Best sellers
Soft Power
*2026 repress!* Ezra Feinberg’s third album Soft Power sees the composer-guitarist enlist an impressive array of fellow musicians including Mary Lattimore, David Moore (Bing & Ruth), Jefre Cantu-Ledesma, Robbie Lee and share the life affirming lead single ‘Future Sand’.
Defined by its abundance of melodies, repeating figures and ecstatic improvisations, Soft Power exudes an enlightened and transformative spirit to empower the listener. Feinberg, a practising psychoanalyst and former founding me…
By the Lake Festival
On By the Lake Festival, Faust bottle a singular Berlin afternoon: iconic early pieces - including a choral‑bolstered “Why Don’t You Eat Carrots?” - rendered raw, sun‑bleached and unrepeatable, preserved in a lovingly remastered document that leaves every glorious flaw intact.
The Call
Two sessions from the white heat of mid-sixties New York, drawn from the ESP-Disk archive and returned to full clarity in the new Reference series from AlAy, the Basel imprint curated by Werner X. Uehlinger. The Call brings together the only recording ever made under the direction of the painter, engineer and multi-instrumentalist Marzette Watts and the sole date led by the great bassist Henry Grimes, the connecting thread between the two, in a single volume with sonic restoration and mastering …
Hip Harp
*2026 repress!* Born in Detroit in 1932 Dorothy Ashby can be easily recognized as the woman who gave the harp a Jazz voice. In her hands, the harp, an originally classical instrument which seemed to just scare people, became a highly versatile swinging voice able to drive a whole jazz rhythm section. Recorded in 1958 by master Rudy Van Gelder and originally released on the Prestige label, Hip Harp is a perfect example of Ashby’s artistry. At the head of a fine quartet featuring the great Frank …
Music For Labyrinths
*300 copies limited edition* "Keith was a dear friend firstly. He was a generous, wonderful person and, of couse, a genius, a true artist. We all owe so much to him for we started our label with his critically acclaimed piano solo “Mujician IV - Live in Piacenza”, way back in 2015. We welcome this album as a real blessing for the soul. So long dear Keith: your music shall live forever." - Max Marchini
Music for Labyrinths is an open live project for a soundtracks of labyrinths around the world a…
Without Persistent Environments
A live trombone laid over recordings of the same material played in three places on the north side of Chicago: an apartment in Rogers Park, the shore of Lake Michigan, and the sanctuary of St Vincent De Paul. The rooms do a good part of the composing.
Earthly Powers
"This album is composed entirely of live recordings: no overdubs, no gimmicks. Annie Barbazza and John Greaves tour throughout Italy and Europe with a constantly evolving tracklist, usually decided at the last minute before going on stage. This album collects some of the songs, mostly written by John, that form the core of their shows. Sometimes they perform parts of Annie's repertoire, such as "Moonchild" or "Epitaph" by Greg Lake while performing at the Rock In Opposition Festival in Lyon in M…
A Music Cooperative In Isolation
*250 coipes limited edition.* 'In this trying time of Covid and the serious curtail of gigs and record production opportunities, I’m glad to be in contact with Dark Companion Records and Max Marchini. Max seems to be the rare guy who puts the quality of contemporary music he produces much more to the fore than the financial considerations.. the investment in which is always tricky, and can hardly ever promise much in financial return. On to the music herein: Just before the Covid came on last ye…
Piacenza
Recorded live at Conservatorio Nicolini, Piacenza, Italy, May 22. 2015 during "Musiche Nuove a Piacenza" Festival. Limited edition 980 handmade and individually hand numbered copy in papersleeve, with 21,50 x 21,50 miniposter © 2015
Gravest Gravy
Recorded at Ardent Studios in October 1977 as part of the sessions that birthed Gravest Hits, the tracks on Gravest Gravy were contained on seven 1/4 inch reels. The tapes were transferred by Brian Kehew, the tracks were selected for inclusion by Henry Rollins, engineered by Ian MacKaye and Don Zientara at Inner Ear Studios and mastered by Pete Lyman at Infrasonic Sound.
Originators of a mutant and primal, stripped-down sound with its roots in the primordial soup of Rock 'n Roll - The Cramps cra…
G.R.
