underground record-exchanging community of the late Soviet era. At fourteen, inspired by Iron Maiden's “Running Free,” he picked up a six-string guitar brought to him by his grandmother and decided that he and his friends could also play that kind of music. Before long, they were rehearsing in a Soviet youth club with whatever equipment was available, looking for the sound they heard in early heav…

Passiflora, the tenth edition of the Music To Watch Seeds Grow By series: KiF Productions follow the passion flower from seed to bloom and back to earth in nine collaged ambient pieces. Cassette.

Julius Hemphill's 1972 debut, self-produced for his Mbari label and recorded in St. Louis with Baikida Carroll, Abdul Wadud and Phillip Wilson. The title track spends fourteen minutes on a funky 11/8 groove.

Huge Tip! A true exploration in spiritual jazz that follows Work Money Death's acclaimed previous albums, with pianist Richard Ormrod, bassist Neil Innes and drummer Sam Hobbs creating a powerful trio foundation for Tony Burkill's soulful tenor saxophone. Blending influences from Indian ragas to African rhythms, its intricate layersiharmonium, congas, trilling fluteibring warmth and depth to tracks like 'Headwaters Of The Soul' and 'The Fast Flowing River.' Spiritual jazz at its most immersive a…

Francis Dhomont’s 51-minute acousmatic descent into schizophrenia, built on the writings of RD Laing and on the single note B natural, winner at Bourges in 1981 and first issued by the Ina-GRM in 1982.

For over 25 years, David Madson (aka Odd Nosdam) has been stationed away from the light of the mainstream, diligently working the nightshift. Every so often, we awake to find another of his bleary and beautiful missives slung into the waking world – albums whose assemblages of sampled grooves, atmospheres and voices are unified by a hallucinatory sense of melody, like disparate visions strung together through ribbons of sleep-talk. From his earliest days as a member of the seminal group cLOUDDEA…

First recordings of James Tenney's Poem, Monody, Seegersong #1 and #2 and the Ergodos series for computer music, with string, instrumental and percussion responses, played by the Barton Workshop and soloists.

The 2018 debut by Chicago saxophonist Isaiah Collier with The Chosen Few, recorded when he was 20: 66 minutes of spiritual jazz after Coltrane, between gospel, free improvisation and heavy rhythm. First time on vinyl, limited first pressing.

Swiss saxophonist Gilles Torrent may have been initially smitten by the sounds of US jazz giants like Coltrane, Shepp and Sanders, but as he’s developed and matured he’s cast his creative net much wider.  After teaching himself the sax at 21 he spent the next 11 years studying the concepts and innovations of Coltrane before moving on to take the next logical step - exploring and soaking up the many styles music from around the world, and incorporating them into his Coltranesque vision of jazz. A…

Inchiesta Sul Mondo is a double experimental concept album, mainly electronic, on topical problems of the period in which it was released, the middle 1970’s. The two records have two different arguments: Stati d'animo and Diagnosei Ecologica. Maestro Luciani is a well-known artist in the library music scene. His very personal style is the result of musical studies from childhood that allowed him to achieve a diploma in composition, choral music, choral conducting, and more. The avant-garde and c…

When describing the "Last Shot at Heaven" cover art on the Skullflower Bandcamp page, Matthew Bower highlights the ambiguity of the striking photograph of a civilian casualty during the Yugoslavian schism. "Is it ecstatic[?]" he asks of the woman's expression. This, too, is a question one could reasonably ask of any Skullflower album. Bower and his many cohorts' body of work is full of lengthy compositions that evoke all manner of emotions. Statement records like "IIIrd Gatekeeper", released a y…

When you’re a three-piece, every move must mean. There’s no place to escape, and no one to hide behind. This might be why Unmarry Me’s slim body of recordings so far – one seven inch, one shared single with Lung Leg and Lora Logic, and now this, a five-track EP, Lions in Autumn – reads so clearly; there isn’t a step out of place. It’s a DIY effort, certainly, anti-rockist in intent, a home-made sound-system jerry-rigged into being by three uncontrollable spirits. Unmarry Me is the unholy trinity…

For over ten years, Brussels-originals ladr ache have dipped their toes and vocal chords in all matter of musical mischief as only they know how. With éclats z, their latest recorded offering, new canons arise that belong to no place or genre. Between the layers of chant, other voices turn up in old tongues and secret languages, gliding alongside pipes and electronic warps, pulsing in time with the granularity of choice. Recorded over two years in different times and spaces, the living textures …

* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a four-page printed insert. The Contemporaray Jazz Quartet together with Gary Peacock and Sunny Murray! This is THE sunken treasure. This is music I have only heard about. And yet, here it is. Unbelievable. Intact. Preserved. Beaming of energy and JOY! This is a sensational find. My favorite Danes exploding together with my favorite double bass player all time. Gary Peacock. The engine. The power engine. I …

Believe, four Australian improvisers, Peter Farrar, Novak Manojlovic, Clayton Thomas and Laurence Pike, who also produced: free jazz momentum and creative sound making recorded in Sydney in 2023.

On Today’s Special, Hanne Lippard and Renato Grieco turn speech into score and accompaniment into acoustic typography. Reduced, exacting compositions for voice, viola da gamba, piano and Wurlitzer shadow the rhythm and contour of language, transforming wordplay, online debris and intimate anecdotes into a dryly comic, strangely moving suite of musical rhetoric.

Two sunken treasures from the same Copenhagen underground, gathered here as a pair. On one LP, Predetermination: The Contemporary Jazz Quartet caught in 1964 alongside Sunny Murray and Gary Peacock - the rhythm section of Albert Ayler's Spiritual Unity - on music that stayed hidden for sixty years. Free jazz before the norm was set, exploding out of Denmark years ahead of the rest of Scandinavia. On the other, Beautiful United Harmony Happening / The Education of an Amphibian: John Tchicai at hi…

Drawn from two September 1964 sessions at Rudy Van Gelder’s studio with producer Bob Thiele, The Voice That Is! features vocalist Johnny Hartman in his third and final album for Impulse! following a celebrated collaboration with John Coltrane. The album blends two sessions arranged by Bob Hammer: one pairing Hartman with pianist Hank Jones, bassist Richard Davis, and drummer Osie Johnson, and another for octet, with English horn, flute, marimba and Latin percussion flourishes throughout. The rep…

In Nov. 1987, a three-concert Ed Blackwell Festival was held in Atlanta. The festival served as a good excuse to reunite the members of Old And New Dreams (trumpeter Don Cherry, tenor-saxophonist Dewey Redman, bassist Charlie Haden and drummer Blackwell), a quartet comprised of Ornette Coleman alumni. The unit interprets three rarely-performed Ornette Coleman compositions and a tune apiece by Blackwell and Redman. All of the musicians are in top form on this no-changes music, creating fresh and …

Michel Doneda on soprano saxophone, eRikm on samplers and scratches, Jean-Marc Montera on guitar and electronics, recorded in Metz and Lons-le-Saunier in May 1999. Liner notes by Thurston Moore.

String quartets by Kaija Saariaho (Nymphéa, with live electronics), John Cage and Bruno Maderna played by the Cikada String Quartet, recorded in August 2001 at Sofienberg Church, Oslo, and released by ECM New Series in 2005.