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‘Permanent Rain’ is introspective listening. Lean back and let your ears catch a source that moves, breaths, resonates and rises, until a quiet truth swells upon us. XIII captures truth in all its honesty. Sometimes it feels so physical, it’s as if time and elements of nature are peeled of layer after layer. This record combines songwriting with sonic hypnosis. A rhythmic, esoteric oasis, containing currents of mysticism, yet accompanied by contemporary electronics. Its elements translate to a b…
* Edition of 300. Spectacular four-panel gatefold cover * Since the early 1980s, the Nexus creature has represented one of the most interesting realities of the Italian jazz scene. Daniele Cavallanti (Aktuala) and Tiziano Tononi (Moon On The Water and D.O.M Alia Orchestra) realize a sensational mix of orchestral praxis and impro-free jazz. The strength lies in the ensemble's variety of timbres, in that precise hybrid of styles reminiscent of the cross-sectional experiences of the 1970s of Zappa,…
On May 21, on what would have been Arthur Russell’s 75th birthday, Audika Records presents a remastered/redux double vinyl rerelease of the much-beloved compilation Love Is Overtaking Me of Arthur’s folk, pop, and country songs including “Planted a Thought”, “Close My Eyes”, and “I Couldn’t Say It To Your Face”.
Castles in Space are thrilled to present this deluxe special edition of the second Warrington Runcorn New Town Development Plan album, "People & Industry". Originally released in September 2021, this is a beautiful new edition featuring four bonus tracks on a second 12"disc which have never been released on vinyl before.
“It’s been amazing to revisit this album”, says Gordon Chapman-Fox. “It’s one that people didn't get chance to hear, and it was overlooked following the success of the debut alb…
Originally released in 2003, With A Heartbeat brings together Pharoah Sanders, Bill Laswell and Graham Haynes in a collaboration that remains as elusive as it is forward-thinking. Now reissued by Glossy Mistakes, the album receives its first official vinyl edition, remastered and available both in standard black and a limited burgundy pressing.
At the core of the record lies an unusual but striking element: the steady pulse of a human heartbeat. Rather than a conceptual gesture, it becomes the f…
Over the last couple of decades Magda Mayas has developed a rigorous and distinctive prepared piano practice, working inside the piano with great musicality. The music on Chant captures a dramatic expansion of the pianist’s vision. Reflecting her devotion to social and musical communities through recent stretches of political upheaval and the disruption of the pandemic, she’s found solace in harmony and repetition, and after a period of exploring such sounds with clavinet and Fender-Rhodes, she …
On Once Around The Room ECM recording artists and key jazz musicians from several generations unite in a small ensemble to celebrate the musical legacy of drum icon Paul Motian in a big way. Joe Lovano and Jakob Bro lead a party of seven through fiery originals that recall the idioms and idiosyncrasies which Motian brought to light over six influential decades behind the drums. Lovano and Motian had been intimate colleagues for many years with their most notable collaboration being the groundbre…
A bizarrely entrancing jewel from the depths of the Japanese underground, Doo Dah Nean was originally released in small run of hand assembled cassettes by the La Musica label in the late 90’s. The album is the sole release and evidence of Nean, an entirely under-the-radar trio that crossed the sensual, disassociated female vocals of Japanese iroke kayōkyoku music with off-balance shamanic rhythm and echoing electronic rumble. Nean were the trio of Yui on bass and electronics, Naoko on voice, and…
Frantx is a glit-noise band based in Paris that creates music in a dimension of hyper-speed where individualities get blurred, immersed in post-internet sonic drifts. The four members of Frantx explore the limits of their instruments and new modes of interaction through extended techniques, heterodox amplifications and electronic extensions. Frantx was born to question our roles as musicians and target the political dimension in which we are supposed to exist in this contemporary context. Music …
First collaboration between Tobias R. Kirstein and John Duncan, prompted by a dream Kirstein had on 31 May 2019 - the day Roky Erickson died - in which Duncan repeated 'You Are Safe' against a backdrop of sine waves. Two long pieces result: Duncan voices texts (You Are Safe, the second 'Come To Me') sustained by Kirstein's slowly morphing electronic backgrounds, computer-generated drones that thicken into something close to insect resonance before settling. Process-led voice and electronics.
