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In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. These two performances are from Mica Levi and London Sinfonietta.
Mica Levi was born in Guildford and classically trained …
Final work in a trilogy (Sketches, Drawings, Paintings) marking Philipp Bückle's return to music after closing his Teamforest project. Recorded in 2014 across Copenhagen and Dortmund, the album combines a visually organic sensibility with experimental composition, the titles functioning as discrete sound paintings spanning warm September evenings, rainy days, a seascape, a wedding. Mastered for vinyl by Stephan Mathieu. Ambient drone abstraction grounded in figurative diaristic detail.
Following the success of the CD reissue in early 2025, a limited edition LP of this classic compilation album originally released by Gary Mundy's renowned Broken Flag imprint in 1987 follows in March/April 2026. Remastered by Puppy38, this also features two bonus tracks not included on the original (and long o/p) LP but only previously found on the even rarer cassette and now included here as a bonus 7". A timely reminder of this fantastic archive document full of boundary-pushing artists mostly…
In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. The second performance is with David Toop.David Toop is a composer/musician, author and curator based in London who has w…
"The shock and awe that Bitches Brew produced within and without the jazz world on its release in March 1970 was largely unexpected, the result of the music’s uncompromising power and what many felt to be its perplexing, eccentric sound and structure. In retrospect, we know how Miles’ unconventional studio methodology and Teo Macero’s subsequent compositional editing of the voluminous taped material innovated the remarkable finished product. But what has only marginally been discussed is the ext…
*100 copies limited edition* Compelling new collaborative works from longtime musical colleagues going back to the early 2000s in Austin with The Weird Weeds. These deftly paced pieces enhance the artist's now highly evolved and nuanced sonic palettes, venturing thoughtfully into warm and hypnotic sound fields merging two very unique approaches to abstract guitar Sedimental’s connection with these artists is long running, having released the final Weird Weeds album in 2012 that featured both Rus…
First part of a new Duplant trilogy, after the pessimistic Élégie du temps présent / Sombres Miroirs / Insondables Humeurs cycle. The music remains imbued with mysticism and deep melancholy but turns toward a more luminous, hopeful register. The organ remains omnipresent, structuring the long tonal arcs, while electronic and natural sounds are admitted in a discreet but important counterpoint - a meditation in Duplant's Cage-Bachelard-Radigue lineage on memory and slow contemplation.
Dino Valente (1968) is the first and sole solo album by American singer‑songwriter Chester (Chet) William Powers Jr., widely known as Dino Valenti or Valente and celebrated as a founder and early leader of Quicksilver Messenger Service. Blending rock, folk and country with psychedelic undertones, the record pairs introspective, evocative lyrics with the quintessential West Coast sound of the era. Though it was largely overlooked upon its original release, the album has since been embraced as a c…
Two masked creatures from Saguenay, Quebec, who communicate only in guttural alien grunts, have managed to become the most talked-about band on the planet - and the funniest part is that nobody can explain exactly why. Maybe because Angine De Poitrine - Khn de Poitrine on a custom-built double-neck microtonal guitar/bass with loop pedals, Klek de Poitrine on drums and percussion - are simply too good to ignore. Behind the papier-mâché masks, the polka-dot costumes and the pyramid hand signs lies…
Tip! »Inferno« retains its characteristic melodies and atmospheres, drawing on the esoteric influences of »Societas X Tape« (the BoC 2019 NTS mix for Warp Records’ 30th anniversary) as well as the dark atmosphere of »Tomorrow’s Harvest«, which is further intensified by the increased use of spoken-word recordings. The first BoC album in thirteen years has a running time of seventy minutes.
