Best sellers

Only album released by the British-Caribbean band Demon Fuzz, recorded in summer 1970 with Paddy Corea, Ray Rhoden, W. Raphael Joseph, Steven John and Smokey Adams, produced by Barry Murray and issued on Dawn in November 1970.

“The artistry of ABoneCroneDrone is in the attention to detail. The album is beautifully performed, mixed and compiled with intelligence and strong sense of structure. It makes good use of a listener’s valuable time while issuing a challenge to hear in a fresh way.” John L. Walters.

American percussionist Jeff Arnal and German pianist-composer Dietrich Eichmann’s two-decade partnership fuses polyrhythmic structures and vibrant textures in dynamic, improvised soundscapes. "Tides of Unrest" captures their creative synergy in a 2023 session, blending innovation, tradition, and collaboration.

Stephan Micus' 27th solo album for ECM, dedicated to the sea: a dozen instruments from Borneo, Japan, India, Armenia, Africa and beyond, from hang and kalimbas to shakuhachi, duduk, sapeh and sho.

On Barker Final, Ivan The Tolerable closes the door on 1a Barker Road with a set of songs conceived, performed and mastered entirely by Oli Heffernan. The album feels like a final dispatch from a long‑running home studio, where restless experiments in tone and texture are distilled into a focused, late‑night farewell.

Look at those players Alon Nechushtan brought together for this gig! The late, great Roy Campbell; reed masters Daniel Carter and Sabir Mateen; mayor of the NYC avant-jazz scene William Parker; versatile drummer Federico Ughi. Then listen: they all live up to their reputations. And then there's Nechushtan himself, born in Tel Aviv and long a thriving presence in New York as both composer and improviser. This concert happened at a time of considerable ferment on the NYC scene, with established vi…

Founded in Creil, in the Oise département north of Paris, in 1981 by Thierry Damerval on bass and keyboards, Christophe Demarthe on vocals, and Nicolas Demarthe on guitar, Clair Obscur are widely credited with coining the term cold wave, which makes it all the more striking that they vehemently refused to be categorised as gothic or wave, insisting on their own radical unclassifiability from the beginning. Their early shows mixed music with performance art; one notorious concert was staged as a …

Tiziana Ghiglioni (vocals), Enrico Rava (trumpet) and Mal Waldron (piano) in ten standards, recorded at Barigozzi Studio, Milan, on 25 July and 1 August 1989, without bass or drums.

Building off of their debut album last year, legendary musicians and 577 mainstays reunite for a second volume. As in the first, saxophonist and multi-instrumentalist Daniel Carter, pianist Leo Genovese, bassist William Parker (also playing Gralla and Shakuhachi on this album), and drummer and vocalist Francisco Mela, unite for another cosmic album. This project again draw from classic jazz arrangements, juxtaposed with a modern experimentalism and a huge range of instrumentation. Shine Hear, Vo…

Very, very broadly speaking, there are two kinds of Nurse With Wound albums: the sprawling, immersive, evolving drone-type recordings - think Soliloquy for Lilith, Salt Marie Celeste - and the wild, surreal freak-outs. A Sucked Orange is a prime example of the latter. Originally released by United Dairies at the end of the 1980s, A Sucked Orange has long been out of print, especially on vinyl. Infinite Fog is beyond happy to bring this singular work back as a 2LP picture-vinyl edition in a sumpt…

Naples, 1977. Luciano Cilio's sole recorded work is pure magic - four "quadri" where strings, woodwinds, wordless voices and solitary guitar trace the edges of silence. Closer to Arvo Pärt and Morton Feldman than to any Italian prog, yet entirely its own universe. Music that breathes, suspends time, breaks your heart without raising its voice. Decades ahead of its time. First ever remaster from the original tapes.

Corbett vs. Dempsey is thrilled to announce the release of ‘Reason’, the second album from international free music quartet The Sleep of Reason Produces Monsters.

