Best sellers

In the ensuing half century, Slovenian artist Milan Grygar, who trained as a painter, has dedicated himself to the relationship between sound and image. He has replaced paint wherever possible with sonic elements, interrogated the duration of a line, drawn with sticks, and integrated windup toys that leave noisy traces in his “mechanical drawings.” Grygar incorporates the acoustic frequencies that emerge during art making, but he also writes visual scores that musicians can interpret. His art is…

Recorded across a single sweltering Paris summer in June 1978, Adonia - the lone album credited to Ose - captures a rare alignment of intellect, imagination, and emerging technology. For decades it has lingered as one of the great half-secrets of French electronic music's most fertile decade, traded between collectors who understood exactly what they were holding. At just twenty-six, Hervé Picart was living three parallel lives: scholar of rhetoric and ancient languages, journalist for the Frenc…

** Deluxe matte laminate gatefold sleeve and polylined paper inner sleeve ** Paris, August 1969. Sunny Murray books a studio for a single afternoon and walks in with thirteen musicians - among them three members of the Art Ensemble of Chicago, the working sextet built around Archie Shepp, and the singer Jeanne Lee. What they cut that day, Hommage To Africa, is one of the high-water marks of the legendary BYG Actuel catalogue, and one of the warmest and least abrasive records the free jazz moveme…

It feels as if it were yesterday. In 2002, after returning to Frankfurt from a record-hunting trip to Johannesburg, I put one of my new South African discoveries on the turntable and jumped into the shower. Suddenly, the record player erupted into a terrible noise, as if someone were hammering the needle. I ran out, dripping wet, and discovered that the stylus had hit a deep cut carved into the vinyl. A Kenyan friend, Dan Ojwang, had sent me to a record shop opposite the Market Theatre in Newtow…

Tip! Spartiti Spariti is a composition in which diverse practices and experiences converge and overlap: the processing of ‘concrete’ sounds, magnetic-tape collage, field recording and the manipulation of acoustic instruments. At its core lies a profound investigation into the ecology of sound, understood not as mere phenomenological documentation but as a radical experience through which identity is rediscovered. The work’s genesis is deeply rooted in the composer’s biographical memory and in th…

A vital tape work returning to circulation thirty-six years after its private cassette debut. Mieko Shiomi's 1990 memorial for George Maciunas, self-released that year on a privately circulated cassette and unheard in proper edition since, now receives a first ever CD reissue, mastered by Giuseppe Ielasi. In accordance with the composer's wishes, this edition presents the work's two sides spliced together into a single continuous piece. By 1990 Shiomi had already lived several musical lives. A f…

Visionaries in Mexico have sought ways to look beyond the stars for millennia. Ancient civilizations like the Maya and Aztecs designed their cities as gigantic star maps, orienting their buildings to mark equinoxes, solstices, and zenith passages. This inquisitive form of meaning-making through art has long been endangered—first by Spanish colonizers; then by the Mexican government’s throttling of artistic expression in the late 20th century; and now by the violent anti-Mexican sentiments of the…

The first-ever vinyl release of Gérard Grisey’s Vortex Temporum (to our knowledge). Movements I and II appear as a single track to preserve their spectral continuity. The LP features cover art by Dariia Kuzmych and comes with a zine of her ballpoint drawings, merging time and human tissue. Ukho Ensemble Kyiv:::Dina Pysarenko, pianoInna Vorobets, flutesDmytro Pashynskyi, clarinetsRachel Koblyakov, violinAndriy Savych, violaRaphaël Ginzburg, cello Conducted by Luigi Gaggero

Fred Frith on guitar, Louis Sclavis on clarinets and soprano saxophone, Jean-Pierre Drouet on percussion and objects, live at Victoriaville on 21 May 2000: one extended improvisation from abstract textures to folk-like melody.

The tamburium is an instrument Hennix built: eighty-eight keys, each one triggering a recording of a precision-tuned four-string tambura. Documented in Berlin in 2017, it was her first solo release since 1976 and came out two months before she died.

Minutiae is the first full-length release form Stockholm’s Ināra Quartet, made up of brothers Kasper (guitar, banjo, mandolin) and Mauritz Agnas (bass, cello), Johan Graden (piano, harmonium, synths) and Mischa Grind (percussion). Drawing on wide performance and composition experience in free improvisation, jazz, and composed new music, the quartet have carved out a unique niche where radical approaches to rhythmic organisation and group interaction are wedded to immediately accessible, folkish …

With Jazz Raga, Gábor Szabó fused modal jazz, Indian raga, and 1960s psychedelic currents into a single visionary statement. Recorded in 1966 at Van Gelder Studio, it remains a landmark of cross‑cultural improvisation—sitar‑tinged grooves meeting the freedom and pulse of spiritual jazz.

Mary Jane Leach's Pipe Dreams II and III, recorded on the organs of Miry Concertzaal, Gent (2023) and Kunst-Station Sankt Peter, Cologne (2024): beating tones and antiphonal clouds of sound, following the 1989 original issued by Blume.

