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*200 copies limited edition* "Nusa" is the last part of a trilogy started in 2020 with Masao Yamamoto and Akira Uchida. A project that began with light (“Sasanami”, 2020), moved through darkness (“Kurayami”, 2023), and returned to the ambivalence of the two (“Nusa”, 2026), which ultimately sustain and complement one another in all their variations and complementarities. Both in terms of tones and in the humanity that runs through us in these times of such stark contrast. For this last part of th…
Vienna FLAMMeS, or: The noise of these post-jazz improvisers resounds from paradise. According to a widespread cliché, improvisation in jazz is supposed to help promote the free play of the imagination. It was the Viennese flugelhorn player Franz Koglmann who vehemently contradicted the image of the naively self-actualizing jazz musician. As a composer of cerebral “cool” pieces, whose melancholy sprang from a razor-sharp analysis of his own means of expression, Koglmann was the most qualified pe…
Kosuke Mine’s electric album, with a strong rock and funk flavor, is set for reissue as part of "Spin This Now!" Vol. 9. This classic album shines with the outstanding combination of Mine’s saxophone with a wah-wah pedal and Mikio Masuda’s psychedelic keyboards.
Label Introduction: East Wind was a groundbreaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and Nippon Phonogram, as it was then known. Over a period of about five years, the label pr…
Ali O’May and Frazer Brown met in early 2018 at an Electronic Music Open Mic in Edinburgh and quickly discovered a shared musical sensibility. Ali later gave Frazer a USB of stems from his extensive modular system; over summer and autumn 2019 Frazer used about a dozen of those stems to shape tracks across techno, lo‑fi, breaks, acid house and ambient. This collaborative process—Ali supplying raw modular material and Frazer instinctively arranging and producing it—became the Dohnavúr method, driv…
Deluxe LP housed in tip-on jacket with gloss film laminate photo mounted on cover and printed inner sleeve. With each release and performance over the last ten years, saxophonist Makoto Kawashima has continued to stake his claim as one of today’s most captivating improvisers. Zoe is Kawashima’s first ever studio album and his second with Black Editions. Recorded at Tokyo’s storied GOK Sound, the album is one of the most beautiful and stark renderings of his voice to date. Over two side long excu…
Makoto Kawashima was born in Saitama, a prefecture of the Greater Tokyo Area, in 1981. He picked up the alto sax in 2008, and started playing solo in 2010. He is the founder of the Homosacer (Sacredhuman) label. Homo Sacer was originally released in 2015. It was Kawashima's second solo release and his first full-length album. It was also the final release by P.S.F. Records. The album was recorded live during a heavy rainstorm at the gallery and café Yamanekoken in Iruma, Saitama. Facing up towar…
Available for the first time since its original release in 1980, this is compelling, funky, exploratory jazz from Melbourne, Australia. The album opens with the floating Song For Bobby, a downtempo gem with the heartbeat aura of Herbie Hancock’s Butterfly; Orchestral Excerpts (From The Symphony Of Life), In The Basement and City Of Stone are high-grade fusion jams with one eye on Weather Report and Return to Forever, the other on the organic Australian sound of Alan Lee and John Sangster.
The al…
Bogotá based Tropical futurists Rizomagic unveil their interplanetary mission to combine futurist technology with cosmic patterns, traditional rhythms and the woozy manipulations of pitched-down Cumbia Rebajada. Rizomagic are Edgar Marún and Diego Manrique, who met in 2020 while studying double bass and composition (respectively) at university in their hometown of Bogota. After finding a shared musical taste, they started producing music together during the first lockdown, swiftly producing and …
Recorded at Munich’s Muffathalle twenty years ago, in September 2004, this previously-unreleased concert recording of the Tomasz Stanko Quartet is a fascinating document, capturing a developmental chapter in the music between the song forms of the Suspended Night repertoire and the improvised areas that the Polish musicians would explore on Lontano. The Munich show was a highlight in a year in which the Stanko Quartet played a record number of gigs, with extensive tours of the US and Europe. T…
Audion 87 arrives like a lovingly overstuffed mixtape passed between devotees, its 44 A4 pages packed with rabbit holes for anyone who still hears “progressive” as a verb, not a museum tag. At its core sit two major anchor features. The first is a deep excavation of choice German label classics, taking April and Schneeball as portals into a republic of small imprints, marginal bands and radical self‑organisation. Rather than recycling the usual Krautrock canon, the piece digs into catalogue corn…
On Blue Lake, Don Cherry dissolves borders in real time: a transcendent 1971 Paris trio set with Johnny Dyani and Okay Temiz, now restored by Charly and BYG, where flute, bass and percussion spiral through Native American echoes, Far‑Eastern tonalities and two sprawling, ecstatic journeys past the twenty‑five‑minute mark.