At last, in stock now!! Urban Sax's third LP was recorded in 1982 & 1985, and released in 1985 on Celluloid, and it is an absolute diamond - sharing Julian Cope words "Everything starts with this massive (and I mean it...we're basically talking about something the size of an orchestra here) wash of sound, like something dropped wholesale out of the trippier parts of Ligeti's material in the "2001" soundtrack. Then we get swept into the primal repetition of a simple motif...very Magma-like, save …
Edition of 500. Widely regarded as one of the essential entries in the vast Muslimgauze catalogue, Mullah Said returns once more via Staalplaat in a third edition vinyl pressing and a reworked digipack CD edition of 400 copies - both featuring updated artwork with additional gold printing. Originally issued in 1998 as the eighteenth installment in Staalplaat's Muslimgauze subscription series, Mullah Said represents Bryn Jones at the height of his powers. Engineered by John Delf at his Abraham Mo…
*100 copies limited edition* Flung is proud to present Devet by Manja Ristić: A sonic tracing of cosmologies, thresholds, and elemental memory, centred around the symbolism of the number nine as a marker of completion, passage, and spiritual architecture. Crafted from environmental sound, improvisational sequences, and site-specific interventions, the collection unfolds as a sonic storytelling of nature’s bold framing of our existence.
The integration of ancestral knowledge systems, ecological w…
This 2LP bundle includes the two latest Formalibera albums: John Tchicai "Wigmore Hall 1968", and John Tchicai, Peter Kowald "John Tchicai Quintet, John Tchicai Peter Kowald Duo".John Tchicai "Wigmore Hall 1968" (LP)* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert.* John Tchicai (1936-2012) was one of the most visionary free jazz saxophonists of the 20th century - a rare artist whose voice stood apart even among giants. Born in Copenhagen…
On Anthem for Peace, Alan Braufman leads a razor‑sharp quartet through compact, hook‑rich tunes that braid spiritual jazz, buoyant post‑bop and modal, Eastern‑tinged themes into a forward‑moving set that feels both steeped in history and fully present tense.
Earthball are an avant/noise/rock wrecking ball of a band from Nanaimo, Canada. Rooted in total improvisation, free expression, and a deeply psychedelic sensibility, EarthBall operate on pure instinct. They hurtle onwards in a combustion of spontaneous composition, shooting from the hip, as they fall out of the sky ablaze. The group encompass Isabel Ford (vocals, bass), John Brennan (drums, percussion), Jeremy Van Wyke (vocals, guitar, trumpet), Kellan Maclaughlin (guitar, talkbox), and Liam Mur…
2025 Small Repress. Incredible 14xCD lavish box set, a 16+ hour compendium of the electronic music key works from one of the most important electronic composers of the 20th century complete with a 106 page book. Born between wars, Eliane Radigue’s musical journey began in the Paris studios of musique concrète OGs Pierre Schaeffer and Pierre Henry during the 1950s and 60s, experimenting with magnetic tapes, honing her craft in sound construction. But it wasn’t until the 1970s when Eliane moved to…
A four-movement work probing the reciprocal interference of sound and space. The source material is reduced to elementary sonic primitives - sine waves, white noise - then physically degraded through tape manipulation to generate pulses, beats and emergent waveforms. From this collision between idealised digital signal and the analogue artefacts of magnetic media, van den Broek builds a heightened spatial perception where pure tone and altered source act on the listening field simultaneously.
Conal arrived in 1981 on the Norwegian independent Uniton Records, in a run of 4,000 copies, at a point when Conrad Schnitzler was long past being a German secret. The founding member of Kluster and a brief early presence in Tangerine Dream had spent the 1970s building a body of work largely outside the record industry, issuing a torrent of self-released cassettes and LPs whose titles almost all open with the syllable Con, completed by a second that points somewhere. By the start of the 1980s th…
The protagonists of this album embrace the complexity, diversity, and innovative power of a musical tradition that, in this case, seeks dialogue with other languages, opening itself up to innovative music. On one side, we find the prepared Sardinian guitar, an alien instrument that has fascinated music critics from Europe and overseas; on the other, the guttural singing of the Tenore Murales, an expression of one of the most ancient polyvocalities in the Mediterranean, with similarities to Tuva …