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Leon Lowman is a California-based autodidact musician and painter who traces his interest in synthesizers to a specific moment: hearing ELP's Lucky Man in 1970. At the time he was working for various recording studios and sound companies in the state, and with his first paycheck he made a down payment on an ARP 2600 synthesizer and a Mediamix Joystick for pitch bending, equipment he still used at the time of this reissue. Everything he could spare after that went toward more gear. He wrote much …
Out Of Your Head Records announces the latest chapter in creative music: 'Half of What You See' by Wrens, a bold new contribution to the label’s tradition of boundary-pushing artistry and limited-run releases. Continuing their dedication to inventive sound and visual originality, Out Of Your Head Records—spanning Richmond and Brooklyn—invites listeners into a world where sonic textures and emotional immediacy collide.
'Half of What You See' showcases Wrens at the height of their powers, blending…
When Bass Communion was invited to appear at a Fourth Dimension/LTCo label event at Cafe OTO in May 2024, Steven Wilson (the man behind BC) agreed on the condition that his long-time friend and fellow traveller of music’s furthest reaches Frans de Waard could join him. Being acquainted with Frans’ work and having even released a couple of things by him ourselves over the years (on Fourth Dimension), we were more than happy with this idea.
However, when the pair met in London at Steven's studio t…
Tip! Alex Zhang Hungtai stands in stillness on 'Dras', but it's the kind of stillness that contains entire ranges of possibility. Recorded in 2019 inside Montreal's Saint Joseph Oratory (right before a piano demolition, no less), these nine pieces sat dormant on his hard drive through pandemic years until something finally clicked. What emerges now feels like watching someone trace the contours of their own interior landscape, each melodic line a careful negotiation with the unconscious. This is…
Hot Heros once again bring a raw jazz grit to the heart of Finnish folk. Their latest LP, Tähtisilmä, explores the compositions of the master fiddler Konsta Jylhä through a modern, improvisational lens. Deepened by the rich, mournful tones of cellist Juho Kanervo, the group reimagines these beloved songs alongside a new original composition by bassist Ville Rauhala. Tähtisilmä is a visceral blend of jazz improvisation and the timeless "pelimanni" spirit, capturing the melancholy beauty of Finnis…
Originally released in 1976 on Piero Umiliani’s own Sound Work Shop imprint, Drammi e Speranze -issued under the pseudonym Rovi - stands as a refined example of his late-period library work. Performed by a compact string ensemble and subtly augmented by piano, Hammond organ, Eminent organ, and Rhodes, the album unfolds through a series of classically-informed compositions where melody takes center stage. Each piece is concise, evocative, and purpose-built - reflecting the functional yet highly e…
On Reflections Vol. 3: Water Poems, Félicia Atkinson and Christina Vantzou channel their friendship and atmospheric artistry into ceremonial focus. Spoken-word environments and orchestral imagination flow like tributaries into a unified stream, resulting in a collection of dreamlike songs and soundscapes anchored in sea, sky and stone. Through electro-acoustic instrumentation, voice, and environmental sound, Water Poems invites listeners into a subconscious space somewhere between everyday intim…
Caterina Barbieri & Bendik Giske's At Source resounds music as wellspring, that which is essential and unknowable, and yet utterly primary. It finds two acclaimed composer-musicians building a world together in self-contained collaboration between analogue synthesis and an extended approach to the saxophone that conjures its own universe of sound. It is at once intimate and cosmic, drawing on the challenges and possibilities of their artistic exchange, tearing down technique to access all the ex…
On Spirit Catcher, Wadada Leo Smith moves between luminous small‑group ritual and radical chamber experiment, setting airy trumpet-and-vibes lyricism against the austere blaze of a muted horn surrounded by three harps.
Following his success with “Blow Up,” the once-weekly favorite bassist Isao Suzuki returns with his fourth release under the Three Blind Mice label. The heavy, groovy sound he crafts alongside the eccentric talent Kenji Mori remains timeless and undiminished by the years.
Composed especially for the main hall of the Orgelpark in Amsterdam, with its historical organs, Descendants was realized in the just-intonation “Dreyblatt” tuning system, derived from the first eleven harmonic overtones and their extensions based on the fundamental C (A = 415 Hz). The following intervals, identified on the four organs and corresponding to my tuning system, were used in the composition: 1/1, 9/4, 3/2, 7/4, 11/16, 21/16, 25/16, 35/32, 63/32, 77/64, and 81/64. These pitches and th…
Recorded November 15, 1966 at Van Gelder Studios, Englewood Cliffs - New Jersey, Tauhid is one of the most iconic album recorded by the tenor saxophonist Pharoah Sanders. On his debut for Impulse ! the leader assembled an extraordinary line-up, defining the boundaries of the so-called spiritual jazz movement. Henry Grimes (bass) Roger Blank (drums), Sonny Sharrock (guitar), Nat Bettis (percussion) and Dave Burrell (piano)Pharoah, (born Farrell Sanders of Little Rock, Arkansas on October 13, 1940…
Reissue of the OST by Luciano Michelini for the dramatic film Anna, quel particolare piacere (aka Anna: The Pleasure, the Torment and Secrets of a Call Girl), directed in 1973 by Giuliano Carmineo with screenplay by Sauro Scavolini, Francesco Miliazia, and Ernesto Gastaldi, photography by Marcello Masciocchi, editing by Eugenio Alabiso, music by Luciano Michelini, production by Dania CC Champion, distribution by Interfilm, and starring Edwige Fenech, Corrado Pani, Richard Conte, Antonio Casale, …
*150 copies limited edition* Circle Bros emerged during the late‑nineties wave of lo‑fi and dronerock, when Morc Records founder Wim Lecluyse first began shaping hazy, guitar‑driven soundscapes. Over the many years that followed, the project gradually started using a richer soundpallete, and shifted toward semi‑improvised, restrained songs that draw as much from minimal‑leaning songwriters as from artists who fearlessly approach the folk traditions. What has never changed is the core approach — …
There are super groups, and then there are Supergroups. This trio, comprised of three prolific journeymen improvisers whose work has been recognized across the globe, is neither. This is a band of down-to-earth, hard-working musicians, whose focus and dedication to the music is exceptional. That’s not to say that these three don’t have a combined CV that straddles a who’s who list of contemporary music across multiple scenes. But their ethos is one that emanates from their midwestern locale …
Otoliths is the second album by the transatlantic quartet Earscratcher, which brings together Austrian pianist Elisabeth Harnik with three of her US-based cohorts – Dave Rempis on saxophones, Fred Lonberg-Holm on cello, and Tim Daisy on drums. Recorded live on tour in the US in December of 2024 - no small feat in an era when the longstanding xenophobic and insular tendencies of the country dominate more than ever - this sophomore outing finds a band whose roots have spread deep and wide. While t…
“Sonny Clark’s music, in one of jazz’s truly magical periods, provides as good an example as any of both the music’s most lasting qualities and its transcendent nature.”
On All Shall Go, Damos Room - the trio of Elijah Minnelli, Luke Miles and Nicholas Elson - strip dub to ghost‑logic and negative space, staging a slow, pressurised unravelling where tension, not impact, becomes the main event.
In early 1967, John Coltrane died. Christian Vander was twenty years old, living in something close to poverty in Paris, and Coltrane's death pulled the ground from under him. He went to Italy, to Milan and Turin, and spent nearly two years in a state of deliberate self-destruction. One morning in Turin he woke up and decided to stop. He returned to Paris, met bassist Laurent Thibault, and began working on something that had no name yet.
By 1969 Magma existed as a group. By 1970 they had a contr…