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Jardim Elétrico (1971) is a vibrant and inventive entry in the Brazilian band Os Mutantes’ discography, marking the transition beyond the core Tropicália movement into a heavier, more experimental blend of psychedelic rock, Brazilian popular music, and early progressive influences. The album balances playful irreverence with darker, more electric textures, featuring distorted guitars, studio experimentation, layered vocal harmonies, and the charismatic interplay between Rita Lee, Arnaldo Baptist…
There's a story that gets to the heart of this record. Years ago, Keefe Jackson spent an evening with South African-Dutch legend Sean Bergin - the only time the two ever met. At some point Bergin told him: "Keefe, you remind me very much of my friend Ab Baars." Jackson replied that he'd heard this many times, that he'd even stopped wearing a certain hat to avoid the comparison. Bergin paused, then said: "These things happen." And so a band got its name - from a throwaway line that turned out to …
* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert. * Founded initially as the The Beckerlee Quartet sometime towards the late 1950s and early '60s, a time during which time they went through various lineup changes before morphing into The Contemporary Jazz Quartet, in 1962 they began playing the Vingaarden club in central Copenhagen as one of the earliest European adopters of the emerging movement of free jazz. It was there that they came …
Reduced Price, last copies ** 2024 Much-needed repress, Llimited edition of 150 copies, silkscreened covers and printed insert. ** A hazy, claustrophobic bridge between minimalism, drone, creative conceptualism, ambient music, and noise, we’re thrilled to offer the first ever vinyl reissue of Nord’s “Psycotron - 1” - one of the greatest and most sought-after holy grails of early Japanese Noise. Recorded by Hiroshi Oikawa only a handful of years before his complete disappearance and originally i…
The Outskirts came together as a working band during bassist Ingebrigt Håker Flaten’s three-year stint as a Chicagoan from 2005-2008. They played regularly at all of the working venues for improvised music in Chicago at that time, including The Hungry Brain, The Velvet Lounge, The Hideout, and Elastic. They even made a live recording in April 2009 that they were eager to release. But unfortunately, the multi-track audio files were lost in a hard drive mishap, leaving only a barely usable rough m…
2026 stock, reduced price ** Original Single Sided, Numbered **
The name comes from the French for "noise world" - Monde Bruits, the project of Shohei Iwasaki (岩崎昇平, 1962-2005), a figure whose significance to the entire architecture of Japanese noise exceeds what the relatively small scale of his recorded output might suggest. It was Iwasaki who organized Masami Akita's first Merzbow concert in Osaka - a founding act of the network that would, over the following years, connect Japanese noise to…
2026 stock, reduced price ** Original Single Sided, Numbered **
Nagoya produced a noise and improvisation scene that ran largely parallel to the Osaka-Tokyo axis - less documented, less exported, but no less intense. Dislocation was one of its legendary formations, a collective comprising Toyohiro Okazaki, Yoshimei Yanagawa, Keishi Kiyokawa, Fujio Kimura, and others, whose name appeared alongside Merzbow, C.C.C.C., Masonna, Monde Bruits, Solmania, Incapacitants, and Violent Onsen Geisha on the …
2026 stock, reduced price ** Original Single Sided, Numbered **
Among the more enigmatic entries in the Vanilla Records catalog - and one of the rarest. 藤圭子's ダーク・ポップ is a cassette about which almost nothing has been committed to public record, which is itself a kind of document: the extreme scarcity of information surrounding certain Vanilla releases is inseparable from the conditions under which the label operated, pressing in tiny numbered editions for an audience of a few hundred at most, …
2026 stock, reduced price ** Original Single Sided, Numbered **
Deisel Guitars was the name under which Youki Noseyama (能勢山陽生, born 1967) first operated - a duo formation that preceded his long solo career as Diesel Guitar and, later, under his own name. Materialism Rock, released on Vanilla Records in 1992, is one of the project's two cassettes from this period, followed by Atom in 1993, before Noseyama continued as a solo entity running the independent noise label Good Microphone.
The sound o…
Tip! Gagaku is the oldest of the Japanese performing arts, with a history more than a thousand years old. The term refers to Japanese classical music and dance, traditionally performed by families of musicians linked to the ancient Imperial court, and later passed down in Buddhist temple ceremonies and Shinto shrines. Shiba Sukeyasu, founder and director of the Reigakusha ensemble, descends from the Koma clan, whose origins date back to the end of the 10th century.
