Best sellers
Dimensione Violenza
Quartet Records, in collaboration with Cinevox, presents the premiere CD edition of the cult score composed by Daniele Patucchi (Los Amigos, Eutanasia D’un Amore, Pane E Cioccolata) for the obscure mondo-slasher shockumentary Dimensione Violenza (1985), directed by Mario Morra, about death, destruction and weird customs around the world.
During the 1980s, mondo movies were given a new lease on life by the emerging VHS market which allowed filmmakers to be even more gruesome. Although mondo movie…
Cuspa Llullu
Second collaboration between Anla Courtis and Daniel Menche, recorded across Portland and Buenos Aires. Two side-long pieces traverse a kaleidoscopic sound labyrinth: Side A moves through metallic, multi-layered corridors in constant mutation, Side B opens outdoors and gradually visits a sequence of interior regions toward a final climax. The sound material is treated as living, vibrating matter rather than inert sample, a study in frequency-as-organism on the drone-noise threshold.
Savana Selvaggia
Savana Selvaggia collects two previously unreleased tracks by Giuliano Sorgini, highlighting one of the most visionary and experimental aspects of his library music: from an imagined African landscape through atmospheric melodies and analogue electronics ("I misteri del mondo"), to a mystical sound world where African and Middle Eastern influences merge with futuristic electronic textures and Krautrock-inspired rhythms (“Arabian Synthesizer”).
Crafted in his own Cat & Fox Studio in Rome, these …
Everyman
Sorry For Laughing is a project by Gordon H. Whitlow who is also a member of legendary US avantgarde collective Biota, formerly Mnemonists or Mnemonist Orchestra. Their music is a mixture of modern classical, experimental sounds, noise, industrial, avangarde, songwriting and free jazz. In 1986 Gordon H. Whitlow released a cassette under the name Sorry For Laughing: "The compositions stem from my beginning days with the avant-garde recording ensemble Biota, shortly after completion of the Bellowi…
When I sing, I slip into the microphone. Into that void, I bring comrade "prayers", then, turning to face the outside, together we explode
Like on the early solo Haino album that shares the group’s name (released on P.S.F. in 1993), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric…
The Thing = ザ・シング
Limited vinyl reissue of the 1978 direct-to-disc classic. Isao Suzuki on piccolo bass with Ron Carter, Hank Jones, Roy Haynes, and strings arranged by Masahiko Satoh. A summit of Japanese and American jazz from Tokyo's golden age of audiophile recording, with obi and liner notes.
Two Lonely Space Pilots
There's a moment, early in Two Lonely Space Pilots, when time seems to stop. Not pause - stop. The saxophone sustains a note that hovers somewhere between breath and pure tone, while scattered percussion marks territory in the emptiness like footprints on an unexplored planet. This isn't background music. This is Hekura - a Barcelona-based duo who've spent years learning how to make silence speak and stillness move. Ernest Pipó and Edu Pons met during their jazz studies at Taller de Músics in Ba…
Behold And See
It was legendary record producer Alan Lorber that came up with the concept of "The Bosstown Sound" -- "The Sound Heard 'Round The World" to market and promote the best and brightest of the Bean Town sixties psychedelic scene. (Boston's key groups at the time included Orpheus, Beacon Street Union, Ultimate Spinach, Chamaeleon Church and others). The Ultimate Spinach, arguably the finest of them all, produced magnificent examples of surreal psychedelic record-making, now prized by crate-diggers an…
Die Dritte Ebene
On Die Dritte Ebene, Emilio Gordoa and Sven‑Åke Johansson let vibraphone, drums and accordion run in seemingly parallel lines until a mysterious “third layer” appears - a ghost‑music of overtones, pulse and texture that neither player could summon alone.
Electrip
* Edition with 68-page (!) booklet * Electrip was released in 1969, the same year as the Amon Düül II's Phallus Dei and CAN's Monster Movie, which makes Electrip one of the very first albums to fall within the genre of Krautrock. The band successfully draw from an incredibly diverse list of contemporaries to create their astonishing sound. Album opener "Electric Fun Fair" and it's successor "Pop Games" are heavily jazz inspired, and bring to mind some not so subtle Miles Davis influences as well…
Mystic Siva
Formed in 1967 in Detroit, the band Mystic Siva consisted of four teenagers - none older than fifteen - who released a single self-titled album, recorded in a single day in 1970 at the band's self-managed V.O. Studios. The lineup consisted of Dave Mascarin on drums, lead vocals, the original composer, and creator of the album cover; Al Tozzi on guitar, who co-wrote five of the eleven tracks with Mascarin; Marc Heckert on B-3, organ, and vocals; Art Thienel on bass and vocals.
