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*60 copies limited edition*
All tracks composed / edited and mixed by Lorenzo Abattoir and Federico Dal Pozzo, September 2024
Sound samples by Michelle Anelli (Double Bass on track 2),Mauro Sambo (Saxophone on track 4),Riccardo La Foresta (Drums on track 5).
In 1985, Gary Mundy of Ramleh sent out an invitation. He asked artists in the orbit of his label Broken Flag to respond to a single concept: morality. Define it, refuse it, occupy it, destroy it. The results arrived on a cassette, catalogue number BF41, pressed in a run that circulated through the postal networks that kept the underground alive in those years. Most of it was never heard outside those networks. The title was not ironic. It was a provocation with genuine stakes.
Morality was alway…
In Neu Klang, journalist Christoph Dallach assembles an oral history of krautrock, letting Can, Neu!, Kraftwerk and their peers explain how post‑war Germany’s experiments in noise, rhythm and repetition became a blueprint for modern rock and beyond.
Savvas Christodoulou was born in Cyprus in 1949 and moved to Melbourne in 1950 as part of the great wave of Greek immigration following WW2. His story is long, involved and fascinating, and the liner notes and interview contained within the LP's 4-page insert tells the whole story.
Perhaps more briefly, what you need to know is that he released the Savvas studio LP in 1974 in an edition of 300 copies, and enjoyed such a strong local following that he sold out the 2,000-seat-capacity Dallas Brook…
Pharoah Sanders' seminal 1974 album Elevation, a cornerstone of spiritual jazz, receives a stunning all-analog reissue on 180-gram vinyl via the prestigious Verve Vault Series, set for release on March 13, 2026. Originally recorded in 1973 across live performances at Los Angeles' Ash Grove and a studio session, this Impulse! masterpiece captures Sanders at the peak of his transcendent powers, blending ecstatic saxophone improvisation with modal grooves and profound cultural resonance.
Produced …
Tying every symbol to an idea has made the world manageable, but also predictable. Suspending the pact, delaying to denominate, letting sound remain pre-conceptual for an instant leads to confusion; nameless, all things slip away, lose direction and blend in with the background noise. Here lies the danger of pure indifference where all things are indistinguishable and listening risks becoming pure perception. It is not a question of refuting meaning, but rather of embracing that latency where fo…
*2026 repress* Transa is the fourth album by Brazilian musician Caetano Veloso, released on 1972 by PolyGram. Like its predecessor, it was recorded while the artist was exiled in London, though he returned to Brazil shortly after completing it. Evocative, eclectic, intimate, and rhythmically complex, Transa contains everything that has made Caetano Veloso the most distinctive and, arguably, most important voice in modern Brazilian music. The record was cut in 1972, shortly after Veloso's return …
On Music To Watch Seeds Grow By 008: Salamanda (Basil), Salamanda miniaturise their left‑field ambient world into a single pot on a windowsill: a slow, luminous day‑in‑the‑life of a basil plant where light, water and time turn into gentle pulses, drips and dreamlike drones.
For years, Jackson C. Frank was as ghostly a legend as they come. Even the relatively few record collectors who revered his work were only aware of the lone LP released during his lifetime. For all most listeners knew, Frank made an incredible album in 1965 and then vanished, despite that record having been produced by Paul Simon.
1975 Mekeel Sessions features six tracks recorded in the mid-'70s at a studio in Lake Hill, New York about five miles from Woodstock where Frank was living at the time…
Braids by the Sam Rivers Quartet was recorded May 15, 1979, in Hamburg, Germany and re-mastered for this release by Arūnas Zujus at MAMAstudios. Personnel includes: Sam Rivers - tenor and soprano saxophones, flute, piano; Joe Daley - tuba, euphonium; Dave Holland - bass, cello; Thurman Barker - drums.
