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Tip! *Japan import with Obi Strip* Hiromasa Suzuki is a legendary composer and arranger, and a key player who has been active in the Japanese music world, including jazz as well as movies, television and commercials. In the late ‘60s and mid-’70s, he was deeply involved in the works of Terumasa Hino, Akira Ishikawa and Jiro Inagaki in their most radical times. The album “High-Flying,” recorded in 1976, showed his innovativeness, which was always one step ahead of the times. This is an essential …
Netherlands-based artists Tomo Katsurada (Ex-Kikagaku Moyo / Future Days Radio) and Jonny Nash (Melody As Truth) combine forces for an exploration into the sonic potential of the guitar duo, rooted in their experiences performing together over the last 12 months. Friends and admirers of each other’s work for a decade, their musical collaboration began in 2024 with Katsurada asking Nash to contribute guitar to his debut EP ‘Dream Of The Egg’. Sensing the need to explore this further, they spent t…
2025 repress; originally released in 1999. Twenty-six years after its initial release, Jim O'Rourke's Eureka remains one of experimental music's most beautifully contradictory statements - an album that somehow manages to be utterly devoid of anything resembling conventional pop music while simultaneously being magnificent in scale, pleasant to listen to, catchy, and even reminiscent of records you might have heard on The Casey Kasem Show. Now, Drag City presents a 2025 repress of this essential…
Stephen Thrower is a British musician, composer and author. In 1984 he appeared as a guest on the first Coil album, Scatology, then joined the group until his departure in 1992, contributing to seven Coil albums in total. Between 1999 and 2015 he worked as Cyclobe, a duo formed with his partner Ossian Brown (also a former Coil member). Cyclobe released four albums – Luminous Darkness, The Visitors, Wounded Galaxies Tap At The Window and Sulphur-Tarot-Garden – on their own record label Phantomcod…
First studio meeting between two figures long circling each other in the Dutch experimental scene. The structure is itself a kind of mirror: Spiegeling is Machinefabriek's remix of Orphax's De Eerste Dag, Reflectie is Orphax's twenty-minute remix of Machinefabriek's 2007 piece Stofstuk, and the title track is the only fully joint composition. Long-form drone built through indirect dialogue, with each signature still audible but inflected by the other.
Mini album, CD, self released by Machinefabriek, November 20, 2015. 200 copies. The Dutch word 'deining' (pronounced 'dining') translates to 'heave' and also 'commotion'. For 'Deining', I asked violinist Anne Bakker to bow each string of her instrument while sliding slowly from the lowest note to the highest, for exactly five minutes, as fluently as possible. Obviously, it turned out nearly impossible to do this really smoothly, but the unavoidable irregularities are a welcomed bonus. Anne also…
Film director Chris Teerink asked me to make the soundtrack for a documentary he would be making about American artist Sol LeWitt. This was in 2009. Chris and I agreed that the music and the images should both be equally important in his film. We didn't want the score to overpower the images, but neither did we want it to become solely background 'muzak'. I searched for a certain openness in the sound, while at the same time keeping a directness to it. Musical references for me were the piano pi…
Prolific collaborator Rutger Zuydervelt (Machinefabriek) marks another notch on his laptop in this improvised live recording with One Man Nation aka Marc Chia. Their fifteen minute performance was captured at the Bimhuis, Amsterdam, December 8, 2011, for ethnomusically-minded gathering, The Future Sounds of Folk, and manifests a minimal sound sculpture of clicks and pops ballasted by quaking bass and free-roaming electro-acoustic diffusions. Machinefabriek's own remix, done after the moment, red…
L'Oriole is the meeting point between violinist and composer Clara Lévy and sound artist Stéphane Clor. Combining violin, violoncello piccolo and a unique orchestra of resonators and transducers, the duo explores birdsong, resonance and the transformative power of sound. Acoustic instruments are projected into cymbals, drum skins, aluminium cans and other resonant objects, creating rich layers of colour, texture and spatial depth. Inspired by the work of Olivier Messiaen and his fascination with…
"The story of each re-release begins with the original. In the late 90s, Uwe Zahn (Arovane), along with Robert Henke (Monolake) and Stefan Betke (Pole), began releasing music on Torsten Pröfrock’s (Dynamo) newly launched DIN label. This was a very inconspicuous undertaking, but fans of the flourishing IDM, glitch, and constantly evolving abstract techno genres quickly picked up on the quality of sound coming out of Germany. After a few successful EPs, Zahn began working on his debut full-length,…
The landmark that redefined the ECM trumpet album: Nils Petter Molvaer fuses Nordic trumpet with ambient, dub, electronics and drum'n'bass. A manifesto for future jazz; cinematic and groundbreaking.
In Cosmic Music, Andy Beta traces Alice Coltrane’s journey from Detroit church pews to avant‑garde bandstands and ashram altars, revealing a visionary composer, bandleader and spiritual teacher whose work radically reshaped the possibilities of Black American music.
On Kantamoinen, Mika Vainio under his Ø alias tilts his brutal minimalism toward memory: sparse, physical electronics wrapped in a more romantic, concrete atmosphere haunted by childhood summers at his grandmother’s house in Artjärvi.
Beat Records Company Publishing Group in collaboration with Universal Music Publishing Ricordi and Emi Music Publishing is proud to present the complete edition of the 60th anniversary of the original motion picture soundtrack of the second movie of The Dollars Trilogy, For a Few Dollars More, featuring the score by Ennio Morricone. One of the most waited scores by the Maestro fans, and from Sergio Leone’s cinema and music lovers, a project that finally is born thanks to the finding of the score…
On Fire in Orbit, Hill Collective sharpen their Brighton‑born spiritual jazz into its most expansive form yet: loose‑limbed, witty and rough‑edged, but guided by a collective instinct that lets every groove breathe and slowly catch fire.
How do we listen when we know the human is absent? Neue Deutsche Kunst present a collection of music created for their own films, from Bubblegum Pop (literally - the first track is about Kaugummi), Dada Chanson, sugary Psychedelia, Cartoon Prog, Fake Jazz - documenting a period of Unheimlichkeit in the technological development of humankind. The music was neither composed nor recorded, no soundwaves were moved, no microphones abused. Absurd lyrics speak of non-reality, LSD, violence and revoluti…
Big tip! Beyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, "Music for Solo Performer", was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell C…
Magic Tuber Stringband probes the undercurrents of the landscapes around them. Highly skilled players and writers, the trio are leaders within the burgeoning avant composition world utilizing folk instrumentation. Their music appears to weave in and out of the fabric of their surroundings, reflecting their time spent living across the Southeast and studying its regional folk traditions and natural histories. The ensemble continues to stretch the parameters of acoustic instrumental expression wit…
The 1982 debut of Osaka's Hijokaidan, the self-styled King of Noise, here in a 40th anniversary edition. Compiled from 1981 live recordings of their notorious early shows, it is a primal document of noise's violent youth, predating the debut LPs of Sonic Youth and Swans. On Jojo Hiroshige's Alchemy.
Malenčyk / Lami is a double vinyl pairing unpublished archival recordings of Belarusian fiddler Stanisłaŭ Malenčyk with Italian sound artist Giovanni Lami's response to that archive.