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Heidelberg Jazztage, 6 June 1975. The Yosuke Yamashita Trio with Akira Sakata and Takeo Moriyama in its second European season, recorded by Carlos Albrecht for MPS. Piano and drums duets, a Moriyama drum solo, and the fourteen-minute Hachi. Forty minutes of the loudest trio of the decade.
CD eissue of Don Cherry's classic Eternal Rhythm Group, recorded at the Berlin Jazz Festival, 1968. An amazing line up of: Cherry (cornet, gender and saron [gamelan], flutes), Albert Mangelsdorff (trombone), Eje Thelin (trombone), Bernt Rosengren (tenor sax, oboe, clarinet, flute), Sonny Sharrock (guitar), Karl Berger (vibes, piano, gender), Joachim Kühn (piano, prepared piano), Arild Andersen (bass), & Jacques Thollot (drums, saron, gong, bells, voice). Two "side-long" pieces with gamelan under…
Two familiar faces within the Kohlhaas fold—Stefano Calderano as part of the trio McCorman (2023), and Giovanni Di Domenico through his solo works "Polvere di rabbia" (2021) and "Stella Maris" (2025)—join now forces on "Caperea". Bridging Rome and Brussels, where Calderano and Di Domenico are respectively based, the record marks the first collaborative LP by the two musicians. Born from a shared sensibility and a mutual curiosity for non-linear structures, what began as a brief two-day session o…
Aaron Dilloway returns to Dais Records with 'No Skill Comedy Mind Reading', his first full-length album since 2017, a collection of characteristically jarring, absurdist material. Marked by his signature distortions and contortions — feedback-shrouded found sounds, field recordings, and vocal improvisations — 'No Skill' collects nearly a decade of select solo work and feels distinctly in the present, a scattered product of volatility, both harsh and humorous. Few contemporary experimental artist…
Eugene Chadbourne and René Lussier, live in Paris and at Victoriaville in May 2002: acoustic and electric guitars, banjo and voice in a twisted hoedown of free improvisation, bluegrass and country blues.
The closing chapter of Fred Warmsley's Ded trilogy: ten tracks between ambient, drone and noise, with Ryuichi Sakamoto as guest producer. Hand-numbered edition of 500 on 180 gram vinyl, co-released with Ojas Music.
A canon for three bassoons inspired by Hilma af Klint's 1915 Altarpieces: multiphonics, beating dissonances and whistle tones, between Scelsi, Radigue and Sunn O))). Produced by Randall Dunn.
* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert * So… Steinmetz. Hugh Steinmetz. A Danish trumpet player my mentor Peter Brötzmann always talked highly about. 'Aaaaah jaaaaa - those crazy Danes!' Steinmetz was one of very few Scandinavian musicians who actually travelled south and collaborated with European musicians in the late 60s. He is a legend. And a key to understand the early developments of free jazz. The possibilities given to S…
A new John Zorn rock power trio in the line of Simulacrum, Naked City and Insurrection: Matt Hollenberg on guitar, Simon Hanes on bass and Ches Smith on drums tear through twelve short, stop-on-a-dime pieces. Tzadik.
Big tip! Romanian composer, conductor, and musicologist Iancu Dumitrescu is often described as one of the leading figures of spectral music, yet he has produced a body of powerful works resonating with explosive sound and friction that places him very much in his own universe. Dumitrescu studied under his compatriot, the conductor Sergiu Celibidache, who rarely left behind concert recordings. From him Dumitrescu absorbed phenomenology and conducting techniques, incorporating them into his own co…
Third solo album by the Syrian keyboard master behind Omar Souleyman's sound: cosmic electronic dabke recorded in Iceland, produced by Randall Dunn with Mark Gergis.
The first album of new studio recordings of Philip Glass's film scores: Brussels Philharmonic and Dirk Brossé play 29 pieces, from Koyaanisqatsi to Kundun, with over half an hour of unreleased music from the composer's archive.
MPS studio, Villingen, 14 September 1980. Cecil Taylor alone at the Bösendorfer Imperial the studio had bought for Gulda, after two days of practising. Eight pieces, one of them fifty-three seconds long, the first side running as a suite. Berendt heard Tatum, Bud Powell and boogie in it. Taylor wrote the title in the guest book.
Ten pieces built around Aimé Césaire's 1950 poetry collection Corps Perdu: processed hand-played melodies, field recordings and static, a companion to Works in Metal.
René Lussier conducts Vancouver's NOW Orchestra, recorded in February 1995: guitar and daxophone with Paul Plimley, Peggy Lee, Dylan van der Schyff and a full reed and brass section, in a suite of quick-changing vignettes.
Sacher-Pelz, the 1979 solo project that preceded M.B., in a CDr reissue of L.E. Cherz Pas, first out on TIBProd. in 2010: four long pieces, about an hour of music. 30 copies in a black envelope.
Dawning is a collaboration between Chicago creative music mainstay Damon Locks and burgeoning Black chamber music collective D-Composed, featuring violinists Khelsey Zarraga and Anya Brumfield, violist Seth Pae, and cellist Lindsey Sharpe. The album was recorded live in the auditorium of The Land School, Rebuild Foundation’s headquarters in a reconstituted former elementary school on Chicago’s south side, where D-Composed & International Anthem have been creative partners-in-residence since its …
Maurizio Bianchi's March-Ex, first issued by Lona Records in 2009, back on CDr from BeTon Raw: five tracks, about an hour, with the voice of Yoko Ishimoto Kamimura and mastering by Siegmar Fricke. 30 copies.