Ricochet by the Sam Rivers Trio was recorded January 12, 1978, at Keystone Korner, San Francisco, CA, and re-mastered for this release by Arūnas Zujus at MAMAstudios. Personnel includes: Sam Rivers - tenor and soprano saxophones, flute, piano; Dave Holland - bass and cello; Barry Altschul - drums.
In the summer of 1976, a peculiar album appeared in Italian record shops bearing no artist name - only the cryptic moniker Elektriktus. The music posed a question that wouldn't be answered for decades: who had created this hybrid of jazz sensibility and kosmische synthesis? The answer was hiding in plain sight. Andrea Centazzo - recognized figure in European free improvisation who had shared stages with Steve Lacy, Evan Parker, and Derek Bailey - had been leading a double life between touring wi…
2018 small repress. Honest Jon's Records present a reissue of Derek Bailey and Anthony Braxton's Royal, expanded to include both intended volumes. Volume 1 was originally released in 1984; the second volume was never issued. The second release in a series of collaborations between Honest Jon's Records and Incus: three double-LPs of the legendary free-improvising guitarist Derek Bailey, solo (HJR 200LP) and in duos with Anthony Braxton and Han Bennink (HJR 202LP), augmenting the original releases…
Percussionist Jamie Muir was a member of King Crimson during the recording of Larks’ Tongues In Aspic, in 1973. Staying less than a year with Robert Fripp, the Scot had already cut his teeth with another master guitarist, Derek Bailey, as part of the Music Improvisation Company, along with Evan Parker, Hugh Davies and Christine Jeffrey, whose eponymous 1970 album was one of the first releases on ECM. Muir and Bailey recorded Dart Drug eleven years later, in 1981.There’s no shortage of great perc…
Akira Kosemura’s Polaroid Piano is a record that is very close to my heart. In fact, it is Akira’s work that was one of the drivers for Someone Good, one of the Room40 sibling labels, to be founded. Polaroid Piano marks the beginning of what would later become known as felt piano music, an approach to the piano which was picked up by numerous artists across subsequent years. It captures an essential and intimate rendering of the piano at close proximity, but it does more than that, it allows the…
At long last, after decades out of print, joining their growing Cramps Records Reissue Series, Dialogo brings us the long-awaited vinyl reissue of Alvin Lucier's "Bird and Person Dyning", the composer's first solo LP. As legendary as they come, and easily among the most important and groundbreaking efforts in experimental music ever recorded, this is Lucier at his most visionary. Issued in a limited edition of 300 copies of black vinyl, with fully remastered audio, housed in a sleeve that beauti…
On Utopic Sporadic Orchestra - Nancy 1975, Jannick Top finally steps to the front of a large ensemble, unleashing a monumental, eighteen‑piece orchestral incarnation of his Zeuhl opus De Futura - a once‑in‑a‑lifetime blast of mythic low‑end and collective propulsion.
Louis Matute unveils Dolce Vita, a bold and vibrant album. Recorded at the legendary La Frette Studio, this record blends Honduran heritage with Brazilian influences, merging jazz, groove, Caribbean rock and vintage textures into a poetic and deeply committed work. Having gained recognition at prestigious festivals, Matute collaborates here with remarkable artists such as Joyce Moreno, Dora Morelenbaum, Gabi Hartmann and Rico TK. In March 2025, Louis set up camp at La Frette, a rock-tinged, vint…
On Last, Leda distils Sofie Herner’s loop‑based guitar minimalism into six slow‑burning pieces: proto‑industrial basement buzz, worn tape atmosphere and stubbornly simple figures that erode into something hypnotic, eerie and oddly tender over 33 minutes.
* Special embossed, die-cut sleeve with 56-page booklet - 200 copies on black vinyl * Aude Van Wyller (aka Oï les Ox, aka AI les Axes) joins forces with acclaimed poet Lucy Van, author of The Open (2021) and Australian Women's Historical Photography (2024). This debut collaboration weaves together Van Wyller's ambient mutations with Van's incisive, luminous words.
In Material, words reach for the image, sounds reach for the word, and one thing becomes another. The result is an intimate, tactile …