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On They Came Like Swallows – Seven Requiems for the Children of Gaza, Bonner Kramer and Thurston Moore channel decades of noise, songcraft and studio sorcery into seven slow‑burning laments, where volcanic drones, grief‑stricken melody and a haunted Joy Division cover fuse into a stark act of sonic mourning and resistance.
*300 copies limited edition* Mats Gustafsson meets Jan St. Werner in 2019 when they both perform with Peter Brötzmann and a group of prolific improvisers for three days at Flutgraben in Berlin. Mats and Jan notice their mutual passion for performing not just inside spaces, but also with them, activating environments and shaping sound through diversion. Mats introduces Johan Berthling, whose complex bass explorations complement the frantic jitter of Mats’ saxophone and pedals, and Werner’s digita…
Just when you thought Kevin Richard Martin's (aka The Bug) music couldn't go any slower, lower or deeper, Sub Zero emerges. A slow-motion excavation of drug-tech, dub, dreamy noise and frozen ambience, the album gradually mutates into hypnotic pulsations and melodic melancholia. It is arguably Martin's most striking release to date under his given name. Originally released digitally on Bandcamp only in the depths of winter 2022, amid the final year of the Covid-19 pandemic and Russia's initial i…
Australian composer-performers Judith Hamann and James Rushford have worked together in countless projects for two decades, perhaps most notably in Golden Fur, their trio with Sam Dunscombe. Black Truffle is pleased to announce Midmeste, their first work as a duo. Its title is Middle English for ‘the middlemost point’, alluding to how the piece builds on the points of overlap between the highly personalised musical languages Hamann and Rushford have developed in recent years.
Performed on cello …
Philip Glass’s seminal 1982 album Glassworks remains one of the most influential and accessible works in contemporary classical and minimalist music, bridging the worlds of concert hall and popular listening with timeless elegance.
Originally conceived as a “Walkman‑suitable” work, Glassworks was designed for intimate, personal listening on cassette, with a special headphone‑oriented mix that brought listeners deep inside Glass’s intricate, pulsing sound world. The album’s six short, vividly con…
**Finally repressed, absolutely recommended!** An incredible box-set with 33 compositions from 1964 to 2007 that includes a 92-page booklet in French and English. The best way to enter the world of Bernard Parmegiani, French composer of musique concrète, member of the GRM group.
Legendary saxophonist Don Dietrich and his powerhouse cellist daughter Camille Dietrich collide in Live Bahdu, a fierce musical union that music critic Byron Coley hails as “sheer wailing sonic pleasure.” Don, an untamed force who has spent over forty years shaping the explosive core of Borbetomagus, unleashes a volatile, lung-shaking roar, an unyielding take no prisoners wall of sound. Camille answers with her own ferocity, channeling raw, electric intensity through the disciplined edge of her …
In the autumn of 2022, knowing his time was running out, Ryuichi Sakamoto summoned every ounce of his remaining strength to give us one last, definitive performance. Opus is that performance - a solo piano concert capturing one of the world's greatest musicians in his most vulnerable and transcendent moment. Curated and sequenced by Sakamoto himself, the twenty pieces wordlessly tell the story of his life and his vast body of work. The selection spans his entire career: from his pop-star period …
*100 copies limited edition* Originally released in 1986, Folk Music stands as one of the most uncompromising statements to emerge from the Japanese industrial underground. Created by Jun Konagaya after the dissolution of White Hospital, the album marked the beginning of Grim as a singular and fully autonomous project. Influenced by the early extremity of SPK and Whitehouse, Konagaya developed a sound built from metallic percussion, distorted bass pressure, detuned organ textures and heavily pro…
Hardcover, 468 pages, 21×27 cm! In the wake of his Cause And Effect cassette label and distribution service, Hal McGee launched Electronic Cottage International Magazine. From 1989 to 1991, its six issues focused on the independent home recording community – artists who had developed their craft in the post-punk DIY era. The contributors were nearly all members of the hometaper community. The magazine featured articles providing helpful tips and highlighted the challenges hometapers faced. It in…
Tip! These stunning recordings combine the great strengths of Pauline Oliveros on her Roland V-Accordion, Issui Minegishi; Ichigenkin master and great-great granddaughter of the founder of the Seikyodo Ichigenkin tradition and Miya Masaoka on her 21 string Japanese Koto. Together, these masterful improvisors create a beautiful and fascinating world of instrumental communication. This trio of legendary artists establish a sonic zone so compelling that you'll never want to leave.
This double CD pr…
Back in stock with a brand new edition the score for Emanuelle e gli ultimi cannibali (Emanuelle and the last cannibals), a movie featuring our beautiful Laura in new dangerous adventures! The wonderful score by Maestro Fidenco is influenced by the changement of the musical influences: we see the Maestro more funky oriented. The score opens with a wonderful danceable "Make love on the wing" that could have be composed by Change or Chic. The Maestro doesn't delude us preparing a variation on the …
Belonging to an incredible, audiophile reissue initiative dedicated to the seminal Jazz Actuel series - one of the greatest depositories of 1960s free jazz - at long last we're gifted one of the greatest of them all: the first ever fully authorized reissue of Jacques Coursil's towering 1971 LP, Black Suite, fully remastered from the original 1969 analog master tapes. Featuring an all-star line-up of Anthony Braxton, Arthur Jones, Burton Greene, Beb Guérin, and Claude Delcloo, it has long remaine…
On Vida, Chico Buarque folds everyday scenes, political undercurrents and bruised intimacy into a suite of songs where conversational melodies and sly, shifting harmonies turn ordinary lives into quietly explosive dramas.
Go On with the George Otsuka 5 was recorded in 1972 in Japan for the Three Blind Mice label. The album features a quintet led by drummer George Otsuka, a major figure in Japanese jazz in the 1960s and 1970s. The repertoire includes original compositions as well as contemporary hard bop standards.
*Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert.* John Tchicai was extraordinarily prolific during the late 1960s and early 1970s, and this second archival release from Formalibera captures two essential, previously undocumented chapters of his story. Side one takes us to Danish Radio House, Copenhagen, October 1969, where Tchicai leads a remarkable hybrid quintet fresh from a European tour: Danish collaborators Hugh Steinmetz and Pierre …
Swiss-based German vocalist/composer Marianne Schuppe and Berlin-based Italian cellist Deborah Walker present two duo works: Aus dem Zeltbuch, co-composed by Schuppe and Walker; and Occam River XXIX, a piece by French composer Éliane Radigue.
Aus dem Zeltbuch (2022/23), based on a text-collage by Marianne Schuppe, reveals a surface of a word-sound texture on the edge of acoustic intelligibility. Aus dem Zeltbuch questions our perception of language in a musical context by creating bilingual area…
Books have been written, recordings analyzed, colleagues questioned, and nevertheless Bix Beiderbecke remains as much an enigma today, ninety-five years after his death, as he was to friends and fellow musicians during his all-too-brief, personally and professionally erratic odyssey through the 1920s. The body of work he left behind both reveals and conceals crucial aspects of his creative reality and unfulfilled potential, while innovating a subtle, eloquent manner of expression that would sugg…
Om Kalsoum! They call her ’The Rose of the Nile’, ‘The Queen of the Nile’, ‘The Daughter of the Nile’ or even ‘The 4th Pyramid of Egypt’ since she’s known as the greatest Egyptian singer of all times. Om Kalsoum’s mythical life story of a poor peasant girl who grew up to become the face of Egypt is a 20th-century fairytale. Almost half a decade after her death the power of her music and singing is still moving the hearts of millions of people worldwide.
At the end of her overwhelming career sh…