Stella Kola
Originally self-released in 2023, Stella Kola, the debut album from Beverly Ketch (Jow Jow, Weeping Bong Band) and Robert Thomas (Sunburned Hand of the Man, Dalthom), now returns in a renewed edition - bringing wider attention to a record that already felt like a quietly essential artifact from the moment it first appeared.Given the pair’s respective roots - and the presence of collaborators drawn from across the Northeast experimental underground - one might expect “a brutal blast of acid swirl…
Le Monde Inverse: 2026 Remaster
*100 copies limited edition* Ivan the Tolerable proudly announces the release of Le Monde Inverse: 2026 Remaster, a definitive sonic reissue that revitalizes his acclaimed album with enhanced clarity, renewed dynamics and subtle reinterpretations preserving the original spirit while offering fresh detail for modern listening.
Originally released to critical praise for its atmospheric textures and introspective songwriting, Le Monde Inverse is reimagined here through a meticulous remastering proc…
Silence and Secrecy
Zos Kia’s music is an essential insight and archival piece into the early work of the industrial scene and particularly of Coil in their formative stages. Their recordings are even darker and more industrial-rooted than much of the Coil material that followed. The music is primal, brutal and reveals the interests that surrounded Coil/Zos Kia and the early years of Thee Temple ov Psychic Youth (TOPY) / Psychic TV...
John Gosling was an original member of Zos Kia (as Joan D'Arc), alongside John …
Âmes Bleues
Without premeditation nor haste, Omertà re-emerges with its third album, Âmes Bleues (Blue Souls), gracefully deepening its own unique furrow, between lyrically rich songs and singular harmonic explorations. After ambling through the Corsican air currents and immersing itself in smoke, Omertà continues to unfold its geographical and sensory music, seemingly finding its reach in the suspension inherent in the subtle tension it produces.
The group expands its sonic palette with soothing and psyche…
The Hands of Grace
Touching homebuilt compositions from celebrated American novelist, playwright and poet Ishmael Reed, channelling a long life immersed in jazz culture. A joint in-house production from ANF and NYC-based label Reading Group.
You’re never too old to learn something new. Reed credits bebop with keeping him and his friends out of reform school because they were too busy listening to records at each other’s houses to get into trouble. Finding fame as a distinguished writer, he found his way back to…
Silver Music
For close to a decade the sound of Italian cinema and television ran through four musicians from Rome. I Marc 4 were the rhythm section the country's leading composers reached for first, and between sessions they cut a long run of library albums under their own name. The scarcest corner of that catalogue sits on two companion imprints, Silver Music and Silver Men, issued in 1976 and seldom seen since. This new edition draws the strongest material from both onto a single LP, in the original milit…
Return of Dark Sorcery
*250 copies limited edition* The latest album from one of our absolute favorite current artists - Warlock Corpse. Hailing from the wastelands of central Asia, Труп Колдуна has been churning out high quality raw dungeon keller black metal synth for a few years now, but "Return of Dark Sorcery" feels like he has really hit his stride and is firing on all cylinders. Imagine perhaps taking the raw black metal sensibilities of Old Nick, the melodies of Quest Master, and the grit of Putrid Marsh and t…
Just A Million Dreams
2026 Stock. Alan Vega, born Alan Bermowitz in Brooklyn, had spent the 1970s as one half of Suicide, the New York duo whose drum-machine menace unsettled audiences a decade before anyone thought to call it synth-punk. By the mid-1980s he had set out, against every expectation, to chase the mainstream: Saturn Strip (1983) took him to Elektra under the wing of Ric Ocasek of The Cars, a long-standing Suicide champion, and Just A Million Dreams followed in 1985, again produced by Ocasek with Chris Lo…
Chaos Is a Law
On Chaos Is A Law, Bob Bellerue treats feedback and rupture as a kind of secular mysticism. Macrotonal drones, rasping noise and inharmonic vortices surge, implode and re-form, turning piano wires, metal and amplifiers into a single, volatile organism where chaos becomes both method and mantra.