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In 'Albion's Eco-eerie: TV and Movies of the Haunted Generations' Phil Smith takes us through a selection of weird films and TV shows and uncovers a wholly unexpected ecological and political message. Unlike most approaches to folk horror or hauntology, we are interested here in an alternative reading; one that attends to the unhuman characters, the materials and the edgeland spaces. A hobgoblinology.
"'Albion's Eco-eerie' is a fantastic exploration into culture’s obsession with ‘the other’. Dis…
Between 1920 and 1933, the American poet Ezra Pound composed two complete operas and several pieces for solo violin, all in a very personal language that drew from sources as diverse as troubadour music and Igor Stravinsky. The resulting body of music is of surpassing beauty and casts new light on the practice of prosody, the elusive craft of setting texts to music. The first and only available CD recording of its kind, Ego Scriptor Cantilenae features outstanding historical performances from En…
Ambient Library Music for Woodwind and Synthesiser. A 9 track album inspired by a birthday card Greg's 4 year old son Leo drew for his mum earlier this year. This album is an aural delight of unusual sounds. Kind of like a mix of Satoshi & Makoto, Hiroshi Yoshimura, Hiroki Kikuta and the Karl Jenkins and Mike Ratledge soundtrack to 80's children's Television show 'Button Moon'.
The Kármán Line is the threshold - the precise altitude at which the Earth's atmosphere ends and open space begins. Outer Worlds Jazz Ensemble understood the metaphor immediately. This is music made at that exact boundary: grounded in groove and breath, but pulling steadily toward something without ceiling.
The story begins in Tokyo. Neil Innes - bassist, producer, the animating force behind ATA Records and its consistently remarkable Leeds-centred roster - and woodwind voice Chip Wickham were n…
* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert. * John Tchicai (1936 – 2012) was one of the most important free improvising saxophonists of the 20th Century: an artist of rare vision and aptitude whose lines soared and stood out even in the most hallowed company, and whose body of work as a leader / composer is among the most singular and distinct within the entire canon of that music. But Tchicai’s importance doesn’t end there. Born in…
Ten arrangements, dialogues, compositions. Direct, diverse, dating you quietly, never naming the act. They arrive on tape, twisted sided. Shaped by Belgian drummer and sonic wanderer Karen Willems. A mover between scenes. Breaker of frames. Restless in sound. She likes to step into that space, where you can push, strike, remain in motion. Where curiosity earns its name by never staying the same. “Fancy cannot cheat” is title for her latest beat. There is ambient breath. There is classic stretche…
Composed and recorded during tough times in 2025. Using compressed air, percussion instruments, piano and samples, Alessandro Brivio explores varied and extreme approaches to sound processing, diffusion, recording and re-composition, as a tribute to a lost friend.
Building on the back of a pretty stunning series of releases over the last year and beyond, Vinyl on Demand returns with one of their most ambitious outings yet, Los Angeles Free Music Society's "-1974~1983+", a stunning, deluxe 13LP box set - issued in a limited edition of 500 copies - of early material that has never before been issued on vinyl, from one of the most important outfits in underground, experimental music from the American west.
CAM Sugar is proud to announce the definitive release of the original soundtrack composed by Ennio Morricone for Il clan dei siciliani (The Sicilian Clan) by Henri Verneuil (1969), one of the most celebrated European noir films of the late 1960s, starring Jean Gabin, Alain Delon, and Lino Ventura.
Expansive and ambitious, Tender Revolutions is the latest from Vietnam-born, Portland-based multimedia artist Dao Strom. A fluid album, existing between genres—part ambient folk, part sound collage, part spoken word, part post rock—it blurs the line between the work of an experimental composer and the work of an accomplished singer-songwriter. Instruments slip in and out (guitar, piano, synthesizer, strings, drums, percussion) amid field recordings and samples, all anchored by Strom’s singular v…
In 1961 John Coltrane joined the newly founded Impulse! label. The great saxophonist was coming off several impactful albums (Giant Steps) and a very notable — even commercial — success: that My Favorite Things which had made his soprano sax one of the “new sounds” that marked a turning year for jazz, the fateful 1959. Some people — despite obvious clues to the contrary — speculated a turn, if not toward commerciality, at least toward more palatable music: a Coltrane in some ways comparable to P…
On geschrieben in wasser., Klaus Lang pares the piano quartet down to a faintly breathing organism, letting soft, slowly shifting harmonies hover at the edge of audibility like something written on water just before it disappears.
On Balladyna, Tomasz Stanko leads Tomasz Szukalski, Dave Holland and Edward Vesala through seven originals that weld lyrical, Slavic melancholy to volcanic free‑jazz undercurrents, forging a 1970s European classic that still feels startlingly alive.
Vladislav Delay, primarily known as a highly regarded electronic music innovator, steps ahead with his acoustic jazz quintet. Echoing the forward-looking vd musical vision always ahead of the curve, the new album does not fit into any specific category, forging a path of its own across the 10 tracks. Recorded at Candybomber Studio in Berlin, the album brings vd together with Maria Bertel, Lucio Capece, Derek Shirley and Max Loderbauer. This is shape-shifting, elastic music that exists left of an…
This project is a dynamic exploration of songwriting from an instrumentalist’s perspective. Rather than following a fixed path, it fluctuates—drifting between the sonic possibilities of instrumental textures, timbral exploration, and sound processing. These elements give rise to evolving patterns: from abstract soundscapes to clear, repetitive melodies and canons. The music weaves together experimental, improvised, contemporary influences mixing with avant- pop creating a collage of shifting moo…
Italian edition. "Music 109" prende il nome dall'aula della Wesleyan University dove Alvin Lucier ha insegnato per oltre quarant'anni. Il libro nasce da quelle lezioni, e ne conserva il tono: quello di un compositore che ti siede accanto e ti spiega, pezzo per pezzo, come funzionano le musiche più radicali del secondo Novecento americano. Nessun gergo accademico. Nessuna distanza critica. Solo la voce di qualcuno che c'era - che ha conosciuto John Cage, suonato con Robert Ashley, condiviso il pa…
* Black vinyl in gatefold sleeve, inners + printed inner sleeve * my bloody valentine, the quartet of Bilinda Butcher, Kevin Shields, Deb Googe and Colm Ó Cíosóig, are widely revered as one of the most ground-breaking and influential groups of the past forty years. During an era in which guitar bands denoted, at best, a retro-classicism, not only did my bloody valentine sound unlike any of their contemporaries, the band achieved the rare feat of sounding like the future. The second my bloody va…
On Vol.3, Heimito Künst abandons drift for brutal repetition, channeling Thomas Bernhard and 19th‑century auditory therapy into a krautrock‑acid vortex where Moog, Mellotron and pounding drum machines turn obsessive sonic loops into a deeply psychedelic, physically overwhelming ritual.
On Before There Was Sound, Roscoe Mitchell’s 1965 quartet with Fred Berry, Malachi Favors and Alvin Fielder captures the AACM language in embryo: sharp themes, free rhythm and a restless sense of form already pushing past hard‑bop borders.
Specially priced bundle drawn from the catalog of Nimbus West, the American label widely regarded as the greatest single depository of West Coast avant-garde jazz. With the label's future uncertain and no represses planned, this is a final opportunity to explore one of the most vital and visionary corners of recorded jazz before it disappears from circulation for good. The bundle also includes The Tapscott Sessions Vol. 8, a touching tribute to Adele Sebastian and one of the most beautiful entri…