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Jefre Cantu-Ledesma returns with Gift Songs, a deep distillation of touchstones and influences drawn from the natural world and his spiritual practice. Enlisting a brilliant cast of collaborators, and blending a rich sonic palette of guitar, modular synthesizer, and acoustic instrumentation and arrangements, Cantu-Ledesma illuminates a profound sense of humanity and transcendent possibilities across a suite of five sublimely minimal compositions. Drawing its title from Cantu-Ledesma’s belief tha…
Raiser captures a 2013 Bronson session of Sissy Spacek—Phil Blankenship, Charlie Mumma, and John Wiese—in Los Angeles, channeling an intense fusion of harsh noise and noisecore. The album is a relentless, cathartic experience: shriek-laced blasts, searing electronics, and disintegrating metal fragments, all reassembled into monstrous, meticulously pieced sound collages. The result is sonic destruction made compositional, a full-spectrum assault that melts into jittery static and transformed debr…
Tentacle suggests oceanic creatures, reaching appendages, multiple simultaneous touches - apt imagery for Merzbow's newly expanded digital toolkit. Where analog equipment imposed physical limits on simultaneous operations, computers enabled unprecedented complexity. Tentacles reach in all directions at once, grasping multiple objects simultaneously.
This "1st Mix" preserves initial instincts before subsequent revision, documenting Akita's first responses to new capabilities. The cephalopod image…
The evocative title conjures resonant strings and seasonal renewal - unexpected associations for harsh noise, yet characteristic of Akita's poetic sensibility. The harp represents ethereal beauty and delicate tones; by invoking it in a noise context, Merzbow performs characteristic subversion, finding harshness in beauty and beauty in harshness.
The "Spring" element suggests rebirth, new beginnings - perhaps reflecting Akita's sense that the late 90s represented a transitional moment, the end of…
The "Tauro" albums contain outtakes from the 1998 masterpiece Tauromachine (Relapse/Release) and unused material from the same period - the "O" in the title standing for "Outtakes." While the 10CD box Merzmorphosis (Youth Inc., 2012) previously compiled much unreleased 1996-97 material, it excluded recordings related to 1930 and Tauromachine. This "Tauro" material appears here for the first time.
The equipment list reveals Akita's expanding palette: Moog Rogue, Theremin, Novation Bass Station, T…
Volume 2. Cat Of Shell was recorded in 1996 and originally intended for release under the same title, but remained unreleased until now. According to Akita's notes, the DAT master index lists both "Cat Of Shell" and "1930" - indicating these recordings relate to the celebrated 1930 album (Tzadik). The repetitive sounds playing in clever, ear-catching balance suggest techno influences, while cracked sounds reminiscent of metal pronunciation and tremendous sonic depth characterize the sessions.
At…
Cat Of Shell was recorded in 1996 and originally intended for release under the same title, but remained unreleased until now. According to Akita's notes, the DAT master index lists both "Cat Of Shell" and "1930" - indicating these recordings relate to the celebrated 1930 album (Tzadik). The repetitive sounds playing in clever, ear-catching balance suggest techno influences, while cracked sounds reminiscent of metal pronunciation and tremendous sonic depth characterize the sessions.
At the time,…
Phillo Jazz winks at improvisational traditions Akita has always both honored and subverted. Jazz's spontaneity finds its noise equivalent - though the relationship is more conceptual than sonic. Where jazz improvisation operates within harmonic frameworks, Merzbow improvisation occurs in texture and density, shape and duration.
The "Phillo" prefix remains mysterious - perhaps referencing philosophy, philology, or simply playing with sounds. These recordings demonstrate fluidity at its best: not…
The playful title suggests psychedelic blue - chromatic synesthesia rendered in noise. Akita has always been interested in the intersection of sound and color, titles throughout his catalog evoking visual qualities. These 1992 sessions capture Merzbow in experimental mode, the psychedelic reference connecting to traditions of consciousness expansion through intense sensory experience.
