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Soft Echoes presents the first physical edition of ‘In a Few Places Along the River’ by Abul Mogard as a limited run of 500 vinyl copies. Originally released digitally in 2022, the album now appears in its intended form, marking the label’s second release.
Three long pieces, composed between 2019 and 2022, emerged from Mogard’s meticulous experimentation with analogue and digital instruments. Slowly evolving harmonic fields of layered drones and spectral textures drift across the record. They ar…
** 2026 Stock ** If Laptop Noise looks forward into the blinding glare of the digital, Tapestry of Noise looks outward and backward, unspooling an expansive grid of analogue and hybrid recordings that show how Merzbow’s classic language was woven together in the first place. Slowdown’s 6CD expansion assembles long, previously scattered or hard‑to‑access works into a single, overwhelming fabric that moves from twitching tape‑loop delirium to fully seared harsh‑noise architectures.
Early discs re…
There was no premeditated methodology in place when Swedish electronics manipulator Joachim Nordwall and American guitar mangler Aaron Turner decided to collaborate on an album together. Initial experiments involved Turner submitting improvised guitar compositions to Nordwall for dissection and reassembly. While these exercises yielded interesting returns, the project truly began to bloom when Nordwall pitched several beat-oriented tracks for Turner's perusal. Beginning from a place of structure…
On Black Angels, Kronos Quartet turns George Crumb’s Vietnam-era nightmare into the axis of a stark, haunted program, binding early music, American modernism and Shostakovich’s war-torn melancholy into one of the group’s darkest, most enduring statements.
Renowned rock pioneers Pink Floyd's Before Time Began - Radio Broadcast 1967-1970 is a captivating collection capturing the band’s formative era through rare radio and television broadcasts across England and continental Europe. This meticulously curated set features performances spanning from 1967—when Syd Barrett still led the band’s creative vision—through to 1970, including iconic appearances on French radio and a memorable concert at London’s Paris Theatre hosted by John Peel. The recording…
Tip! Algol is a new electroacoustic trio formed by Christian Lillinger (Germany), Elias Stemeseder (Austria), and Camilo Ángeles (Peru). The project was born during a collaborative tour and recording sessions in early 2024, between Mexico City and Guadalajara, and has since expanded with performances across various cities in Europe and Latin America. Conceived as an open system of real-time sonic construction, Algol operates at the intersection of composition, improvisation, and electroacoustic …
Friends and musical cohorts since the early 1980s, these three master improvisers come together to perform a freewheeling set of outrageous and mind-blowing improvisations. Recorded at Roulette, founded in 1978 and one of New York’s most adventurous venues, the music is full of surprising twists and jumps from one mood to another with mercurial synchronicity. Dedicated to the memory of Downtown theatrical genius Richard Foreman, “Alchemical Theatre” presents nine pieces of tele-pathic, counter-i…
*2024 stock* 1969-1978. The main body of Ethiopian records was produced in less than one decade: all in all, just under 500 45s and around 30 LP albums. Amha Eshèté, creator of the Amha Records Label, was the driving force behind this brief creative burst and one of the main founders of the modernist movement, which swept the Ethiopian scene during the end of the rule of the Emperor Haile Sellassie. In six years (1969-1975), Amha issued approx 250 tracks. From his first recordings, he dispayed a…
Lothar Jahn’s "February '75” single was released by the German label Sound Records in 1977 — a very unusual record, somewhere between psychedelic, folk, and Krautrock. That single was reviewed thus on Discogs: “A mysterious journey through Cosmic Psych Folk Kraut, whatever you may call it. Fantastic, from beginning to end. Another Kraut on 45 milestone.” This newly recorded album, “Dreams of ’75,” is an extended riff on the original single, taking that smaller vision as a starting point and th…
Leaney's lyrical and multi-textured tenor and alto saxophone playing is featured throughout, as is his playing on the Zimbabwean mbira and west African flulani flute. The record comprises equally of planned and deeply rehearsed compositions by both Leaney and Thouin, each with their own flavour brewed together to form a uniquely organic music. This is the first documented studio recording of 83 year old Thouin's lifelong exploration in sound and rhythm featuring his folkloric, DIY hybrid setup b…
Remastered vinyl reissue of this 1990 Bill Laswell / Richard Horowitz production of local Gnawa musicians, recorded in the Medina of Marrakesh. According to Allmusic.com "a must for fans of both African and Middle Eastern music” and voted one of the "10 essential Gnawa albums” by Songlines. The Gnawa are an ethnic minorityin today’s Morocco, descendents of slaves from West Africa who were brought to Morocco in the 16th century and who (although they quickly converted to Islam) nevertheless broug…
“Tunggak Semi” is the third album from Indonesian musician and producer Bambang Pranoto. Originally released in 2000, it’s an exemplary slice of what has become his signature style, a dream-like meditation on aspects of nature, combining elements of accordion, acoustic guitar, flute and percussion. The compositions cross eastern and western notation to inhabit a world of their own, a world between worlds, where harmonies reflect the beauty and joy of nature.
Bambang had a rather atypical entry i…
Misha Panfilov Septet is an Estonian ensemble led by composer, producer, and multi-instrumentalist Misha Panfilov. Known for their evocative blend of psychedelic jazz, electronic lounge, and ambient exotica, the septet features a rich palette of timbres and improvisational interplay, distinctively shaped by Panfilov's lap steel guitar and space-conscious compositions. The group includes Artur Leppik (alto/baritone sax, percussion), Sasha Petrov (tenor sax, percussion), Ilja Gussarov (flute, perc…
October in Los Angeles. Horace Tapscott sits down, plays for 38 minutes, gets up. No audience, no applause. Just Tom Albach and his tape machine. This is how monuments get built - one session at a time, one composition at a time, nobody watching. "Ancestral Echoes" opens - nearly thirteen minutes tracing lineages back through time, the piano as time machine. Then Roy Porter's "Jessica," a beautiful detour into someone else's melody, proof that Tapscott could interpret as powerfully as he compose…
Extra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.
Kim Gordon's third album, 'Play Me,' is distilled and immediate, expanding Gordon’s sonic palette to include more melodic beats and the motorik drive of krautrock. “We wanted the songs to be short,” Gordon says. “We wanted to do it really fast. It’s more focused, and maybe more confident."
The follow-up to 2024’s Justin Raisen-produced, two-time Grammy-nominated 'The Collective' processes, in her inimitable way, the collateral damage of the billionaire class: the demolition of democracy, technoc…
“Gaia-Songs” (1992 - revision 2015). Songs for the other half of the sky n° V - VI. For a soprano (or mezzo-soprano) solo and an actress voice (Sprechgesang technique) with electro-acoustic (fixed sounds). Anne-Lisa Nathan, mezzo-soprano. Helena Rüegg, actress voice. “First there’s this relation between sung voices and spoken voices with regard to the electro-acoustic parts. The sung v…
On One For Archie, Moor Mother joins Nicole Mitchell and Nduduzo Makhathini to turn a cancelled duet into a living monument, threading Shepp’s titles, politics and tonal language into a fierce hymn of gratitude, grief and ongoing struggle, paired with the incendiary, future‑facing “They’ve Got A Plan.”
** Special Time-Limited Offer ** On Life Time, Tony Williams upends expectations of a drummer’s debut, convening shifting ensembles that include Sam Rivers, Bobby Hutcherson, Herbie Hancock, Ron Carter, and Gary Peacock. Rather than a showcase of drum solos, the album is a series of explorations in texture, space, and form. Williams’ playing ranges from explosive to whisper‑soft, but always with an acute sense of placement: each cymbal stroke, roll, or accent is structural, not ornamental. The o…