Best sellers
The Academy In Peril
John Cale was never very kind to his solo debut, Vintage Violence. When it was released in early 1970, Cale had been out of The Velvet Underground for less than two years. He wanted to prove he could be the songwriter, the person penning the words and melodies behind which a band could work. “I was masked on Vintage Violence,” he wrote much later. “You’re not really seeing the personality.” Indeed, Cale’s personality as a polyglot seemingly interested in everything emerged more and more on his n…
Paris 1919
** Remastered from the Original Tapes. Deluxe Edition Reissue Sanctioned by John Cale Himself. Includes Previously Unreleased Outtakes & a Brand-New Recording** John Cale was never very kind to his solo debut, Vintage Violence. When it was released in early 1970, Cale had been out of The Velvet Underground for less than two years. He wanted to prove he could be the songwriter, the person penning the words and melodies behind which a band could work. “I was masked on Vintage Violence,” he wrote m…
Slow Dazzle
Following on quickly from Fear, and capitalizing on that album's energy Slow Dazzle is another fiery release by Velvet Underground founder John Cale.
This reissue faithfully replicates the original 1975 Island Records UK release and is pressed onto high quality 180 gram vinyl. Released in March 1975, initially, the album offers a false sense of mellow security: "Mr Wilson", a tribute to Brian, the leader of Cale's beloved Beach Boys starts the album on a much sweeter note than "Fear Is A Man's B…
Backside
** 2026 Stock ** 300 copies in Dark Crystal vinyl. The enigmatic sound architects of Nurse With Wound return with Backside, a haunting new studio album that bridges four decades of underground sonic archaeology. Released through Rotorelief in an exquisite limited edition pressing, this latest opus represents Steven Stapleton and Andrew Liles at their most revelatory, breathing new life into fragments of the long-lost Bladder Flask sessions from circa 1980. The paths of Nurse With Wound and Richa…
Do What You Fear Most: The History of the Velvet Underground
Few groups have exerted an influence so out of proportion to their commercial fortunes as The Velvet Underground. Formed in New York in 1965, the band sold modestly across four studio albums and had effectively dissolved by the end of the decade, yet the sound it built - the drone, the controlled noise, the plain-spoken songs about subjects pop had left untouched - became one of the foundations on which the next half-century of rock was laid.
Music for Real Airports (Box set 2)
Music for Real Airports is a multimedia art project by musicians the Black Dog and interactive artists Human which is presented in art galleries. It is also a new CD of music by the Black Dog. It is a response to the reality of occupying the semi-public space of an airport, and a contemporary reply to Brian Eno’s work from the ‘70s. Airports are important and revealing. They are dystopian microcosms of a possible future society. The necessity of safety requires that they be systems of human cont…
Alina
*2024 stock. Deluxe packaging* There have been other recordings of "Für Alina" and "Spiegel im Spiegel" but none like those on this disc, realized with the participation of the composer. Here Pärt, aided by exceptional interpreters, revisits those seminally important compositions which marked the birth of a new, "prismatic" period in his work, establishing a link between compositions embodying the fundamental traits of the "tintinnabuli style." Three interpretations of the duet ‘Spiegel im Spieg…
Reliques de Roses
*300 copies limited edition* Reliques de Roses, musical tandem formed by two household names of the European underground: Laure Boer (Edition d’Art, Arbore...) and Tom Val (Orion Music Workshop, HWYUIOD...). Bridging the Berlin-Paris experimental connection, the duo brings us a collection of nostalgia-tainted songs, noisy improvisations and synth-led talk-over songs. A fragile Art-Folk with industrial touches strongly reminiscent of Vox Populi!, Throbbing Gristle, and in more recent times, DIY h…
Paysages Planétaires
Paysages Planétaires on Alga Marghen may be the great unrecognized masterpiece of ethno-electroacoustic music, a 3CD box that arrived in 2004 with almost no fanfare and has waited two decades for ears ready to hear it. Henri Pousseur and Michel Butor, collaborators across forty years and more than twenty works, here achieve something that resonates uncannily with Jon Hassell and Brian Eno's "Fourth World" concept. Yet Pousseur, the serialist pioneer who worked alongside Karlheinz Stockhausen and…
Goodbye Monsters
*300 copies limited edition* Roberto Musci, born in Milan in 1956, studied guitar, music and electronic instruments. From 1974 to 1985 he traveled the world studying African, Indian, Arab and Oriental music recording ethnic music “in the field,” studying and collecting ethnic musical instruments from all parts of the world. His self-produced debut album, “The Loa of Music,” is a seminal work of staggering originality and extraordinary beauty in which field recordings, musique concrète, electroni…
Healsgebedda Budgerigar
On Healsgebedda Budgerigar, Nurse With Wound turn memory itself into a delirious tape loop: three long, sample‑swollen excursions where pet chatter, phantom TV themes and street detritus melt into a woozy, psychedelic netherworld of half‑remembered sound.
