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Black Truffle is thrilled to announce a second volume of unheard concert performances from legendary Pakistani kyhal singer Salamat Ali Khan, recorded at Berlin’s Neue Nationalgalerie as part of the MetaMusik festival in 1974. Like the first volume, the immaculate recording by Michael Hönig (of krautrock legends Agitation Free) captures Khan performing a single extended raag in the company of Shaukat Hussein Khan on tabla and Hussein Bux Khan on harmonium. In addition to his stunningly inventive…
The Great Liberation Through Hearing (1995) is scored for amplified, just-tuned string quartet and digitallytransformed human voice. Generated from a phonetic analysis of the names of Buddhist deities describedin The Tibetan Book of the Dead, the piece explores connections between Eastern mantric science andWestern linguistic structuralism. It brings together the compositional linguistics of Kenneth Gaburo andthe intonational theories of Harry Partch through two simultaneous mappings of the anal…
On Fantasy, Piero Umiliani resurfaces four decades late with a perfectly preserved final statement: a 1983 library dream where analog synths, light orchestration and soft rhythms drift between science‑fiction shimmer and easy‑listening warmth, closing his universe on a quietly visionary note.
*500 copies limited edition* After more than four years in the works, I am beyond elated to announce the release of ballastnvp067: The Hafler Trio: If Take, Then Take: Tricks, Half-Tricks & Real Phenomena (2 x CD, DVD, cards, and enamel pin in custom fabricated box). I originally released If Take, Then Take: Tricks, Half-Tricks & Real Phenomena in 2005 as a vinyl record, and it didn’t go off without a hitch or two. (In the end, I played almost every copy prior to sending it to a customer or dist…
Miya Masaoka's orchestra, recorded live in San Francisco in 1995 and 1997 with George Lewis, Vijay Iyer, Trevor Dunn and others: strings, Asian winds, shamisen, electronics and turntables under her whole-body conduction.
David Moss, John King and Otomo Yoshihide on the Victoriaville stage on 20 May 1994: voice, drums and electronics against electric guitars, turntables and sampler, in a fast, cut-up set between song fragments, noise and improvisation.
The Sun City Girls were unlike any band before them or that has come in their wake. Their catalog, their ethos, their *being* - you name it, with the Girls that “it” was singular and became legend. This singularity started early and extended to their release schedule and the means behind the same. While the band would prove to be wildly prolific throughout their existence, during their nascent days they quickly realized that they could not be contained by any sort of traditional label schedule. …
RCA Studios, 19 and 20 April 1971. Gil Scott-Heron's first studio album, with Brian Jackson on piano, Ron Carter, Hubert Laws, Bernard Purdie and Burt Jones, produced by Bob Thiele. The band version of The Revolution Will Not Be Televised, Lady Day and John Coltrane, Home Is Where the Hatred Is.
Space Afrika, the Manchester/Berlin-based duo of Joshua Tarelle Reid and Joshua Inyang, make raw, intensely detailed, visceral music with shades of ambient, trip-hop, techno, and modern classical, drawing spacious urban dubscapes from the contours of their city. 'Quiet Storm', the duo's highly anticipated follow-up to their 2021 LP on Dais Records, expands on its predecessor’s sound and scale in every direction as a sprawling, collaborative vision shaped with profound patience and intention. The…
Berlin, 30 August 1961, two Südwestfunk sessions: Eric Dolphy at 33, on his second European trip, with Benny Bailey, Pepsi Auer, George Joyner and Buster Smith. Hot House, Hi-Fly, God Bless the Child on bass clarinet, and Dolphy's own G.W. and 245. Unheard until Enja issued it in 1978. Christgau gave it an A.
Four CDs from Jon Rose's Rosenberg Museum, the decades-long project around the violin: homemade and hacked string instruments, true and invented violin stories, and 37 tracks from the museum now housed in central Australia.
Solo percussion album recorded in August 1980 by Masahiko Togashi, alone with drums, gongs, bells and hand percussion on a kit of his own design, reissued on LP with obi and liner notes in the Spin This Now! series.
Four years have passed since the release of Jon Collin's majestic Bridge Variations on Discreet Music, arguably one of the most defining and well-received releases on the label. Works is the first LP under the Early Music artist name - first the title of a 2015 solo LP, then a name for a label before being used for a couple of recent cassette releases - and was recorded in Stockholm over a nine-month period last year. The main instrumentation is again the keyed fiddle - a traditional Swedish fol…
Joe Henderson's quintet live at the Lighthouse in Hermosa Beach in 1970, with Woody Shaw, George Cables, Ron McClure, Tony Waters and Lenny White. Deluxe 3LP edition with five unreleased tracks and new liner notes.
*100 copies limited edition* A surprise archival LP collecting scattered recordings from across Juho Toivonen’s recent work. Following Kuun Sininen Rinki, Sekalaisia Äänityksiä brings together pieces previously released on small-run compilations, rare physical editions and limited formats to another limited release presented by New Zealand imprint What Lies Beneath.
Side A includes much loved “Peura”, originally released on the Kashual Plastik’s A Mistake By Mistakes compilation, “Kanava 5” fro…
Boards of Canada's 1996 Skam EP, the duo's first widely available release, back on vinyl for its 30th anniversary: six tracks including Turquoise Hexagon Sun and Everything You Do Is A Balloon, in a gatefold sleeve with four 12-inch prints.
Nat Birchall goes back to the source. Not Coltrane this time, but the record that led him to Coltrane in the first place.
In 1973 a schoolboy in Lancashire ordered a triple LP from his local record shop after reading about it in Black Music magazine. It was Grounation, by Count Ossie & The Mystic Revelation of Rastafari - hand drums, chanting, poetry, and the tenor saxophone of Cedric 'Im' Brooks, soulful and untamed, heard years before Birchall ever put on a John Coltrane record. When he finall…
Aaron Dilloway returns to Dais Records with 'No Skill Comedy Mind Reading', his first full-length album since 2017, a collection of characteristically jarring, absurdist material. Marked by his signature distortions and contortions — feedback-shrouded found sounds, field recordings, and vocal improvisations — 'No Skill' collects nearly a decade of select solo work and feels distinctly in the present, a scattered product of volatility, both harsh and humorous. Few contemporary experimental artist…
Lost 1977 electronic score by Soft Machine's Mike Ratledge, crafted with enigmatic Denys Irving on modified Moog/ARP synthesizers delivering ten hypnotic sequences of minimalist repetition. Transferred from BFI archives after master tapes vanished, this new 300-copy reissue follows the long out-of-print 2016 edition. Essential Riddles Of The Sphinx finally unearthed.
*300 copies limited edition* "Silver Tendril" like his recent work, it focuses on the nuances of the sound's "physicality." The intensity of the '90s returns in a refined form, withadded nuance and subtlety. Where "Pulse Demon" emphasized that raw directness (which alreadyforeshadowed the Harsh Noise Wall), "Silver Tendril" develops rhythmic structures within whichsonic chaos suddenly erupts. This is not TNB-style chaos, but rather a gradual breakdown, a perverse shift from structure to chaos.