Best sellers
A Body of Water
On A Body of Water, Kaloja - the duo of Jan Anderzén and Paul Wilson - summon a strangely pastoral, hyper‑alive electronic ecosystem. Psychedelic synthesis, physical modelling and impressionistic sound‑painting converge into abstract figures that ripple through an unstable yet welcoming landscape, like sentient currents moving beneath a calm surface.
Sky View
The scent of fresh greenery rising into the air. A youthful Hidefumi Toki weaves a vivid and beautiful story through a one-horn quartet. Making his professional debut while still in high school, Hidefumi Toki went on to perform with groups led by New Herd, Isao Suzuki, Terumasa Hino, Ryo Kawasaki, and Fumio Itabashi. From the late 1970s onward, he also collaborated with Ryuichi Sakamoto and Tatsuro Yamashita, contributing broadly to Japan’s music scene across jazz, fusion, and pop.This album, re…
Tiga Trombone
Habibi Funk’s new sister label Audible Beauty Records debut release: A landmark collection retelling the untold story of Malaysian jazz featuring 11 songs from the legendary composer, arranger and pianist Alfonso Soliano, originally recorded for Radio Television Malaysia (RTM) and only released in a run of a few dozen copies for radio broadcast. Widely regarded as one of the foundational figures of Malaysian music, Soliano blended jazz, Latin influences and traditional Malay musical forms into a…
Live in Arles 1975 (2LP)
Seventh entry in the essential Can live series, and one of the great ones. A hot August night in 1975, the Roman Théâtre Antique in Arles, the core four locked in: Irmin Schmidt, Michael Karoli, Jaki Liebezeit and Holger Czukay. No safety net, just the band stretching out in real time.
For decades this concert lived only in the stories of the people who were there, the recording buried in the Spoon Records vaults. Unearthed at last for its first ever release, with sleeve notes drawn from first-h…
V.I.R.U.S.
Tip! Noton releases the Limited Edition CD Box Set of Alva Noto & Ryuichi Sakamoto’s V.I.R.U.S. Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S. series in 2002. After more than a decade from the release of the collection’s final installment with Summvs in 2011, Noton reissued all the five albums between May and November 2022.
With its impressionistic atmosphere, in this collaborative project two genera…
Thank You, Guitar
In the ongoing battle between technical virtuosity and authentic expression, most guitar "shredders" have chosen the wrong side - trafficking in overwrought drama while remaining devoid of soul, viewing music as competitive sport rather than spiritual exploration. Enter Cyrus Pireh, whose latest Palilalia release Thank You, Guitar represents nothing less than a revolutionary approach to "transcendental shred electric guitar music" that upcycles the despised 32nd-note neck sprint into something g…
Celebrating Fred Anderson
On Celebrating Fred Anderson, Roscoe Mitchell honors a fellow Chicago giant with a live quartet that turns remembrance into motion, weaving Fred’s themes and Mitchell’s originals into long, tensile arcs of chant, swing and open-form ritual.
interius/exterius
*Limited edition of 300 copies.* A striking new addition to the evolving catalog of Berlin-based composer Catherine Lamb, 'interius/exterius' is a long-form chamber nonet developed through a sustained dialogue with the musicians of New York’s Ghost Ensemble. Scored for flute, oboe, accordion, viola, cello, four- and five-string contrabasses, harp, and hammered dulcimer, the work investigates how collective intentions or focal points allow various and sometimes unusual sonic pathways to emerge in…
Rip, Rig & Panic
Featuring Roland Kirk, Elvin Jones, Jaki Byard, and Richard Davis. This incredible line-up strengthens 'Rip, Rig and Panic' as another indispensable Roland Kirk album.