** Tape. Digital download included. ** Hospital Productions has finally reissued the classic G.R. by Deathpile, the true crime album that stands as one of power electronics' most uncompromising and psychologically penetrating works. Originally initiated during the hunt for the Green River Killer and completed after the capture of Gary Ridgway, this album represents a singular achievement in the intersection of criminal psychology and extreme electronic music. This regular edition on black vinyl …
Epic Sound Battles Chapter One
Here’s a monster of its own. Not to be confused with Trevor Jackson early 2000 project (even if the british producer has obviously been informed by post-punk, dub, post-industrial and the likes) Playgroup was more than anything a collective, based somewhere around Bristol and London. Drummer Bruce Smith was the key figure behind the project. Neneh Cherry husband and fabulous motorik force for The Pop Group, The Slits, New Age Steppers, African Head Charge and – more recently - Public Image Limit…
Downfall
Limited 2 LP edition. Downfall is the first album under the name Saito created by Lena Saito, aka Galcid, and produced by accomplished analog synthesizer guru, Hisashi Saito, aka Lena's husband. Having descended from a long line of Japanese sword-smiths, the industrial sound of smashing steel is embedded in Lena's DNA and reflected in her music, however there are also refined, hypnotic tones showing a side with more finesse. The music itself is not scored and is predominantly improvised. Words a…
The Next From Field Commander
Recorded in a bedroom with classical guitar and 4-track tape, The Next From Field Commander is Australian folk of rare emotional density. Layered vocals, inhabited silences, a voice that lingers.
It Deel II
Second volume in the IT DEEL project. The Kleefstra Bros invited Norwegian duo Streifenjunko (Eivind Lønning on trumpet/electronics, Espen Reinertsen on sax/electronics) into the Thomaskerk in Katlijk, composing between improv, jazz and sound art. Streifenjunko brought field recordings from the forests around Oslo, brought into dialogue with the Frisian forests around the church and Jan Kleefstra's Frisian-language spoken word. A meditation on how we treat our local forests.
Superior State
*300 copies limited release* Superior State is the second Leitmotiv Limbo album released by Port Adelaide’s De la Catessen Records, after the 2022 CD Spiritual Disturbance. This time, Leitmotiv Limbo’s isolationist studies have been bumped to vinyl, which feels like the perfect format for these twelve miniatures. The project of Adelaide artist Elijah Värttö, Leitmotiv Limbo has, over the past few decades, tracked a history of quietly insistent experimentation, embracing several technologies – in…
Animais Sintéticos
*Limited edition of 150 copies, numbered.* An exercise in quantum paleontology! Tropa Macaca - the Lisbon-based duo of André Abel (guitar, electronics) and Joana da Conceição (synth, electronics, paintings) - delivers two expansive pieces that exist like landscapes suspended inside us, alive between promise and ruin. Truly mysterious music made for and by adventurous, vibrating people!
Originally presented as immersive installations - Animais Sintéticos at gnration in Braga (2022) and Aerossol …
Black Burst Sound Generator
In analog video technology, a “black burst” is a reference signal for synchronizing video sources: an imageless video pulse in the nanosecond range, during which the video image remains dark. Darkness also reigns in the sound world of Black Burst Sound Generator, a project by Brigitta Bödenauer and Susanna Gartmayer, whose initials add up to BBSG. It is a darkness that stretches out around us as the brittle electronic sound impulses by Brigitta Bödenauer resound and fade, while brightly illumi…
Footpaths and trade routes
Three tracks assembled by Kraig Grady under the name Anaphoria, his invented island. In 1976 he saw a performance of Harry Partch's U.S. Highball and changed direction; meeting Erv Wilson gave him the tunings. He has built metallophones, marimbas, dulcimers and reed organs to play them.
Two Balls Are Enough
The debut album from the duo of Finnish accordionist Kimmo Pohjonen and Swedish reedist Mats Gustafsson - both musicians have routinely blown past the rules of the traditions from which first emerged—folk and free jazz, respectively—to explore constantly expanding worlds. It was only a matter of time before these iconoclasts collided to create something wonderfully raw and unexpected.