Two real cinematic gemstones one 45. A companion single to the beloved 2x10“ vinyl compilation series The Tape Masters that keeps unearthing rare groove treasures and unreleased recordings from the vaults of film music extraordinaire Peter Thomas. Exclusive on this single and for the first time on vinyl ever is the rare German language version of „Black Power“, sung by a certain Donna Gaines. Later of course known as Donna Summer, the tune is her first recording as a solo artist at just 20 years…
On Anthem for Peace, Alan Braufman leads a razor‑sharp quartet through compact, hook‑rich tunes that braid spiritual jazz, buoyant post‑bop and modal, Eastern‑tinged themes into a forward‑moving set that feels both steeped in history and fully present tense.
*300 copies limited edition* Following 'The Sympathy Portal' LP, released earlier this year, 'The Neon Weeps Tonight' was similarly recorded during lockdown and released as a very limited CDr in early 2022 before its being mooted for this slightly edited reissue. This time comprising six compositions, it begins proceedings with Edward in a typically reflective mood that sometimes feels barbed as much as steeped in a yearning for times lost as melodic yet sombre keys assume a haunted quality befo…
Barre Phillips was the first musician to record an album of solo double bass, back in 1968, and he has always been an absolute master of the solo idiom. In March 2017, Barre recorded what he says will be his last solo album, the final chapter of his “Journal Violone”: it is a beautiful and moving musical statement. All the qualities we associate with Barre’s playing are here in abundance – questing adventurousness, melodic invention, textural richness, developmental logic, and deep soulfulness…
Morton Feldman’s New Directions in Music 2 is one of the true cornerstones of modern classical music. Originally released in 1959, the album captures Feldman at the very beginning of his radical journey into sound, space and silence, developing the sparse, floating language that would go on to influence generations of experimental composers and ambient musicians alike. With cover artwork by abstract painter Philip Guston and clear parallels to the chance-based ideas of John Cage, the record perf…
Where The River Goes carries the story forward from Wolfgang Muthspiel’s highly-acclaimed Rising Grace recording of 2016, reuniting the Austrian guitarist with Brad Mehldau, Ambrose Akinmusire and Larry Grenadier, heavy talents all, and bringing in the great Eric Harland on drums. Much more than an “all-star” gathering, the group plays as an ensemble with its own distinct identity, evident both in the interpretation of Muthspiel’s pieces and in the collective playing. The album, recorded at Stu…
On Panorama Vol. 2, Various Artists from the golden age of French cinema and library studios resurface in 11 lush, long‑buried cues, all moody strings, flanged funk drums and prowling basslines wrapped in a deluxe archival edition.
* Remastered repress. Comes with printed inner sleeve. * For thirty years this music existed only on Swedish radio tapes. Then it surfaced, and the missing years came into focus. Stockholm & Göteborg collects previously unreleased Henry Cow concert recordings made by Sveriges Radio, captured in Gothenburg in May 1976 and Stockholm in May 1977, with one piece from Hamburg in March 1976. Originally released in 2008 as the sixth volume of the 40th Anniversary box and offered as a standalone album, …
Originally released in 1980 and long regarded as one of the most avant‑garde statements of its era, Hansten Klork captures Metabolist at the intersection of post‑punk restlessness and uncompromising experimentalism. The album’s stark textures, motoric rhythms, and hypnotic minimalism reveal a band equally indebted to kraut‑rock repetition, post‑industrial atmospheres, and the austere clarity of minimalism—creating a distinct, unsettling sound that still sounds contemporary today.
This reissue re…