Motor Tapes
Closing the achingly long four years wait since her last full-length, the American composer/percussionist Sarah Hennies returns with “Motor Tapes”, her second release with New World Records. Comprising three astounding new pieces, made in collaboration with three acclaimed ensembles - ensemble 0, Talea Ensemble, and Ensemble Dedalus - that simultaneously encounter her moving into new uncharted territory, while remaining rooted in her singular practice, exploring musical, sociopolitical, and psyc…
Bonnie Dobson
Bonnie Dobson’s self-titled 1969 album is a striking blend of folk-pop and psychedelic nuances, marking a move beyond the traditional acoustic style that made her famous in the early 1960s. The album’s mood is often reflective and melancholic, balancing pastoral beauty with darker themes of change, loss, and uncertainty. One of the hidden gems of the album is track B4 “Pendant Que” by the celebrated Quebec songwriter Gilles Vigneault, which stands out since it is sung in French and reflects Dobs…
Hélas
On Hélas, Neoboris’s boy‑and‑girl duo turns late‑90s Bordeaux and Pau into a neon scrapbook: punk directness, wave romance, rave afterglow and variété hooks tangled in 15 songs that mourn and celebrate a love that refused to apologise.
Naldjorlak
Saltern presents a thrilling new live recording of Naldjorlak for solo cello, composer Éliane Radigue’s first piece for an acoustic instrument, paired with a remastered version of the long out-of-print, original 2006 recording. Composed in 2005 in close collaboration with cellist Charles Curtis, Naldjorlak marked a striking shift in the music of Radigue, who has since composed exclusively for instrumentalists with her celebrated Occam series. This album brings together two complete performances …
Joao Gilberto
*2026 repress* Joao Gilberto's self titled third album, is the fruit of the collaboration between Gilberto and the great composer and arranger Antonio Carlos Jobim and Walter Wanderley and his ensemble. This is one of the greatest pieces of work in the field of Brazilian music. Gilberto's delicate singing moves on top of extremely subtle, elegant orchestral arrangements of various songs from the classic repertoire, "Samba da Minha Terra" and "Saudade da Bahia" (Dorival Caymmi), "O Barquinho" (Ro…
Go On
*2026 stock* Drummer George Otsuka was a fixture of the Tokyo jazz club scene from the sixties onwards, leading a series of working bands that earned a reputation for tight ensemble playing and consistently high temperature. 'Go On', one of the early releases on Three Blind Mice, captures the quintet at the moment when its hard bop foundation was beginning to stretch into something more searching: there's still plenty of swing, but the modal frames and freer improvising of the surrounding scene …
Il Ras del Quartiere
On Il ras del quartiere, Goblin reroute their horror‑prog DNA into neon‑lit funk and sleek electronics, rescuing a cult 1983 Vanzina film from VHS purgatory with a newly remixed, visually lavish edition that finally gives these four pieces their own stage.
Peace And Love - Wadadasow
Michael George Henry (aka Ras Michael and, for this lone release, Dadawah) was born in 1943 in Saint Mary Parish, in northeastern Jamaica. Henry was raised in a Rastafari community when the religious movement was still in its infancy and marginalized within Jamaica. It was there that he began performing Nyahbinghi, the Rastafarian devotional music that combines the influences of African drumming and Black gospel. Henry found himself in Kingston in the late 1950s where he worked for Coxsone Dodd …
Future Present Past
Future Present Past is the second Impulse! Records album by the free jazz collective Irreversible Entanglements. The album was largely recorded at the historic Van Gelder Studio and showcases how the quintet fuses atmospheric jazz, world music traditions, and spoken word with the story of our collective existence: a future full of possibilities, a present with all its uncertainties, and a past as a source of ancestral wisdom.
Irreversible Entanglements, formed in Brooklyn in 2015, consists of p…
Mômo
The album Mômo comprises a collection of Adam de la Cour’s concert pieces – more specifically, his most important solo keyboard-based compositions. De la Cour draws his inspiration from languages where abrupt tonal shifts and grotesque exaggeration are simply how things function. His influences come as much from psychotronic cinema, rubber-mask practical effects, vaudeville, genre tropes, and forms of satire as from contemporary classical music. De la Cour shares a particularly close artistic pa…
The Pavilion of Dreams
2025 repress. For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfac…