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The 2nd volume of Ethiopian hit-parade. The hottest tracks of 1972. Original LP Reissue. The follow up to the highly acclaimed reissue of the first volume, Ethiopian Hit Parade. The track layout is identical to the original record released in 1972. "After releasing around fifty 45 rpm singles and his first 33 rpm album (Ethiopian Modern Instrumental Hits AELP 10, re-released by Heavenly Sweetness HS092VL), Amha Esthèté set about compiling his best 45s on a series of now legendary albums (the or…
In November 2017, something extraordinary happened in Shibuya. As Shuta Hasunuma began conjuring otherworldly sounds from a single Buchla Music Easel modular synthesizer, Keiji Haino—one of Japan's most uncompromising experimental voices—responded by singing "Kimigayo," the Japanese national anthem. What started as an unplanned encounter between two visionary musicians has now crystallized into U TA, an album that brilliantly captures the haunting and complex interplay of Haino's resonant …
Death Is Not The End reissue Mark Vernon's sought-after 2013 collection Sounds of a Modern Hospital on vinyl & cassette formats. Whilst every effort has been made to record the subject in as great a degree of isolation as possible, the sound recordings you will hear on this record were made in a real working hospital and not under controlled conditions. Therefore, on occasion, you may hear some unavoidable background noise, conversations and other extraneous sounds.
All recordings were made by M…
A note from Carlos... "I initially recorded all tracks in California between 2024 and 2025. The tracks were then sent to various locations around the world to each collaborator for completion, before returning to me in California for final touches. They were subsequently sent to Japan for mixing. Then, back to California, and then to Australia, where the final designs for the artwork were created. The final version was then multiplied and spread all over the world until it reached your ears, the…
** Special Time-Limited Offer ** Demon’s Dance (often mis‑typed in catalogues) captures Jackie McLean with a younger, firebreathing band: Woody Shaw on trumpet, LaMont Johnson at the piano, Scott Holt on bass, and Jack DeJohnette on drums. The tunes are packed with rhythmic snaps and melodic hooks, yet the improvisations regularly veer into more angular, exploratory territory. McLean’s alto tone is piercing and urgent, cutting through the ensemble with authority, while Shaw’s harmonically advanc…
*2025 European press* ‘Araya Lam’ marks the third album from The Paradise Bangkok Molam International Band. Following their releases ‘21st Century Molam’ and ‘Planet Lam’, the band delves even deeper into the roots of Isan music, collaborating with traditional musicians on vocals as well as instruments like the Pong-Lang, Pi, and Sor. Each element adds a fresh dimension to the band’s distinctive reinterpretation of Molam.
The album also sees the band expanding their sonic horizons — nodding to N…
Originally released as a small run cassette in 1987, only to fall into tape label obscurity, Robert Turmans industrial genre-bending masterpiece album Way Down finally has been excavated for a proper vinyl reissue after twenty-three years in the shadows. This album solidifies Turman as a cut above the rest with respect to his talent and his natural ear for experimental composition. Turman first came onto the industrial scene in the late 70s as the ominous other half of legendary noise outfit NON…
A panorama of Italian 1960-70's contemporary music for string quartet composed by Boris Porena, Bruno Canino, Azio Corghi, Aldo Clementi, Franco Donatoni, Umberto Rotondi and Marcello Panni, performed by the Quartetto Della Società Cameristica Italiana and released on the beautiful Italia label in 1978.
One hour of exquisite microcassette manipulation from a great friend of the label. A free flowing audio diary documenting daily routines and primitive audio experiments. Some of the best tape murk to be produced on danish soil for many years.
The long-awaited reissue of the sequel to Amiri Baraka’s seminal work, Blues People, and latest selection in the AkashiClassics Renegade Reprint Series. This collection of essays by Amiri Baraka/LeRoi Jones includes a new introduction by the author and Q&A by Calvin Reid.
“Baraka writes with the passion and lyricism that can only come from a jazz critic who is uncompromisingly invested in the social and aesthetic dimensions of the music.” ―WBGO (Newark Public Radio)
In 2007, Akashic Books ushere…
Mai Mai Mai’s artistic path has never rested on laurels, it’s been a constant evolution, a profound and poetic research, a dark and dusty journey through awareness and collaborations where the heart of the process has always been about building connections and understanding people and their rituals. Mai Mai Mai’s new album ‘Karakoz’ was mostly recorded in Palestine (Ramallah and Bethlehem) in 2024 during an ongoing genocide and follows his acclaimed Southern Gothic double-album ‘Rimorso’. The al…
Clifford Jordan was actually supposed to perform at Paradiso on September 10, 1969, but at that time the stage was facing problems and closed for a month. He diverts to VARA studio 7 in Hilversum with pianist Cees Slinger, bassist Ruud Jacobs, drummer Han Bennink and percussionist Steve Boston. Three of the four pieces Jordan puts on the lectern he recorded in early 1969 for the Strata-East label under the album title In the world.
Audion 86 arrives as a concentrated blast of deep listening culture, a 44-page A4 issue that treats the margins of rock, jazz and experimental sound as its natural centre. First published on 6 February 2025 in simultaneous printed and pdf editions, the magazine continues Audion’s long-running refusal to follow fashion, pursuing instead what its editors call “explorations in sound and music” - the points where history gets strange, regional scenes bloom in isolation, and aesthetics mutate far fro…
Lucciole is Silvia Tarozzi’s luminous follow-up to the intimate reflections of Mi specchio e rifletto and the deeply rooted folk dialogues of Canti di guerra, di lavoro e d’amore with Deborah Walker. Here, Tarozzi draws together voices, memories, and musical lineages to create an album where avant-garde composition, personal narrative, and collective resonance exchange freely. The album opens with a radiant brass ensemble—chosen for its popular, celebratory, spiritual sound—and closes with the P…
Big Tip! David Murray emerged in mid-1970s New York at a pivotal moment for jazz. As cultural shifts and urban decay created vacant buildings and low rents, aspiring artists converged on the city from Chicago, California, and St. Louis, drawing inspiration less from the mainstream than from the first thrusts of free jazz—John Coltrane, Cecil Taylor, Sun Ra, Albert Ayler. They established performance spaces in lofts and apartments, downtown storefronts, art galleries, and abandoned warehouses. Mu…
** 2026 Stock ** If Laptop Noise looks forward into the blinding glare of the digital, Tapestry of Noise looks outward and backward, unspooling an expansive grid of analogue and hybrid recordings that show how Merzbow’s classic language was woven together in the first place. Slowdown’s 6CD expansion assembles long, previously scattered or hard‑to‑access works into a single, overwhelming fabric that moves from twitching tape‑loop delirium to fully seared harsh‑noise architectures.
Early discs re…
Composed by Christina Vantzou between 2023 and 2025 after being commissioned by INA GRM, The Reintegration of the Ear defines listening as a radical, embodied act of attention: a slower kind of presence rooted in care, intimacy, and reflection.
There was no premeditated methodology in place when Swedish electronics manipulator Joachim Nordwall and American guitar mangler Aaron Turner decided to collaborate on an album together. Initial experiments involved Turner submitting improvised guitar compositions to Nordwall for dissection and reassembly. While these exercises yielded interesting returns, the project truly began to bloom when Nordwall pitched several beat-oriented tracks for Turner's perusal. Beginning from a place of structure…
Tip! Algol is a new electroacoustic trio formed by Christian Lillinger (Germany), Elias Stemeseder (Austria), and Camilo Ángeles (Peru). The project was born during a collaborative tour and recording sessions in early 2024, between Mexico City and Guadalajara, and has since expanded with performances across various cities in Europe and Latin America. Conceived as an open system of real-time sonic construction, Algol operates at the intersection of composition, improvisation, and electroacoustic …