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On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel widescreen.
With Ruba al prossimo tuo, Ennio Morricone conjures a monothematic soundtrack dazzling in orchestral nuance. Written for Francesco Maselli’s 1968 thriller, Morricone fuses sultry atmospherics, rhythmic intrigue, and shimmering melody, crafting a score that subverts and deepens the film’s playful duplicities.
2025 Stock. A true exploration in spiritual jazz that follows A transcendental journey that takes in meditative musical mantras, sprawling tenor sax improvisation and mesmeric percussion, the new album by Work Money Death (the group that backed ATA artist Tony Burkill on his 2017 debut record of the same name) seeks to reinterpret the sound of artists such as Pharoah Sanders & Alice Coltrane over two tracks: the brooding tension of A-Side “Dusk” and the sanguine & uplifting “Dawn” on the B-Side.…
Paulownia by Merzbow is a 2025 full-length statement comprising two lengthy compositions that fuse intense electronic manipulation with Merzbow’s enduring fascination for natural phenomena. Across both pieces, the album merges organic inspiration and harsh digital process, producing a hypnotic yet confrontational experience.
Sunset and Forever finds Cindytalk once again stepping into the faultline between collapse and renewal, extending a project that has always treated the band itself as sculptural material to be broken apart and reformed. From the earliest days of Camouflage Heart and In This World, Cinder’s vision fused post‑punk dissonance, industrial dirge, and abject rock deconstruction with a strangely luminous vocal presence – the same voice that threaded through early This Mortal Coil and Cocteau Twins reco…
Tip! *200 copies limited edition* The Stratégies Obliques series continues with two previously unreleased tracks. Still based on the principle of randomly drawn cards invented by Brian Eno and Peter Schmidt.
Originally issued in 1970 within the third suite of LPs comprising Deutsche Grammophon's Avant-Garde series, the French composer and electroacoustic pioneer Luc Ferrari's Presque Rien No.1 / Société II stands among the most important and groundbreaking albums issued within the canon of 20th Century avant-garde and experimental music. Containing two radically distinct works, Presque Rien No.1 (1967-1970) and Société II (1967), it doubles as a near perfect illumination of the incredible range of c…
Composed by legendary library guitarist and founding member of I Gres, Silvano Chimenti, and accompanied by his orchestra, "Disco Music" is an essential release of the Usignolo catalog and probably one of the most sought after titles of the series. This album displays a broad range of styles masterfully blended together by Chimenti, going from disco-funky bangers "Happy California" and "Autostrade Americane" that lead way to the more dramatic and suspenseful vibes of "Society Problem" and "Trage…
The title was not what Christian Vander wanted. The original plan was Magma 2, grey cover, the band's logo, first in a series conceived around the classical elements. It was Philips and producer Roland Hilda who imposed the name that stuck, drawing a literal inference from the band's name, and who commissioned the erupting volcano for the cover. Hilda is credited as producer; his actual contribution to the record, as Vander later acknowledged, stopped more or less there. What is pressed into the…
In an age when mental landscapes have become as urgent as physical ones, Sounds From The Screen presents a rediscovered treasure from the golden era of Italian library music: Alessandro Alessandroni's haunting 1975 masterwork "Angoscia." Originally released by Octopus, a label devoted to thematic libraries, "Angoscia" stands as one of Alessandroni's most psychologically penetrating works. Here, the composer native of Lazio demonstrates his unparalleled ability to transform abstract emotional sta…
*2026 repress* Recorded on February 28, 1971, at the Henie Onstad Art Centre in Høvikodden, Norway, this remarkable document captures Soft Machine at the height of their creative powers—performing two continuous sets that blur the boundaries between composition and improvisation.
On this evening, the British avant-garde ensemble unleashed an unbroken flow of sound—dynamic, exploratory, and charged with the band’s signature blend of jazz, rock, and experimental electronics. All instruments—exce…
On High Tide, Eddie Suzuki and his New Hawaii band fold psych shimmer, island melody and 70s pop craft into a quietly visionary song cycle - a warm, Hammond‑lit portrait of “now Hawaii” that feels both homemade and gently cosmic.
Tip! Art of Primitive Sound is a sensational journey to the origin of Music. In his crucial research chapter on the Paleolithic, between 1986 and 1991 Walter Maioli investigated the soundscape of different geographical, climatic and botanical environments, in which the mystery of the ancient human-nature relationship resides. What emerges is an expanded and unprecedented Paleorganology, with a range of acoustic and natural instruments from all over the World. Rubbing of fossils, animal artefacts…
** Hand numbered edition of 250 ** There is a profound resonance between the practices of Nam June Paik and Park Jiha - separated by generations yet united by a shared impulse to dissolve boundaries between Korean tradition and contemporary expression. Paik, the pioneer of video art, wove shamanic ritual and Buddhist philosophy into the fabric of technological media; Park Jiha channels ancient instrumental voices through the sensibility of experimental minimalism. Both artists inhabit a liminal …
Perennials is the latest full-length from Toronto-based anthéne (aka Brad Deschamps), who builds transportive, beautifully detailed sonic worlds using only a guitar, sampler, and modest cache of pedals. Here, his refined treatments, manipulations, and experimentations blend seamlessly with an innate sense of harmonic layering to create an impression of seasonal cycles and their relationship to the human experience at scale. “winter chords” opens with slow serenity and a faint suggestion of hiber…
Big tip!!! Firework Edition Records is proud to announce the release of a new 7-CD box documenting Lars-Gunnar Bodin's (1935-2021) musical and artistic output during the years 1960-1987. Apart from more than 8 hours of electroacoustic music and text-sound compositions, the box also features extensive documentary visual material, along with essays by Jesper Olsson, Sanne Krogh Groth, Leo Nilsson, Åke Parmerud, Svante Bodin, Charlotta Bodin och Axel Bodin.
It is hard to give a picture of such a m…
200 numbered copies, with handmade and buffered cover. Contains a A4 insert. Experimental trio Los Pélieu Lovers announce the release of Bruits de l'Ombre, a groundbreaking album that pays tribute to French beat poet Claude Pélieu through innovative sound collage and cut-up techniques. The project emerged from Tom Val, Maximilien Douche, and Magali Genuite reading Pélieu's poetry aloud while music played in the room, inspiring them to create something beyond traditional music and poetry readings…
** 2021 Stock ** Centifuga Records presents Melt, the first LP from Nicolai Kaas Claesson's Melt Quartet. 70's Free Jazz style, inspired by Ahmad Jahmal, Keith Jarrett, Sun Ra etc. Nicolai Kaas Claesson‘s quartet generates some serious intensity with the most casual delivery. It’s free jazz that’s laid back and cool, and yet hits like a right cross thrown by a pro. It’s got an old-school feel that brings out the nostalgia for the avant-garde 70s, when that particular phase of jazz’s evolution …
Unearth the new issue of Ritual zine – an exploration of folk horror, the Gothic and the weird in film and television. Issue no. 2 hums with strange powers and arcane rites, folkloric detours and uncanny delights. Expect megalithic secrets with Adam Scovell, Rabbit Trap with Bryn Chainey, occult crime with Rupert Russell – plus doomed highwaymen and ghostly 1980s approaches to literacy education.
In an era where artistic boundaries blur and collapse, Tarek Atoui's practice stands as a radical reimagining of what music can be. His instruments don't simply make sound—they become sculptural entities that breathe, vibrate, and speak in languages that transcend traditional musical vocabulary. Now, coinciding with his major exhibitions across Europe, the Lebanese artist releases MONO LOGS, a groundbreaking three-LP set that documents these extraordinary instruments in conversation with some of…