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Continuing their longstanding explorations of unexpected and adventurous territories of sound, Von - the imprint run by filmmaker and sound artist Carlos Casas and cofounded with Nico Vascellari - is pleased to present Kino Variants 1967-1986, the first-ever collection to illuminate the vast body of work created by the Uzbek composer Rumil Vildanov during the second half of the 20th Century. Offering a rare glimpse of liberated creative spirit operating behind the Iron Curtain, this engrossing d…
Milan, January 1973. Enrico Rava's second record as a leader, with John Abercrombie on guitar, Bruce Johnson on bass and Chip White on drums, released by MPS/BASF. Rava has called it his breakthrough: the album that got Manfred Eicher's attention. Seven tracks, from Trial N. 5 to the Don Cherry tribute Cheerin' Cherry.
The Portuguese percussionist turns drums and cymbals into generative sources: seven tracks of spectral tones, sub-bass rumble and warbly VHS tones, shaped by electronic manipulation and by the chromatic dissonance of Carlo Gesualdo.
René Lussier, Érick d'Orion, Robbie Kuster and Martin Tétreault live at Victoriaville on 21 May 2021, for the label's 35th anniversary: guitar and daxophone, electronics, drums and turntables in one hour of collaged noise.
In September, 1967, three of the primary ensembles of free music in Northern Europe gathered for a mini-festival on Radio Bremen: the Manfred Schoof Quintet, the Peter Brötzmann Quartet, and the Irène Schweizer Trio. Pianist Alexander von Schlippenbach appeared as part of the Manfred Schoof Quintet, but in these sets, which mixed the dozen members of the ensembles, as well as presenting them on their own, Schlippenbach in fact either led or was at the center of several groupings, presenting two …
"Röntgen" is Ø's (aka Mika Vainio) subliminal, minimal techno classic, and was featured on the first Sähkö Recordings release in 1993. Spatial, silvery-sharp, and reduced yet frenetic, it's a blueprint of drum machine and synth work that helped redefine an era in techno. This special-edition 12" also features a full-side cut of a previously unreleased Ø track from 1995. The untitled B-side carries the same approach as the title track—minimal TR-808 and acidic synthesis—but in contrast to the har…
One of the most singular and quietly devastating works in The Caretaker's long catalogue. Out of print for over a decade, Patience (After Sebald) returns in a 2026 pressing on History Always Favours The Winners, limited to 500 copies.
Conceived by James Leyland Kirby as the score to Grant Gee's feature-length documentary of the same name, originally released in 2012, the album traces a path through the work and shadow of the German writer W.G. Sebald (1944-2001), following the long coastal walk …
Wewantsounds presents the first official release of a legendary 1977 concert, capturing Don Cherry, Collin Walcott and Leon Thomas in their only documented performance together, joined for part of the night by the rest of Oregon. Long circulating among a few Cherry fans, Sunrise is a hypnotic forerunner to Codona, newly remastered, with Moki Cherry artwork and new liner notes by Jason Weiss.
The three albums Reich made for ECM between 1978 and 1982, reissued as facsimile sleeves in a card box: Music for 18 Musicians, the Octet / Music for a Large Ensemble / Violin Phase LP, and Tehillim. Cut all-analogue from the original tapes.
A space is often described by its dimensions. The height of the ceiling, the expanse between walls. Division into functional elements of varying density follows. We have ideas of how such dimensions should be balanced to work well for sound — the classical concert hall, a Northward mastering room. It’s tempting to try and use this idea of space to understand Space the group (Lisa Ullén, Elsa Bergman, Anna Lund). To calculate their cartesian co-ordinates: dynamics that run from whisper soft to pu…
In Spacemen 3 Vinyl – Extended Edition, Danny Passarella assembles the definitive visual chronicle of Sonic Boom and J Spaceman’s recorded universe: a lavish, full‑colour archive of global pressings, ephemera and new interviews that turns their vinyl trail into a tactile, time‑spanning narrative.
Berlin Jazz Days, 6 November 1976. Albert Mangelsdorff's trombone, alone at the front, with Jaco Pastorius on electric bass and Alphonse Mouzon on drums, a year after Pastorius's debut. Five long pieces, recorded live, released by MPS in 1977. The trombone multiphonics against a fusion rhythm section.
Recorded over two December days in Copenhagen and shelved for nearly three years, Bjerge, Strand gathers Jakob Bro with Charles Lloyd, Larry Grenadier and Jorge Rossy, and arrives on Loveland Music as a limited double vinyl in gatefold sleeve with artwork by the painter Tal R.
Bro invited Lloyd to The Village Recording in Vanløse in December 2023, bringing along the rhythm section he had formed in 2019 with Grenadier and Rossy, the two players who spent two decades refining the piano trio alongs…
Thurston Moore on guitar with drummers Tom Surgal and William Winant, live at Victoriaville on 17 May 1996: a single album-length improvisation of feedback and percussion, named after a Tibetan Buddhist deity.
From Lawrence English: "I like to think that sound haunts architecture. It's one of the truly magical interactions afforded by sound's immateriality. It's also something that has captivated us from the earliest times. It's not difficult to imagine the exhilaration of our early ancestors calling to one another in the dark cathedral like caves which held wonder, and security, for them. Today the ways in which sound occupies space, the so-called liquid architecture, holds just as much wonder, albei…
Staggering, career-defining work from Norwegian vanguard Helge Sten (aka Deathprod), who drives relentlessly forward on this illuminating new tome, using Harry Partch's extremely rare metal and glass instruments to pen a major new work that’s been years in the making and somehow resets modern experimental mores. Truly one of the most exceptional, most unclassifiable albums we've heard in ages - one that does a rare thing of having immediate impact - only to further expand deeper into the psyche …
The complete Jonestown "death tape" (FBI Q 042), recorded on 18 November 1978. Second pressing of 500 copies, dedicated to Christine Miller, the one voice that argued against the poison.
Grand Rapids, Michigan, Urban Institute for Contemporary Arts, 28 April 2003. The Billy Bang Quintet with Frank Lowe on tenor, Andrew Bemkey on piano, Todd Nicholson on bass and Tatsuya Nakatani on drums. Lowe was playing with one lung. He died that September, and this is his last recording.
Bang and Lowe went back to the loft years and had made a run of duo and group records together. Justin Time, which had Bang under contract for Vietnam: The Aftermath and its sequel, released the tape in 2007…
Debut album by Abenaki bassist, singer and composer Mali Obomsawin, built on songs and stories of her family, with Savannah Harris, Miriam Elhajli, Allison Burik, Noah Campbell and Taylor Ho Bynum.