With Heat, Société Étrange extends its work around repetition, groove and cyclic structures, shaping an instrumental music that is both hypnotic and enveloping. Without any radical shift, the Lyon-based trio subtly moves towards more melodic and more cinematic forms, revealing warmer, more textured and sometimes more luminous atmospheres. Formed by Antoine Bellini (electronics), Romain Hervault (bass) and Jonathan Grandcollot (drums), Société Étrange builds here a more diffuse trance, driven by …

*100 copies limited release* Winding through cavernous and dark meanders, amid gurgling water, rustling sounds, low and deep pulsations, incisive and impactful sound masses, floating waves, crystalline drips, sudden rays of light, electronic spirals, and unexpected openings onto almost soothing soundscapes and quiet environmental stasis, Rod Modell paints musical textures that are apparently abstract and contemplative, but in reality charged with pathos and drama, taking advantage of a spectacul…

First reissue and first vinyl edition of the 1995 album on which Rita Marley sings songs by Ignacio Scola and Gregorio Paniagua, sophisticated experimental pop rooted in soul and Jamaican music, with a side of remixes by Suso Sáiz.

Test pressing of the 2LP Cocoon by Rod Modell, Marit Wolters, on 13 (Silentes).

Alvin Curran conducts the Iato Orchestra, thirty musicians with voice, reeds, brass, strings, harp, accordion, guitars, vibraphone, basses, two drummers and four electronics players.

Anthony Braxton's 12+1tet live at Victoriaville on 20 May 2007: Composition No. 361, seventy minutes of layered Ghost Trance writing with Taylor Ho Bynum, Mary Halvorson, Steve Lehman, Nicole Mitchell and others.

On Fantasy, Piero Umiliani resurfaces four decades late with a perfectly preserved final statement: a 1983 library dream where analog synths, light orchestration and soft rhythms drift between science‑fiction shimmer and easy‑listening warmth, closing his universe on a quietly visionary note.

Soundtrack to Stan Douglas's 2013 video Luanda-Kinshasa, a staged 1970s jazz-funk session led by Jason Moran, recorded in Brooklyn in June 2013 and edited by Douglas; second edition of The Vinyl Factory's 2016 double LP.

Chicago guitarist Eli Winter leads a band with Tyler Damon and Sam Wagster, plus guests David Grubbs and Mike Watt, through six pieces that include covers of Don Cherry and Carla Bley.

Vocalist, producer and musical visionary Jimetta Rose announces the release of solo album MettaSun, via our dub label Day Dreamer. Inspired by the interplanetary mythologies of Sun Ra, MettaSun reimagines a selection of the cosmic jazz pioneer’s most iconic recordings through Jimetta’s unique lens – a powerful expression of the female imaginary and a positive vision of radical hope and Black joy amid the chaos of contemporary America. MettaSun is Jimetta Rose’s solo opus. Embracing the Sun Ra’s …

Bassist Isao Suzuki and tenor saxophonist Akira Miyazawa together in 1981, with Motohiko Hino on drums: Suzuki's first digitally recorded album, long a hidden gem of Japanese jazz. First vinyl reissue, newly cut from the original master tapes.

For their thirtieth anniversary, Ultra-Red, the international sound art and popular education collective is releasing the first volume of Ulta-red: A Journal of Militant Sound Inquiry, investigating movement-based listening practices that take the forms of militant inquiry and political education. In the words of Ultra-red, "No movement without listening!"The initial issue of Ulta-red examines "conjunctural analysis," or "naming the moment," as a practice of collective inquiry. The issue begins …

Konoma by Takuro Okada is an evocative exploration of musical identity informed by Afro-American traditions and a Japanese artisanal spirit. With eight tracks that weave intricate guitar textures, this album reflects Okada’s meditation on cultural connection and the possibilities of stylistic fusion, pushing boundaries in contemporary instrumental music.​

Seven tracks of sequencer riffs, analog arpeggios and rhythmic programming from the collaboration of Dennis Knopper (Spielerei) and Jeroen Vermeent (Mantacoup); Silentes, 2007.

Origianl Japanese edition on Philips "De Luxe" series of the 1964 album with three seminal 20th century compositions performed by Yvonne Loriod with the Orchestre Du Domaine Musical conducted by Pierre Boulez. With obi.

