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*100 copies limited edition* A surprise archival LP collecting scattered recordings from across Juho Toivonen’s recent work. Following Kuun Sininen Rinki, Sekalaisia Äänityksiä brings together pieces previously released on small-run compilations, rare physical editions and limited formats to another limited release presented by New Zealand imprint What Lies Beneath.
Side A includes much loved “Peura”, originally released on the Kashual Plastik’s A Mistake By Mistakes compilation, “Kanava 5” fro…
Jürg Frey, the Swiss composer, clarinetist, and central figure in the Wandelweiser collective, presents three recent chamber works—all written for and performed by the Prague Quiet Music Collective, with one piece featuring the Norwegian new music group asamisimasa. These compositions mark a significant evolution in Frey's aesthetic. As Ian Mikyska of the Prague collective explains, "Jürg is neither writing the music he used to write nor writing the music that anyone expects of him"—moving beyon…
Kayn before the machines: orchestral scores from 1957 to 1966 on the first disc, Sequenzen, Aggregate, Vectors I and II, Signals; ensemble works to 1974 on the second, including Phasen for speech sounds and four percussion groups. Premiered at Darmstadt, Venice, Warsaw and Hamburg.
Kayn's earliest keyboard music in historical recordings: Fünf Kleine Klavierstücke (1952), Divertimento (1955), Quanten (1956) and Fractals (1994) on the first disc; on the second the studio Quanten and Diffusions (1965) for one to four electronic organs, from Sonology in Utrecht.
Studio 44, Monster, Holland, 11 March 1987. One day. Pharoah Sanders with John Hicks on piano, Curtis Lundy on bass and Idris Muhammad on drums, a band he kept for years. Produced by Wim Wigt for Timeless.
The record is built around Coltrane. Loewy at AllMusic writes that most listeners will prefer the originals to Sanders's imitations, but calls Africa a joyous and worthy tribute. AllMusic's survey of the Timeless years is warmer: it hears the title track's highlife melody undercut by Hicks's p…
*100 copies limited edition* Very, very broadly speaking, there are two kinds of Nurse With Wound albums: the sprawling, immersive, evolving drone-type recordings - think Soliloquy for Lilith, Salt Marie Celeste - and the wild, surreal freak-outs. A Sucked Orange is a prime example of the latter. Originally released by United Dairies at the end of the 1980s, A Sucked Orange has long been out of print, especially on vinyl. Infinite Fog is beyond happy to bring this singular work back as a 2LP pic…
Moonwalker, Aarburg, Switzerland, 29 March 1992. Sun Ra, fourteen months from the end, at synthesizer and piano with a ten-piece Arkestra: Marshall Allen, Michael Ray, Ahmed Abdullah, Tyrone Hill, Buster Smith. Ten pieces in fifty-six minutes, mostly repertoire, groove over improvisation. Released by Enja.
Donaueschingen, 17 October 1970, and Berlin, 7 November: Sun Ra's first German concerts, commissioned by Joachim-Ernst Berendt, with the Black Forest Myth written for the astrological moment and never played again. Berendt cut five hours of tape into forty minutes. Der Spiegel called it cosmic chaos.
*150 copies limited edition* LichtPunkte is a dense work, enhanced by inventive arrangements and powerful narrative ideas so abundant that the album could serve as a launchpad for several more works. There are spaces filled with melodies that float and hover, and there are layers that are intricate and full of forward movement. CON's drive and focused creative energy make this work an outstanding example of the 'Berlin Kosmische Schule'.
Tip! Longstanding pioneer of the Bay Area, Pacific Coastline underground scene. Seymour Glass has been recording, performing, disrupting and spreading his Musique Concrete trickery for many's the decade. With projects such as Glands of External Secretion with Barbara Manning, BUFMS, Brent Lewis Ensemble , his time as publisher and editor of the now legendary magazine Bananafish, his online mail-order empire – Tedium House, his many other solo and collaborative projects, it is safe to say that Se…
*100 copies limited edition* Tokyo-based artist Ryu Yoshizawa has spent the past decade developing a singular language as Koeosaeme. His works sit somewhere between electronic composition, musique concrète, sound collage and sound art. Following a series of acclaimed releases on Orange Milk Records, this album turns his attention to a place close to home: Kaihin-Makuhari, a coastal district on the outskirts of Tokyo. Land that was once part of the sea. Conceived as a future city, Kaihin-Makuhari…
Recorded in a single day in 2022 at McDowall's Brooklyn studio, then mixed and remixed across three years and three cities. There is no organ anywhere on it: the sound is Karplus-Strong synthesis, a filtered delay line modelling a plucked string, tuned in just intonation and pushed through distortion.
