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On Every Color Moving (1988–2003), Steve Roden’s first 15 years unfold across six discs: from noisy, searching experiments to the hushed, “lowercase” worlds that would define his quietly radical, object‑based approach to sound and space.
2024 Stock, very last copies around. Deluxe DVD edition of The Well-Tuned Piano in The Magenta Lights, containing La Monte Young’s continuous 6 hour-24 minute performance of his masterpiece is now back in print for the first time since 2001. Comes with a 52-page booklet, which includes La Monte and Marian’s essays on their works. Edition of 500, one time pressing.High Minimalism - one of the great, revolutionary musical movements of the 20th century, is marked by a canon of towering and iconic w…
Two of experimental music's most uncompromising minds, together at last, and never once in direct contact. Kevin Drumm and Taku Unami made Zero Talk without ever speaking to each other. It started in late 2024, when producer Jon Abbey asked Unami to master Drumm's Sheer Hellish Miasma II. Unami was thrilled: Drumm is his favorite musician. Drumm loved the result. Even then, the two never really talked, Abbey spoke to each of them separately. In mid 2025 Abbey proposed a collaborative Erst. Both …
Jürg Frey, the Swiss composer, clarinetist, and central figure in the Wandelweiser collective, presents three recent chamber works—all written for and performed by the Prague Quiet Music Collective, with one piece featuring the Norwegian new music group asamisimasa. These compositions mark a significant evolution in Frey's aesthetic. As Ian Mikyska of the Prague collective explains, "Jürg is neither writing the music he used to write nor writing the music that anyone expects of him"—moving beyon…
*250 copies limited edition* Kramp was a band from Hallstahammar and Västerås (in the middle of Sweden) who started out in 1975 and played together until 1984. During those years the boys in the band jammed whenever they met but never released any records. Luckily some marvy unpolished and no-frills rehearsal space recordings from 1978, recorded on a small cassette player, survived and can be heard here in all their unpolished glory.
Kayn before the machines: orchestral scores from 1957 to 1966 on the first disc, Sequenzen, Aggregate, Vectors I and II, Signals; ensemble works to 1974 on the second, including Phasen for speech sounds and four percussion groups. Premiered at Darmstadt, Venice, Warsaw and Hamburg.
Kayn's earliest keyboard music in historical recordings: Fünf Kleine Klavierstücke (1952), Divertimento (1955), Quanten (1956) and Fractals (1994) on the first disc; on the second the studio Quanten and Diffusions (1965) for one to four electronic organs, from Sonology in Utrecht.
Studio 44, Monster, Holland, 11 March 1987. One day. Pharoah Sanders with John Hicks on piano, Curtis Lundy on bass and Idris Muhammad on drums, a band he kept for years. Produced by Wim Wigt for Timeless.
The record is built around Coltrane. Loewy at AllMusic writes that most listeners will prefer the originals to Sanders's imitations, but calls Africa a joyous and worthy tribute. AllMusic's survey of the Timeless years is warmer: it hears the title track's highlife melody undercut by Hicks's p…
2023 repress. Audiophile 180 gram LP that was cautiously remastered for vinylRe-issued on vinyl for the first time since its original 1968 release! Based on an ancient Sumerian poem, Morton Subotnick's follow-up to his highly influential milestone Silver Apples of the Moon (KR 014LP) is no less an adventurous sonic trip on the Buchla synthesizer. Limited edition (500 items) audiophile 180 gram LP, especially mastered for vinyl. Born in 1933, Morton Subotnick is a key figure in the progress of el…
Berkeley Jazz Festival, 1974. Prince Lasha, the Fort Worth altoist and flautist who had made The Cry! with Sonny Simmons and Iron Man with Dolphy, with Hubert Eaves on piano, Ron Carter on bass, Roy McCurdy on drums and Kenneth Nash on percussion. Three pieces, including the sixteen-minute Mayflower.
