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Tip! Mekong Shellac is an extremely rare collection of classical and popular styles of Khmer music from the 1930s to the 1950s. Restored from the few original remaining copies, this compilation reveals a remarkable world of early 20th-century Cambodian folk music previously lost in time through war, cultural shifts, and modernization. These recordings were selected for their distinctive musical qualities, the physical condition of the 78 rpm records from which they were sourced, and the circumst…
Cien Fuegos present a reissue of the Peter Brötzmann Octet's Machine Gun, originally released in 1968. One of the most important albums of European free jazz, finally in the Cien Fuegos series. Recorded May 1968 at "Lila Eule", Bremen. Recorded with a whiff of revolution in the air back in May '68, this landmark Brotzmann LP taps into the spirit of its time with a robust garage rock sensibility, lending a considerable urgency to the session, with the highest volume passages taking up far more ai…
"There are fewer great guitar trio records than you'd suspect. Guitar duo sessions are far more abundant, and these three players have all done their share of those. But the dynamics of a trio are more-fickle. And when creating collaborative non-hierarchical music, maintaining a balance between three distinct voices is not easy. It requires rapt attention, a fearless approach to entering the unknown, and very good ears to do it successfully.
Clearly, Connors, Vallera, and Sharp display mastery o…
*30 copies limited edition* The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 10x10 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a photocopied insert in the format of a mini poster of the dimensions of 20x40 cm. open and 10x10 cm. closed, approximately (paper 80 gr. thick).The only difference in this reissue is the picture on front sticker that is a negative of the first edition
Harold Budd is a one of a kind modern neo-classical artist creating high-callibre and complex music with unique and subtle tension and abstraction, and simultaneous almost-pastoral but as-often otherworldly mood.
When Japanese artist Masayoshi Fujita was invited to create the soundtrack for Expo 2025’s vast living nature installation, Forest of Tranquility, he immediately envisioned a relaxing public space in which visitors could tune out the noise and restore their energies. Inside this green open-air sanctuary – visited by millions of people during the landmark Osaka event, which ran for six months – stood a central pond and 1,500 real trees, all rescued and repurposed from Expo’s former ‘70 site and o…
*150 copies limited edition* Overleaf is the new album by Paris-based musician Théo Martin, following Anti Atlas, released on Laaps two years ago. Overleaf was recorded over the course of a few intense months in 2026. Every recording made during this period eventually found its place within the album, transformed, fragmented and reassembled, sometimes far removed from its original form. The process gradually became a kind of puzzle, built from accumulated sounds, accidents and imperfections. Tap…
Sorcery is the ninth album for Jim Jupp, aka Belbury Poly. It grew from Jupp’s love of early to mid-80s electronic music and a rediscovery of how that music had soundtracked his childhood love of all things sci-fi and fantasy. It’s moody and melodramatic electronica rendered in bright and evocative 80s sounds. The not quite 80s tunes have Belbury Poly’s trademark earworm melodies and are ever so slightly tongue in cheek. Jupp returns to a simple line up for this album - it's a very electronic so…
** 500 copies only reissue, housed in its original artwork with the addition of a bonus 7" EP, a reproduction of a giant original poster and 3 inserts** Giacomo “Mino” di Martino started his musical career in several early 1960s Italian beat bands. By 1968 he had found enormous success with pop superstars I Giganti. After a brief split in 1970 –during which Mino formed Il Supergruppo with Ricky Gianco and other greats of the Italian scene– he came back to I Giganti in 1971. With them and with ne…
"One Arm Bandits is an hour-long piece in four parts, scored for four cellists. The cellists play only open strings, thus using only their right arms, never fingering the strings with the left hand. Recorded in Alvin Lucier's dining room, this work features cellists Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann. Lucier oversaw and produced the recording, and approved the final takes. One Arm Bandits was an important project for Alvin Lucier. The idea for the piece goes back to…
On their new EP titled “O” we experience the evolution of the multifarious musical journey of drummer/composer Frank Rosaly and multi-instrumentalist Ibelisse Guardia Ferragutti. O finds center in loose polyrhythm, pulse, trance, and longevity, interweaving contemplation of their Latinx backgrounds and vast sonic textures with deft craftsmanship. Fascinated by prodigious sonic spaces that unfold over time, Ferragutti and Rosaly make way for storytelling and rumination. Both authors are adept in …
The only two full-length records La Monte Young and Marian Zazeela released, together. Four sides and four dates, each one printed in the title to the minute: August 1964, July 1969, January 1973, July 1973. Nine years, from a bowed gong to three sine waves with nobody playing them.
