Best sellers

Union Editions presents Lead Me Where NPCs Sleep by Kinked. Composition, mixing and editing by Lapo Sorride as Kinked, mastering by Giuseppe Ielasi, pitched voices on "Dimanche" and "Occhi Di Neodimio" by Melodie Husquin, on "Serenada For NPC" by Bob Hermit. Composed between January and July 2022 in Asile185, Turin. Photo by Dario Terraglia.

Umanzuki is a three-piece act based in Florence, Italy whose sound and aesthetics are in constant metamorphosis: moving from a former psych free- rock mood, evolving into an increasing dissolution of structures, they are now completing their ascent and reaching an even more abstract form of ambient. Wrapped in dark, synthetic matter, with this 30 minute-long improv session Umanzuki penetrate into the fields of a dilated and deconstructed ambient sound. Recorded in Florence during March 2015 and …

*50 copies limited edition. In processof stocking. 2023 stock* "Naming The Trees (zero192) by J. Surak is a concise art statement, just ten minutes a side on the limited cassette. Apparently produced by a combination of methods: analog synths, patches, treated and prepared instruments, and a humidifier – maybe a field recording of one of these handy domestic beasts, unless he “trained” its limited mind to assist in the performance in some way. Furthermore, it’s got something to do with a dance s…

How To Build A Fountain brings together Josi Arias’ tradition of south of the border synth pop, and her work using cosmic soundscapes. The result is a record that captures scenes off an ethereal nightclub, a discotheque in the sky, an ancient and futuristic female choir, a time to enjoy being alive but also to reflect. This release is paired with a tailor-made scented water mist, that Hydrofemme created according to traditional aromatherapy healing scales with organic herbs. The result is a blen…

The self-titled debut from Throat Mask collects four improvisations from the duo that are built around random processes and hover constantly between collapse and coalescence. The recording sees Nathan Gray attempt to guide his unruly stack of sputtering and chiming digital automations while T. Kowalski responds with fm, digital and analog synthesis and sparsely gestural midi drums.Side A keeps returning to Gray’s voice, occasionally it’s recognisable but more often it’s faltering or shredded by …

Further proof that anything goes when it comes to the Tapeworm series, this latest installment is a short story penned by novellist, crime/noir fiction writer and critic Cathi Unsworth, read by the author herself (on the A-side) and by her musical collaborator Pete Woodhead (on the B-side). Set in 1950s Soho, the tale concerns itself with London's burgeoning rock & roll scene, the seedier, underworld elements of the city and Joe Meek. … Limited to 250 copies. (Boomkat)

** Edition of 50. Cassette With Skeleton Doggo Insert ** Skamielina means fossil and there is an excavated feel about this pretty piece of pastoral horror. Like something has been dug up and now stalks the cloying, humid summer, alive again in the warm rain with the incessant mosquito-buzz of tape, the ever-present tape-buzz of mosquitos. Samutek’s has over 30 releases, none of which have any details apart from titles that are in varied German, Polish and English. The cover photography is murky-…

Nearly ten years of Ikue Mori's music and visual work: eight electronic pieces with Satoko Fujii, Natsuki Tamura, Koichi Makigami and Zeena Parkins, plus a DVD of her films with handmade dolls, puppets, animation and miniature sets. Tzadik.

Radu Malfatti on trombone and Stephan Wittwer on guitar in Innsbruck, February 1977: the duo LP Und? plus Untitled?, a fourteen-minute piece from the same tapes released here for the first time.

Errands is the first duo recording from Marja Ahti, Swedish-Finnish sound artist and electroacoustic composer, and John McCowen, a native of Southern Illinois, now residing in Iceland, whose work centres on a radical exploration of clarinet multiphonics. Working without the aid of electronics, McCowen has spent years finessing performance techniques that allow him to layer beating patterns and split tones that belie their source in a monophonic instrument. Ahti, in contrast, has built up a stunn…

JJ Whitefield dives deep into the golden era of library music, drawing inspiration from KPM, De Wolfe, Bruton Music, CAM and the composers who shaped the genre. Slow Moods presents 14 original instrumentals packed with atmospheric grooves, exotic touches and meticulously layered overdubs. East Asian and East African influences meet locked-in rhythms and sharp arrangements.

Tip! Shifting continuously between minimalistic patterns, intricate soundscapes, and evolving textures of overlapping electronic sonorities, The Electric Weasel Ensemble presents a missing link in the history of electronic music. It is a series of previously unreleased live recordings from a little-known but trailblazingensemble of improvisers—equipped with a unique embrace of invented instruments and distinctly 1970s avant-garde sensibilities. This historic music is available on both double LP …

Magnetic Flights is entirely made of electromagnetic field recordings of international airports and inside airplanes. The recordings of this piece were made by Christina Kubisch on her travels in 2007 from and to the airports of Bukarest, Manchester, Chicago, Seoul, Munich, Amsterdam, Zurich, Frankfort, Paris, Lisbon, Berlin, Pisa, Milan and London. The sounds were not altered electronically nor changed in any other way. The only tool, which was used for a part of it, was a filtering program (DI…

*2022 stock* “Il corpo” is the last movie of Luigi Scattini’s trilogy, which started with “La ragazza dalla pelle di luna” (1972) and then continued with “La ragazza fuoristrada” (1973), all skillfully orchestrated by maestro Piero Umiliani. Here we are dealing with an erotic-noir film which has many elements in common with movies like “Ossessione” (“Obsession) or “I diabolici” (Les Diaboliques) and it centres on the relationship between Enrico Maria Salerno and the sensual Zeudi Araya. Inevitab…

The only two full-length records La Monte Young and Marian Zazeela released, together. Four sides and four dates, each one printed in the title to the minute: August 1964, July 1969, January 1973, July 1973. Nine years, from a bowed gong to three sine waves with nobody playing them.

Eat The Rich is an eclectic intersection of two serial collaborators: Giffoni (No Fun Fest / No Fun Productions) continues to explore new dimensions in sound, primarily using modular / synths (with recent full lengths on Ideologic Organ and Room40), paired here with the instinctually abstract percussion of Corsano (known from working with everyone from Bill Orcutt to Richard Bishop to Bjork but with literally 100's of appearances under his belt since the turn of the century). Produced by David S…

Four decades after Prati Bagnati del Monte Analogo, Francesco Messina returns to his hundred-year-old Schimmel piano for seven pieces of hazy drone and ambient minimalism, written with no deadlines after playing that 1979 album live in Milan.

Four double bassists, Barre Phillips, Joëlle Léandre, William Parker and Tetsu Saitoh, live at Victoriaville on 23 May 2003 in memory of Peter Kowald: bowed and plucked basses and voices in a shared farewell.

The Fall's first four Step-Forward singles, 1977-79, plus Dice Man from Dragnet: Mark E. Smith's early art punk of atonal guitar, looping bass and combo organ, back on vinyl for the first time with liner notes by Stephen Malkmus.

Settima Tacca's eleven songs of voice, drones and throat singing on Stroom, with Natalia Grishanina on one track.