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Fifty years gone and the music still cuts right through. Nick Drake recorded three albums before leaving this world at 26. The debut, Five Leaves Left, appeared in 1969 – and we're only now hearing how it came together. Hold on to your hats.
Nine years of detective work. Tapes surfacing from the most unlikely places. A mono listening reel held by Beverley Martyn for over half a century – Drake's very first session at Sound Techniques, untouched since the day it was recorded. A full reel from Cai…
Cien Fuegos present a reissue of Schlippenbach Quartet's Three Nails Left, a classic mid-1970s originally released on FMP in 1975 and showing Schlippenbach is in sublime form. It features a stellar line-up, with Evan Parker - soprano and tenor saxophone; Peter Kowald - double bass and Paul Lovens - percussion. Side A was recorded live at 3rd Jazz Festival Moers June 2nd, 1974 by Michael Krause. Side B was recorded live at the Quartier Latin Berlin, February 2nd, 1975 by Jost Gebers with the FMP…
The first time on any format for Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen. Three weeks before the scandalous release of "Salò, or The 120 Days Of Sodom", Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote 'Addio a Pier Paolo Pasolini' (Goodbye to Pier Pa…
Huge Tip! Frederiksberg Records proudly presents the reissue of The People's People Present The Spirit of David, a remarkable testament to artistic ambition and collective discipline that emerges from the depths of private-press obscurity. This singular album, originally recorded in 1974 and released in 1976, represents one of the most extraordinary achievements in spiritual jazz history - a work so meticulously prepared and passionately executed that it transcends its humble origins to become …
Clarity, more often than not, is a lie, a red herring. Truer, it seems, are blurred images and misty conceptions. Music history as a whole is undecipherable. Zooming in may bring some sense of understanding but many lineages lie far beneath the surface, made of obscure stories and oblique connections, like the ones that tie Joan La Barbara, Meredith Monk, Robert Ashley & Jacqueline Humbert - a scrawny branch in the genealogical tree on which now sits Thelma Cappello. Its motto reads: “voice is a…
A bizarrely entrancing jewel from the depths of the Japanese underground, Doo Dah Nean was originally released in small run of hand assembled cassettes by the La Musica label in the late 90’s. The album is the sole release and evidence of Nean, an entirely under-the-radar trio that crossed the sensual, disassociated female vocals of Japanese iroke kayōkyoku music with off-balance shamanic rhythm and echoing electronic rumble. Nean were the trio of Yui on bass and electronics, Naoko on voice, and…
2026 repress on vinyl; Deluxe 3LP box version with an 8-page, large-format lyric booklet and printed inner sleeves. For various reasons Have One On Me, Joanna Newsom's new triple-album defies the notion of fast-turnaround appraisals. Apart from sheer abundance of music here, it's also very dense and scrupulously laboured over, not only by Newsom herself but a select band of fellow musicians and arrangers - not to mention ace mixing engineers Jim O'Rourke, and Noah Georgeson (best known for his w…
Soft Echoes presents the first physical edition of ‘In a Few Places Along the River’ by Abul Mogard as a limited run of 500 vinyl copies. Originally released digitally in 2022, the album now appears in its intended form, marking the label’s second release.
Three long pieces, composed between 2019 and 2022, emerged from Mogard’s meticulous experimentation with analogue and digital instruments. Slowly evolving harmonic fields of layered drones and spectral textures drift across the record. They ar…
With Réminiscences (2017–2019), Jean-Claude Éloy embarks on an ambitious journey through memory, transformation, and pure listening. This vast electroacoustic cycle—comprising Incantation, Confrontation, Contemplation, and Oppression-Libération—draws deeply from the sound world of his seminal work Yo-In. Éloy recycles and reworks electroacoustic materials originally created at the Institute of Sonology (Utrecht, 1979/1980) and incorporates an extraordinary archive of percussion samples recorded …
**Limited edition of 222 copies, black vinyl two color screenprinted cover** At eight o'clock on a March morning in 2024, as Amsterdam awakened around it, Charlemagne Palestine took his place at the console of the Vater-Müller organ in the Oude Kerk—the city's oldest building, a Gothic monument dating to 1306—and opened a portal. What emerged over the following forty-plus minutes, now captured on this limited edition LP, stands as one of the most concentrated distillations of Palestine's six-dec…
A cross-generational summit between the legendary pianist Marilyn Crispell (member of the Anthony Braxton Quartet and Reggie Workman Ensemble) and Midwest improvising trio of bass clarinetist Jason Stein, bassist Damon Smith, and drummer Adam Shead delivers all the range and expressivity one would expect from such seasoned players. The concert captured on Live at the Hungry Brain moves organically from searing free jazz to contemplative, lyrical balladry, all of conceived in the urgency of the…
The Tommy Tedesco case is singular in California jazz history. A session guitarist among the most sought-after in Hollywood - thousands of recordings, film scores, pop records - chooses for his most personal statement the company of Bobby Bradford on trumpet and Roberto Miguel Miranda on bass, with Onaje Sherman Ferguson on drums and Sartuse on percussion. Not exactly the context of those Sinatra dates.
The result is a structurally sophisticated free jazz document. "The Doubleness of Three" supe…
Spring 2024. Carl Stone and Asuna performed together for the first time at an international experimental music festival held in Kanazawa city, where Asuna lives. Carl Stone is a pioneering composer of computer sampled music. and Asuna known for its “100 Keyboards” performance, played in this duo with over 100 toy instruments, samplers, and synthesizers. Carl samples and processed the sound of Asuna's various toys in real time. Asuna then incorporates the sounds into her own sampler and sends agai…
*300 copies limited edition* Words have never been my strongest point. I have many ideas in my head, often too many. I can talk a lot about them, but putting them on paper is not really me. I rather just work on my ideas. ‘cause whatever your thoughts are, as soon as it is out there and people start to listen it becomes theirs. What I might have thought up before, and have as concept behind the music, might not be how someone else listens to it. And that’s okay. If we keep in mind that my music …
2026 Repress! Custom die-cut rigid slipcase, 5 CDs in double card sleeves, 96 page perfect bound book including an interview between Seymour Wright and John Chantler and additional texts by silvia tarozzi, magnus granberg, nate wooley, valerie mol, pär thörn and lars grip and drawings by guillaume delcourt and aliocha delcourt. Limited Edition of 500 copies. [Ahmed] is the quartet of Pat Thomas (piano), Joel Grip (double bass), Antonin Gerbal (drums) and Seymour Wright (alto saxophone). Togethe…
On Rampe Amalgam, Markus Oehlen extends his studio day into the night, turning the same unruly humour and visual overload of his paintings into skewed, concrète‑spattered electronics: half hidden beat, half dust‑storm, all deliberately “wrong” and fully under control.
*300 copies limited edition* The new album by Mecánica Clásica, Una Teoría del Ritmo, unfolds across nine tracks as an intimate and organic rhythmic landscape. Rhythm is not something to be counted or measured, it's an odd power that shapes life and nature. Embracing rhythm is a wild experience rather than a technical concept.
The album emphasizes its strong subjectivity: rhythm exists deep within the self and at the core of perceived phenomena and listening itself transforms that kaleidoscopic …
Clifford Jordan was actually supposed to perform at Paradiso on September 10, 1969, but at that time the stage was facing problems and closed for a month. He diverts to VARA studio 7 in Hilversum with pianist Cees Slinger, bassist Ruud Jacobs, drummer Han Bennink and percussionist Steve Boston. Three of the four pieces Jordan puts on the lectern he recorded in early 1969 for the Strata-East label under the album title In the world.