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** 2026 Stock. Original 1977 Copies that may show some signs of long storage wear. ** Composed between 1972 and 1976, Clouds marks one of Lars-Gunnar Bodin’s most fully realized attempts to fuse electronic music, vocal writing, and visual dramaturgy into a single, inseparable organism. Often described as a pioneer of Nordic electronic and text-sound art, Bodin approaches this piece less as a “work for tape” and more as an advanced form of musical drama: three women singers, three dancers, eight-…
** 2026 Stock. Original 1978 Copies that may show some signs of long storage wear. ** Electronic Music captures Sven-Erik Bäck at a crucial threshold, stepping from the world of string quartets and church motets into the charged, unforgiving arena of the tape studio. A central figure of 20th-century Swedish art music, Bäck was steeped in chamber playing and sacred repertoire, yet closely aligned with the Monday Group’s push toward a modernist idiom that embraced serial thinking and new technolog…
Recorded in the spring of 1970, this legendary album shows why many consider The Human Instinct to be the finest psychedelic rock band ever to emerge from New Zealand. Led by drummer-vocalist Maurice Greer and featuring the guitar pyrotechnics of the legendary Billy Te Kahika, Stoned Guitar has long been established as a classic hard psychedelic rock album.
Vic Bang's "Oda" arrives quietly - it was waiting for the right moment. The eight tracks are shaped by listening, by circling around sound instead of chasing it... you can definitely hear patience in the pacing, a willingness to let ideas linger, to let all the small motifs breathe.
The album moves with a softer and more deliberate rhythm than much of Vic's earlier work, as the sound world here feels concentrated and cohesive, built from a limited set of elements that gradually reveal themselves…
Tip! Edition of 300 copies. François Tusques needs no introduction to serious listeners of European free jazz. His 1965 Free Jazz album - recorded with Bernard Vitet, Michel Portal, Beb Guérin, and François Jeanneau - helped establish Paris as a vital center for the transatlantic avant-garde, laying groundwork for the city's role as spiritual home to visiting American firebrands like Don Cherry, Sunny Murray, and Clifford Thornton. His subsequent work with Barney Wilen (Le Nouveau Jazz, 1967), h…
Laura Cetilia's cello works evoke the sense of crossing the threshold between traditional classical music and experimental soundscapes. Within an acoustic resonance that respects the natural reverberations of a space, rippling waves of subtle disturbances conjure a mixed sensation of classical roots and a refreshing encounter with the unknown. This offers a glimpse into a vast and profound world that is uniquely Cetilia's own. 'gorgeous nothings' is an album of three pieces composed by Cetilia, …
Graze the Bell is a collection of soul-stirring, mesmerizing solo piano pieces, and the most distilled offering of David Moore’s artistry to date. Known for his atmospheric compositions with Bing & Ruth, as well as his collaborations with guitarist Steve Gunn and Cowboy Sadness, this marks Moore’s first widely shared solo piano album. Using the piano to meditatively inquire into the human condition, Graze the Bell is a sanctuary of sound, and an invitation for listeners to meet him in the presen…
For his third new album release for Drag City, Tashi Dorji turns to the electric guitar. After the furious acoustic improvisations that drove the previous two—"Stateless" and "we will be wherever the fires are lit" — it’s easy to imagine an album of his electric guitar improvisations as an encompassingly incendiary essay. Especially when titled low clouds hang, this land is on fire. After all, this is a man capable of tearing up the place with the tactile musical violence of Bill Orcutt and Dere…
*80 copies limited edition* "What wonders can be found within a single square meter? Inspired by George Haskell’s book The Forest Unseen, field recordist Tomáš Šenkyřík decided to limit himself to a meter of wetland near his house, only to discover that the area was so blessed in biodiversity that it might even be too big. A warbler comments from the weeds; a buzzard flies overhead. But beneath the surface of the water, the real wonders are found. The plants yield the subtle sounds of photosynth…
Spider Taylor crawls over to Dark Entries with Surge Studio Music, an album of archival gay pornographic soundtracks. James Allan Taylor was born into a working-class family in Los Angeles in 1951. Nicknamed “Spider” by his father due to his frantic energy, Taylor was a natural-born guitarist, gifted with perfect pitch and a voracious musical appetite. Throughout the 70s, he expanded his musical repertoire, playing in bands ranging from country to post-punk, like his outfit Red Wedding, while al…
Collision Drive is Alan Vega's second solo studio album, originally released in 1981. If his debut laid the groundwork for a raw, minimalist take on rockabilly and blues, Collision Drive expands the palette with a grittier, more layered, and unfiltered energy. Here Vega's lyrics channel universal themes rooted in his fascination with street life, science fiction, politics, comics, love and the mysteries of the universe. It's a record that pulses with feeling and rebellion, displaying the full sp…
On Marquee Moon, Television reinvent rock as tense, skeletal architecture, eight songs built from interlocking guitars, nervous poetry, and negative space, culminating in a title track that turns a ten‑minute solo into pure street‑lit vertigo.