Blue carries particular associations: melancholy, depth, the infinite sky and sea. "Bluedelic" suggests psychede…
2007 release ** "Since the late '90s Sachiko M has been stirring up the improvised music scenes in Japan and the west--and gaining an enthusiastic following--with her unique sound, consisting entirely of sine waves. This is Sachiko M's first solo album since "Bar Sachiko" (Improvised Music from Japan, IMJ-517), released three and a half years ago. "Bar Sachiko" was a work made up exclusively of sustained sine wave tones. In contrast, "Salon de Sachiko" is comprised throughout of short, very thin…
*200 copies limited edition* Jun-Y Ciao (born in 1978 in Shanghai) is a musician whose main instruments are sax and clarinet. Having studied in Dusseldorf and Mainz, Germany, in the second half of the 2000s, he is currently based in Shanghai and Dusseldorf. He has numerous releases on Zhu Wenbo's cassette label Zoomin' Night. Beijing-based Zhu Wenbo is known both for his own performance activities and for running Zoomin' Night, which plans events and releases cassettes. A musician with many conn…
*2025 stock. 300 copies limited edition* Since the second half of the 1990s, Sachiko M has gained ardent fans while generating controversy with performances using test tone sine waves. In addition to her work as an improviser, she has been engaged in diverse activities including composing, publishing photo books, curating and directing festivals, and presenting sound installations inside and outside Japan.
Sachiko M performed at Ftarri on November 21, 2022, as part of the concert series celebrat…
** 2026 Stock ** If Laptop Noise looks forward into the blinding glare of the digital, Tapestry of Noise looks outward and backward, unspooling an expansive grid of analogue and hybrid recordings that show how Merzbow’s classic language was woven together in the first place. Slowdown’s 6CD expansion assembles long, previously scattered or hard‑to‑access works into a single, overwhelming fabric that moves from twitching tape‑loop delirium to fully seared harsh‑noise architectures.
Early discs re…
Medamaya-O extends late-90s documentation with 1997-1998 recordings. "Medamaya" evokes eye imagery (目玉屋) - the eye shop or eye house. Akita's engagement with visual perception themes runs throughout his work; despite creating purely sonic art, he frequently invokes seeing and looking. The eye watches, judges, reflects - and can be overwhelmed by excessive input.
These recordings capture Merzbow at the end of the analog era, before digital tools transformed everything. There's a tactile quality t…
The "Tauro" albums contain outtakes from the 1998 masterpiece Tauromachine (Relapse/Release) and unused material from the same period - the "O" in the title standing for "Outtakes." While the 10CD box Merzmorphosis (Youth Inc., 2012) previously compiled much unreleased 1996-97 material, it excluded recordings related to 1930 and Tauromachine. This "Tauro" material appears here for the first time.
The equipment list reveals Akita's expanding palette: Moog Rogue, Theremin, Novation Bass Station, T…
Deluxe reissue edition. Restoration and digital transfer from original analogue tapes.. The Ethnic Heritage Ensemble was founded in 1973 by percussionist Kahil El'Zabar and had a huge impact on jazz. They have put out several sublime and hotly in demand albums over the years since - the excellent Be Known: Ancient Future Music being one of them - and are rooted in free-jazz improvisations and inspired workouts.
Their second album Impressions came in 1982 and is now remastered and reissued for t…
Nearly four decades after the fact, the full story of Coil's aborted commission for Clive Barker's Hellraiser can finally be heard - and it is every bit as extraordinary as the legend suggested. The Unreleased Themes for Hellraiser [expanded ritual], released by Mental Groove Records / Musique Pour La Danse, is the definitive edition of one of experimental music's most mythologised what-ifs: a lost soundtrack now restored, expanded, and assembled into a coherent and deeply unsettling whole.
The …
A new CD of a live performance by these two talented improvisers. The interplay between them is, to use a cliche, telepathic. Whilst it's often difficult to figure out who is doing what, the gelling of the sounds is perfect, going from meditative to intense, smooth to harsh (but not abrasive). Improvisation at it's best - highly recommended! REVIEW by Frans de Waard, Vital Weekly : The biggest surprise here is not the music but the label. I would expect such fine talents in improvised music to f…
On Masao Yagi Plays Thelonious Monk (1960), Masao Yagi leads a sharp Tokyo quintet through an all‑Monk program, translating Thelonious’s craggy angles into a supple, swinging Japanese modern‑jazz dialect without smoothing away the music’s built‑in mischief.
*100 copies limited edition* We are repentlessly thrilled to bring you the first reissue of Tercer Milenio, probably the best hard rock/heavy prog album released in the prolific Argentina 70’s scene. This is a more mature and tighter effort compared to Orion’s Beethoven’s debut Superangel that places them in the spotlight of heavy prog/proto metal. The album’s opening blaster Amistades Desparejas establishes very clear expectations about what is to follow: a tapestry of scorching riffs and acid-…