One of the first Enja records, the fourth in the catalogue according to AllMusic, recorded live at the Domicile club in Munich in June 1971. Mal Waldron in trio with Jimmy Woode, the former Ellington bassist, and the Swiss drummer Pierre Favre. The same trio made Mal Waldron Plays the Blues for the label the same year.
Four Waldron originals (Sieg Haile, La gloire du noir, The Call, Rock My Soul) and Woode's brief M.C.. AllMusic's note describes a master of repetition and brooding chords in exce…
Legendary Japanese experimentalist Keiji Haino (Fushitsusha) and London's fearless drummer Steve Noble took to the stage at Cafe OTO in 2012 for a monumental concert - with Haino's extreme treatments of electric guitar, and feedback, with Noble on a lot of percussion...
While Haino theatrically sweeps between bleak and uninhibited paranoia, deep-level zoning and bluesy contemplation, Noble's huge set up and graceful approach brings space, light and shade - so much so that at one point Haino unpl…
On Hidden Hour, marine eyes preserves eighteen moments of dawn, dusk and chosen solitude in a full hour of luminous ambient drift. Cynthia Bernard’s guitars, lap steel, soft synths and field recordings turn nearby forests, coastlines and mountains into slow-moving emotional maps - music for stepping outside routine and hearing time soften.
'Flute' is an album of six pieces written by Slovak composer Adrián Demoč and performed by Italian flutist and multi-instrumentalist Manuel Zurria. Of the six pieces, "Zamat" is performed in two different versions. This is Demoč's second release on elsewhere music, following the 2024 release 'Piano', as well as Zurria's second appearance as the flutist, following the 2024 release Giuliano d’Angiolini - ')))((('. Demoč's compositions are often intended for open instrumentation or a "monochromatic…
1967, SABA. Tony Scott, the clarinettist of Music for Zen Meditation, with Bubi Chen's Indonesian All Stars: Jack Lesmana on guitar, Marjono on saxophone, gamelan gongs under the rhythm section. Jazz standards and Indonesian songs, with Summertime and Djanger Bali. One of the first Jazz Meets records.
Nat Birchall, saxophonist and composer, one of the most authentic voices in contemporary spiritual jazz, presents Path of Enlightenment, a sonic journey through rarely explored scales and modes, from Ethiopia to Byzantium, from ancient Egypt to South Africa.
For this new recording, Birchall deliberately chose the quartet format - tenor sax, piano, double bass and drums - seeking a cohesion and intimacy that allows the music to breathe and tell its story. Joining him are his trusted collaborators…
*200 copies limited edition* Bitter Sea collects 25 pieces from the most prolific period of composer Sean McCann’s early catalog. Recorded across California between 2008 and 2011, this two-disc set draws from tapes, CDrs, live recordings, and previously unreleased material. McCann made roughly 40 developmental albums during these years, mostly while living in San Francisco’s Sunset District and studying audio for film. Working from a small studio apartment, he recorded this wave of albums with v…
Donaueschingen, October 1979. Karl Berger brought the orchestra of his Creative Music Studio from Woodstock to the German contemporary music festival, and Südwestfunk and MPS recorded it. The roster reads like the CMS guest book: Don Cherry on trumpet and bamboo flute, Lee Konitz on alto, Oliver Lake on alto, soprano and flute, George Lewis on trombone, Leroy Jenkins on violin, Trilok Gurtu on tabla and congas, Peter Apfelbaum on drums and baritone, Ingrid Sertso singing, Berger on vibes and pia…