French clarinet master Louis Sclavis and pianist Benjamin Moussay in a spare, searching duo. Composition meets free improvisation in delicate, chamber-like dialogues. European improvised music at its most refined.
Swiss pianist Nik Bärtsch and his band Ronin deliver hypnotic 'ritual groove music': interlocking minimal patterns, funk-tinged grooves and Zen-like repetition. Precise, physical and mesmerizing.
'Vigil’ is an installation by Caterina Barbieri and Ruben Spini originally conceived for the 180 Studios exhibition Future Shock in 2022, and more recently presented at The Vinyl Factory: Reverb exhibition in 2024. The composition was originally released with the title ‘The Landscape Listens’ as part of Caterina Barbieri’s album Spirit Exit, published by light years in July 2022. Widely recognized as a young pioneer of electronic music, Caterina Barbieri is the new Artistic Director of the Music…
Hardcover, 648 pages, Hardcover! This book looks back on the golden years of the music scene that emerged out of Canterbury, Kent, in the late 1960s, spearheaded by Soft Machine and Caravan and their various offshoots, including Gong, Kevin Ayers and the Whole World, Robert Wyatt's Matching Mole, Hatfield and the North and National Health, and related bands like Egg and Gilgamesh.
Musically at the meeting point between pop, progressive rock, electric jazz and modern classical, it brought togethe…
*100 copies limited edition* Notes from the nave is the debut album by 𝗟𝗶𝗻𝗱𝗲𝗻 𝗦. - Michiel Dondeyne’s alter ego. It’s a musical correspondence from the refuge of an introvert: the ‘nave’ - or the middle part - of a church in Antwerp, Belgium. It’s there, where he established the improvisations on piano that sprouted this album. Loose ideas became the blueprint of extended collages, wherein piano, subtle loops and samples conflate with the cello of Clémence Clarysse and the tenor saxophone…
**500 copies** British experimental musician, composer, performer and producer Anthony Moore was a founding member of Slap Happy and has worked with Henry Cow, Kevin Ayers, and Pink Floyd among other great names in the British scene. In 1971 he moved to Hamburg, Germany, and worked in the boiling experimental scene of the city. As a result, two LPs were issued on Polydor Germany in 1971 and 1972, right before forming Slap Happy with old school pal Peter Blegvad and Dagmar Krause.Secrets of the B…
Death Is Not The End, following their cassette reissue of Harry Smith's Anthology, present a collection of recordings of Sacred Harp singing (a traditional sacred choral music with origins in the American South) taken from the late 1920s through to the late 1930s. Necessary vinyl edition of Death is Not Final’s I’m On My Journey Home, Sacred Harp Singing, 1928-1934, a collection of recordings of Sacred Harp singing (a traditional sacred choral music with origins in the American South) taken from…
*250 copies limited edition* As part of their 20th year celebrations Gnod grace us with the latest output from their ongoing R&D project. Operating as a stripped back two piece the raw energy and sonic power shines through across the two tracks that make up ‘Nobody Knows this is Anywhere’. ‘Catholic FM’ and ’Sunset 102’ are but a fraction extracted from a mammoth 2 day recording session at Gnod farm back in 2019. Recorded straight to cassette at the time and with minimal editing done at some poi…
Wolfgang Muthspiel and his trio with Scott Colley on bass and Brian Blade on drums reaches a new creative peak on Dance of the Elders – the group’s follow-up up to the much lauded Angular Blues, which The Times called a “quietly impressive album”. Here Wolfgang’s successful stride continues, with his unique compositional signature on the one hand and the particularly vibrant interchanges with his trio colleagues on the other. The guitarist’s writing and approach to jazz is heavily folk-induced b…
Félicia Atkinson first saw Les yeux sans visage (Eyes Without a Face), the 1960 horror film by Georges Franju, when she was a teenager, around the turn of the century. At the time she was frequenting arthouse movie theaters, immersing herself in cinema, and she was encouraged to go by her father. The film made an impact for its iconic imagery and the way Franju draws on the aesthetics of early filmmaking, from its score that relies on stylistic markers typical of the 1940s or 50s to the decision…