Introspection
Brazilian guitar music has a way of folding the whole century into a single instrument, and few players carried more of it in their hands than Luiz Bonfá. Most listeners know him through the songs he wrote for Orfeu Negro, the ones that helped carry bossa nova out of Rio and across the world. Introspection, cut for RCA in 1972, is the quieter counterweight to that fame: eight original pieces for solo guitar, recorded at a moment when Bonfá had stopped chasing the hit and turned inward.
Archives Box 1983-2005
A spellbinding five-CD box set documenting the entire enigmatic production of one of the missing links in experimental electronic and prototypical industrial music: Anne Gillis. From her groundbreaking 1983 Devil's Picnic release through her 2005 installations and exhibitions, this comprehensive collection unveils the hidden world of a visionary French composer whose work anticipated much of what would follow in electroacoustic composition and sound art.
Since the early 1980s, Manon Anne Gillis …
Colofon & Compendium 1991-1994
Telephone terrorism tactics and voyeuristic ambience from the Scanner archive 1991-1994. Exclusive unreleased material. An eavesdropper's delight. "In the summer of 2010, I worked through my extensive archive of DAT tapes, cassettes and mini-discs, which had accumulated since 1977, and with the help of my ever-capable and patient interns, began the process of digitizing these materials. The result -- over 600 hours of largely unreleased material -- was overwhelming to say the least, and …
Foliage
Foliage is a long-form graphic music score by Elliott Sharp, consisting of eighty risograph prints offered as abstract instructions open to any number of realisations by any instrumentalist or ensemble. Sharp works in the lineage of post-1945 graphic notation but with a contemporary twist: the score was produced by routing his own conventionally written music through graphics editing software, distorting, layering, inverting and blurring it until notation explodes into retinal artwork.
Zouvneree
Harsh noise at full saturation from Incapacitants, the duo of Toshiji Mikawa (Hijokaidan) and Fumio Kosakai. No melody, no rhythm, no let-up, only a dense and strangely psychedelic block of electronics pushed toward ecstatic overload. One of the defining names in Japanese noise, on Alchemy.
Halfway to a Threeway
It seems like it was only a few months ago that Jim O’Rourke changed everything with the release of the incredible Eureka. And if you actually think that, then by George, you’re the Rip van Winkle of 90s rock! It hasn’t even been a few months since Jim’s twin comebacks The Visitor and Simple Songs, his most recent albums in the mold of his classic “pop music” trilogy of Bad Timing, Eureka, and Insignificance. Those two are thirteen and seven years behind us already! O’Rourke freak or not, if you…
New Music - New Poetry
A seamless blend of the avant jazz of David Murray (sax) and Steve McCall (drums) with the powerful prose and cadence of Amiri Baraka! This first ever reissue of poet and social/political activist Amiri Baraka’s electric live 1982 beat poetry reading is newly remastered and includes a zine-style poetry insert and liner notes by David Murray!
“The poetry I want to write is oral by tradition, mass aimed as its fundamental functional motive. Black poetry, in its mainstream, is oracular, sermonic, …
at Studio Pelto
Over the past decade Helsinki has quietly become one of Europe's busiest cities for young jazz players, and few labels have done more to document that activity than Jazzaggression. Uusi Jazzi Klubi - the loose collective that bills itself as the city's underground jazz club - return with their second album, recorded across two days in the spring of 2024 at the label's own Pelto Studio. Nothing here was written in advance. Drummer Aleksi Tanhuala gathered the players, set the tape rolling, and le…
Reference: Bix Beiderbecke With The Wolverines, Sioux City Six, His Rhythm Jugglers & Frank Trumbauer 1924 to 1928
Books have been written, recordings analyzed, colleagues questioned, and nevertheless Bix Beiderbecke remains as much an enigma today, ninety-five years after his death, as he was to friends and fellow musicians during his all-too-brief, personally and professionally erratic odyssey through the 1920s. The body of work he left behind both reveals and conceals crucial aspects of his creative reality and unfulfilled potential, while innovating a subtle, eloquent manner of expression that would sugg…