The recordings partly reflect …
Psyché II is the sophomore album from the Neapolitan band formed by Marcello Giannini, Paolo Petrella, Andrea De Fazio, and Roberto Porzio. While their debut was rooted in the myths of the Mediterranean, Psyché II pushes beyond those borders. Here, the sea is a living, vibrant route connecting shores and cultures—from North Africa to Brazil, from the Middle East to Colombia.
The Mediterranean becomes a crossroads of different peoples, traditions, and sounds: cosmic jazz, desert blues, dub, Anat…
*200 copies limited edition* The album was recorded in a small chapel of a monastery in the city center of Ghent. A chapel, by nature, is a place of contemplation and meditation, which inevitably influenced the music. Movements slow down, attention is sharpened and the overwhelming silence of the space becomes part of the music. Sound and silence are meticulously woven into each other. Even when the music grows at times dense and heavy, there is an ever-present sense of closeness and intimacy. T…
On Declension, Sissy Spacek’s core duo John Wiese and Ch. Mumma condense their most feral impulses into two mid‑2024 blowouts, erecting sheer walls of cascading electronics and scorched‑throat vocals that feel like being dropped into a collapsing star.
Moving Images is a collaborative album by composers Frank Maston and Greg Foat, and marks the inaugural release on Magic Hollow, the new imprint founded by Daniel O’Sullivan. Rooted firmly in the tradition of classic library music, the album draws from the deep, elegant end of the form: vintage keyboards, analogue synthesis, drum machines, and melodic economy, realised with clarity, warmth, and restraint.
Recorded in February 2025 at Ritmo Studios in Leysin, Switzerland, high in the Alps, Moving…
Tip! Printed artwork on reverse-board inner & outer sleeves.Pressed on 180g Vinyl. Includes DL card. Razen is the collective consciousness of core members Brecht Ameel and Kim Delcour, who since 2010 have realized themselves through virtuoistic and highly expressive improvisations with lesser-heard instruments. Experimenting with repetition of tones through controlled breathing and phrasing, Razen arrive at a synesthetic playground of auditory textures and colorful imagery. The ensemble is ca…
On Introduction, Shub Niggurath emerge fully formed from the demo underground: a pre‑Les Morts Vont Vite monolith where Zeuhl extremity, chamber‑avant rigor and Lovecraftian dread coalesce into slow, abyss‑gazing marches that feel like doom metal’s evil twin from another timeline.
Lau Nau (Laura Naukkarinen), Linda Fredriksson and Matti Bye enter the We Jazz Records realm as Kiri Ra! with their new album nen (out 22 May 2026). Kiri Ra! is a trio that creates their sound slowly, in a process of improvisation and discovery. Filtered through the musicians' long-standing friendship and collaboration, Kiri Ra!'s music is a testament to the joy of creation and invention. Their sound together draws from each of the the artists' work before, while creating new world of sound. The…
Akio Suzuki has always been an artist in search of unexpected sound, and curiosity has been his guiding principle. Whether that be curiosity for objects, spaces or places, his work has been guided by a porousness and pliability which has allowed him to explore an enormous sonic terrain. This freedom has also allowed him to develop a language in sound that remains utterly his own. Nowhere is this more evident than in his approach to instrument creation. During the 1970s Akio Suzuki devised a seri…
Limited to 1000 copies worldwide. Pressed on 180-gram heavyweight black vinyl with die-cut outer sleeve, full colour inner sleeve. Artwork by Ryoji Ikeda. Mastered by Noel Summerville. Manufactured at The Vinyl Factory, Hayes. One of the most uncompromising artists working at the intersection of sound, light and data, Ryoji Ikeda presents the sonic counterpart to his acclaimed installation data-cosm [n°1] - a 17-minute composition that distills the full spectrum of information on nature, from th…
Originally released in 1975. Remastered by Manuel Göttsching. Recorded July-August 1974, Inventions for Electric Guitar is Manuel Göttsching's first solo album, however it was released with the subtitle Ash Ra Temple VI technically making it the sixth and final album under the Ash Ra Temple name. Written and performed entirely by Göttsching on electric guitar, with a four-track TEAC A3340, Revox A77 for echoes, wah-wah pedal, volume pedal, Schaller Rotosound, and Hawaiian steel bar.
A seminal mi…