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Music for Real Airports is a multimedia art project by musicians the Black Dog and interactive artists Human which is presented in art galleries. It is also a new CD of music by the Black Dog. It is a response to the reality of occupying the semi-public space of an airport, and a contemporary reply to Brian Eno’s work from the ‘70s. Airports are important and revealing. They are dystopian microcosms of a possible future society. The necessity of safety requires that they be systems of human cont…
Born and raised in Argentina, Morita Vargas is an experimental artist and producer based in Buenos Aires. She manipulates her voice through reverbs, delays and whispers, singing in a self-invented 'language'. The sound of Morita’s voice is a portal into her thriving, dreamlike world brimming, shimmering and beating with unrefined natural sensations which stimulate something primordial yet strangely contemporary.
As far back as 2014 she began work on her first productions - early sketches which l…
Tip! Celebrating the 90th anniversary of the birth of Maki Ishii (1936-2003), we present "Electronic Convergence," a collection of his pioneering electroacoustic works. These tracks represent a crucial era in the history of Japanese electronic music, primarily produced at the NHK Electronic Music Studio around the 1970s. Ishii’s unique fusion of traditional Japanese aesthetics and cutting-edge technology remains incredibly avant-garde even today. In February 2026, special memorial concerts will …
68 pages, large size. Revised 2023 Edition, Japanese/English edition. It can be considered a guidebook to Takehisa Kosugi's activities. Centered on the 2023 Memorial Exhibition of Takehisa Kosugi held from November 10 to commemorate the publication of a revised edition of the catalogue of the "Takehisa Kosugi The Sound World New Summer" exhibition held at the Ashiya City Museum of Art and History from May 18 to July 7, 1996.
The A6 variant has been changed to a B5 edition, and new English transl…
*2026 stock. 100 copies limited edition* A sonic presentation of a site-specific installation in Marl, created at the invitation of the Skulpturenmuseum Marl. Nathalie Brum recorded a local production site for industrial filters that are exported worldwide. By filtering the sound itself and capturing the essence of the atmosphere, Brum creates an ambient, subversive soundscape.
One side contains the soundscape alone, while the other contains the soundscape accompanied by stories told by locals a…
200 copies. 3LP special edition in screen printed linen box + 8 page booklet + download code. Metaphon is pleased to present this première edition, which brings together a near-complete collection of the acousmatic works of Liliane Donskoy, recorded in the 1970s and 1980s. Liliane Donskoy (*1933) is a French, classically trained pianist, music teacher, and composer of both instrumental and acousmatic music. She began her musical training at an early age, undertaking private piano studies with Yv…
Uneven Eleven is an improvising power trio that should not, on paper, work as well as it does: Charles Hayward on drums (This Heat, Massacre), Kawabata Makoto on guitar (Acid Mothers Temple, Gong) and Guy Segers on bass (Univers Zero, X-Legged Sally). Three players from three different corners of the avant-garde, captured in full flight at Cafe OTO in London on 24 May 2013, in one of those rare meetings where the chemistry is immediate and combustible.
Live At Cafe OTO spreads four long collecti…
**2025 Stock** Who still needs an introduction to the Italian living legend Bad Sector? Hardly anyone. Since 1995, every new album by this project has been an event — eagerly awaited by almost every devotee of the industrial scene. Now, at last, comes the long-awaited CD edition of one of the most intriguing albums by Italian master Massimo Magrini. Originally released in 1999 as a limited CDR on Blade Records, Transponder returns — newly presented, expanded with two exclusive compositions from…
AMM collaborates with Sachiko M on Testing (Matchless Recordings), documenting sessions between the British collective and the Japanese sound artist. The work explores intersections of improvised acoustic techniques and sine wave electronics, presenting careful negotiations between established experimental practices and minimalist electronic intervention.