Moonwalker, Aarburg, Switzerland, 29 March 1992. Sun Ra, fourteen months from the end, at synthesizer and piano with a ten-piece Arkestra: Marshall Allen, Michael Ray, Ahmed Abdullah, Tyrone Hill, Buster Smith. Ten pieces in fifty-six minutes, mostly repertoire, groove over improvisation. Released by Enja.
Habibi Funk’s new sister label Audible Beauty Records debut release: A landmark collection retelling the untold story of Malaysian jazz featuring 11 songs from the legendary composer, arranger and pianist Alfonso Soliano, originally recorded for Radio Television Malaysia (RTM) and only released in a run of a few dozen copies for radio broadcast. Widely regarded as one of the foundational figures of Malaysian music, Soliano blended jazz, Latin influences and traditional Malay musical forms into a…
*100 copies limited edition* Very, very broadly speaking, there are two kinds of Nurse With Wound albums: the sprawling, immersive, evolving drone-type recordings - think Soliloquy for Lilith, Salt Marie Celeste - and the wild, surreal freak-outs. A Sucked Orange is a prime example of the latter. Originally released by United Dairies at the end of the 1980s, A Sucked Orange has long been out of print, especially on vinyl. Infinite Fog is beyond happy to bring this singular work back as a 2LP pic…
Donaueschingen, 17 October 1970, and Berlin, 7 November: Sun Ra's first German concerts, commissioned by Joachim-Ernst Berendt, with the Black Forest Myth written for the astrological moment and never played again. Berendt cut five hours of tape into forty minutes. Der Spiegel called it cosmic chaos.
Recorded in a single day in 2022 at McDowall's Brooklyn studio, then mixed and remixed across three years and three cities. There is no organ anywhere on it: the sound is Karplus-Strong synthesis, a filtered delay line modelling a plucked string, tuned in just intonation and pushed through distortion.
Legendary Japanese experimentalist Keiji Haino (Fushitsusha) and London's fearless drummer Steve Noble took to the stage at Cafe OTO in 2012 for a monumental concert - with Haino's extreme treatments of electric guitar, and feedback, with Noble on a lot of percussion...
While Haino theatrically sweeps between bleak and uninhibited paranoia, deep-level zoning and bluesy contemplation, Noble's huge set up and graceful approach brings space, light and shade - so much so that at one point Haino unpl…
Tip! Longstanding pioneer of the Bay Area, Pacific Coastline underground scene. Seymour Glass has been recording, performing, disrupting and spreading his Musique Concrete trickery for many's the decade. With projects such as Glands of External Secretion with Barbara Manning, BUFMS, Brent Lewis Ensemble , his time as publisher and editor of the now legendary magazine Bananafish, his online mail-order empire – Tedium House, his many other solo and collaborative projects, it is safe to say that Se…
*100 copies limited edition* Tokyo-based artist Ryu Yoshizawa has spent the past decade developing a singular language as Koeosaeme. His works sit somewhere between electronic composition, musique concrète, sound collage and sound art. Following a series of acclaimed releases on Orange Milk Records, this album turns his attention to a place close to home: Kaihin-Makuhari, a coastal district on the outskirts of Tokyo. Land that was once part of the sea. Conceived as a future city, Kaihin-Makuhari…
'Each Day, as if It Were Your Last' marks a striking new chapter for Pallette and a complete departure from his Past Inside the Present debut, 'Pathways'. Released in November 2020, Pathways emerged from an introspective period in Alexander Carlo Buckley’s life, presenting four lovely loop-based compositions shaped by hypnotic, consonant arrangements, fleeting melodies, and a patient sense of ebb and flow. Each Day, as if It Were Your Last moves beyond those meditative foundations, expanding Pal…
1967. Joachim Kühn had left the GDR the year before and settled in Hamburg; Rolf Kühn, his elder brother, had come back from six years in New York (Benny Goodman, the Tommy Dorsey band) to run the NDR television orchestra. They had already played Newport together. Transfiguration, on SABA, is the Rolf + Joachim Kühn Quintet with Karl Berger as guest on vibraphone, made in the months before Joachim moved to Paris for good.
It sits between two records the brothers made the same year: Re-Union in B…