Listed as one of the four most influential Jazz albums that happened to be released in 1959 (Dave Brubeck -Time Out & Charles Mingus -Ah Um among them), so much has been said and written about Miles Davis'Kind Of Blue, it's virtually impossible to summarize all the necessary info to the length of this page. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it's the best Jazz album ever made, but the music itself will do that to you. As Bill Evans …

Dark Entries is Filling Your Silence with the help of J.D. Slater. Legendary actor, director, and composer J.D. Slater is sometimes known as “the Lou Reed of gay porn.” Slater cut his teeth in the New York punk scene, even opening for the Talking Heads and Blondie at CBGB with his project Frenzy. A true polymath of the erotic, he co-founded Raging Stallion Studios with Chris Ward in 1999, which has remained a prolific outlet in the world of gay pornography. Having spent years in front of and beh…

*100 copies limited edition* Founded by Moreno Daldosso in 1992, Murder Corporation emerged during a crucial transitional period for the Italian industrial underground. The ritualistic and experimental tendencies that had characterized many projects of the 1980s were progressively mutating into harsher territories shaped by power electronics, death industrial, noise extremism and transgressive performance aesthetics. Within this shifting environment, Murder Corporation rapidly developed a distin…

The Sun City Girls were unlike any band before them or that has come in their wake. Their catalog, their ethos, their *being* - you name it, with the Girls that “it” was singular and became legend. This singularity started early and extended to their release schedule and the means behind the same. While the band would prove to be wildly prolific throughout their existence, during their nascent days they quickly realized that they could not be contained by any sort of traditional label schedule. …

Corbett vs. Dempsey is thrilled to announce the release of ‘Reason’, the second album from international free music quartet The Sleep of Reason Produces Monsters.

A detailed look at the elusive work of a French pioneer of musique concrète and electroacoustic composition Eliane Radigue

Tip! Jim O'Rourke and Jos Smolders teamed up again after their first collaboration, Additive Inverse from 2021. Over a period of three years, both artists worked in sessions of a day, each in their own studio.The result is sometimes like a warm cloud of sounds, suddenly breaking up into a rhythmic, irregular pattern, after which it dives into introverted mindsets. The music is in constant flux. The project followed the same workflow, but this time Jim took the lead and kicked off with a salvo of…

The most ambitious work of Sarah Davachi's career to date. Spanning more than two hours of music across three LPs, The Will of Tongues arrives on the composer's own Late Music imprint as a vast, deeply considered statement - a meditation on the act of listening itself, and on the mental spaces that sound, given duration and reduction, continually opens. Over the last decade, Davachi has emerged as one of the most singular voices working at the intersection of minimalism, early music, and electro…

Long awaited re-issue of The Necks 2011 masterpiece. Always different, here the Necks resolutely layer polyrhythmic material to form seething blocks of sound - in two long pieces, one more stripped back to the live trio, the other featuring multiple strata of swirling Hammonds, noise-guitar and electronics. Their 16th release still resonates on its own.  It features two starkly contrasting tracks: the pulsating, raw, 'Rum Jungle' and the slower building, rather hypnotic 'Daylights.' Polyrhythms …

Step into the golden era of soul-jazz with the long-awaited vinyl reissue of “Vibrations” (1976) by Roy Ayers Ubiquity — a record that captures the unmistakable warmth, groove, and sophistication that defined Roy Ayers’ sound at its peak. Beyond its original impact, “Vibrations” has taken on a second life through hip-hop. Its grooves, breaks, and melodies have been extensively sampled by generations of producers and artists, becoming a foundational source for crate diggers and beatmakers alike. …

Eugene Chadbourne and Paul Lovens on tour in May 1996, recorded in New York, in Michigan and in an Italian restaurant in Traverse City: guitar and banjo against drums, cymbals and saw, a suite for the waiters of the world.

Nearly four decades after the fact, the full story of Coil's aborted commission for Clive Barker's Hellraiser can finally be heard - and it is every bit as extraordinary as the legend suggested. The Unreleased Themes for Hellraiser [expanded ritual], released by Mental Groove Records / Musique Pour La Danse, is the definitive edition of one of experimental music's most mythologised what-ifs: a lost soundtrack now restored, expanded, and assembled into a coherent and deeply unsettling whole. The …

Deluxe edition, housed in a reverse board printed sleeve with printed inner sleeve. Three LPs came out on Jihad, the label Amiri Baraka ran out of his own house in Newark. Two of them - Sonny's Time Now and A Black Mass - entered the canon of the New Thing decades ago. The third stayed a rumour: a title traded between collectors, a track a radio DJ might drop once a year, a record far more people had heard about than heard. Original copies surface rarely and sell for three figures. Black and Bea…

Habibi Funk’s new sister label Audible Beauty Records second release: A landmark collection retelling the untold story of Malaysian jazz featuring 9 songs from the legendary composer, arranger and trumpet player Johari Salleh. Salleh played a crucial role in shaping the sound of modern Malaysian music across radio, television, film and live performance and has composed dozens of popular songs in his decades long career. His personal musical passion always was jazz, reflected in this deep selecti…

Pierre-Luc Senécal's Growlers Choir, fourteen metal vocalists, live at FIMAV in May 2021 with poet Fortner Anderson: growls and throat-singing-like improvisation over electric guitar tapes, between metal, noise and drone.

