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Peel Sessions 1973-74 is a unique collection showcasing the legendary German experimental rock band’s dynamic live performances captured for BBC Radio 1’s John Peel sessions. This album brings together raw, electrifying recordings from 1973 and 1974, highlighting Can’s groundbreaking sound that blended psychedelic rock, avant-garde, and improvisational music. Fans and newcomers alike will experience the band’s creative energy and innovative spirit in an intimate setting outside the studio.
Featu…
In 1985, Gary Mundy of Ramleh sent out an invitation. He asked artists in the orbit of his label Broken Flag to respond to a single concept: morality. Define it, refuse it, occupy it, destroy it. The results arrived on a cassette, catalogue number BF41, pressed in a run that circulated through the postal networks that kept the underground alive in those years. Most of it was never heard outside those networks. The title was not ironic. It was a provocation with genuine stakes.
Morality was alway…
The Polish composer's monumental and compelling 1970/71 choral and orchestral work, conducted by Andrzej Markowski and released on Muza in 1972 as a 2LP set.
In Neu Klang, journalist Christoph Dallach assembles an oral history of krautrock, letting Can, Neu!, Kraftwerk and their peers explain how post‑war Germany’s experiments in noise, rhythm and repetition became a blueprint for modern rock and beyond.
On Music To Watch Seeds Grow By 008: Salamanda (Basil), Salamanda miniaturise their left‑field ambient world into a single pot on a windowsill: a slow, luminous day‑in‑the‑life of a basil plant where light, water and time turn into gentle pulses, drips and dreamlike drones.
2026 stock, reduced price ** Original Single Sided, Numbered **
Recorded live at Maya in Kobe on 15 September 1991 - with only Mayuko Hino on electronics and voice and Hiroshi Hasegawa on synthesizer and electronics - Reflexive Universe strips C.C.C.C. to its core and finds, in that reduction, something more concentrated and more volatile than the full ensemble.
The choice of John C. Lilly's CCCC as a name pointed toward a practice in which sound was genuinely conceived as a system of feedback …
The Polish composer's 1979/80 monumental neo-Romantic choral work for four vocal soloists, two mixed choirs and large orchestra conducted by the composer himself and released in France by EMI in 1983 with the addition of the short 1980 Lacrimosa.
1970's re-press of a 1962 LP on Muza with three post-War modernist/avant-garde orchestral compositions spanning from 1947 to 1961 by three eminent Polosh composers, conducted by Witold Rowicki.
A superb trascendental symphonic work by the Russian composer backed with two beautiful and evocative ensemble pieces, all composed in the 1980's and released on Russian Disc in 1991. Includes poster (unrelated to the record).
Rare 1976 LP on Jugoton's Contemporary Croatian Composers Series with the brilliant experimental/avant-garde instrumental and electronic works form the 1970's by the founder of the great Acezantez ensemble.
Five excellent compositions from the 1960's for piano and tape, piano and electronics, piano solo and piano with orchestra by the great Croatian avant-garde composer founder of the Acezantez ensemble, released by Jugoton in 1980.
Truly outstanding album of surprising electronic-sounding music for flute played with extended techniques by the Hungarian composer in collaboration with flutist István Matuz, released on Hungaroton in 1979.
Great 1969 LP on Philips' "Modern Music Series" with four compositions by the Polish experimental composer spanning from 1958 to 1965, including two beautiful and powerful orchestral pieces and two ensemble pieces.
Great 1976 LP on Jugoton's Contemporary Croatian Composers Series with highly original and rather wild avant-garde compositions from the 1970's for piano quintet, wind quintet and tape, cello and orchestra, and narrator, chorus and orchestra.
Kranky announces the reissue of Low Christmas, the beloved 1999 holiday EP from slowcore pioneers Low, available now on vinyl, CD, and digital formats. This timeless collection of subversive seasonal songs—originally released as a limited-edition cassette—captures the Duluth trio's signature minimalist beauty, blending haunting harmonies, sparse instrumentation, and wry takes on Christmas traditions.
Low—comprising Alan Sparhawk, Mimi Parker, and John Nichols—crafted Low Christmas as an antidote…
In the summer of 1976, a peculiar album appeared in Italian record shops bearing no artist name - only the cryptic moniker Elektriktus. The music posed a question that wouldn't be answered for decades: who had created this hybrid of jazz sensibility and kosmische synthesis? The answer was hiding in plain sight. Andrea Centazzo - recognized figure in European free improvisation who had shared stages with Steve Lacy, Evan Parker, and Derek Bailey - had been leading a double life between touring wi…
Akira Kosemura’s Polaroid Piano is a record that is very close to my heart. In fact, it is Akira’s work that was one of the drivers for Someone Good, one of the Room40 sibling labels, to be founded. Polaroid Piano marks the beginning of what would later become known as felt piano music, an approach to the piano which was picked up by numerous artists across subsequent years. It captures an essential and intimate rendering of the piano at close proximity, but it does more than that, it allows the…
Tip! Printed artwork on reverse-board inner & outer sleeves.Pressed on 180g Vinyl. Includes DL card. Razen is the collective consciousness of core members Brecht Ameel and Kim Delcour, who since 2010 have realized themselves through virtuoistic and highly expressive improvisations with lesser-heard instruments. Experimenting with repetition of tones through controlled breathing and phrasing, Razen arrive at a synesthetic playground of auditory textures and colorful imagery. The ensemble is ca…
"The title Looking for Consonance popped into my head one day as I began thinking about a name for this collection of music. This title immediately felt important, so I kept sitting with it. I thought I knew what consonance meant in music, but I also knew it carried other meanings—ones that extend well beyond sound. Webster’s Dictionary defines consonance as “the harmony or agreement of sounds produced simultaneously, resulting in a pleasing and stable auditory experience.” The word that stands …