Originally released in 1973, Dzyan’s second album "Time Machine" marked a shift from vocal prog-rock to a unique blend of jazz, ethnic, and acid-rock influences. Showcasing virtuosic musicianship, it stands as a pioneering work in German rock, ahead of its time.
On Kronos Quartet Performs Philip Glass, Kronos Quartet turns four string quartets into a self‑portrait of the composer, charting his path from theatre and film scores to music written directly for the group, all in a language of pulsed clarity and slowly deepening harmony.
The room where butterflies live. A place between worlds. Enter at your own risk - you may not find your way back out. Sai Yoshiko's fourth and final album of the 1970s stands as one of the most singular documents in Japanese music - a jazz-inflected fever dream that marked the end of an era. Originally released in 1978 on Columbia (LX-7058-A), Chou no Sumu Heya represented a dramatic departure from her earlier psychedelic folk explorations. Here was something else entirely: a surreal and dynamic…
Morton Feldman’s Rothko Chapel is a hushed yet monumental soundscape that resonates with the spiritual austerity of Mark Rothko’s paintings. Combining solo viola, voices, celesta, and percussion, the LP explores silence and timbre with a reverence that transforms listening into a meditative experience, while the composition For Frank O'Hara offers a tender lyrical counterpoint to its profound stillness.
**Edition of 350 copies on transparent vinyl** La Scie Dorée presents a new album by Mirror (Christoph Heemann and Andrew Chalk) recorded at the Loft, Cologne. Christoph Heemann, with co-founder Achim P. Li Khan, was active in the celebrated group Hirsche Nicht Aufs Sofa in the 80's. In the mid-90's, Christoph concentrated on his solo career while collaborating with artists such as Jim O'Rourke and Edward Ka-Spel (Legendary Pink Dots) in the Mimir project. He also worked with Masami Akita (Merzb…
Digipack CD. In the late 1980s, Klaus Wiese (Popol Vuh) deepened his connection with Tibetan culture. The result is a series of works solely dedicated to the universal purity of the Singing Bowls. Uranus, perhaps the most rigorous of these, is an intense meditation on the trans-personal sphere of the VI chackra. The music becomes like a single harmonic chant, the reflection of a constant flow of divine light, which transforms the psyche and dilates the secret passages of the heart. In the galaxy…
* Includes a 28-page booklet with liner notes by Senri Miyazato in Japanese and English (English translation by Linda Havenstein) * Historical recording of the sacred Izaiho ritual, an inauguration ceremony of female priests held once in twelve years in Kudaka island, which is located approximately five kilometers east west from the Okinawa island. Izaiho ended in 1978 due to a lack of successors, and this is a recording of the final ritual.
On Fun House, The Stooges tear rock down to its studs and rebuild it as a single, sweating organism: seven tracks of feral groove, free‑jazz squall, and Iggy Pop at maximum possession, a record that still feels like a room on the verge of imploding.