Black Truffle is pleased to present Even Colder Spring, the latest release from the mysterious and wildly prolific Cities Aviv (a.k.a. Wilbert Gavin Mays, who also records as African-American Sound Recordings), a rare appearance from the artist outside his own D.O.T. Audio Arts label. For over a decade, Cities Aviv has twisted hip-hop conventions into the most skewed and splayed forms, layering and lacerating twitching loops, extreme production techniques and his mercurial vocal stylings into he…
*250 copies limited edition* Mariska Baars, aka soccer Committee is a force to be reckoned with: whoever heard one of her albums, or was lucky enough to see her live, knows that no one masters the art of peeling away every unnecessary layer of a song like she does. From the very first notes of 'Eye, it’s clear that Baars is at the peak of her powers. The most traditional songs here remind us why we fell for her songwriting in the first place: they’re delicately strong and quietly fierce. Other p…
Long overdue reissue of the first Windy & Carl album and first ever vinyl pressing. Originally self-released by the duo as a cassette in 1994, Portal set the template for their singular sonic explorations to come.
“…ethereal soundscapes that will transport the listener to other plains of reality.” —Acid Test!
“Carl layers willowy guitar arpeggios, foggy keyboards, and chimes over Windy’s murmured intonations and rippling basswork. Everything sounds fresh and unaffected in the careful hands of th…
Tip! *Repress with new obi-strip* Japanese label P-Vine sure know how to pick out the essential spiritual jazz reissues. This is another gold standard that came originally on Strata East in 1974. Vocals feature throughout and often soar to the highest of heights and make it a charismatic album. Sample hounds and hip hop lovers might well recognise the track 'Optimystical' which has been pillaged by Detroit great Andres before now. Elsewhere there is real freeform magic on 'Music Is Nothing But A…
Reissue of a magnificent, impossible-to-categorize French classic originally released on the hopelessly obscure d'Avantage label in 1976. Pretty much the definition of musical anarchy, "Paralleles" begins with an atonal duo for trombones, wends its was through accompanied poetry readings and cornet solos, vamps into a rap delivered by Vince Taylor (France's answer to Eddie Cochran and Bowie's inspiration for Ziggy Stardust!) on 'Rock N Roll Station' (which Nurse With Wound deconstructed later on…
*300 copies limited edition* A quiet intensity permeates Chantal Michelle’s music, like a veiled flame. Even at its most spare and delicate, an undulating tension unsettles the ear through wavering microtonal interference and uncanny spatial juxtaposition. She takes seriously the mandate of the composer to foster new relationships between various types of sounds, bringing together disparate field recordings, instrumental stems, and the sounds of circuitry in unheard configurations. Resolution is…
The collaboration between Anthony Moore and filmmaker David Larcher began in the late 60s, at the start of both their respective careers and lasted many years. Following on from last years release of the soundtrack to Mare’s Tail (the first collaboration with Larcher), this year sees the release of the soundtrack to his 2nd film, Monkey’s Birthday. This LP is a condensation of the essence of this 6 hour film. The sound is partly taken directly from the existing soundtrack and partly from stereo …
"Death is a lack with weight. At the moment that you realize that someone you love is irrecoverably gone, a small tear in your life opens up. As days go by, the sliver of grief grows, becoming a rift, a gap, a gulley, a canyon. At the point that you feel lost in the immensity of space where that person used to be, the expansion stops; the hole—the vast and airy part of your life that used to be occupied by that person—becomes solid. Maybe it decreases in size, but more likely, your memories grow…