The historical importance, influence, and stature of the Schlippenbach Trio was cemented long ago. Formed in 1970 by German pianist Alexander von Schlippenbach in the early days of European free jazz, the group also featured British saxophonist Evan Parker and German drummer Paul Lovens, and soon formed the core of the mighty Globe Unity Orchestra from that point on. As heard on its 1972 debut for FMP Pakistani Pomade - reissued by Cien Fuegos back in 2015 - its foundational music helped establi…
**Limited edition 350 copies clear vinyl** Kosmose were a Belgian cosmic collective formed in Charleroi and active across the 1970s, a loose and more or less leaderless group of local players anchored around multi-instrumentalist Alain Neffe (later of Insane Music and the Belgian wave underground) and bassist Francis Pourcel, with the young Guy Marc Hinant, later a co-founder of Sub Rosa, among their number. First Time Out captures a session recorded and mixed in March 1975, entirely unreleased…
All the music for Jean Dubuffet's "animated painting" spectacle Coucou Bazar. Disc one is Ilhan Mimaroglu's 1973 electronic score for the Guggenheim staging (originally on Finnadar); disc two is Dubuffet's own 1978 Turin soundtrack, long buried in a rare catalogue. Digipak with 40-page booklet. 2CD.
A door into the most private corner of the Japanese underground. With its La Musica series, Black Editions turns to the catalogue of La Musica, the tiny imprint run by Asahito Nanjo - the bassist and ringleader behind High Rise, Mainliner, Musica Transonic, Toho Sara and more - on which he issued a stream of hand-assembled cassettes and CD-Rs, sold in microscopic editions at a handful of live dates and all but impossible to find ever since. This first instalment, Flight 1, gathers six of those l…
Huge Tip! Small repress. "I stood on top of the mountain and looked out over the landscape. It was so beautiful that my chest hurt. The light vibrated, time stood still, and the contours dissolved for a moment. Everything had changed; I felt it then. I took their little hands so as not to lose contact with the ground. Then we ran down the mountain, scraping our knees. Still, we didn't make it. You had already put away all the nautical charts, loosened the moorings and steered out among the skerr…
Released on Polydor in 1972, this is Roy Ayers hitting his stride. The Ubiquity sound has clicked into place: jazz improvisation, funk underneath, soul harmony, spiritual weight, all of it pulling in the same direction. The vibraphonist leans hard into groove without losing the openness, soul-jazz tipping over into the jazz-funk that would carry him through the decade. The band is loaded - Harry Whitaker on electric piano, organ and voice; John Williams on bass with Ron Carter stepping in on "We…
A 2015 meeting between Hijokaidan and Nasca Car, the Osaka electronic project of Nakaya Koichi. Two studio tracks and two live sets across more than forty minutes, the King of Noise's wall of sound crossed with Nasca Car's pulsing acid-house and new-wave electronics. On Alchemy.
*200 copies limited edition* Swedish-Danish collab album of lush, low key new age/ambient DIY gold, based mainly on synth, piano, saxophone, spoken word and field recordings. Marvelous peak summer music. A private press style/no label release distributed by Discreet Music.
With the released LP “Stilla Dagar, Stilla Nätter / Stille Dage, Stille Naetter Limited Edition,” the split release by Gustaf Dicksson, Post‑Tragic, Sonja Labianca, and Frida Johanne takes the next step in their creativit…
First vinyl reissue since 1978 of Masabumi Kikuchi's percussion-laden New York session for Flying Disk. Gary Peacock, Al Foster, Badal Roy, and Brazilian and North African percussion surround the pianist's spare modal phrasing. Limited edition with obi and insert
In Sonic Boom, Spectrum & E.A.R. Vinyl, Danny Passarella turns Pete Kember’s solo history into a 300‑page artifact: every record from “Angel” to A ? Of When, unreleased audio, new interviews and ephemera mapped into a definitive, tactile chronicle.
On Waterforest, Yoichi Kamimura turns a multichannel installation into an intimate atlas of water and ice, braiding global field recordings into a quietly immersive study of climate, memory and the act of listening to landscapes.