Two of experimental music's most uncompromising minds, together at last, and never once in direct contact. Kevin Drumm and Taku Unami made Zero Talk without ever speaking to each other. It started in late 2024, when producer Jon Abbey asked Unami to master Drumm's Sheer Hellish Miasma II. Unami was thrilled: Drumm is his favorite musician. Drumm loved the result. Even then, the two never really talked, Abbey spoke to each of them separately. In mid 2025 Abbey proposed a collaborative Erst. Both …

For their second official CD release (after a handful of cassettes and CD-Rs) this Helsinki quintet of horns, guitars, drums, and vocals forsake any sense of live atmosphere by mashing four years of recordings into a disorienting, rude collage of over the top takes on multiple forms of extreme music. More early 90s, Bad Vugum-damaged rock than 00s Fonal psych-folk, Hasardi is a tangent of the punk/hardcore continuum that veers wildly and often into free jazz, noise and just general weirdness. Ha…

Thirty-year reissue of Kreidler's 1996 album, the record on which the Düsseldorf group became a band, with Reflections, their minor MTV hit.

"While on the island of Syros in the Aegean Sea for a film festival performance, Christina Vantzou experienced what she characterized as 'a moment of focus' -- a specific vision for the sprawl of raw recordings she'd been amassing for her fifth album. Upon relocating to the Cycladic island of Ano Koufonisi, she situated herself outside at a patio table with a laptop and headphones, taking brief breaks to swim, and began the 'reductive process' of shaving and shaping the source material into unea…

"Still flying under the radar but already something of a cult figure, Baldruin has patiently shaped a singular musical world where mystical synth folk meets a deeply personal vision of traditional music, drawing equally from Eastern and Western sources. On Aventüren, Johannes Schebler expands this universe even further, offering a unique take on musical minimalism refracted through his own dreamlike aesthetic.Raised in the rectory of a small Bavarian village, Schebler spent his childhood as an a…

With rpm, we wanted to join some of the dots of Philip Jeck's life and involve many other collaborators, early and more recent. Fennesz was a friend and kindred spirit on the same label. Claire M Singer formed a new chemistry and partnership and although their plans must now take a different form, Mary found some sketches Philip had laid out using Claire's organ recordings, for further development. Faith Coloccia & Philip had already released Stardust on Touch in 2021. Their live performance tog…

*totally sold-out at source, few copies back in stock* The origins of Le Forte Four are those of the Los Angeles Free Music Society itself. Chip Chapman joined forces with Rick Potts (and shortly thereafter Tom and Joe Potts), taking up the LAFMS name in 1974. Ultimately baptizing themselves Le Forte Four, they began threading imagined lines between John Cage and The Residents, Cecil Taylor and Henry Cow – generating sounds completely unlike any of these and anything since. The inaugural release…

Edition of 250. Deluxe edition + insert. For eighteen months, between 1984 and 1985, Patrick Lysaght played flute, strings, and percussion inside the Rainforest Birdhouse at the Rio Grande Zoo in Albuquerque, New Mexico. His audience and collaborators: 150 birds of 42 species. The result is one of the earliest and most radical documents of interspecies improvisation. Predating the current wave of sound ecology by decades, For The Birds sits comfortably alongside the biophonic research of Bernie …

Maurizio Bianchi's complete studio recordings from 1981 to 1984, ten albums on ten CDs, made before he withdrew from music in 1983, in the line of musique concrète.

Sixteen audio scenes answering the long-exposure photographs of Brice Bischoff: cassette recordings of canyons, caves and ravines, reshaped in the studio with film-style spatial effects. Mastered by Giuseppe Ielasi.

The identity of Deep Drive comes in large part from the way Peter Zummo moves through the world. Using his smartphone, he records daily fragments: of daydreams and conversations, signage and slogans, moments that that strike him as insightful, odd, amusing, thereby creating a sonic collage of rhythms, melodies and voices. His deep baritone is imbued with laconic humour, and Deep Drive"s track titles riff off his messaging. "Prepare For Docking" refers to the Staten Island ferry and the spectacle…

The third part in Jon Hassell’s Pentimento trilogy captures the much-missed artist performing as part of a trio with Rick Cox and John von Seggern in London in 2015, in what would turn out to be his final ever concert. Carefully edited and mixed by Jeff Rona into something much more than a traditional ‘live album’; themes, motifs and riffs from his critically adored albums Listening To Pictures and Seeing Through Sound occur throughout these unique, semi-improvised mutations, making this a fitti…