Recorded at the legendary Van Gelder Studio in September 1965 and released on the prestigious Blue Note label, this remarkable album spotlights alto saxophone virtuoso Jackie McLean leading a powerhouse quintet through five original compositions. This recording captures a pivotal moment in post-bop jazz, highlighting McLean’s bold, expressive style and his commitment to pushing the boundaries of the genre. Joining McLean are two celebrated trumpeters, Charles Tolliver and Lee Morgan, each bringi…

*200 copies limited edition* A 'monolithic' experiment in extremely minimal non-music constructed in two long parts. If the first part is dominated by a background based on a single sound rich in harmonics that oscillates on its own wave-like vibrations, resting on a substrate of what can be at the same time a synthetic pink noise or the real 'capture' of a natural quasi-silence, in the second part a few sounds of a more overtly electric/electronic matrix, a tangle of faint high-pitched looped e…

Drew Sullivan returns to The Disappearing Collective six years on: analog synths, treated guitars, rain and strings in seven nocturnal ambient pieces, closing with the eleven-minute Blue Suburban Skies.

Henryk Kuźniak's complete scores for Grzegorz Królikiewicz's 1970s films Na wylot and Wieczne pretensje, plus the short Nie płacz: monumental orchestra, a bravura tango and sound design made at the Polish Radio Experimental Studio.

*300 copies limited edition* One is a self-titled psychedelic and progressive rock album released in 1969 by the British group One, originally issued on the Fontana label. Built around singer and multi-instrumentalist Alan Marshall and keyboard player Bobby Sass, the group brought together musicians with strong studio and live backgrounds, creating a sound that is loose, soulful and unusually expansive. The album mixes blues-rock, soul, jazz touches and psychedelic improvisation into five long p…

*Limited edition of 200 copies.* Involving electric drone music; static backgrounds surrounded by occasional field recordings, distortions, hums, metallic sounds, gongs, Tibetan bowls with subliminal oriental suggestions. Compositions that are sometimes coloured or guided by short, deep, hypnotic melodic phrasings of electric guitar, hints of slide guitar, pounding piano notes, or violated by sudden modulations of sibilant electronic waves alternating with bombastic electric pulsations; chaotic …

*2025 much needed repress!!! 200 copies limited edition* Glow World is Rod Modell's new project resulting from his collaboration with Taka Noda. The duo delivers what could be an example of perfect elegance and musical refinement, but the resulting sounds are once again dirtied, ruined and ravaged by a noise capable of deafening us, sounds that come from afar, that seem to fade away but suddenly illuminate the world around us, which lands on us and which no longer belongs to us, leaving us lost …

The acquatic and marine imagery drawn by the titles and the artwork for “The Gentle Whale”, Francesco Lurgo’s second LP, the first one for Silentes, are a metaphor for a sound that is liquid and like the sea is constantly shifting from the quietness of intimate ambient moments to waves of maximalist sonic pressure, always looking with admiration to the creative world of contemporary soundtracks. From this sonic fluid, arpeggios and themes played by melancholic post-rock guitars and plucky synths…

Hawkwind's 1971 album, the first Top 20 hit of the band, in a remastered gatefold vinyl edition cut at Abbey Road with restored artwork and a poster.

Hardback cover, richly illustrated. A full-length book on Boards of Canada, the Scottish duo of Michael Sandison and Marcus Eoin, published by Disco Pogo with the approval of the band and of Warp. It is the fifth volume in the magazine's Tribute series, after Daft Punk, Aphex Twin, LCD Soundsystem and Andrew Weatherall, and the artist readers had been requesting most since the series began. Ships 10 November 2026. Sandison and Eoin started recording in the Pentland Hills outside Edinburgh in the…

*200 copies limited edition* Gathering its most vivid elements, and drawing inspiration from the most emotionally touching mixtures of electronic synthesizers, driving rhythms - always 'clever' and sober - and melodic para-ambient offshoots, Like the Snow creates an album with almost 'epic' connotations, for its ability to involve and for the intensity of the emotions it is able to convey. At times sweetly melancholic and introspective, at times 'charged' with irresistible dynamic energy, but al…

*Limited edition of 200 copies.* Enfold was created over the span of four months in the early morning hours. Its structure alternates between mechanistic dub techno rhythms and sections of deeper ambience. Each of the three names listed within the album's track titles symbolize multiple hours of improvised source material. Field recordings appear throughout the album's duration. Thunder, rain, wind, and cicada sounds are prominent. The fifth track contains processed recordings of wartime Kiev, U…

Long deleted, last copies around: This is a simultaneous performance of "Coyote III" and "Pianovariation 1984". Recording of a performance at Seibu Museum of Art (Sôgetsu Hall), Tokyo, June 2nd 1984. Paste-on front cover with rubber stamped back cover. Includes double sided b&w insert. Blank white labels